Tag: PricewaterhouseCoopers

  • Harleen Bhatti hops onto Honasa Consumer

    Harleen Bhatti hops onto Honasa Consumer

    MUMBAI: Harleen Bhatti has taken the reins as vice president of direct-to-consumer operations at Honasa Consumer Ltd, parent company of Mamaearth, stepping into the role this April after a nine-month stint at Wellbeing Nutrition.

    The digital marketing maven brings impressive credentials from India’s consumer tech landscape, having previously served three years at The Good Glamm Group, where she built and led a 25-member team across D2C functions that directly impacted more than 60 per cent of the group’s revenue.

    “My North Star metric is focused on achieving a target LTV:CAC ratio and ensuring a profitable recurring P&L,” Bhatti noted about her approach to digital growth—a philosophy that has served her well across stints at several high-profile consumer brands.

    Before joining The Good Glamm Group, Bhatti spearheaded retention marketing at Lenskart.com, where she claimed to have generated a return on investment of 4x from customer relationship management channels. Her earlier career included roles at Cure.Fit’s Eat.fit division and Capillary Technologies.

    Bhatti’s appointment comes at a crucial time for Honasa, which has been expanding its brand portfolio beyond its flagship Mamaearth line. Her extensive experience in performance marketing, customer acquisition and retention strategies could prove vital as the company looks to strengthen its direct-to-consumer operations in an increasingly competitive beauty and personal care market.

    The digital growth specialist cut her teeth in strategy consulting at PricewaterhouseCoopers and investment banking at Copal Amba before finding her niche in consumer tech marketing. With her track record of driving profitability through data-driven customer engagement strategies, Honasa appears to be betting on Bhatti to help cash in on India’s booming D2C revolution

  • DEN Networks appoints Rajendra Hingwala as additional independent director

    DEN Networks appoints Rajendra Hingwala as additional independent director

    MUMBAI: As per the recommendations of nomination and remuneration committee, the board of directors of DEN Networks has approved the appointment of Rajendra Dwarkadas Hingwala as an additional independent director of the company.

    According to the company's BSE filing, Hingwala has been named as a director for a period of three consecutive years with effect from 21 December 2019 to 20 December 2022.

    Hingwala is a chartered accountant and fellow member of the Institute of Chartered Accountants of India (ICAI). He worked as director/ partner with PricewaterhouseCoopers Pvt Ltd (PWC) and retired therefrom after 38 years of service.

    “Hingwala is neither related to any director of the company, nor debarred from holding the office of director by virtue of any Securities and Exchange Board of India (SEBI) order or any other such authority,” the press statement published on the bourses mentioned.

    Hingwala’s area of work included advising. He has an expertise on various provisions of double taxation avoidance agreements, direct and indirect tax implications of acquiring undertakings/ companies, structuring of business transactions, compliance of tax laws including litigation support and structuring of investment by foreign entities in India through various investment routes.

  • ChyronHego appoints Neil Foster as COO and CFO

    ChyronHego appoints Neil Foster as COO and CFO

    MUMBAI: With an aim of continuing its global growth both organically and through acquisitions, ChyronHego’s has appointment Neil Foster as chief operating officer and chief financial officer. Foster will be based at the ChyronHego headquarters in Melville, New York reporting directly to the company’s president and CEO Johan Apel.

    “We’re very privileged to welcome Neil to our senior management team as we continue to deepen and scale our operations in support of our continued expansion in global markets,” said Apel. Adding further, “With his rich experience in executive-level management at high-profile, global enterprises, Neil will play a valued leadership role in our rapidly growing company.”

    Foster brings to ChyronHego more than 25 years of executive experience in various strategic, operational, financial, and corporate development roles at the nexus of media, technology, and entertainment.

    “I am thrilled to join ChyronHego and Johan’s team at this exciting time in the company’s evolution,” Foster added. “With innovative products and services that empower graphics and data for the broadcast and sports industries, ChyronHego is well-positioned as a leader in one of technology’s most attractive vertical markets for software applications. I’m looking forward to applying my strategic, operational, and financial expertise to help ChyronHego create value for shareholders.”

    Prior to joining ChyronHego, he served as executive vice president, operations, for Take-Two Interactive Software Inc. He has also held a number of roles in the recorded music business, including executive vice president, finance and operations, for the Columbia/Epic Label Group of Sony Music Entertainment, and co-president of Sony Music Entertainment Canada. Foster’s early career included positions at McKinsey & Company Inc. and PricewaterhouseCoopers.

  • ChyronHego appoints Neil Foster as COO and CFO

    ChyronHego appoints Neil Foster as COO and CFO

    MUMBAI: With an aim of continuing its global growth both organically and through acquisitions, ChyronHego’s has appointment Neil Foster as chief operating officer and chief financial officer. Foster will be based at the ChyronHego headquarters in Melville, New York reporting directly to the company’s president and CEO Johan Apel.

    “We’re very privileged to welcome Neil to our senior management team as we continue to deepen and scale our operations in support of our continued expansion in global markets,” said Apel. Adding further, “With his rich experience in executive-level management at high-profile, global enterprises, Neil will play a valued leadership role in our rapidly growing company.”

    Foster brings to ChyronHego more than 25 years of executive experience in various strategic, operational, financial, and corporate development roles at the nexus of media, technology, and entertainment.

    “I am thrilled to join ChyronHego and Johan’s team at this exciting time in the company’s evolution,” Foster added. “With innovative products and services that empower graphics and data for the broadcast and sports industries, ChyronHego is well-positioned as a leader in one of technology’s most attractive vertical markets for software applications. I’m looking forward to applying my strategic, operational, and financial expertise to help ChyronHego create value for shareholders.”

    Prior to joining ChyronHego, he served as executive vice president, operations, for Take-Two Interactive Software Inc. He has also held a number of roles in the recorded music business, including executive vice president, finance and operations, for the Columbia/Epic Label Group of Sony Music Entertainment, and co-president of Sony Music Entertainment Canada. Foster’s early career included positions at McKinsey & Company Inc. and PricewaterhouseCoopers.

  • Asian Television Awards 2015 adds two new sports categories

    Asian Television Awards 2015 adds two new sports categories

    NEW DELHI: The 20th Asian Television Awards has added two new categories this year namely Best Live Sports Coverage and Best Sports Programme. 

     

    The Awards comprise 40 categories and attracts a multitude of entries of over 1200 annually from a wide range of broadcasters, including free-to-air television stations and pay-TV platforms, as well as many independent production houses in Asia.

     

    Talking about the addition of the new category, Asian Television Awards chief of jury Man Shu Sum said, “Sports programmes have increasingly become more popular in the global market as a result of advanced technology where audiences can watch exhilarating matches and games live with no issues of time difference. With the addition of two new Sports categories, we are hoping to get more high-quality entries and raise the overall standard of sports programming to an even higher level.” 

     

    Entries have also been invited in forty categories. All entries have to be of programmes made between 1 June, 2014 and 31 May, 2015. Entries have to be submitted by 30 June. The awards gala will be held on 2 and 3 December in Singapore.

     

    Only programmes produced by television broadcasters (terrestrial, cable and satellite), television production companies or VOD/ OTT service whose primary base is in one of the fifty countries from Egypt to the Far East will be eligible

     

    No repeated programmes aired during the period 1 June last year to 31 May this year will be eligible. Proof in the form of a published schedule of the transmission time and date will be required.

     

    There is no limit to the amount of entries that can be submitted. Each entry is a separate submission and requires its own entry form and entry fee.

     

    The categories come under the three groups of Programming, Performance, and Technical & Creative.

     

    Launched in 1996, Asian Television Awards winners are determined by an expert panel of over 60 judges from across the region. The results are tabulated and audited by PriceWaterhouseCoopers, with the winners only announced during the Awards Ceremony in December.

     

    The judging process has also been brought into the digital era by being conducted online.

  • Discovery Communications bags two Apollo Award

    Discovery Communications bags two Apollo Award

    NEW DELHI: Three entries from India including two from Discovery Communications India featured in the award-winners list of the 2014 Apollo Awards organised by Asia Image.

     

    Discovery Communications India bagged two awards for the same programme – ‘Himalayan Tsunami’ produced by Beach House Pictures. It received the awards for Colour Grading by Karen Ng and Sound Design category- Long Form by Jerry Teo.

     

    The third Indian award went to Merzin Tavaria and Alex Pejic for Visual Effects/ CGI – Long Form for two films ‘White House Down’ by Prime Focus.

     

    The awards were given away last night at the Marina Bay Sands in Singapore, alongside BroadcastAsia at the 19th International Digital Multimedia & Entertainment Technology Exhibition & Conference. 

     

    Out of 165 submissions received, 42 entries made the final cut after being judged by a panel of judges that combines extensive technical knowledge, critically acclaimed creativity, and years of experience in the media and entertainment industry. The results are tabulated and audited by international auditing firm PriceWaterhouseCoopers. 

     

    Seven Indian entries had been shortlisted. While ‘Kai Po Che!’ had been shortlisted for Colour Grading for Merzin Tavaria and Paresh Acharya of Prime Focus, Discovery Communications India made it to the list for Cinematography – Long Form for Sanjay Agarwal filming ‘Everest: India Army Women’s Expedition’ produced by Robin Roy Films. The other Indian entries were: Sandeep Shelar & Ashok in Art Direction for ‘Ixigo’ by Studio Eeksaurus Productions Pvt. Ltd; and Merzin Tavaria for Visual Effects/ CGI – Long Form for ‘The Great Gatsby’ by Prime Focus. 

    “We will continue to evolve and remain relevant to provide industry players with a driving force that truly celebrates excellent performance. All our winners have made major contributions towards their respective fields, and we are proud to honour their achievements,” said Apollo Awards organiser Raymond Wong.

    “Also, we thank our sponsors and partners for your generosity and contributions. The Awards wouldn’t have been so momentous without your kind support, endorsement and presence,” added Wong.

    The ceremony brought together around 150 industry professionals, who celebrated the joyous occasion with all the award winners. First launched in 2005, the Asia Image Apollo Awards is an initiative aimed at honouring the best in production and post-production across Asia Pacific, with a strong focus on the creative and technical mastery behind the scenes.

  • PwC report: content value, retransmission fees to boost E&M deals

    PwC report: content value, retransmission fees to boost E&M deals

    MUMBAI: If the new report released by PricewaterhouseCoopers (PwC) comes true, the media and entertainment sector could witness increasingly lucrative retransmission fees and high value for content having key influences on deal activity in the sector.

     

    The value of deals in the US entertainment, media and communications sector in 2013 more than doubled, driven by several “megadeals,” according to PwC’s year-end update.

     

    The deal volume year-to-year was relatively stable, the company reveals in its US Entertainment, Media & Communications Deal Insights report, rising by just three per cent to 866, while deal value soared from $96.2 billion to $222.7 billion.

     

    In broadcasting, deal volume rose from 71 to 87, with deal value soaring from $5.8 billion to $26.3 billion, driven by Comcast’s acquisition of GE’s interest in NBCUniversal. Going forward, deal activity in broadcasting is likely to be influenced by the increasing importance of retransmission revenues, as companies look to broaden their geographic reach.

     

    “PwC is beginning to see increased activity from US government regulators around anti-trust, intra-market media ownership and foreign media ownership regulations, which will likely be another market factor influencing deal volume,” the report says in its broadcasting 2014 outlook.

     

    Cable deal volume was stable at 16, but the value of deals fell year-to-year from $9 billion to $5 billion.

     

    Last year also saw 46 deals in film/content, up from 40, with a value of $0.5 billion, down from $9 billion in 2012. The previous year included Disney’s purchase of Lucasfilm.

     

    On the 2014 outlook for deals in film and content, PwC says, “The rising value of content has started an industry-wide race to acquire it. Buyers continue to look for ways to bridge the value gap and meet the premiums demanded by content providers through attractive deal structures, beneficial tax structuring and contingent consideration. Recent years have seen several major acquisitions of content assets, and despite the drop in deal value in 2013, the ongoing deal activity is likely to continue. Geographic location will hold no bar as U.S. participants look abroad and foreign players look to the United States for a means to acquire and monetize content.”

  • Run up to Oscars starts today after ballots are in

    Run up to Oscars starts today after ballots are in

    MUMBAI: With the final ballots due to reach the Academy’s accounting firm PriceWaterhouseCoopers, the run for the 2011-2012 Oscars will begin after the race for the same that began six months ago will come to an official end tonight at 5 pm PST.


    And with that all the films, the artistes and others in the fraternity will wait with bated breath for the award ceremony due coming Sunday at the Kodak Theatre.


    Since PriceWaterhouseCoopers guards the results, it is very difficult to know how close some contenders came to winning, or how many Academy members participated in the voting process.
     
    History has shown that many Hollywood-area voters wait until the last possible minute to fill out their ballots and then hand-deliver them to the Academy.


    That process could cause some problems this year since the ballots of members who waited until Friday or Saturday last to send off their ballots forgetting that since Monday was President‘s Day, their ballots would not arrive in time to be counted.

  • Online voting for Oscar awards from next year

    Online voting for Oscar awards from next year

    MUMBAI: The Academy of Motion Picture Arts and Sciences is developing an electronic voting system in association with Evertone Counts Inc. that would keep potential Oscar winners be a click away from winning a trophy from the 85th annual Academy awards next year.

    ‘Academy‘s chief operating officer Ric Robertson said in a statement that it‘s the first step his organisation is taking toward developing a secure and convenient electronic voting system.

    The Academy and Everyone Counts Inc. would exclusively work with its longtime accountants PricewaterhouseCoopers to create the new system.

    Oscar voting in the past has been compiled through paper ballots sent through the mail.

    The 84th annual Academy Awards are set for February 26.

  • Hopeline success in FM private radio Phase II

    Hopeline success in FM private radio Phase II

    MUMBAI: Tuning into the radio industry. The FM private radio industry is gearing up for a massive expansion. Radio Tuning in-Again, the session at the second day of Ficci Frames 2006. The panelists emphasized on the government looking at permitting multiple frequencies including granting of news and current affairs, HR practices, expansion of listenership and impending base for advertisers and a sophisticated listenership measurement system.

    Entertainment Network Ltd ( manages the brand Radio Mirchi) CEO AP Parigi says that the various FM stakeholders have been hammering that multiple frequencies should be permitted, which would spur the launch and growth of niche channels in this category.

    The demand of multiple frequencies from various stakeholders of the industry seems to be long pending. Though the regulator does not permit any licensees to own multiple frequencies in same city, the panelist urges the government to look into the matter.

    Win 94.6 FM managing director Gautam Radia concurs with Parigi on the government to provide permission of multiple frequencies, which may witness diversification in content, which in turn may push the list of listenership.

    Radia does not hesitate to point out that if the government grants the authorization of the same, it will come with ‘a rider’. According to him, the government may enforce the licensees to operate one of the multiple frequencies to cater to the local listeners by conversing in local languages.The Win 94.6 in Mumbai, had to be shut down due to the heavy licence fee during the FM radio phase I.

    The augmentation of niche channels is achievable if it is pushed by the market leaders of the industry, Parigi says, “The niche channels should be supported by the market leaders and profitable companies in this business during the infancy”.

    He briefly touches on the aspect of news and current affairs, which have been restricted to the industry as of now. He says if these restrictions are removed, radio can educate its listeners on locally relevant information and discussions, besides having a good mixture of entertainment and news.

    The industry is concerned over the lofty music royalties. Recently, the Association of Radio Operators of India (AROI), a body of FM radio licencees, had decided to petition the government rationalization of music rights fee, tax sops. Radia mentioned that the soaring music fee is not affordable by players playing in the smaller cities and towns. Paragi agrees to the same and is looking at fair music royalties with the launch of new stations across 91 cities.

    Big River Radio (India) Private Ltd managing director Sunil Kumar lay stress on programming, which to him is a ‘challenge’. “The need to develop programmes in 22 major languages and over 100 major languages/ dialects,” he says. Music scheduling software for radio, according to him is a ‘no-no’ as it is best suited for western environment.

    Kumar believes that the objective of the industry should include amplifying the listnership and advertisement, establish brand and capture a defined segment. Besides, the above objectives, the industry has to tactfully combat challenges especially with respect to the HR practices.

    Parigi points out that the HR practice has to designed in such a manner that it ‘learn, earn and grown rather than learn, earn and go’. Retaining and developing talents remains a worry and has to be sought out with the best HR policy.

    Besides, the challenges, the stakeholders are gung-ho about the future, which is identified as the appropriate place in the galaxy of entertainment. The size of the industry, at present, is pegged at Rs 3 billion, according to a study by the Federation of Indian Chambers of Commerce and Industry (FICCI) and PricewaterhouseCoopers. It is anticipated to register a robust growth of 32 per cent over the next few years to touch Rs 12 billion (nearly $270 million) in revenues by 2010 on the back of a robust economy and easing of stiff investment rules.

    Media planners acknowledge that the advertisement base of radio is anticipated to surge with the launch of approximately 200 stations, which is likely to propel the development of the FM category. Insight president Raj Gupta believes the verdict is positive amongst the media planners.

    Stating it as value for money, Gupta indicates, “Radio that has moved from background to foreground has higher affinity of youth. The youth category products are likely to migrate to radio.” To him, radio will be the new habitat for youth.