Tag: Prem Ratan Dhan Payo

  • TV storytelling needs same passion as films, says Sooraj Barjatya; to launch four shows in ’17

    TV storytelling needs same passion as films, says Sooraj Barjatya; to launch four shows in ’17

    MUMBAI: After a year, Rajshri Production is venturing again into television but this time not just with a single show. Rajshri plans to produce four shows in 2017 for Hindi general entertainment channels (GECs). Celebrating the courage and pride of a strong willed mother with which she empowers her daughter, Sooraj Barjatya recently launched its new offering with Colors, Ek Shringaar.. Swabhimaan.

    Speaking to Indiantelevision.com, Barjatya said, “I firmly believe that television needs the same passion as film-making. It is just that we all were busy with Prem Ratan Dhan Payo. So now, we are back to storytelling on television.”

    He further added, “This show on Colors is one of ours most progressive shows, in which we are trying to show the part of the society which all parents face. This is a story of a middle-class Indian mother, who wants to prove through her daughters, who are IIM and IIT toppers, that today’s girls can be chairmen of companies and also run their household with equal pride and prowess. It’s time we encouraged them.”

    The story of the finite show has been written by Sushil and Shilpa Choubey, the screenplay is by Nishikant and Pranjal and dialogues are Manu Sharma’s. The music has been directed by Udbhav and Dony while lyrics have been penned by Raghvendra Singh.

    Produced by Rajshri, the show will start from 19 December at 9.30pm time slot from Monday to Friday. The show is replacing Rashmi Sharma Telefilms’ Swaragini which was launched in March 2015.

    The show highlights a mother’s determination in not only providing the best education for her daughters, but also in finding a suitable match for them in a family that values upbringing over materialistic pleasures. A household that will allow her daughters’ careers to flourish rather than tie them down to domesticity. Swabhimaan traces the story of two sisters as they pledge to fulfill their mother’s dream of becoming self-reliant and society’s expectations of being married at an acceptable age.

    According to a source, the estimated per episode production cost of the show is in the range of Rs 9 -10 lakh. On the ad rates, Swabhimaan commands Rs 1 lakh for a 10-second slot, the source said.

    Speaking about this new offering, Colors CEO Raj Nayak said, “We, as a society, often do not give enough credit to the women for the value they add to our lives. Though now we have opened up about educating the girl child, but still, when it comes to marriage, we find people wanting to clip their wings and confine them to a measly role. Our latest offering attempts to change that mindset. The show highlights the importance of being self-reliant and at the same time uphold the tradition and values of our culture. With Sooraj Barjatya’s magical touch and a platform such as Colors, Ek Shringaar…Swabhimaan with its vibrant backdrop is sure to strike a chord with the viewers.”

    Further Colors programming head Manisha Sharma added, “The concept is unique simply because it questions the contrasting principles of our society. We are all about educating our daughters but how many households are actually open to letting their daughter-in-law’s pursue their careers? Here’s a strong willed mother who just has one request to the world – Allow my daughters to work. Don’t let their education go to waste. The show addresses this thought head-on by laying focus on values like self-respect and self-worth which have been inculcated through a mother’s upbringing. The show marks our first collaboration with Rajshri Productions whose penchant for beautiful storytelling and powerful narratives has gripped audience attention on television and in films; we look forward to a long and fruitful partnership.”

    “The show looks promising and the storyline is good but the critical question to get ratings, do they have what it takes? Ratings comes only with certain things or you cut across emotionally with the audience. That connections needs to be there and they might change the track halfway down the line when they realize that something is not working. Also, Colors has struggled a lot between 9- 10pm time slot. They are doing extremely well in 8-9pm and 10-11pm time band,” said a senior media planner on the condition of anonymity.

    On other Hindi GECs, Colors’ new show Swabhimaan at 9.30 pm slot will be pitted against &TV’s Badho Bahu which airs at 9.30 pm from Monday to Friday, Zee TV’s Ek Tha Raja Ek Thi Rani, Star Plus’ one of the longest running show Yeh Rishta Kya Khelta Hai, Life OK’s May I Come in Madam and Sab’s Trideviyaan. On the other hand, Sony Entertainment Television airs its one of its rated show Kuch Rang Pyaar ke Aise Bhi.

  • TV storytelling needs same passion as films, says Sooraj Barjatya; to launch four shows in ’17

    TV storytelling needs same passion as films, says Sooraj Barjatya; to launch four shows in ’17

    MUMBAI: After a year, Rajshri Production is venturing again into television but this time not just with a single show. Rajshri plans to produce four shows in 2017 for Hindi general entertainment channels (GECs). Celebrating the courage and pride of a strong willed mother with which she empowers her daughter, Sooraj Barjatya recently launched its new offering with Colors, Ek Shringaar.. Swabhimaan.

    Speaking to Indiantelevision.com, Barjatya said, “I firmly believe that television needs the same passion as film-making. It is just that we all were busy with Prem Ratan Dhan Payo. So now, we are back to storytelling on television.”

    He further added, “This show on Colors is one of ours most progressive shows, in which we are trying to show the part of the society which all parents face. This is a story of a middle-class Indian mother, who wants to prove through her daughters, who are IIM and IIT toppers, that today’s girls can be chairmen of companies and also run their household with equal pride and prowess. It’s time we encouraged them.”

    The story of the finite show has been written by Sushil and Shilpa Choubey, the screenplay is by Nishikant and Pranjal and dialogues are Manu Sharma’s. The music has been directed by Udbhav and Dony while lyrics have been penned by Raghvendra Singh.

    Produced by Rajshri, the show will start from 19 December at 9.30pm time slot from Monday to Friday. The show is replacing Rashmi Sharma Telefilms’ Swaragini which was launched in March 2015.

    The show highlights a mother’s determination in not only providing the best education for her daughters, but also in finding a suitable match for them in a family that values upbringing over materialistic pleasures. A household that will allow her daughters’ careers to flourish rather than tie them down to domesticity. Swabhimaan traces the story of two sisters as they pledge to fulfill their mother’s dream of becoming self-reliant and society’s expectations of being married at an acceptable age.

    According to a source, the estimated per episode production cost of the show is in the range of Rs 9 -10 lakh. On the ad rates, Swabhimaan commands Rs 1 lakh for a 10-second slot, the source said.

    Speaking about this new offering, Colors CEO Raj Nayak said, “We, as a society, often do not give enough credit to the women for the value they add to our lives. Though now we have opened up about educating the girl child, but still, when it comes to marriage, we find people wanting to clip their wings and confine them to a measly role. Our latest offering attempts to change that mindset. The show highlights the importance of being self-reliant and at the same time uphold the tradition and values of our culture. With Sooraj Barjatya’s magical touch and a platform such as Colors, Ek Shringaar…Swabhimaan with its vibrant backdrop is sure to strike a chord with the viewers.”

    Further Colors programming head Manisha Sharma added, “The concept is unique simply because it questions the contrasting principles of our society. We are all about educating our daughters but how many households are actually open to letting their daughter-in-law’s pursue their careers? Here’s a strong willed mother who just has one request to the world – Allow my daughters to work. Don’t let their education go to waste. The show addresses this thought head-on by laying focus on values like self-respect and self-worth which have been inculcated through a mother’s upbringing. The show marks our first collaboration with Rajshri Productions whose penchant for beautiful storytelling and powerful narratives has gripped audience attention on television and in films; we look forward to a long and fruitful partnership.”

    “The show looks promising and the storyline is good but the critical question to get ratings, do they have what it takes? Ratings comes only with certain things or you cut across emotionally with the audience. That connections needs to be there and they might change the track halfway down the line when they realize that something is not working. Also, Colors has struggled a lot between 9- 10pm time slot. They are doing extremely well in 8-9pm and 10-11pm time band,” said a senior media planner on the condition of anonymity.

    On other Hindi GECs, Colors’ new show Swabhimaan at 9.30 pm slot will be pitted against &TV’s Badho Bahu which airs at 9.30 pm from Monday to Friday, Zee TV’s Ek Tha Raja Ek Thi Rani, Star Plus’ one of the longest running show Yeh Rishta Kya Khelta Hai, Life OK’s May I Come in Madam and Sab’s Trideviyaan. On the other hand, Sony Entertainment Television airs its one of its rated show Kuch Rang Pyaar ke Aise Bhi.

  • BSE seeks & gets clarification on Eros Now-RelianceJio deal

    BSE seeks & gets clarification on Eros Now-RelianceJio deal

    MUMBAI: The Bombay Stock Exchange (BSE), which had sought clarification from Eros International Media Ltd on a partnership with Reliance Jio, has been told that the deal pertains to US-based parent Eros International Plc and not the India-listed entity.

    On 25 August, Eros International had announced a deal between its over-the -top (OTT) platform Eros Now and Mukesh Ambani-led Reliance Jio, which is slated to launch its telecom services soon offering subscribers high- speed broadband and other related services.

    The Eros Now service with its huge library of Bollywood movies, including recent blockbusters such asBajrangi Bhaijaan, Bajirao Mastaani, Tanu Weds Manu Returns, Prem Ratan Dhan Payo, will power Jio’s on-demand entertainment offering.

    The company in its announcement yesterday claimed the “game changing partnership” with Reliance Jio will allow consumers to access high quality Eros Now service within the Jio ecosystem. Jio will provide Eros Now with an opportunity to acquire new subscribers throughout urban and rural India, the company had stated.

    Eros International group CEO and MD Jyoti Deshpande was quoted in an official statement as saying , “As a market leader in the film business, Eros has always strived to bring our users the best of Indian entertainment, offering them the same unified experience across screens and networks. Eros Now’s philosophy is to be platform agnostic and embrace the very best in technology as we continuously enhance our content offering. With the broadband and 4G stage set to explode, our alliance with Jio is part of our philosophy to provide consumers entertainment whenever and wherever they want it.”

    Eros Now has over 44 million registered users across Web, WAP and APP globally and is available across 135 countries with a vast majority of users from India. Currently it’s focused on monetization and achieving a target of one million paying subscribers by the end of fiscal year 2017.

    With a pricing of Rs. 49 ($0.73) per month for a streaming service and Rs. 99 ($1.47) per month, which has additional features such as offline viewing, high definition, subtitles and progressive viewing, the Eros Now service is competitively priced in India compared to other OTT services offering Indian language and international content, the company had claimed.

  • BSE seeks & gets clarification on Eros Now-RelianceJio deal

    BSE seeks & gets clarification on Eros Now-RelianceJio deal

    MUMBAI: The Bombay Stock Exchange (BSE), which had sought clarification from Eros International Media Ltd on a partnership with Reliance Jio, has been told that the deal pertains to US-based parent Eros International Plc and not the India-listed entity.

    On 25 August, Eros International had announced a deal between its over-the -top (OTT) platform Eros Now and Mukesh Ambani-led Reliance Jio, which is slated to launch its telecom services soon offering subscribers high- speed broadband and other related services.

    The Eros Now service with its huge library of Bollywood movies, including recent blockbusters such asBajrangi Bhaijaan, Bajirao Mastaani, Tanu Weds Manu Returns, Prem Ratan Dhan Payo, will power Jio’s on-demand entertainment offering.

    The company in its announcement yesterday claimed the “game changing partnership” with Reliance Jio will allow consumers to access high quality Eros Now service within the Jio ecosystem. Jio will provide Eros Now with an opportunity to acquire new subscribers throughout urban and rural India, the company had stated.

    Eros International group CEO and MD Jyoti Deshpande was quoted in an official statement as saying , “As a market leader in the film business, Eros has always strived to bring our users the best of Indian entertainment, offering them the same unified experience across screens and networks. Eros Now’s philosophy is to be platform agnostic and embrace the very best in technology as we continuously enhance our content offering. With the broadband and 4G stage set to explode, our alliance with Jio is part of our philosophy to provide consumers entertainment whenever and wherever they want it.”

    Eros Now has over 44 million registered users across Web, WAP and APP globally and is available across 135 countries with a vast majority of users from India. Currently it’s focused on monetization and achieving a target of one million paying subscribers by the end of fiscal year 2017.

    With a pricing of Rs. 49 ($0.73) per month for a streaming service and Rs. 99 ($1.47) per month, which has additional features such as offline viewing, high definition, subtitles and progressive viewing, the Eros Now service is competitively priced in India compared to other OTT services offering Indian language and international content, the company had claimed.

  • Rajshri Entertainment MD & CEO Rajjat Barjatya no more

    Rajshri Entertainment MD & CEO Rajjat Barjatya no more

    Mumbai: Rajjat Barjatya, the affable, soft-spoken managing director & CEO of Rajshri Entertainment, passed away Friday evening in Mumbai’s Jaslok Hospital. Rajjat had been battling a blood cancer relapse since end-March this year. He was 41 years old.

    He was first detected with lymphoblastic leukemia in 2010. But he fought and conquered the life-threatening disease and had started aggressively expanding Rajshri in the digital space over the past couple of years. The dreaded disease resurfaced earlier this year.

    He is survived by his wife Neha and two daughters, aged 11 and six.

    Rajjat was a big votary of digital and online video and Rajshri Entertainment had emerged as amongst YouTube’s most preferred partners in India under his guidance.

    Confirming the news, Jaslok Hospital CEO Dr Taran Gianchandani said that the death occurred at around 6:30 pm and refused to comment further.

    According to sources, Rajat was supposed to travel to London next week for a bone marrow transplant. “He had been in and out of hospital over the past three weeks. In the ICU and out. On Thursday, he became quite serious and was put on the ventilator,” says a source close to family. “His body gave up the fight on Friday evening.”

    His last rites will be performed on Saturday at Mumbai’s Worli Crematorium at 1 pm.

    A cousin of renowned film maker Sooraj Barijatya and the son of Ajit Kumar Barjatya, Rajjat was also the founder & managing trustee of Rajshri Foundation, the non profit social enterprise of the Rajshri Group. He was actively involved in the Barjatya family’s Rajshri Productions, which has been behind family based movies such as Maine Pyar Kiya, Hum Apke Hain Kaun and the recent 2015 Salman Khan starrer Prem Ratan Dhan Payo.

    May his soul rest in peace.

    (Updated on 1 August 2016, 12:54 pm)

  • Rajshri Entertainment MD & CEO Rajjat Barjatya no more

    Rajshri Entertainment MD & CEO Rajjat Barjatya no more

    Mumbai: Rajjat Barjatya, the affable, soft-spoken managing director & CEO of Rajshri Entertainment, passed away Friday evening in Mumbai’s Jaslok Hospital. Rajjat had been battling a blood cancer relapse since end-March this year. He was 41 years old.

    He was first detected with lymphoblastic leukemia in 2010. But he fought and conquered the life-threatening disease and had started aggressively expanding Rajshri in the digital space over the past couple of years. The dreaded disease resurfaced earlier this year.

    He is survived by his wife Neha and two daughters, aged 11 and six.

    Rajjat was a big votary of digital and online video and Rajshri Entertainment had emerged as amongst YouTube’s most preferred partners in India under his guidance.

    Confirming the news, Jaslok Hospital CEO Dr Taran Gianchandani said that the death occurred at around 6:30 pm and refused to comment further.

    According to sources, Rajat was supposed to travel to London next week for a bone marrow transplant. “He had been in and out of hospital over the past three weeks. In the ICU and out. On Thursday, he became quite serious and was put on the ventilator,” says a source close to family. “His body gave up the fight on Friday evening.”

    His last rites will be performed on Saturday at Mumbai’s Worli Crematorium at 1 pm.

    A cousin of renowned film maker Sooraj Barijatya and the son of Ajit Kumar Barjatya, Rajjat was also the founder & managing trustee of Rajshri Foundation, the non profit social enterprise of the Rajshri Group. He was actively involved in the Barjatya family’s Rajshri Productions, which has been behind family based movies such as Maine Pyar Kiya, Hum Apke Hain Kaun and the recent 2015 Salman Khan starrer Prem Ratan Dhan Payo.

    May his soul rest in peace.

    (Updated on 1 August 2016, 12:54 pm)

  • Spuul to premiere bollywood blockbuster ‘Prem Ratan Dhan Payo’

    Spuul to premiere bollywood blockbuster ‘Prem Ratan Dhan Payo’

    MUMBAI: Spuul, the popular online streaming service for Indian cinema content has added one of 2015’s biggest blockbuster movies, Sooraj Barjatya’s Prem Ratan Dhan Payo, to its premium catalogue of movies for viewing. The movie will be available on the web, mobile (iOS & Android) as well as on TV’s through Spuul’s Samsung, LG & Panasonic Smart TV apps, Airplay & Chromecast.  

    Keeping in line with Spuul’s strategy of adding fresh content to its library and reducing the gap between satellite and digital premiere, Spuul has brought this Salman Khan starrer to the platform the next day after its satellite premiere.

    Prem Ratan Dhan Payo is one of the most successful Bollywood movies for 2015. Starring Salman Khan, Sonam Kapoor and Neil Nitin Mukesh, it is a story about how a stern prince who is recovering from an assassination attempt four days before his coronation, is replaced by a jovial, heartfelt lookalike and the adventure that ensues.

    Speaking on this development, Spuul Global CEO Subin Subaiah said, “We are extremely happy to introduce one of the most successful movies of 2015 to our viewers across India, Pakistan, UK, US and Middle East. Besides providing constant tech support, we also will continue adding newer, fresh and indie content this year for our 12 million users.”

    Some of the latest additions to Spuul’s catalogue over the past few months are movies like Main Aur Charles, Jazbaa, Titli, Dum Laga Ke Haisha, PK and more.

  • Spuul to premiere bollywood blockbuster ‘Prem Ratan Dhan Payo’

    Spuul to premiere bollywood blockbuster ‘Prem Ratan Dhan Payo’

    MUMBAI: Spuul, the popular online streaming service for Indian cinema content has added one of 2015’s biggest blockbuster movies, Sooraj Barjatya’s Prem Ratan Dhan Payo, to its premium catalogue of movies for viewing. The movie will be available on the web, mobile (iOS & Android) as well as on TV’s through Spuul’s Samsung, LG & Panasonic Smart TV apps, Airplay & Chromecast.  

    Keeping in line with Spuul’s strategy of adding fresh content to its library and reducing the gap between satellite and digital premiere, Spuul has brought this Salman Khan starrer to the platform the next day after its satellite premiere.

    Prem Ratan Dhan Payo is one of the most successful Bollywood movies for 2015. Starring Salman Khan, Sonam Kapoor and Neil Nitin Mukesh, it is a story about how a stern prince who is recovering from an assassination attempt four days before his coronation, is replaced by a jovial, heartfelt lookalike and the adventure that ensues.

    Speaking on this development, Spuul Global CEO Subin Subaiah said, “We are extremely happy to introduce one of the most successful movies of 2015 to our viewers across India, Pakistan, UK, US and Middle East. Besides providing constant tech support, we also will continue adding newer, fresh and indie content this year for our 12 million users.”

    Some of the latest additions to Spuul’s catalogue over the past few months are movies like Main Aur Charles, Jazbaa, Titli, Dum Laga Ke Haisha, PK and more.

  • Q3-2016: Inox YoY revenue up 13.6, PAT up 9.1%

    Q3-2016: Inox YoY revenue up 13.6, PAT up 9.1%

    BENGALURU: Inox Leisure Limited (Inox) reported 13.6 per cent year-on year (YoY) increase in consolidated Total Income from Operations (TIO) in the quarter ended 31 December, 2015 (Q3-2016, current quarter) at Rs 341.71 crore as compared to Rs 300.76 but 3.8 per cent lower quarter-on-quarter (QoQ) as compared to Rs 355.38 crore.

    The YoY increase was driven by a 14.3 per cent YoY increase in gross box office (GBO) collection and a 17.8 per cent YOY increase in Food & Beverages (F&B) revenue in the current quarter. Inox reported GBO collection at Rs 230.69 crore as compared Rs 201.75 crore in Q3-2015. F&B revenue in the current quarter was Rs 65.16 crore as compared to Rs 55.63 crore in the corresponding prior year quarter. GBO collection and F&B revenue in the current quarter however declined 5.4 per cent each as compared to Rs 243.87 crore and Rs 69.24 crore respectively.

    Note: (1) 100,00,000 = 100 lakh = 10 million = 1 crore

    (2) Figures include Satyam Cineplexes Limited, which became wholly owned subsidiary of the company on 8 August 2014.

    Improved Box Office performance of a number of movies saw the company’s PAT in the current quarter increase 9.1 per cent YoY to Rs 15.60 crore (4.6 per cent margin) as compared to Rs 14.30 crore (4.8 per cent margin). PAT in the current quarter however declined 23.9 per cent QoQ as compared to Rs 20.51 crore (5.8 per cent margin) in the immediate trailing quarter.

    Performance of the top five movies by GBO performance accounted for 48 per cent of total GBO collection in the current quarter.

     

    The top five movies in terms of GBO collection in descending order were:

    1) Prem Ratan Dhan Payo: Rs 29.8 crore, 15 lakh footfalls

    2) Bajirao Mastani: Rs 29.6 crore, 14 lakh footfalls

    3) Dilwale: Rs 21.8 crore, 10 lakh footfalls

    4) Tamasha: Rs 16.3 crore, 9 lakh footfalls

    5) Pyaar Ka Punchnama 2: Rs 12.4 crore, 8 lakh footfalls

     

    Footfalls, occupancy rates & average ticket price

    Inox reported a 11 per cent increase in footfalls in the current quarter at 129 lakh as compared to the 116 lakh in the corresponding year ago quarter and 11 per cent lower QoQ as compared to 145 lakh in Q2-2016.

    Occupancy rate in Q3-2016 improved to 31 per cent as compared to the 27 per cent in Q3-2015 and slightly lower than the 32 per cent in the immediate trailing quarter.

    Average Ticket Price (APT) increased 32.3 per cent YoY in Q3-2016 to Rs 179 as compared to Rs 175 and increased 7.2 per cent QoQ as compared to Rs 167 in the immediate trailing quarter.

     

    Advertising, food & beverages & other operating revenues

    The company reported two per cent higher YoY advertising revenue in Q3-2016 at Rs 29.49 crore as compared to Rs 28.92 crore and 37.8 per cent higher QoQ as compared to Rs 21.40 crore in Q21-2016.

    Food and Beverages revenue (F&B) has been mentioned above.

    Other operating revenue increased 10.8 per cent YoY to Rs 16.02 crore in the current quarter as compared to Rs 14.46 crore, but declined 23.2 per cent as compared to Rs 20.87 crore in Q2-2016.

     

    Entertainment Tax, Distributors share and F&B costs, rents, etc

    Inox paid 16.5 per cent higher YoY entertainment tax in Q3-2016 at Rs 44.40 crore as compared to Rs 38.12 crore, but 6.7 per cent lower QQoQ as compared to Rs 47.57 crore in Q2-2016.

    Distributors share (exhibition cost) in Q3-2016 at Rs 64.54 crore declined 14.4 per cent as compared to Rs 75.37 crore and declined 25.5 per cent QoQ as compared to Rs 86.61 in Q2-2016.

    F&B costs in Q3-2016 increased 17.5 per cent YoY to Rs 15.95 crore as compared to Rs13.58 crore, but declined 9.4 per cent as compared to Rs 17.6 crore in Q2-2016.

    Total Expense in the current quarter increased 12.4 per cent YoY to Rs 308.97 crore as compared to Rs 274.89 crore, but reduced three per cent QoQ as compared to Rs 318.63 cror

     

  • Q3-2016: Inox YoY revenue up 13.6, PAT up 9.1%

    Q3-2016: Inox YoY revenue up 13.6, PAT up 9.1%

    BENGALURU: Inox Leisure Limited (Inox) reported 13.6 per cent year-on year (YoY) increase in consolidated Total Income from Operations (TIO) in the quarter ended 31 December, 2015 (Q3-2016, current quarter) at Rs 341.71 crore as compared to Rs 300.76 but 3.8 per cent lower quarter-on-quarter (QoQ) as compared to Rs 355.38 crore.

    The YoY increase was driven by a 14.3 per cent YoY increase in gross box office (GBO) collection and a 17.8 per cent YOY increase in Food & Beverages (F&B) revenue in the current quarter. Inox reported GBO collection at Rs 230.69 crore as compared Rs 201.75 crore in Q3-2015. F&B revenue in the current quarter was Rs 65.16 crore as compared to Rs 55.63 crore in the corresponding prior year quarter. GBO collection and F&B revenue in the current quarter however declined 5.4 per cent each as compared to Rs 243.87 crore and Rs 69.24 crore respectively.

    Note: (1) 100,00,000 = 100 lakh = 10 million = 1 crore

    (2) Figures include Satyam Cineplexes Limited, which became wholly owned subsidiary of the company on 8 August 2014.

    Improved Box Office performance of a number of movies saw the company’s PAT in the current quarter increase 9.1 per cent YoY to Rs 15.60 crore (4.6 per cent margin) as compared to Rs 14.30 crore (4.8 per cent margin). PAT in the current quarter however declined 23.9 per cent QoQ as compared to Rs 20.51 crore (5.8 per cent margin) in the immediate trailing quarter.

    Performance of the top five movies by GBO performance accounted for 48 per cent of total GBO collection in the current quarter.

     

    The top five movies in terms of GBO collection in descending order were:

    1) Prem Ratan Dhan Payo: Rs 29.8 crore, 15 lakh footfalls

    2) Bajirao Mastani: Rs 29.6 crore, 14 lakh footfalls

    3) Dilwale: Rs 21.8 crore, 10 lakh footfalls

    4) Tamasha: Rs 16.3 crore, 9 lakh footfalls

    5) Pyaar Ka Punchnama 2: Rs 12.4 crore, 8 lakh footfalls

     

    Footfalls, occupancy rates & average ticket price

    Inox reported a 11 per cent increase in footfalls in the current quarter at 129 lakh as compared to the 116 lakh in the corresponding year ago quarter and 11 per cent lower QoQ as compared to 145 lakh in Q2-2016.

    Occupancy rate in Q3-2016 improved to 31 per cent as compared to the 27 per cent in Q3-2015 and slightly lower than the 32 per cent in the immediate trailing quarter.

    Average Ticket Price (APT) increased 32.3 per cent YoY in Q3-2016 to Rs 179 as compared to Rs 175 and increased 7.2 per cent QoQ as compared to Rs 167 in the immediate trailing quarter.

     

    Advertising, food & beverages & other operating revenues

    The company reported two per cent higher YoY advertising revenue in Q3-2016 at Rs 29.49 crore as compared to Rs 28.92 crore and 37.8 per cent higher QoQ as compared to Rs 21.40 crore in Q21-2016.

    Food and Beverages revenue (F&B) has been mentioned above.

    Other operating revenue increased 10.8 per cent YoY to Rs 16.02 crore in the current quarter as compared to Rs 14.46 crore, but declined 23.2 per cent as compared to Rs 20.87 crore in Q2-2016.

     

    Entertainment Tax, Distributors share and F&B costs, rents, etc

    Inox paid 16.5 per cent higher YoY entertainment tax in Q3-2016 at Rs 44.40 crore as compared to Rs 38.12 crore, but 6.7 per cent lower QQoQ as compared to Rs 47.57 crore in Q2-2016.

    Distributors share (exhibition cost) in Q3-2016 at Rs 64.54 crore declined 14.4 per cent as compared to Rs 75.37 crore and declined 25.5 per cent QoQ as compared to Rs 86.61 in Q2-2016.

    F&B costs in Q3-2016 increased 17.5 per cent YoY to Rs 15.95 crore as compared to Rs13.58 crore, but declined 9.4 per cent as compared to Rs 17.6 crore in Q2-2016.

    Total Expense in the current quarter increased 12.4 per cent YoY to Rs 308.97 crore as compared to Rs 274.89 crore, but reduced three per cent QoQ as compared to Rs 318.63 cror