Tag: Power of Paanch

  • Balaji Telefilms scores digital hat-trick as ‘KULL’ tops streaming charts with 3.1 million viewers

    Balaji Telefilms scores digital hat-trick as ‘KULL’ tops streaming charts with 3.1 million viewers

    MUMBAI: In a digital content world where hype often overshadows heart, Balaji Telefilms has quietly delivered a streaming hat-trick. Its latest series KULL has emerged as India’s number one most-watched original web series for the week, clocking 3.1 million viewers, according to the Ormax OTT Audience Report. The political family drama has not only sustained but gained momentum since launch, outperforming a high-budget Netflix series with a similar theme.

    KULL’s rise has come without celebrity pull or excessive marketing muscle. Instead, its layered storytelling, morally grey characters and complex emotional arcs have found favour with audiences hungry for substance. The series follows two earlier digital triumphs for Balaji — Power of Paanch and Dus June Ki Raat — both JioCinema originals that tapped into youth angst and dark drama with equal finesse.

    “At Balaji, we’ve always believed that the core of a great show is not its scale, but its soul. Audiences today are willing to experiment with stories as long as they reflect emotional honesty, cultural relevance, and narrative ambition – with KULL, we didn’t just create another series; we created a world where every character felt real, every conflict had weight, and every moment resonated. The reactions and numbers validate what we’ve instinctively known — that good storytelling always finds its audience”, said Balaji Telefilms head – digital originals Aparna Ramachandran.

    She added, “Our vision going forward is to keep experimenting with formats, genres, and narratives that challenge convention while staying rooted in what makes a story truly memorable. The digital space is vast and evolving, but our north star remains unchanged — to tell stories that matter”.

    JioHotstar head of Hindi special Vivek Srivastava echoed the sentiment, “Kull was always destined to be a hit — and now the frenzy is real. A gripping tale of power, betrayal, and family at war — the battle for the throne has never been this ruthless. Haven’t streamed it yet? Now’s the time. Now streaming on Jio Hotstar!”

    Balaji’s triple win reaffirms its status as a key architect of India’s digital entertainment wave. As audiences evolve, Balaji seems poised to keep pace — not with loud launches, but with loud applause.

  • Balaji doubles down on digital as it reboots legacy storytelling for the OTT generation

    Balaji doubles down on digital as it reboots legacy storytelling for the OTT generation

    MUMBAI: Balaji Telefilms is throwing open the gates to a new era—one where saas, bahu and binge culture collide. The legacy studio, which helped script India’s television saga for over two decades, is rewriting the plot with a digital-first approach that spans OTT behemoths, Youtube Originals, and a mix of formats for India’s multi-screen audience.

    Announced in May 2025, the company’s roadmap reveals a sharp shift toward platform-driven storytelling, tapping into newer demographics without leaving behind its loyal viewer base. Armed with genre-spanning originals and marquee talent, Balaji aims to straddle every screen—from phones in Patna to smart TVs in Pune.

    “At Balaji, storytelling is in our DNA. For decades, we’ve created content that mirrors the aspirations, emotions, and realities of Indian audiences. Today, we’re embracing the digital era with the same passion, but through a renewed lens”, said GCRO Nitin Burman.

    Burman added, “Balaji has always been at the forefront of innovation, and as we embark on this new phase of digital-first storytelling, our goal is to create content that resonates deeply, sparking emotional connections and cultural relevance”.

    The proof lies in Balaji Digital’s slate. Early hits like Power of Paanch and Dus June Ki Raat on JioHotstar signalled intent. But it was Kull – The Legacy of the Raisingghs, featuring Nimrat Kaur and Ridhi Dogra, that cemented the studio’s OTT credibility. Balaji then made its Youtube Originals debut with The Great Indian Cricket Fan, a series celebrating cricket obsession with equal parts charm and chaos.

    As for what’s next: the studio is cooking up more digital exclusives—both long and short-form—for OTT and Youtube, alongside a steady dose of television content (Bade Achhe Lagte Hain) and cinema (upcoming titles include Bhoot Bangla and VVAN – Force of the Forrest). With murmurs of a Kyunki Saas Bhi Kabhi Bahu Thi comeback, Balaji isn’t just revisiting nostalgia—it’s remixing it for the scroll-happy generation.

    From emotional depth to mass appeal, Balaji’s playbook is broadening while its roots stay firm. With this digital pivot, the studio is making one thing clear: it’s not chasing trends. It’s setting them.