Tag: Pocket Aces

  • Saregama acquires majority stake in Pocket Aces

    Saregama acquires majority stake in Pocket Aces

    Mumbai: A new chapter in Saregama’s growth story commences with a majority acquisition in a fast-growing digital entertainment company Pocket Aces Pictures Pvt Ltd, that owns direct relationships with over 95M younger digital-first customers across Instagram, YouTube, etc. Saregama will acquire 51.8 per cent shares for Rs  174 crores with a clear path to further acquire another 41 per cent stake in the next 15 months at pre-agreed multiples. The transaction is an all-cash deal.

    This acquisition will further strengthen Saregama’s strategic ambiton to take leadership position in new music across all Indian languages.  

    Pocket Aces, a youth-focussed digital content creator and publisher, boasts of an IP catalog of over 3000  content pieces ranging across web series, sketches, music videos and reels on its channels FilterCopy, Nutshell and Gobble, and releases over 30 new pieces of content every day. The company’s talent management arm, Clout, manages over 100 digital influencers, and its long-form studio, Dice Media, has created relatable youth-centric web series across OTT platforms such as Netflix, Hotstar, and Amazon.

    Pocket Aces’ revenue from operations was Rs 104 cr in FY23. Revenue has grown by 34 per cent CAGR over the last 4 years and is expected to grow even faster in future.

    Acquiring Pocket Aces will add on a whole new dimension of IP and a distribution network of over 95 million followers, which Saregama will leverage to further popularize its music library among the 18-35 audience segment. It will also create synergies across the artiste & influencer management and long-format video creation businesses of the two companies.

    Saregama vice chairperson Avarna Jain said, “This acquisition signifies the confluence of tradition and innovation. While we have always been leaders in the realm of music and media, this partnership with Pocket  Aces will add new dimensions to our business as we tap into the burgeoning young digital audiences.”

     

  • IDBF 2023: Cipla X Pocket Aces – The Power of Impact Content

    IDBF 2023: Cipla X Pocket Aces – The Power of Impact Content

    Mumbai: The third edition of Indian Digital Brand Fest 2023 had brands, advertisers, and tech platforms, to discuss the trends and more. The summit also looked at the latest trends driving the change in consumer behaviour and how it has impacted the industry’s growth.

    Whether it was a boom in influencer marketing or the popularity of short video platforms, brands did not hesitate to jump onto the digital bandwagon to up their marketing game. So Indiantelevision.com took this opportunity to bring a host of industry experts together under one roof to discuss all these new trends shaping the future.

    The speakers of this fireside chat were Cipla director & senior marketing head – consumer marketing Amit Patel and Pocket Aces co-founder & CEO Aditi Shrivastava.

    Shrivastava began the conversation by saying, “These two words impact and content, they’re very dear to me because they bring together the last 12 years of my career working in the impact space and now working in content. For you, it’s been a really incredible marketing journey, from FMCG to pharma. So, today we’d love to talk about how you also made that journey in your career and what are the big differences that you see in, something like FMCG and marketing, something which is highly regulated like pharma.”

    Terming it as a very good question, Patel replied, ”I have been in the industry for last 15 years and one thing that has remained constant is my focus on creating robust content pieces. I believe as human beings, our prime objective to exist is story. Storytelling is one of the most important areas and last 15 years I’ve got various chances across various brands, across various countries to explore this art. Prior to working in the current organisation, I was associated specifically with Dabur International and there were many instances that I faced. Making content for the US market versus making content for a Middle East market or southeastern market, I believe that it’s the cultural nuances that change, consumers remain the same everywhere. If the content is timeless and geography less, it stays for years to come. We’ve seen examples of it right from Lay’s to Loreals of the world, P&Gs of the world, these have set certain boundaries around the content and it is working out for them. However I believe as marketers are moving into newer industries, and when I talk about my current industry, I’ve to give a disclaimer that views are my own because it’s a highly regulated industry. This doesn’t represent the views of my organisation.”

    He further added, “In a pharmaceutical company, the storytelling element kind of takes a back seat and it’s really important to reinvent that to ensure that you are bringing patients stories, you are bringing doctors stories out there, that what kind of change a particular therapy area or change a particular approach has in the life of patients. It’s very critical to keep on reinventing yourself, and that is what we’ve been doing through and through. As a pharma company, we run one of the largest marketing campaigns in the country and this has been going on since the last five years. The campaign essentially aims around creating awareness about the right treatments for Ashtma which is a deep-rooted problem in the country. Now there are two ways to go about it. We can do the traditional doctor-level marketing which every other pharma company does or can we break the mould, can we go beyond that, can we go beyond the pill and that is where we are innovating and partnering with storytellers like you.”

    Talking about Pocket Aces’ first video with Cipla being released on FilterCopy, and Cipla’s previous work on doing anthems and songs and associating with influencers, Shirivastava then asked him, ”So walk us through how in a pharma industry, legal and medical teams are sitting at the main table and marketing is behind them. How have you convinced your teams, your HQ to take this plunge and how have you shown them the ROI it will deliver?”

    Patel answered it saying, ”What we’ve been doing so far is we don’t call it marketing campaigns. The right way to put it would be – public awareness initiatives because here we are talking about lives and how we impact the lives of people. So this public awareness initiative doesn’t talk about any product. To distinguish between FMCG marketing and pharma marketing I would say pharma is more purpose-driven and FMCG is more profit-driven. So purpose-driven marketing is something that we started we realised that it is not the patient who is affected. Like in our country, everyone becomes a doctor as soon as you fall sick and the actual doctor takes a back seat. So it is very important to convince everyone in the room and not just the patient on what is right treatment or what is the right therapy area around that. Specifically when there is a disease as common as asthma, which is one of the leading causes of death in India unfortunately. So we created a campaign that tells people and asthmatics that you can live an unstoppable live even with asthma, what are the right ways to deal with asthma. We had done one of the largest patient support programs in Asia and every year we reach almost 38 lac patients one on one. On top of that, we have been working with a lot of Bollywood celebrities in the last five years wherein they helped in spreading the message. There is still some sort of stigma connected to it and the campaign that we embark, there is a very strange kind of challenge I would say and to describe the challenge in one sentence – the fear of stigma is more than the fear of disease. That is a very tricky problem to have. The only way to bulldoze that or make sure people are going for the right treatment is to go for large-scale consumer marketing campaigns as we do right now. There are a lot of elements that we have explored over the years. We also reinvented ourselves from TV to radio and right now the campaigns stays on digital channels. We have been constantly innovating with our storytelling approach. Earlier the focus was push. We’re doing a lot of ads but then we realised as consumers, how many times am I clicking on an ad? Or are ads getting as effective as they used to be? I believe the golden age of advertising is not here anymore. So it’s very important to take and park it into the journey where the consumer is going. So internally we have a map, which is something we call as micro-moments that cumulatively decide how the consumer journey is going to end and that’s how contextually relevant we want to be. That’s why storytelling is really important for us, alternate content formats become more relevant for u. We have been doing a lot of initiatives that come from music and we have a very beautiful song written by Amit Trivedi and Amitabh Bhattacharya, showing what is the real treatment for asthma in the country. Believe me, all these things coming from a pharma company taking the courage to go beyond the pill and that’s where we are heading.”

    Moving on, Shrivastava spoke about Cipla monitoring the engagements very closely, i.e., what is the audience saying on the content and anything we put out and what can we take to put in the next video, etc.

    Patel then added, “Being in a purpose-driven organisation and a purpose-driven environment, our metrics are generally different. It’s not the similar kind of metrics that you follow in a profit-led organisation because the awareness is largely done on therapy areas. We do have a Neilsen brand track, so over the years we have measured how the needle has moved in demolishing the myths, demolishing the stigmas associated with that. So all the metrics over the years is because of our communication and we’ve tried to break the myths. In the last five years, I would say the metrics that we measured with Neilsen data has gone down almost 30-40 points and that’s huge.”

    Furthermore, Shrivastava asked Patel, ”What advice do you have for brand markets in general when it comes to highly regulated industries like for example mutual funds? Their approach has also changed quite a bit over the years. You’ve done a lot of content with them a few years ago and now their specifically saying – ‘Oh we can’t have celebrities in the content, we can’t do XYZ things. So what is your advice for how to innovate regulated industries?”

    Patel then said, “So as you rightly mentioned the regulated industry marketing is no longer the star of the room. We somehow sit in the room and compliance, legal and all these departments become the force to deal with. Every time there is a new communication, you’ll have to take ten thousand approvals even if it is as simple as putting out a social media post. In industries like mutual fund, I would say we kind of understand the pain that they have because the adoption of mutual funds is similar to the adoption of inhalers in the country. Though I cannot compare both of them together but generally that’s how both of them move together. In these industries it is very important, first of all, to understand what is your position in the industry. For example, if you’re doing consumer-level marketing in a regulated industry and if you’re not a category leader then I would say you need to have a laterneck approach. You can only take these steps if you have the courage, might, and capacity to execute campaigns like these. And if the onus is on you to make sure that the category grows. If you’re a challenger brand in this situation.  I would very much recommend going with direct marketing. Sit directly with the stakeholders and convince them instead of investing a lot of money in creating large-scale campaigns. The benefit will go to the leader brand. It won’t go to the challenger brand. So unless you are a leader in the category, it is strongly advisable to go a direct marketing approach. Market shaping and changing the psychology of consumers is not easy as it looks and that is a true litmus test for any market leader to take that up.”

    Concluding the session, Shrivastava asked, ”What is Patel’s biggest pet peeve when it comes to marketing” but Patel then went on to ask the same question to her.

    To which, Shrivastava replied saying, “My biggest pet peeve has to be when people don’t respect the intelligence of the audience. Today’s audience is extremely discerning. They understand subtlety. We do content, so we know. Viewers understand everything from humor, drama, sarcasm, everything. So I think the beauty of storytelling is that you should be able to show regular use cases in the lives of consumers and how your brand beautifully fits in that life.”

    After that Patel said, ”My biggest pet peeve is deceptive advertising and a lot of marketers get into that. Using claims that your product won’t be able to deliver. This is not just deception at your level, you’re not true to yourself but to the markets.”

  • Cipla’s #BerokZindagi ushers in a new era of storytelling with digital content platform FilterCopy

    Cipla’s #BerokZindagi ushers in a new era of storytelling with digital content platform FilterCopy

    Mumbai: Cipla Ltd.’s #BerokZindagi, partners with one of India’s leading digital entertainment companies, Pocket Aces, to create multiple sketches for the platform’s leading short-form content channel – FilterCopy. By harnessing Pocket Aces’ expertise in crafting and amplifying unique stories, Cipla hopes to further the mission of its largest public and patient awareness campaign – dispelling asthma myths, improving inhaler acceptance, and inspiring asthmatics to live a Berok Zindagi (unstoppable life). This partnership marks the pharmaceutical company’s entry into alternative content formats, that uses relatable storytelling to convey and subtly reinforce an important message. The first video, ‘A Monsoon Romance: When Opposites Attract’, premiered on FilterCopy’s YouTube channel on 7 September.

    Created in easy-to-consume, snackable and shareable formats, each video will tell a heartwarming ‘Slice-of-life’ story scripted by the creative team at FilterCopy in collaboration with Cipla. The first premiere is a captivating love story set against the backdrop of the romanticized Mumbai monsoons. It will not only endear audiences but will also shed light on the fact that monsoons can be triggers for asthmatics. However, through subtle character integrations, the film emphasizes that with proper doctor-prescribed treatment, even those with asthma can enjoy the rainy season to the fullest. All films will be cross amplified through FilterCopy’s social media channels, reaching out to the ‘Digital GECs’ 22+ million audience and will be available in six languages – Hindi, Bengali, Telugu, Tamil, Malayalam, and Kannada.

    Cipla Ltd. CEO – One India business Achin Gupta said, “With India contributing almost 42% of global asthma deaths despite accounting for only 13% of the cases worldwide, Asthma continues to be a high burden disease in India affecting both adults and children.  Misconceptions about asthma and inhalers contribute to the imbalance in its prevalence and outcomes, but correcting these can significantly improve patients’ lives. Over the years Cipla has pushed the boundaries with #BerokZindagi, employing a multitude of creative mediums to help combat misinformation, stigmas, and myths about asthma as well as inhalers and connect with today’s audiences.

    By exploring various content formats that touch upon diverse themes our aim is to integrate our message of awareness and inspiration into the cultural fabric of the country, enabling us to reach and resonate with a wide-ranging audience. With this partnership, Berok Zindagi moves beyond being just an awareness campaign, but to a movement that aims to transform perceptions and improve the lives of those living with asthma.”

    Pocket Aces co-founder & CEO Aditi Shrivastava said, “The Cipla partnership is very special especially since it aligns perfectly with our renewed mission of positive content at Pocket Aces. Storytelling can have a profound impact on dispelling misconceptions, as the Cipla team has already proved with innovative initiatives on their #BerokZindagi campaign. We have thoroughly enjoyed working with the team at Cipla to design content pieces that will address different communities and distinct use cases that will reach a massive audience. Via this campaign, we are looking forward to leveraging our channel FilterCopy to educate, break myths, and empower our audiences to live #BerokZindagi.”

    Using ‘common sense’ as a tool to convey its message, Asthma Ke Liye Inhalers Hain Sahi, Cipla also released an ad film that follows the story of a young schoolboy living with asthma. After being underestimated by the rival cricket team because of his condition, the young boy shows them up and defies expectations, showcasing his talent and determination in the sport, while also highlighting the importance of sticking to his treatment. With a digital first approach, the film features a new rendition of the popular #InhalersHainSahi song. 

  • Pocket Aces onboards Parul Menghani as head of marcom & new initiatives

    Pocket Aces onboards Parul Menghani as head of marcom & new initiatives

    Mumbai:  Bolstering its leadership team, Pocket Aces, India’s leading digital entertainment company, has announced the appointment of Parul Menghani who takes charge as the head of marketing communications and new initiatives.

    A media veteran with over 18 years of experience across large global organizations and start-ups, Menghani brings with her a wealth of knowledge, experience and valuable industry relationships to further drive the vision of Pocket Aces to solidify its position as the leader in digital entertainment. Her career in a leadership role spans across organisations like ShareChat, Viacom18, Times Network, Disney, Reliance Broadcast Network Ltd (RBNL), Trell and Network18.

    In her new role, Menghani will be responsible for leading Pocket Aces’ overall brand building and communications. Additionally, she will be responsible for driving new initiatives such as the company’s innovations in content-to-commerce.

    Commenting on the appointment, Pocket Aces co-founder & CEO Aditi Shrivastava said, “Parul comes with a vast experience and network across the M&E sector. She shares our vision of being a culture creator, and our ambition of building cutting-edge products for audiences. We have always let our content speak for itself to grow our content brands, and you will now see some very exciting initiatives across offline and online from our umbrella brands at Pocket Aces. Getting Parul to focus on new initiatives is also a huge testament to our focus on innovation, to create new products for the strong communities we’ve built with our content.”

    “I am thrilled to embark on my new endeavour with Pocket Aces and honoured to be entrusted with a strategic charter. My quest for knowledge and learning has led me to take on diverse roles throughout my journey, as I have always looked for challenging yet exciting opportunities,” says Menghani. “Pocket Aces has delivered highly successful and relatable content across formats in this ever evolving content ecosystem, and I am looking forward to working with Aditi and the team on the new chapter of growth for the organisation.”

     

  • Pocket Aces elevates Vinay Pillai to head of strategy

    Pocket Aces elevates Vinay Pillai to head of strategy

    MUMBAI: Homegrown digital entertainment company, Pocket Aces, has elevated Vinay Pillai to the dual position of head of strategy and head of clout. Vinay joined Pocket Aces in 2020 to scale Clout, its influencer management business, and has played a crucial role in getting it to a leadership position.

    In this enhanced role, Vinay will work on establishing key strategic partnerships that will not only aid in scaling the current revenue and profitability but also cement Pocket Aces’ leadership position in the sector long-term. Prior to Pocket Aces, Vinay was the co-founder of dekkho, India’s first content streaming OTT platform. Post dekkho, he headed the OTT platform at The Viral Fever, called TVF Play.

    Vinay is a computer science engineer and an MS from Columbia University, New York. He spent most of his career in product and strategy consulting with companies like DramaFever, DocPlace, and Booz in the US before returning to India.

    Commenting on his new position, Vinay Pillai shared, “I am extremely excited to take up this crucial additional responsibility to shape our strategic direction along with Aditi. Leading Clout over the last few years has been an absolute pleasure, and I have thoroughly enjoyed building it from scratch to a market leader today with an amazing team. Additionally, I look forward to now working with Pocket Aces’ finest leaders across other business units to help them scale our company to even greater heights. We have prided ourselves on always doing things in a data-backed way with a huge impetus on innovation. I feel honoured to now get to contribute in a Pocket Aces wide central capacity with our stellar young team and would like to thank Aditi for the opportunity.”

    Pocket Aces co-founder & CEO Aditi Shrivastava said, “For the head of strategy role, I wanted someone who would work alongside me to add to our vision of taking our cutting-edge media business to the next level. Vinay is a non-linear thinker. He has founder blood, as well as a blend of consulting and operational experience. These give him a unique vantage point on how to take on incumbents while also giving him the hard operational expertise of scaling businesses on the ground with growing teams. Vinay has done an excellent job of scaling Clout, and I’m excited to see him in this enhanced role. Vinay will be working closely with the rest of our management team, who will take the lead in putting our strategic direction into action.”

  • Kunal Lakhara promoted as chief financial officer of Pocket Aces

    Kunal Lakhara promoted as chief financial officer of Pocket Aces

    Mumbai: The digital entertainment company, Pocket Aces, has elevated Kunal Lakhara to the new position of chief financial officer. Prior to this, Kunal was the vice president of finance & operations and a key member of the executive leadership team at the company.

    Kunal joined Pocket Aces in 2017 as one of the earliest leaders in the management team, and has helped spearhead tremendous growth at the company, including $75 million raised in equity and debt across Pocket Aces and the company’s gaming arm Loco, and the successful spin-off of Loco into a separate entity in July 2021.

    He leads a team of 10 that manages investor reporting, cash flow management, bank relationships, lawyer relationships, audit, production finance, brand copyrights, IP rights, and legal matters at Pocket Aces.

    Kunal has a rich experience of over 16 years in the fields of finance and accounts, with an overall eight years spent building the finance domain in well-regarded startups such as Citrus Pay, which was acquired by Naspers in 2017.

    Kunal started his career with Citigroup in its investment banking team, helping clients raise money through equity and debt instruments. Kunal is a chartered accountant and graduated with a first class degree in finance from Mumbai University.

    Commenting on his new role, Kunal Lakhara said, “I am humbled and thrilled to take up the new role as the Chief Financial Officer of Pocket Aces. It has been a fantastic journey so far working with Aditi on the company’s mission of solving boredom. It is a proud moment to see how the company has grown from length to length in these years, and I’m truly thankful for all the support and hard work of my team members. I look forward to making significant contributions to further scaling Pocket Aces.”

    Commenting on the appointment, Pocket Aces co-founder and CEO Aditi Srivastava said, “Kunal has been a trusted partner and friend, instrumental to our growth from an early stage startup in 2017 to now becoming the biggest new age media player in India. His function is like an army-if his team maintains the right checks and balances, the rest of us can sleep peacefully at night. With Kunal in this new role as our Chief Financial Officer, our focus is to demonstrate a hugely profitable new age media company that benefits all stakeholders, including audiences, talent, employees, clients, and investors.”

  • Pocket Aces’ infotainment channel Nutshell reaches milestone; registers 4x growth

    Pocket Aces’ infotainment channel Nutshell reaches milestone; registers 4x growth

    Mumbai: Pocket Aces’ newest channel, Nutshell, which focuses on non-fiction infotainment content, has garnered one million followers on Instagram and is now open for brand collaborations. The channel has been steadily growing across platforms with a highly engaged audience that consists of a healthy mix of millennials and Gen-Z from metro tier I and tier II cities, clocking in an average of 42 million viewers a month.

    Launched in November 2019, Nutshell is India’s fastest-growing non-fiction infotainment channel that provides research-based stories aimed at feeding curious minds.

    Nutshell’s strategy focuses on leveraging this demand for knowledge by building deep communities in interest categories such as history, geo-politics, personal finance, start-up culture, and sexual health and wellness, and becoming the go-to destination for informational videos and discussions around these categories.

    Speaking about the success, Nutshell channel head Andre Borges said, “Over the last few months, we have been testing the market to clearly understand what audiences need and want to watch. We have thoroughly embedded Nutshell within communities of people in these interest categories, allowing the channel to have access to a lot of data about what the audiences are thirsty for. After scaling Instagram, scaling our content and subscribers on YouTube and Discord is next for us.”

    Pocket Aces business head of D2C content Rayvanta Kumar said, “At Pocket Aces, we have already built large GEC channels such as FilterCopy and Dice Media, and one vertically focused channel in Gobble. Infotainment is a huge vertical globally and works amazingly for Indian audiences who love sharing information with their families and friends. We get to use our playbook of the community approach even more deeply here, and that means we are creating a hyper-engaged set of audiences. To give advertisers access to these audiences, we are now opening brand partnerships on Nutshell, and have already worked with some early partners such as Amazon Prime, Deserv, Edufund, Basis, Wint Wealth, etc.”

  • Dice Media partners with JTBC Studios to remake ‘Something In The Rain’

    Dice Media partners with JTBC Studios to remake ‘Something In The Rain’

    Mumbai: Pocket Aces’s long-form studio Dice Media has joined hands with South Korean production house JTBC Studios. Dice Media will remake the award-winning series “Something In The Rain” that will be co-produced by JTBC Studios, making their entry project in India.

    JTBC Studios is a pioneer of the K-drama content industry that encompasses all value chains in the content business by discovering the source IP, producing content and distributing it worldwide.

    “The ever-growing fandom for K-dramas makes this collaboration very exciting, and given Dice Media’s expertise in the relationship and family drama genres, they are the perfect partner to remake these shows,” said the statement.

    Originally broadcasted through JTBC’s Television network in 2018, “Something In The Rain” has won hearts worldwide along with being awarded ‘Excellence in Korean Drama’ at Seoul International Drama Awards in 2018 and ‘Best Drama Series’ at Asian Television Awards in 2019. The story is a bold yet heart-warming narrative around issues that plague both Korean and Indian cultures, seen from the lens of a girl in her mid-30s and a boy in his mid-20s who try to make their taboo relationship work amongst the backdrop of conservative families, workplace harassment, and socio-economic differences.

    “We are excited to present our successful TV series ‘Something In The Rain’ to Indian audiences through a remake,” said JTBC Studios CEO Jung Kyung-Moon. “We expect this collaboration to bring a significant opportunity for JTBC Studios to make the first step into the dynamic Indian content market. We also hope that Pocket Aces’ production expertise will be able to make an excellent result, with JTBC Studios’ proven IP. We believe the partnership between JTBC Studios and Pocket Aces will deliver a wonderful experience to the Indian audience.”

    “The key for a successful remake is maintaining the soul of the story and characters while localising plot points and motivations,” said Pocket Aces co-founder and CEO Aditi Shrivastava. “Korea and India have very similar hearts – the societal and familial structures are quite alike. This makes the content ripe for adaptation. We look forward to working with the JTBC Studios team and are extremely excited to co-produce their highly successful shows here in India. What we share in common is that both JTBC Studios and Pocket Aces truly care about the creatives and about localising the content in the right manner. With our expertise in relationship/family/workplace dramas, and our methodology of using audience insights for development, I am confident that we will be able to do this effectively. ‘Something In The Rain’ is my personal favourite K-drama, and I look forward to making one of India’s most sought-after franchises.”

    Dice Media is bringing other proven IPs to India including the remake of an Emmy-award-winning US show and a French show. They are also working on adapting a few successful books. 

  • Dice Media releases final season of ‘What the Folks!’

    Dice Media releases final season of ‘What the Folks!’

    Mumbai: After a three-year long hiatus, Pocket Aces’ long-form storytelling channel Dice Media has released the fourth and final season of web show – “What The Folks!” (WTF4). The previous seasons of WTF have garnered a reach of over 80 million on YouTube, the platform said.

    Presented by toothsi and co-powered by Sugar Cosmetics, the fourth season will also see participation from complementing partners like Manyavar, Tru Hair and skinnsi.

    WTF4 focuses on the Sharma family that is seen hustling between two major life decisions of marriage and parenthood that its members are about to take. Elaborating the rationale behind the brand integrations, the official statement read, “With wedding bells in full swing, the invisible aligners by toothsi and makeup range by SUGAR Cosmetics seamlessly support the storyline. These new-age brands have taken to content integrations to establish long-term recall value among relevant audiences. Manyavar has already created a presence for itself the Indian wedding-wear segment, not just for the bride and groom but for every other family member too.”

    toothsi head of marketing Shuchita Wadhwa said, “The show is targeted at our country’s youth. It is an amazing match for a youth-oriented brand like toothsi and skinnsi, leading clinical beauty platforms. A wedding signifies the start of a new and most important chapter in life, one in which lifelong memories are formed. Through ‘What The Folks! S4’, we strive to be a part of these important occasions and to help people feel more confident which comes across through the characters in the show.”

    “We are super stoked to have partnered with Dice Media for ‘What the Folks! Season 4’. This season’s focus on a wedding syncs well with the launch of our Sugar Bride IP. Anita’s sister will be seen as a Sugar Bride, using the Bridal Box for her wedding look. Her friends and Anita will be a part of the Bride Tribe. This seamless integration will help us build a strong connection with the show’s viewers and we are certain that it will take us a step further in instilling customer recall for SUGAR Cosmetics as ‘the brand’ for every bride, for their bridal trousseaus and for their bridesmaids,” added Sugar Cosmetics co-founder and COO Kaushik Mukherjee.

    “It has been a beautiful journey over the past four seasons of ‘What the Folks!’ and we are very proud to see how the show has struck the right chords with its fan base making the whole journey truly worthwhile for us and our partners,” commented Pocket Aces AVP sales and brand solutions Sheveeta Hedge.

    “We are glad to have built synergies with exciting and new-age brand partners like toothsi & Sugar in the season finale of ‘WTF!’ and are certain that they will benefit hugely from this collaboration. With the show coming to an end, there is a feeling of void but I am confident that our Dice audience will have more stimulating content to look forward to this year,” she added.

  • Vidyuth Bhandary named studio head of Dice Media

    Vidyuth Bhandary named studio head of Dice Media

    Mumbai: Strengthening its key leadership team further, Pocket Aces, a homegrown digital media entertainment company has announced the elevation of Vidyuth Bhandary to the studio head, Dice Media.

    Bhandary joined Pocket Aces in 2020 as vice president, content production and design, where he spearheaded and scaled up the company’s in-house production and post-production capabilities. In his new capacity, he will lead the expansion of Dice Media, drive strategy, P&L and OTT relationships, said the company in a statement.

    The natural progression to this larger role is a credit to his strategic leadership, successfully scaling up Pocket Aces’ content production and post-production capabilities, it added.

    “We are scaling up Dice Media to become one of the most highly acclaimed long-form studios in the country. We are working on shows across OTT platforms, genres, languages and formats – you will see Hindi dramas, regional language shows, audio shows, and very soon – movies coming from us,” said Pocket Aces co-founder and CEO Aditi Srivastav. “I am excited to see Vidyuth take up the Studio Head role and work with our excellent team to spearhead Dice Media into this next phase of growth.”

    With over two decades of deep experience in media & entertainment, Bhandary has held key leadership roles with some of the largest media conglomerates like Star India, The Times Group, Fremantlemedia Asia, Turner International India, Reliance Entertainment, and MX Player.

    “Having successfully established ourselves in the young adult segment with differentiated & unique offerings, we at Dice Media are now focused on developing larger shows with leading OTT platforms, across genres, languages, formats and borders,” stated Vidyuth Bhandary. “In parallel, we will work closely with international content companies to deliver on our promise of solving boredom by bringing the most-watched content across the world to our viewers.