Tag: Piyush Pandey

  • Agnello Dais and Piyush Pandey get acting bug

    Agnello Dais and Piyush Pandey get acting bug

    MUMBAI: Well, we‘ve all seen Piyush Pandey and Agnello Dias going on stage and being acclaimed as creative geniuses. Now, we will get to see them try their hand at histrionics on the big screen. Courtesy good friend and filmmaker Shoojit Sircar – who made Ayushman Khurana a household name through Vicky Donor.

    His current project Madras Café is slated to feature the Taproot India co-founder & chief creative officer Aggie (as he is called by advertising colleagues) and the south Asia Ogilvy & Mather India executive chairman & creative director Piyush Pandey.

    For Piyush getting on screen is nothing new; having featured in TVCs and in ads. But it is a first for creativity‘s brainchild, Aggie who decided to shy away from a conversation with indiantelevision.com. 

    Says Shoojit Sircar: “We always try to tell different stories and try our hands at different genres. I have previously too tried to get Piyush Pandey as a cast member and this time we were looking for someone who could play the role of a senior bureaucrat. I think the way Piyush has acted in the movie, people might be all the more keen on casting him. As regards Agnello Dais, he too is a good friend. We got stuck while casting when we had to cast a Sri Lankan face to play the role of a minister. I think I found that in him!”

    Piyush Pandey, on the other hand, states that he has no inclination toward acting in movies and that he chose to do so out of goodwill and friendship, “I think Madras Café is a very meaningful and interesting film. For me to act in a movie, I feel Madras Café is a wonderful project to be associated with. Shoojit is a dear friend to me and I acted because he thought that he could get the factor he wanted out of me!” he says.

    The film is rumored to be filmed on the lines of Hollywood films like Argo and the Body of Lies. Sircar claims to have taken the subject from the 90s era in Sri Lanka. The movie is about a RAW agent- John Abraham – who is in a war-like situation and gets into a covert operation to finally save his country.

    To market a movie to attract the attention of cinema going audiences requires the movie to be intriguing, exciting, informative and entertaining. Viacom18 Motion Pictures marketing & operations head Rudrarup Datta, Head says: “The weight of the movie is based not on the journey of Captain Vikram Singh doing intelligence work but on what the world is like while being in situations in an intelligence job. It is not like the normal James Bond movie; it‘s going to be more real. And we are also looking at this film getting acclaim internationally.”

    Meanwhile, the first official trailer (which was released on 12 July) has been making waves on YouTube, having got close to 195,000 views at the time of writing. And the team at Viacom18 put in a lot of promotional effort to get the numbers going. For instance, before its official release, Vaicom 18 drew up a campaign where viewers had to crack a code to watch the 20 second trailer.

  • Ogilvy Mumbai declared ‘Most Effective Agency Office Globally’ for 2nd time in a row

    Ogilvy Mumbai declared ‘Most Effective Agency Office Globally’ for 2nd time in a row

    MUMBAI: The folks at Ogilvy are celebrating once again. Ogilvy Mumbai has been declared the ‘Most Effective Agency Office Globally‘, in the 2013 Effie Effectiveness Index – and this too for the second consecutive year. Effie Worldwide and WARC, the global marketing intelligence service, revealed the global results of the Effie Effectiveness Index in Cannes today.

    Ogilvy south Asia executive chairman & creative director Piyush Pandey said: “I am truly delighted for Ogilvy Mumbai and all our clients who we have partnered in achieving this unprecedented recognition of being ‘the Most Effective Agency Office in the World‘.

    “To do it once is good. But to be awarded the Most Effective Agency Office in the world for two years in a row is a staggering achievement. This only further underlines our philosophy of deep collaboration between Creative, Planning and Account Management helping us deliver on the twin peaks of creativity and effectiveness. This would not have been possible without the support of our clients so a big thank you to all our clients who continuously repose faith in our ideas,” said Ogilvy & Mather‘s Mumbai & Kolkata head Navin Talreja.

    Head of Planning-Ogilvy Mumbai Kawal Shoor said, “We didn‘t plan for this. Couldn‘t have. It‘s impossible to know what hundreds of other offices across tens of agencies are doing globally. Only in hindsight have we figured the reason Ogilvy Mumbai has been honoured with this accolade, in successive years. And the reason is – great work that works, not for a few, but for a very wide set of brands, across different clients. I think Ogilvy Mumbai manages the depth-versus-width issue beautifully because we‘re blessed with a unique mix of skill sets, our creative culture, and a genuine desire to motor each other‘s thoughts forward.”

    The EFFIE Index was launched in June 2011 and is led by Effie Worldwide. It was predicted to become the industry standard and according to industry influencers, it is now considered to have attained this status. The Effie Effectiveness Index identifies and ranks the marketing communications industry‘s most effective agencies, advertisers, and brands by analysing finalist and winner data from Effie Worldwide competitions. It is one of the world‘s most comprehensive ranking of agency and advertiser performance and a valuable resource for anyone interested in marketing effectiveness.

  • JWT discloses theme for Portfolio Night 11

    JWT discloses theme for Portfolio Night 11

    MUMBAI: Portfolio Night has grown to be a global event, reaching creative hubs in every continent in an evening where the best of the present meet the best of the years to come. Now in its eleventh year, the event brings together thousands of young creative’s, hundreds of creative directors, dozens of city hosts in cities around the world, and a select few global sponsors, all in a one night only event across the planet.

    JWT India brings to light the theme and its first video for Portfolio Night 11, scheduled to be held at the JWT India office on 22 May.

    Given that aspiring advertising students foster a multitude of misconceptions about the industry and its people, JWT has suitably chosen their theme for this year’s Portfolio Night as ‘An Eye-Opener’. The entire concept is built around the hash tag #WhatIThinkAboutAdvertising. Students were asked to use this hash tag and tweet @pnmumbai11 their thoughts on what they think advertising is all about.

    “Bust the myths and unveil the truth in the most realistic, simple fun way, that’s the effort on the “Eye Opener”. The truth may be a bitter pill to swallow but just like your work it’s time to come face to face with what advertising and you are really worth,” said JWT India national creative director Tista Sen.

    The campaign will include social media, posters, TVCs, hoardings and radio spots on Radio Mirchi. As part of the overall campaign, a few advertising students were asked what they thought about advertising and these videos were seeded on the Portfolio Night Facebook page, urging people to tweet about what they thought about advertising.

    The craziest of these tweets were selected to create posters, films and radio spots for JWT-Portfolio Night 11 campaign. The people whose tweets are being selected will be given prizes.

    JWT- Portfolio Night 11 promises an evening with the country‘s top creative directors like Prasoon Joshi, Piyush Pandey, Ashish Khazanchi, Sonal Dabral, Amer Jaleel, Manish and Raghu Bhatt, Malvika Mehra, Santosh Paddy, Russel Barett, Carlton D’Silva, K S Chakravarthy (Chax), Ravi Deshpande, Josy Paul and Sagar Mahabaleshwar.

    Scheduled to take place simultaneously in over 20 cities on this date across the world, including Athens, Austin, Beijing, Boston, Costa Rica, Johannesburg, Los Angeles, Montreal, New York, Paris, Sao Paulo, Stockholm, Tokyo and Toronto amongst others, Portfolio Night is an annual property of ‘ihaveanidea’, the creative founders and the world’s first and largest community of the international advertising industry.

  • Sprite rolls out new ‘Chalo Apni Chaal’ campaign

    MUMBAI: Leveraging its signature ‘ingenuity‘ and ‘sharp wit‘ to inspire the youth, Sprite is all set to unveil its integrated communication campaign for 2013 – ‘Chalo Apni Chaal‘.

    The 360-degree communication campaign has been conceptualised by Ogilvy & Mather group creative director Ajay Gahlaut and directed by ad film maker, Prasoon Pandey of Corcoise films.

    It features music by Dhruv Ghanekar, a founding partner of Smoke Music Productions and blueFROG.

    The campaign is targeted at the youth, who want to get ahead in life by using their own ingenious and imaginative ways. ‘Chalo Apni Chaal‘ builds on the characteristic honest, no-nonsense attitude of brand Sprite; which has captured the imagination of the youth for over a decade. It urges the young minds to have a fresh approach, and think differently to achieve their goals.

    Coca-Cola India VP – marketing Anupama Ahluwalia said, “Brand Sprite has always been synonymous with an honest, no-nonsense attitude. The ‘Chalo Apni Chaal‘ doctrine is for those who are confident, believe in themselves and have the inventiveness to rise up to the challenge and beat the odds. ‘Chalo Apni Chaal‘ inspires the youth to overcome challenges or tricky situations and to carve their own path using their ingenuity, humour and clear thinking”.

    Ogilvy & Mather executive chairman and NCD Piyush Pandey said, “Sprite has always stood for ‘Fresh Thinking‘ and coming up with clever solutions for everyday problems. The Sprite protagonist always walks off the beaten path. In this campaign the protagonist faces multiple challenges and makes his own unique move to get through them. There is irreverence in the stories that embody the witty, intelligent attitude of the brand. I am sure the campaign will inspire the youth to ‘Chalo Apni Chaal‘.”

    In addition to leveraging mass media advertising, the integrated communication plan includes roll-out of an array of touch points including out-of-home (OOH) media, digital, point of sale merchandise and on- the- ground initiatives across all key markets.

  • IAA crowns Sam Balsara as Media Agency Head of the Year

    MUMBAI: The International Advertising Association (IAA) India chapter on Saturday crowned Madison World chairman and MD Sam Balsara as the Media Agency Head of the Year in the first edition of IAA Leadership Awards.

    IAA leadership Awards were given away in 18 categories in Mumbai. The awards recognised and honoured “outstanding” individuals in the fields of marketing, advertising and media.

    Ogilvy & Mather executive chairman and national creative head Piyush Pandey was bestowed with the Creative Agency Head of the Year Award.

    Star India EVP and communication Gayatri Yadav won the award in the Media & Entertainment category.

    On the client‘s side, Cadbury India: Regional category head APAC (developing) executive director Chocolates & Biscuits Chandramouli Venkatesh bagged the IAA Leadership Awards in FMCG-food and beverages category while HUL vice-president – Skincare Arun Srinivas won the award in FMCG-Personal Care category.

    Samsung Electronics CMO Rahul Saigal was given the IAA Leadership Award in Consumer Durables Category. Meanwhile, ICICI Bank head marketing Sujit Ganguli got the marketer of the year award in the banking category.

    LIC India executive director Rita Bhattacharya received the marketer of the year award in insurance sector and Vodafone Sr VP, Brand Communications, Insights and Online Anuradha Aggarwal bagged the marketer of the year award in telecom products & services category.

    Hero Motor Corp SVP Sales and marketing Anil Dua was given the IAA Leadership Award in auto-two Wheeler category, while Maruti Suzuki COO Mayak Pareek collected the marketer of the year award in auto-passenger vehicle category.

    Force Motors GM Cyriac Jacob was bestowed with the marketer of the year-auto commercial vehicle award while Makemytrip.com marketing head Manish Kalra collected the marketer of the year award in travel & hospitality category.

    Asian Paints vice-president sales and marketing Amit Syngle won the IAA Leadership Award in household products & services category. ITC chairman YC Deveshwar got the award in the best CEO of the year category.

    IAA had also constituted special six categories for editor of the year that was won by TOI executive editor Jaideep Bose, News Anchor of the year award by IBN-18 editor in chief Rajdeep Sardesai, Media person of the year award by Hindustan Times chairperson and editorial director Shobhana Bhartia, brand endorser of the year – male award by Salman Khan, best endorser of the year award by Katrina Kaif and the IAA Hall of Fame award by former president and director of Bennett, Coleman & Company and former CEO of Zee Pradeep Guha.

  • Prashant Madan bags Piyush Pandey Scholarship for Creative Leadership

    MUMBAI: Disney-UTV India creative director – marketing and on-air promotion Prashant Madan has been awarded the Piyush Pandey Scholarship for Creative Leadership.

    He will receive full tuition support in the amount of €53,000 to participate in the Berlin School of Creative Leadership EMBA Program starting in March 2013.

    Ogilvy & Mather India chairman Piyush Pandey said, “I am delighted that Prashant Madan has been selected by the Berlin School for the Scholarship. It was a very keenly contested process and it was extremely difficult to make the choice. It was Berlin School‘s robust procedure that made the final decision. I wish Prashant great success at the Berlin School. Make India proud boy!”

    The scholarship, which was only eligible to candidates of Indian descent and currently residing in India, was an opportunity established to honour Pandey‘s service and support of the Berlin School. The scholarship was designed to help support leadership in the creative industries in India and emphasises the importance that effective leadership has in achieving creative excellence.

    Berlin School Director Sheridan Johns said, “We‘re thrilled to welcome Prashant to the Berlin School. As the first EMBA program participant from India Prashant will add to the diversity of the global Berlin School community as well as provide a wealth of experience and exciting ideas that will enrich the learning experience for the whole class.”

    According to the official statement, this is the first scholarship the Berlin School has offered specifically aimed at the Indian creative industries.

    Madan has over 12 years in on-air promotion and original content creation in genres including Youth Entertainment, Reality Television, English and Hindu movies, Business News, Events, Game Shows and Sports. He has been responsible for the launch and on-air branding of entertainment channels like Sony PIX, UTV Bindass, UTV Stars, UTV Action and UTV Movies.

    “I am honored and delighted to have won a scholarship instituted in honor of Piyush Pandey, a leading light in India and a huge inspiration for all creative leaders. Attending the Berlin School will offer me a tremendous opportunity to sharpen my skills for leading creative communication and strategy change in India, and ultimately across the globe,” Madan said.

    Madan will begin his EMBA program studies in Berlin on 10 March 2013, joining participants from over 45 countries as they complete five specially designed interdisciplinary two-week modules held in Asia, Europe and North America.

  • Piyush Pandey’s top 5 popular campaigns

    MUMBAI: Piyush Pandey reveals his favourite David Ogilvy quote: “The psychiatrists say that everybody should have a hobby. The hobby I recommend is advertising.”

    For the big dad of Indian advertising, the workplace is where he pursues his hobby. No wonder. Pandey has been with Ogilvy since 1 August 1982. Since then, his rise has been meteoric. In 1989, he moved to the creative department in O&M and became the agency‘s creative director in 1992. He rose to become the national creative director in 1994 and was inducted to Ogilvy‘s worldwide board in 2006.

    For the man who led Glamorgan University‘s cricket team to its win in the Rohinton Baria Trophy in 1979, the long innings at O&M is remarkable. Under Pandey‘s leadership, O&M has become the third largest advertising agency in India.

    Pandey has been named the most influential man in Indian Advertising for eight straight years by The Economic Times. In 2000, the Ad Club of Mumbai voted his commercial for the adhesive brand Fevikwik the ‘Commercial of the Century‘ and his work on Cadbury‘s as the ‘Campaign of the Century‘. He was voted Asia‘s Creative person of the year at the Media Asia Awards 2002.

    He is the only Indian to have won a double Gold at Cannes and a triple Grand Prize at London International Awards. O&M India has won 25 lions at Cannes under his leadership. In 2002, he won India‘s first ever Silver Pencil at The One Show Awards. In 2010 he was given Lifetime Achievement Award by The Advertising Agencies Association of India.

    Pandey was invited as a Jury in the Clio Awards (2000), Cannes Film Festival(2002), and as the President of the Jury for Outdoor & Press and Film at the Cannes Lion International Advertising Festival (2004) which was a first for an Asian. He was also invited to be a judge at the Asia Pacific Advertising Festival Awards, 2007.

    Asked to list his five favourite campaigns, the South Asia executive chairperson and creative director at O&M instead provided a listing of five of people’s favourite campaigns saying it would do injustice to his clients and also choosing five best works over 30 years is difficult.

    Here is Pandey‘s list of most popular campaigns:

    Cadbury‘s ‘kuch Khaas Hai‘

    It is one of my favourite campaigns because it changed the market completely. We had to find out some way to get adults to eating chocolates openly. The entire campaign is about the fact that there is a child in all of us and we let it go only once in a while. So why be scared of getting your head down, being yourself and enjoying life? It was voted as the campaign of the century.

    Fevicol

    The work on Fevicol has also been loved by people a lot over the years. The Fevicol ad became a hit because it is “son of the soil” kind of campaign; it is rooted in India but with ideas that touched people even abroad. And it’s simple! We hardly have words in it and people find it very funny and yet meaningful. And today Fevicol is in the top most trusted brands. For a low-interest category, to be amongst the big brands is not easy. After all, it is a product that one never sees once the furniture is made.

    Polio

    I am also very proud of the work that I have done on Polio along with Amitabh Bachchan. This year India has reported zero cases of polio. The campaign is highly credited to Bachchan; the way he spoke to the people of the country like an elder brother, a father who is upset with his near and dear ones and about what are they are doing for their children, is remarkable. The ad used very harsh language. For ads like Polio to use such a language was completely unprecedented. For the whole campaign, what I can say is that a lot of ground work is done by the government and medical associations; we were able to support their efforts meaningfully. At the end of the day they were the ones who were on streets, they were the ones who made it happen, but we were able to give them some kind of support.

    The thing is that when Amitabh speaks people listen. For instance, when there was this controversy about Cadbury, we re-launched 
    the campaign with Bachchan. He is a very sincere man. He won‘t do anything just like that. He came to the factory to see for himself how the chocolates were manufacturedand packed. We are grateful to him for the campaign.

    Fevikwik

    The Fevikwik campaign (the fish one) also won us many accolades.

    Asian Paints

    The next ad close to me would be that of Asian Paints, ‘Har Ghar Kuch Kehta Hai‘. If you look at Asian Paints, the way they have built the brand and the way we have been able to partner them by finding regional nuances built again around India and its traditions. It’s the no.1 brand since so many years. From Umbrella campaign, ‘har ghar kuch kehta hai‘ to the Sunil babu (tu kya dekh raha hai yeh, deewar ki picture chal rahi hai) to the two brothers doing home decor ads — that‘s a good series.

    These are the campaigns that have been awarded over the years but it is very difficult to say that which are my best five. These are
    among my most successful work. They are closest to me because they are close to the people. No campaign is worth its salt unless the people on the street do not love it. Fevicol (dam laga k haisha), Fevicol (egg) and Fevikwick (fish) and current Fevicol marine, there is a huge body of work. Let me put it this way — these five campaigns are longest running campaigns. We have ads which ran for a year and were fantastic. These were the campaigns that ran over the years.

    It all starts with the product, the opportunity that the product has, the connect that it has with the people, the vision that the clients have for their brands, or what is the problem that the product is having. If you look at the polio scenario, it was the problem that the country was facing, that people were not going to the booths, you start with that and then see how you can address it.

    Like in the case of Cadbury, adults were not eating it openly, so the question was how to tackle it. It has to come from a market need and then how well you are able to go under the skin of the consumer and identify that what will make this person change his work or behavior and what is the stimuli that they would want to watch, want to act upon. The process is very simple.

    I never thought that I am a painter or an artist. I am a commercial artist who has to do messaging to make people to react.

    I think we can never do a very bad campaign; we can do a bad ad because you do one ad and then you realise that you need to correct yourself. It is not that you will succeed every time. There are times when you experiment.

    Here is Pandey‘s list of the bad campaigns:

    Cadbury
    There was a campaign that we attempted for Cadbury. It was based on a very good insight that we got from the research that people feel like eating chocolate when they are sad. We took that very seriously and made ads on ‘moments when you are sad‘ and people were not willing to see it on television. They wanted to see moments that made them smile, feel happy. Yes, it was a mistake but you won’t remember them because we pulled them out within a week.

    Fevicol
    Nothing is totally wrong but something that does not create that magical impact…I loved the suicide Fevicol ad. It was supposed to be funny but some people didn’t find it funny.

    Kinetic
    After doing a great campaign on ‘Chal meri luna’ (Kinetic), we tried to do an ad on petrol price hike featuring Azharuddin and Sachin Tendulkar. But it couldn‘t compare to the ‘chal meri luna’ campaign.

    (As told to PRACHI SRIVASTAVA)

  • The Hindu launches new TVC created by Ogilvy South India

    MUMBAI: English daily The Hindu has launched a new advertising campaign titled ‘Classroom‘ created by Ogilvy South India.

    This campaign expresses The Hindu‘s point-of-view on yet another issue simmering among Indian youth. This time, the English national daily turns the spotlight on Indian politicians; specifically, on the poor example of governance that is being set for a brand new generation.

    “It‘s often said that the future of India rests on young shoulders. However, this generation is largely disillusioned by the way the nation is run. With a very few political icons to look up to, if any, there exists a real danger of a country not attracting the best and brightest of the generation, to lead it towards prosperity and glory,” a newspaper said.

    The new campaign captures this young sentiment; one that constitutes a wake-up call to Indian politicians, reminding them to be conscious of the millions of young Indians who follow them on media; it cautions them to think before flinging that chair in a political forum, a public forum.

    Ogilvy & Mather South Asia executive chairman and creative director Piyush Pandey said, “In a country that is so young and needs powerful role models, we need to caution the role models that their actions can spark off behavior which can be damaging. I‘m reminded of the age-old saying, ‘Don‘t hit in front of the children, otherwise children will think it‘s a norm.‘”

    Ogilvy & Mather Advertising president – south Simi Sabhaney added, “I‘m delighted that The Hindu has taken up this cause to alert the adults and to caution the youth. Every generation needs leaders of stature to set standards and emulate. It‘s time for today‘s political leadership to acknowledge this and behave responsibly.”

  • O&M brings alive Fevicol Marines’ waterproof promise

    MUMBAI: Pidilite‘s adhesive brand Fevicol has rolled out a new TV campaign for its water proof adhesive product ‘Fevicol Marine‘. This is the second campaign of its kind, the first having been launched two years back.

    In the previous campaign, the ad borrowed from one of the most remembered Fevicol ads – the one that featured the “Dum laga ke haisha” tagline. This time though the tug of war doesn‘t happen on land, but in the backwaters of Kerala. The concept was adopted in order to reiterate that Fevicol Marine promises a strong bond even in water.

    This time around, Fevicol Marine campaign tagline is ‘Wohi mazboot jod, paani mein bhi‘ and has been conceptualised by Ogilvy & Mather and the ad is produced by Corcoise Films. The ad will be aired across key markets including entire Hindi speaking belt and supported by regional channels in South India, West Bengal, Maharashtra, and Gujarat for 4-5 weeks period starting mid-September 2012. The communication will be extended through various BTL activities such as outdoor advertising, high visibility and innovative POS, demand generation activations, dealer certification, contractor certification and gratification program, Contractor contact programs, Marine Shoppee among other elements.

    The story of the commercial follows a boatman in the rural hinterland who has set out in his boat to a nearby city. His boat is filled to capacity with wooden chairs. As he rows through the serene waters, an old man waves out to him, almost as if he wants to hitch a ride. Since there‘s no room on the boat, the boatman subtly gestures to the old man that he can‘t take him on board. Just then the old man clarifies that it‘s not him who wants a ride but his young daughter. The boatman suddenly stops the boat.

    On seeing the beautiful daughter, the boatman decides to offer her a ride at any cost. He kicks a stack of chairs into the water and makes room for her. The girl quickly points out towards her goat. So the boatman throws more chairs into the water. Once again the girl points out towards a huge hay stack. Soon all chairs are kicked out of the boat. And the boatman happily continues his journey, ferrying the girl, her goat as well as the hay stack.

    It is then revealed that he hasn‘t gotten rid of his chairs either. He‘s tied them to the boat with a rope, unperturbed by the fact that the wooden furniture is submerged in water.

    Pidilite Industries chief marketing officer Anil Jayaraj said, “In last two years, the brand has evolved to successfully create a niche waterproof adhesive category and strengthen the overall brand equity of the mother brand Fevicol. Post successful campaign with the last creative, we wanted to highlight the strength and brand promise in an entertaining and humorous manner that has become synonymous with Fevicol advertising. With the help of the new creative, the brand has embarked on a new journey of becoming the ideal adhesive for waterproof plywood & for damp areas like kitchen etc.”

    The TV campaign will be supported by an integrated marketing campaign. Apart from outdoors and increased visibility at trade outlets Pidilite is also executing a number of demand generation initiatives to reap maximum advantage of the new TVC.

    Ogilvy & Mather- South Asia executive chairperson and creative director Piyush Pandey said, “Keeping in mind the tone and manner that Fevicol has had for the last 20 years, the Fevicol Marine ad captures the spirit of India, borrows from India and therefore becomes a part of the fabric of India like all Fevicol ads have been.”

  • O&M Mumbai creates new TVC for Fevicol

    Mumbai: Fevicol has launched a new television commercial that has been created by Ogilvy & Mather Mumbai.

    Keeping in line with the Fevicol tone and humour, the TVC reinforces the promise of a strong bond that Fevicol Marine provides even in water.

    Ogilvy & Mather- South Asia executive chairperson and creative director Piyush Pandey, said, “Keeping in mind the tone and manner that Fevicol has had for the last 20 years, this Fevicol Marine ad captures the spirit of India, borrows from India and therefore becomes a part of the fabric of India like all Fevicol ads have been.”

    In the commercial, a boatman, somewhere in the rural hinterland, sets out in his boat to a nearby city. His boat is filled to capacity with wooden chairs. As he rows through the serene waters, an old man waves out to him, almost as if he wants to hitch a ride. Since there‘s no room on the boat, the boatman subtly gestures to the old man that he can‘t take him on board. Just then the old man clarifies that it‘s not him who wants a ride but his young daughter.Understanding this, the boatman suddenly stops the boat.

    When he sees the beautiful daughter, he decides to offer her a ride at any cost. He kicks a stack of chairs into the water and makes room for her. The girl quickly points out towards her goat. So the boatman throws more chairs into the water. Once again the girl points out towards a huge hay stack. Soon all chairs are kicked out of the boat and the boatman continues his journey, ferrying the girl, her goat as well as the hay stack.

    But while the boatman has the chairs bobbing along in the water, he also has these chairs fastened to the boat with a rope. The fact that the wooden furniture is submerged in water is clearly no cause for worry. The boatman continues his journey unperturbed.

    The film ends with a voice-over which brings forth the brand promise: “Fevicol Marine. Wohi mazboot jod, paani mein bhi”.