ITV

Tag: Piyush Pandey

  • Piyush Pandey, the adman who made India feel, is cremated

    Piyush Pandey, the adman who made India feel, is cremated

    MUMBAI: The man who taught India to sing together was cremated at noon on Saturday, his mortal remains consigned to flames at Mumbai’s Shivaji Park crematorium. Piyush Pandey, the advertising genius who turned mundane products into cultural touchstones, died on Friday following an infection.

    They came in their thousands—chief executives whose fortunes he’d reversed, rival agency heads, Ogilvy’s fiercely loyal staff, office runners. All wept. Pandey had that rare gift: he spoke to drivers and sweepers with the same warmth he reserved for corner-office wallahs. In an industry built on hierarchy, he demolished it with a handshake and that signature grin.

    Well done piyush

    Posters lined the crematorium showing Pandey’s famous moustache and wide smile. His younger brother Prasoon, himself a renowned filmmaker, performed the last rites surrounded by family. Then something extraordinary happened. The mourners broke into song—Mile Sur Mera Tumhara, the anthem Pandey created decades ago that stitched a fragmenting nation together through music.

    After the body entered the electric crematorium, Prasoon addressed the assembled crowd. “Thank you for the love you’ve showered on Piyush. He loves you too,” he said, voice steady despite grief. “We’ll celebrate his life with a gathering soon. We’ll keep you informed.”

    Pandey would have approved. The man who spent his life connecting Indians through stories deserved nothing less than a final act of collective remembrance.

  • Piyush Pandey’s leaves behind a legacy the world will never forget

    Piyush Pandey’s leaves behind a legacy the world will never forget

    MUMBAI: Piyush Pandey the ad man – a lot has been written about his mastery in connecting through communication with the lay person on the street. Which is why most of the ads which he was involved in as a creative guide live with us till today. Fresh as the day they hot the screens. 
    His passing has left a deep impact on colleagues and industry folks the world over who have shared their grief and their admiration for the genius that he was and most of all for the great human that he was.  

    Liz Taylor, Global Chief Creative Officer, Ogilvy  
    “A quiet Friday morning brought news that shattered our hearts: the legend, Piyush Pandey, has left us. The void he leaves is immense—a silence where once his booming laughter, humble mentorship, and profound humanity resonated. 
    To the world, Piyush was an icon, a creative giant, an advertising hero. To Ogilvy, he was our coach, our champion, our spiritual guide, our heart and soul. His passing is a loss that words cannot capture. 
    Yet even as we grieve, a profound sense of gratitude and purpose fills us. For Piyush, creativity was about connection—about making something that lived in people’s hearts. And that’s exactly what he did, time and again. His ideas shaped brands and culture. His kindness shaped people. 
    He taught us that living with generosity and creating with enormity leaves a legacy beyond measure. We will honor him in all that we do—not just in advertising, but in the way we live, lead, and care—striving always to act in the light of his values and to make him proud in every part of our lives.”

    Joe Sciarrotta, Deputy Global Chief Creative Officer, Ogilvy  
    “It’s hard to know where to begin. Personally, he was a brother to me. We spoke often. I spent time with his family, and he with mine—my mom would often ask after him. His is a loss I cannot fathom. But I also know that I’m not alone in that.  
    Piyush was a legend of our industry, and a national treasure in India. I was once on a tour bus in Goa with him and someone asked where we were from. Ogilvy, we said. They respond ‘Oh! Piyush Pandey is from Ogilvy. He’s very famous.’ To which I said, ‘Well, Piyush Pandey is standing right next to you.’ The man nearly had a heart attack from his awe and excitement. What many people don’t realize is that Piyush gave India its voice back, after having been so Westernized for so long. There was nothing he was more proud of than his country and his people. His greatest gift was that he treated ordinary people extraordinary, and extraordinary people ordinary. He saw, and celebrated, the humanity in it all. And that’s the impact he’s had on the next generation of creatives, and that will ripple for generations to come.”

    Devika Bulchandani, Chief Operating Officer, WPP  
    “Piyush was not just the most important man in Indian advertising, he was the most important man in so, so, so many of our lives at Ogilvy. He may have left us but his work and his legacy will live forever.   
    I am personally heartbroken. I lost my biggest champion. Just last month when I got the WPP job he sent me a note, “Prouder than a peacock can be.” And I always told him, ‘You are my wings.’” 
     

    Shelly Lazarus, Chairman Emeritus, Ogilvy  
    “Piyush Pandey had a giant brain and a giant heart. It was an honor of my life to have been his partner and his friend. 
    Piyush built Ogilvy India into what it is today. He commanded the respect of everyone who worked with him and knew him. I loved walking down the street with Piyush and have people stop and ask him for his autograph. 
    There are some few people who are immortal. Piyush Pandey is one of them. 
    I will miss you, my friend.”

    Hephzibah Pathak, Executive Chairperson, Ogilvy India:  
    “It’s hard to capture the immense impact Piyush had on us all. He didn’t just change the game for our industry; he changed our lives. A giant of a leader, his fearless heart and unwavering goodness inspired us to see the world, and ourselves, differently.  
    His beautiful philosophy, ‘Kuch khaas hai hum sabhi mein’ was his very essence–always finding and celebrating the specialness in everyone. We are so privileged to have been raised and nurtured by him.  
    Godspeed, Piyush. Rest in eternal peace.”

    Harshad Rajadhyaksha, Kainaz Karmakar and Sukesh Nayak, Chief Creative Officers, Ogilvy India: 
    “”The most honest thing we can say is that we’re numb. SO many memories are flooding our hearts. His living room was our second office. From the day we joined Ogilvy, to this day, he was our Creative Director and we were his team. This is an honour we can’t forget or replace. Even if he can’t hear us present ideas anymore, every time we create something, we will be asking ourselves, ‘Will Piyush like this?’ What we can promise as our tribute to him is to carry on his belief in creativity, culture and bravery.”

    Reed Collins, Chief Creative Officer, Ogilvy APAC 
    “Our hearts are stilled, for a legend has departed. Piyush Pandey didn’t just shape culture; he shaped us. We mourn his absence, yet rise with fierce gratitude, committed to carrying his bat, forever building on the extraordinary innings he so brilliantly played. ?????? “

  • Piyush Pandey: India’s greatest adman never stopped watching, listening and loving life

    Piyush Pandey: India’s greatest adman never stopped watching, listening and loving life

    MUMBAI: The lights went out on Indian advertising this Diwali. Piyush Pandey, the wordsmith who turned bus rides and roadside tea into unforgettable campaigns, died on Friday aged 70. Just four months earlier, at the Emvies awards in Mumbai, veterans had touched his feet for blessings while young hopefuls queued for selfies. He looked frail but smiled through every encounter. Humility was his signature; genius was his secret.

    Pandey never claimed special talent. His gift was simpler and rarer: he kept his eyes open. The famous Fevicol advertisement—a Jaisalmer bus groaning under passengers clinging to every inch—came from a real sighting. The magic was slapping a Fevicol poster on the back of the bus. “Keep your eyes open, keep your ears to the ground and have a heart willing to accept,” he told newcomers at Ogilvy. It wasn’t a slogan. It was scripture.
     

    Piyush Pandey

    He joined Ogilvy & Mather in 1982 at 27, after failing at cricket, tea tasting and construction. When Mani Iyer, who headed the agency, introduced him to me as creative director in the late 1980s, Pandey’s deep, soft voice belied a fierce passion for the craft. Like Roda Mehta, who ran media at Ogilvy, he was generous with his time,  patiently explaining the thought behind many a campaign to me. Those campaigns moved hundreds of thousands of crores worth of products off shelves over their lifespans.

    His method was observation turned into emotion. The Dum Laga Ke Haisha Fevicol spot was originally made for a smaller brand called Fevitite. The Parekhs, who owned Pidilite, told him the ad was too good to waste. Reshoot it for Fevicol, they urged. He did. That single decision spawned a series of award-winning campaigns and turned Fevicol into the category itself.

    His philosophy was disarmingly simple: love life. “Whether you are sipping tea from a roadside vendor or in a five-star hotel, whether you are travelling by second class or in a Mercedes-Benz,” he would say. Great ideas came from loving all of it—the chaos, the mundane, the sublime. “Be open to accepting ideas from the world. Be open to sharing ideas with the world. Learn to talk but most importantly also learn to listen.”

    Piyush PandeyPandey despised lazy advertising. Technology for its own sake was pointless; celebrities without ideas were  useless. “Many TVCs are pathetic these days when they use celebrities. They are made very lazily,” he once said. For him, the idea came first. Technology could enhance it; fame could amplify it. But without a core truth, it was just expensive noise.

    He believed consumers, not suits or pony-tailed creatives, made advertising great. “It’s when he or she accepts the product and emotionally bonds with it, the product becomes a brand,” he said. His advice to brand managers was blunt: stop being salesmen. Build brands, not just products.

    I lost touch with him for decades  as I went about building the indiantelevision.com group and all its ancillary services. Journalism and writing as I used to practice when I was younger was relegated to the background. It was during the pandemic that I reached out to him and requested him to spare some time for an online interview. To my surprise, he remembered me and he readily agreed. It was an interesting conversation about how Ogilvy was serving clients during the pandemic and how its creative edge was being maintained. We had agreed we would speak for 30 minutes, but the conversation went on for an hour. It was peppered with Pandey-isms. But that was the last time we spoke at length to each other, though we said hello to each other at advertising industry get-togethers which I rarely attended. Sadly, for me. 

    The man who taught India to watch, listen and love has gone silent. But his voice echoes still—in every vernacular tagline, every slice-of-life commercial, every campaign that dares to see India as it truly is. Pandey didn’t just sell products. He gave an entire nation permission to speak in its own accent, to find poetry in the everyday, to believe that the roadside and the boardroom could meet and make magic. 

    The lights dimmed this Diwali, but the spark he lit—built on observation, fuelled by empathy, sustained by love—will burn for generations. That’s not advertising. That’s immortality.

  • Piyush Pandey, the adman who gave Indian advertising its soul, passes away

    Piyush Pandey, the adman who gave Indian advertising its soul, passes away

    MUMBAI: Piyush Pandey, the creative colossus who spoke to India in its own voice passed on on Friday aged 70. The man behind Fevicol’s unbreakable bond, Cadbury’s Kuch khaas hai and Asian Paints’ promise to colour every joy had been suffering from an infection. His funeral will be held on Saturday at Shivaji Park Crematorium in Mumbai.

    For more than four decades at Ogilvy India, Pandey rewrote the rules of Indian advertising. He arrived in 1982 at 27, fresh from stints as a cricketer, tea taster and construction worker, and walked into a world dominated by English. His first assignment was a print ad for Sunlight Detergent. What followed was nothing short of a revolution.

    Pandey didn’t just change the language of Indian advertising—he changed its grammar. He brought Hindi, colloquial idioms and the rhythms of everyday India into the mainstream. His campaigns for Fevicol, Cadbury, Hutch and Asian Paints became cultural touchstones, teaching a generation that the truest ideas are often the simplest. “Har khushi mein rang laaye” wasn’t just a tagline. It was philosophy.

    Under his leadership, Ogilvy India held the top spot in Agency Reckoner, an independent survey by The Economic Times, for 12 years. In 2004, he became the first Asian jury president at the Cannes Lions International Festival of Creativity. In 2018, he and his brother, filmmaker Prasoon Pandey, became the first Asians to receive the Lion of St Mark, Cannes’ highest honour for lifetime achievement. In 2016, he was awarded the Padma Shri, the first Indian advertising professional to receive the honour.

    Despite the accolades, Pandey remained disarmingly modest. A cricket lover to the end, he compared himself to a player in a team sport. “A Brian Lara can’t win for the West Indies alone,” he once said. “Then who am I?”
    He had a simple credo: advertising must touch hearts before it wins awards. “No audience is going to see your work and say, ‘How did they do it?’” he said. “They will say, ‘I love it.’” He often warned young creatives against chasing technology at the expense of empathy, urging them to stay rooted in human experience.

    Born in Jaipur to a family of nine children, Pandey grew up surrounded by creativity. His siblings include Prasoon and folk singer-actor Ila Arun. He lent his voice to radio jingles as a child. He also co-wrote the screenplay for Bhopal Express and penned the lyrics for Mile Sur Mera Tumhara, the song that became shorthand for Indian unity. He even acted, appearing in the 2013 film Madras Cafe.

    His political work was equally memorable. In 2014, he crafted Ab ki baar, Modi sarkar, a slogan that helped sweep Narendra Modi to power. But his truest legacy lies not in politics, but in the stories and storytellers he nurtured.

    Tributes poured in from across India. Prime Minister Modi called him “admired for his creativity”. Finance minister Nirmala Sitharaman described him as “a titan and legend” who “transformed communication”. Uday Kotak, founder of Kotak Mahindra Bank, remembered Pandey launching his bank in 2003 with a campaign describing banking as “common sense”. Filmmaker Hansal Mehta captured the mood best: “Fevicol ka jod toot gaya. The ad world lost its glue today.”

    Pandey stepped down as executive chairman of Ogilvy India in 2023 to take on an advisory role. He is survived by his wife, Nita, his family and a creative community that continues to draw from his philosophy: that the best ideas are born not in boardrooms, but in the lives of ordinary people.

    The man who turned commercials into memories has left the building. But his booming laugh, his trademark moustache and his stories—rooted in the street, in life, in listening—remain. India’s advertising soul just got a little quieter.

  • Asian Paints brings home the feels once again

    Asian Paints brings home the feels once again

    MUMBAI: Some stories never fade, they simply find new walls to speak from. Asian Paints has rekindled the magic of its iconic campaign Har ghar kuch kehta hai, returning with a fresh film that paints a touching portrait of the modern Indian home.

    Blending nostalgia with a contemporary lens, the new ad film explores how homes today are living, breathing reflections of the people who inhabit them. Each wall, colour and corner tells a tale of creativity, connection and comfort, whether it’s a young couple giving their walls personality, a food vlogger turning his kitchen into a studio, or a pet parent making room for a furry family member.

    Set to the familiar Har ghar poetry, the film gently reminds viewers that a home’s essence lies not in its structure, but in the lives it shelters, “har ghar chup-chaap se yeh kehta hai, ki andar isme kaun rehta hai.”

    Speaking on the campaign, Asian Paints MD & CEO Amit Syngle said, “Homes today are more dynamic, expressive and personal than ever before. With this new chapter, we celebrate how every corner carries meaning, through creativity, individuality or shared experiences.”

    Ogilvy India chief advisor Piyush Pandey added, “Homes have always spoken; what’s beautiful now is that they’re starting new conversations. This campaign captures today’s lives with honesty, humour and heart.”

    More than a revival, this film is a love letter to the spaces that shape us, proving that while styles evolve, the emotion behind every home remains timeless.

  • Adani Group shines a light with ‘Story of Suraj’, third film in #HumKarkeDikhateHain series

    Adani Group shines a light with ‘Story of Suraj’, third film in #HumKarkeDikhateHain series

    MUMBAI: The Adani Group is back with another spark of inspiration. The infrastructure giant has rolled out Story of Suraj, the third instalment in its emotionally resonant #HumKarkeDikhateHain campaign, spotlighting how clean energy is transforming everyday lives across India.

    Directed by Amit Sharma of Badhaai Ho fame and produced by Chrome Pictures, the film tells the story of Rakesh, a man who returns to his hometown only to find it aglow-literally and metaphorically—thanks to uninterrupted solar power. From blooming crops and buzzing classrooms to 24/7 hospitals, the town’s transformation reflects how renewable energy fuels more than just electricity-it powers possibilities.

    Conceptualised by Ogilvy India, the film is rooted in Adani Green Energy Ltd’s (AGEL) mission to build a cleaner, greener India. AGEL, among the world’s largest renewable energy companies, operates a vast network of solar and wind farms, and has become a cornerstone of India’s energy transition.

    Adani Group head – corporate branding Ajay Kakar said “At Adani, we are not just generating electricity—we are creating pathways for progress. This film reflects the real impact of solar energy on everyday life. The transformation of one town is emblematic of the change we’re enabling across India.”

    Ogilvy India chief advisor Piyush Pandey commented, “Adani adds one more human touch to technology with its new Solar energy film. Story of Suraj shines by showing how solar energy brings life-changing opportunities to communities, helping them build a brighter future.”

    The film will be amplified across TV, digital, radio, and social platforms, ensuring the sunshine reaches every screen.

    With Story of Suraj, Adani isn’t just talking infrastructure-it’s showing how solar power is sparking human potential, one sunbeam at a time.

  • Pandit hits the write note with memoir on adland, music and more

    Pandit hits the write note with memoir on adland, music and more

     MUMBAI: From the buzz of boardrooms to the rhythm of raag, Bipin R. Pandit’s journey finally finds its hardcover harmony. At Goafest 2025, amidst Abby cheers and industry nostalgia, The Advertising Club’s beloved COO Bipin R. Pandit launched his long-anticipated biography titled Impassioned. The launch wasn’t just ceremonial, it marked the culmination of 28 years spent scripting not just award shows, but a legacy in Indian advertising’s cultural corridors.

    Released by Ad Club President and Havas India group CEO for SEA & North Asia, Rana Barua, the book dropped during the 58th edition of the Abby Awards, a fitting venue, given Pandit has helmed 28 editions himself.

    But Impassioned is no dry professional recollection. Co-authored by Gokul Krishnamoorthy and supported by Gour Gupta’s Tribes, the book oscillates between Pandit’s rise from Castrol’s data division to becoming the backbone of India’s most prominent advertising secretariat and his other passions: cricket, Kishore Kumar and Khumaar, the live music IP he founded.

    It also swings into his personal innings, including a rooftop romance in Dadar that turned into a lifelong partnership. Reflections from industry stalwarts Piyush Pandey, Prasoon Joshi, Ramesh Narayan and Barua himself add emotional resonance to a story that’s both deeply personal and distinctly adland.

    The book also traces the birth of now-iconic properties like the Effies and Emvies, first conceptualised under Pandit’s watch in 2001 as part of a three-day Mumbai festival alongside the Abbys. Today, these awards stand as pillars of the Indian advertising industry.

    “Writing started with a LinkedIn blog post post-Abbys,” Pandit shared. “Rana called me and said ‘You need to make this a book’. The rest, as they say, got written.”

    Barua added, “Bipin’s been the pulse of the Club steady, smiling and always switched on. This book lets us meet the man behind the magic.”

    Adding heart to history, Pandit has pledged 10 per cent of all proceeds from Impassioned to the Light of Life Foundation, which supports underprivileged communities.

    From overseeing award ceremonies to belting out old classics, from managing committees to cricket trivia debates Bipin R. Pandit hasn’t just worked in adland, he’s lived it. And now, finally, it’s all on record with rhythm, recall and a whole lot of raag.

  • Bipin R. Pandit pens his passion in new biography, ‘Impassioned’

    Bipin R. Pandit pens his passion in new biography, ‘Impassioned’

    MUMBAI: Goafest 2025 witnessed more than just gold metals — it saw the unveiling of ‘Bipin R. Pandit – Impassioned’, a vibrant biography celebrating the Advertising Club’s spirited COO & founder of the soulful live music IP, Khumaar. The book was launched by Havas India group CEO SEA & North Asia, and Ad Club president  Rana Barua  during the 58th Abby Awards in front of an industry-packed house.

    The biography captures Pandit’s 28-year rollercoaster with the Ad Club, where he’s been the behind-the-scenes heartbeat of events like the Abbys, Effies and Emvies — awards that have since become institutionally iconic. From his early days at Baroda Rayon and Castrol India to being the anchor of over 1,000 stage shows, Impassioned weaves the personal with the professional — with equal notes of nostalgia, humour and humility.

    The book features:
    * Reflections from all 13 Ad Club presidents Pandit has worked with
    * Insights from 30 managing committee members, with a back-and-forth of perspectives
    * A tribute to Khumaar, now in its 20th year
    * A peek into the Pandits’ love story — a romance that began in school and blossomed into 40 years of marriage
    * And plenty of anecdotes that spotlight Bipin’s love for cricket, music and people

    With a foreword by Padma Shri Piyush Pandey and a special note by Padma Shri Prasoon Joshi, Impassioned isn’t just a biography — it’s a masterclass in loyalty, legacy and leading with heart.

    “I just wrote a LinkedIn blog after last year’s Abbys. Rana called, said this should be a book — and the rest is literally history,” said Pandit, thanking Gour Gupta and the team at Tribes for their support, and co-author-curator Gokul Krishnamoorthy for shaping the narrative.

    “Bipin has been the pulse of The Ad Club,” said Rana Barua. “His journey is a reminder that true leadership doesn’t always wear the loudest hat — sometimes, it sings from backstage.”

    Ad Club past president Ramesh Narayan added, “Bipin has always had that reassuring smile and an enviable ability to juggle committees, concerts, and cricket scores with ease.”

    The biography is priced at Rs 750 and available on www.bipinpandit.com. Ten per cent of the proceeds will go to Light of Life Foundation, supporting marginalised communities — yet another testament to Pandit’s impassioned legacy, both on and off stage.

    Credits
    Publisher & co-author: Bipin R. Pandit
    Curator & co-author: Gokul Krishnamoorthy
    Cover design: Vikram Gaikwad
    Book design: Mediaedge
    Cover photo: Himanshu Mestry
    Supported by: Tribes

  • Elephants on parade: Kyoorius Creative Awards 2025 honour 166 Blue, 514 Baby, three Purple winners

    Elephants on parade: Kyoorius Creative Awards 2025 honour 166 Blue, 514 Baby, three Purple winners

    MUMBAI: The only thing louder than the applause was the creativity. The 2025 Kyoorius Creative Awards, presented by Zee, lit up the Jio World Convention Centre in Mumbai with an evening that celebrated the sheer power of ideas. Over 1,500 professionals from India’s marketing and communications industry witnessed a no-politics, all-passion showcase of creative firepower.

    While the elusive Black Elephant remained just that—elusive—seven campaigns earned the revered Baby Black Elephant. The shortlist, dubbed the ‘Black Elephant Nominees’, featured standout work from Grey Bangladesh, DDB Mudra Group, Mccann Worldgroup, Studio Eeksaurus, Talented, Famous Innovations and Loudmouth Film.

    The top individual honour of the night went to none other than Piyush Pandey, who received the Master of Creativity award. The legendary adman was recognised for reshaping India’s advertising ethos with his distinct ability to blend culture, humour, and simplicity.

    Kyoorius received a record 4,000+ entries from over 500 organisations this year, its highest ever. From that pool, 1,124 entries made it to the First List. A total of 514 campaigns were awarded Baby Elephants, representing 60 unique agencies, 177 campaigns, and 116 brands.

    Of the 514 Baby Elephants, 166 were upgraded to Blue Elephants—marking top-tier excellence. Brands like Amazon, Samsung, Britannia, Coca-Cola, Swiggy, Dream11, Zivame, Kit Kat, Mcdonald’s, and Ceat were among those honoured. Full winners list is available at kca.kyoorius.com.

    Three campaigns received the Purple Elephant as part of the Zee Equality Award, acknowledging work that pushed boundaries for representation and inclusion.

    “Massive congratulations to all the winners!… That’s the soul of the Elephants”, said Kyoorius founder & CEO Rajesh Kejriwal.

    In trademark fashion, the awards ditched the traditional metal hierarchy—no golds, silvers, or bronzes.

    Just Elephants.

    Supported by Glenmorangie, The Hindu, Tribes Group, and Indian Creative Women, the night underscored that pure creativity—unranked, unfiltered—still has a stage, and a spotlight.

  • Adani Ports’ new film highlights its role in enabling business growth

    Adani Ports’ new film highlights its role in enabling business growth

    MUMBAI: The Adani Group has launched its latest film, Journey of Dreams, as part of its ongoing Hum Karke Dikhate Hain series, highlighting the transformative impact of Adani Ports on businesses and communities across India.

    The narrative-driven film celebrates India’s spirit of determination, illustrating how Adani Ports enables businesses-both large and small-to thrive through seamless connectivity and world-class infrastructure. As India’s largest integrated ports and logistics company, Adani Ports and SEZ Limited (APSEZ) plays a crucial role in economic growth by facilitating global trade and empowering entrepreneurs.

    The film opens with a touching scene where a young girl watches a ship sail into the horizon and asks her father, “Do ships carry big things, Papa?” To which he replies, “They carry big dreams too.” This sets the stage for an inspiring journey showcasing the global reach enabled by Adani Ports.

    The story follows a father’s aspirations as his handcrafted Namda toys—a traditional wool-felting craft from Gujarat’s Kutch region—find international markets thanks to the logistical support of Adani Ports. His journey reflects the countless small business owners across India who benefit from the company’s extensive infrastructure and global market access.

    Adani Group head of corporate branding, Ajay Kakar stated, “At Adani Ports, we do more than move goods—we create pathways for dreams. Our world-class facilities and connectivity help businesses flourish, improving millions of lives. This film beautifully showcases how our ports serve as catalysts for aspirations, turning dreams into reality.”

    The film, created by Ogilvy India, aligns with Adani’s vision of business with a human touch. Ogilvy India chief advisor, Piyush Pandey stated, “Big businesses and projects hold true significance when they positively impact communities. This campaign captures Adani Ports’ commitment to fostering growth at every level.”

    Part of the AdaniHKKDH series, Journey of Dreams will be broadcast across multiple platforms, reinforcing Adani Ports’ role in shaping India’s economic future.