Tag: Pixar

  • Disney showcases perfect marriage of creativity and tech at shareholder meeting

    Disney showcases perfect marriage of creativity and tech at shareholder meeting

    MUMBAI: The Walt Disney Co held its 2025 annual shareholder meeting on Thursday, with boss Bob Iger waxing lyrical about the firm’s “perfect marriage of exceptional creativity and groundbreaking technological achievement” which, he insisted, “has always set Disney apart.”

    “Since the company’s earliest years under Walt, technology has always been viewed as a powerful storytelling tool, and innovation has been in our DNA since the start,” Iger declared in a video message from Walt Disney Imagineering’s headquarters in Glendale, California.

    In a move that would make even Darth Vader crack a smile, Iger was joined by a flock of BDX droids—the same mechanical marvels that have been harassing guests at Disneyland—which will soon make their silver screen debut in The Mandalorian and Grogu, next year’s highly anticipated Star Wars cash cow.

    The mouse house enjoyed a whopper of a year at the global box office in 2024, with Iger crowing about its  “outstanding” performance following a reorganisation that “restored creativity to the centre of our studios.”
    The company’s popular franchises brought home the bacon, with Pixar’s Inside Out 2, Marvel’s Deadpool & Wolverine, and Walt Disney Animation Studios’ Moana 2 claiming the top three spots at the box office. Talk about a triple threat.

    Disney’s critical success was equally impressive. “Our renewed focus on quality over quantity has also resulted in outstanding critical success,” Iger boasted, noting that the company bagged a whopping 60 Emmy Awards, led by Shogun and The Bear. The firm also scooped 15 Oscar nominations, with Kieran Culkin winning Best Supporting Actor for his turn in Searchlight Pictures’ A Real Pain.

    Looking ahead, Iger dropped a bombshell: a sequel to Coco, Pixar’s 2017 Academy Award-winning tearjerker, is in the works. “While the film is just in the initial stages, we know it will be full of humour, heart, and adventure,” he said, no doubt sending Mickey-shaped dollar signs spinning in shareholders’ eyes.

    The Disney chief was keen to remind everyone that all these cinematic delights “will all be accessible on Disney+,” expanding the firm’s “rich library of a century’s worth of storytelling.”

    “By giving subscribers the option to watch what they love most from across the worlds of Disney, all in one place, we are turning Disney+ into the ultimate streaming destination,” Iger declared.

    With the recent additions of Hulu and ESPN tiles on Disney+, the company has created what Iger calls a “seamless streaming experience” that is “both convenient and user-friendly.” And when ESPN’s new direct-to-consumer offering launches in early autumn, subscribers can access the full suite of ESPN’s networks from inside Disney+. How thoughtful.

    Turning to Disney’s Experiences segment, Iger was practically bursting with excitement. “Last year we talked about our plans to turbocharge growth in this segment through strategic investments. Today I’m proud to share some of what we’ve been up to,” he gushed. “Right now, we have more projects underway around the world than at any time in our history.”

    The Magic Kingdom is undergoing its largest expansion ever, including a new area inspired by Cars and a much-anticipated Villains-themed land where guests can presumably pay $15 for a villain-themed ice cream while queuing for three hours.

    A Monsters Inc. themed land is coming to Hollywood Studios, featuring the company’s first-ever vertical lift coaster (guaranteed to make your wallet feel lighter than your stomach). Meanwhile, a new Tropical Americas land is headed to Disney’s Animal Kingdom, with attractions based on Encanto and Indiana Jones.

    Disney Cruise Line is also expanding, which will allow the company to “double our capacity to reach millions more people around the world,” according to Iger. Because nothing says “magical experience” like being trapped on a boat with thousands of screaming children wearing Mickey ears.

    Iger also took time to highlight Disney’s charitable efforts, noting that in the wake of the devastating wildfires in Southern California, the company committed $15 million to recovery efforts.

    “We remain the No. 1 wish-granter in the world for children facing critical illness, and on average Disney grants a child’s wish every hour of every day,” he said, temporarily making even the most cynical shareholders feel warm and fuzzy.

    Iger concluded his remarks by returning to technology: “Thanks to modern technology, there’s never been a better time to be a storyteller,” he said.

    Or, indeed, a Disney shareholder.

  • Disney and Pixar’s Inside Out 2 streams on Disney+ Hotstar

    Disney and Pixar’s Inside Out 2 streams on Disney+ Hotstar

    Mumbai: Disney and Pixar’s Inside Out 2, the top-grossing animated film of all time, will begin streaming on Disney+ Hotstar in both English and Hindi on 25 September 2024. Fans can expect a heartwarming return to the world of emotions as Riley’s mind welcomes new characters and challenges.

    Celebrated by critics, Inside Out 2 is hailed as “absolute perfection, hilarious” by Jazz Tangcay of Variety and as “an unforgettable experience” by Landon Johnson of Awards Watch. The film is certified fresh on Rotten Tomatoes™ and has already made history as the fastest animated film to reach $1 billion globally, cementing its place as the eighth highest-grossing film ever.

    Inside Out 2 revisits Riley, now a teenager, as her headquarters undergoes unexpected changes. Familiar emotions like Joy, Sadness, Anger, Fear, and Disgust return, only to be met by new emotions, including Anxiety, voiced by Maya Hawke. Other cast members include Amy Poehler as Joy, Phyllis Smith as Sadness, Lewis Black as Anger, Tony Hale as Fear, and Liza Lapira as Disgust. The film is directed by Kelsey Mann and produced by Mark Nielsen.

  • Joy takes over! Inside Out 2 reaches $1 billion in record time

    Joy takes over! Inside Out 2 reaches $1 billion in record time

    Mumbai: Disney and Pixar’s much-anticipated sequel, Inside Out 2, has taken the world by storm, rewriting the record books for animated films. In a stunning feat, the movie has become the fastest animated film to ever reach the coveted $1 billion mark at the global box office, achieving this milestone in less than three weeks!!

    This record-breaking performance surpasses the previous record holder, Frozen 2, which took 25 days to reach the same benchmark. Inside Out 2’s phenomenal success is further underscored by its impressive performance in India. The film raked in a whopping Rs 101.48 crores ($12.7 million) within just 19 days, becoming the fastest animated film to enter the exclusive 100 crore club in the country. This prestigious club recognizes animated films that have achieved a lifetime gross of over Rs 100 crores ($12.3 million) at the Indian box office. Notably, eight out of the eleven films currently in this club are from Disney and Pixar, solidifying their dominance in the animation genre.

    Inside Out 2’s emotional journey resonated with audiences worldwide. The film’s ability to delve deeper into the complexities of our inner world, introducing new characters representing fresh emotions, seems to have struck a chord. With its critical acclaim and record-breaking box office numbers, Inside Out 2 has cemented its place as a true animation powerhouse.

    Directed by Kelsey Mann, Inside Out 2 was released on 14 June 2024 in cinemas worldwide. Amy Poehler, Maya Hawke, Phyllis Smith, Lewis Black, Tony Hale, and Liza Lapira gave their voices to the beloved animated characters of the film. Written by Meg LeFauve, the animated film continues to weave its Pixar magic in theatres in India and across the world!

  • Disney and Pixar’s Inside Out 2 takes the global box office by storm!

    Disney and Pixar’s Inside Out 2 takes the global box office by storm!

    Mumbai: Inside Out 2, the coming-of-age sequel to the Oscar-winning franchise by Disney and Pixar released in cinemas worldwide on 14 June after 9 years and is touted to be the biggest animated film of the year. Directed by Kelsey Mann and produced by Mark Nielsen, the film takes audiences back to the life of Riley who has adjusted to her new life in San Francisco and has recently turned 13. She navigates through new emotions including Anxiety, Embarrassment, Ennui and Envy who are brought into the headquarters as Riley is now a teenager. Audiences and critics have applauded how this new mixed bag of emotions on an exceptional rollercoaster is a must-watch for everyone.

    In its opening weekend, Inside Out 2 has shattered the box office records and has emerged to be the biggest Hollywood film of 2024 raking in 155 million dollars domestically leaving behind films including Dune 2, God x King: The New empire, amongst others. As per The Hollywood Reporter, the film grossed a global total of $295 million, the biggest opening of all time for an animated film.

    Inside Out 2’s Rotten Tomato score stands at a staggering 93 per cent while its IMDb rating is currently at 8. The film became the second-highest domestic opener of all time in the animated movie genre behind Pixar’s ‘The Incredibles’ and is further expected to shine globally, including in India as well.

    The film features Amy Poehler, Phyllis Smith, Lewis Black, Diane Lane, and Kyle MacLachlan reprising their roles from the first film with Tony Hale, Liza Lapira, Maya Hawke, Ayo Edebiri, Adèle Exarchopoulos, Paul Walter Hauser, and Kensington Tallman joining the cast. Inside Out 2 is now in theatres in English and Hindi. 

  • Bob Chapek exits Disney; Bob Iger returns as CEO for two more years

    Bob Chapek exits Disney; Bob Iger returns as CEO for two more years

    Mumbai: US and global media conglomerate Disney has announced that Robert A. Iger is returning to lead Disney as CEO, effective immediately. Iger, who spent more than four decades at the company, including 15 years from 2005-2020 as its CEO, has agreed to serve as Disney’s CEO for two years, with a mandate from the board to set the strategic direction for renewed growth and to work closely with the board in developing a successor to lead the company at the completion of his term. Iger succeeds Bob Chapek, who has stepped down from his position. Chapek spent less than three years as CEO. Chapek’s contract had been extended in June 2022 for three years. The earlier contract had been scheduled to expire in February 2023.

    “We thank Bob Chapek for his service to Disney over his long career, including navigating the company through the unprecedented challenges of the pandemic. The board has concluded that as Disney embarks on an increasingly complex period of industry transformation, Bob Iger is uniquely situated to lead the company through this pivotal period,” said The Walt Disney Co. chairman of the board Susan E. Arnold. “Iger has the deep respect of Disney’s senior leadership team, most of whom he worked closely with until his departure as executive chairman 11 months ago, and he is greatly admired by Disney employees worldwide—all of which will allow for a seamless transition of leadership.”

    The position of chairman of the board remains unchanged, with Arnold serving in that capacity.

    “I am extremely optimistic for the future of this great company and thrilled to be asked by the board to return as its CEO. Disney and its incomparable brands and franchises hold a special place in the hearts of so many people around the globe—most especially in the hearts of our employees, whose dedication to this company and its mission is an inspiration. I am deeply honoured to be asked to lead this extraordinary team once more, with a clear mission focused on creative excellence to inspire generations through unparalleled, bold storytelling,” Iger said.

    During his 15-year stint with Disney, Iger helped build Disney into one of the world’s most successful and admired media and entertainment companies with a strategic vision focused on creative excellence, technological innovation, and international growth. He expanded on Disney’s legacy of storytelling with the acquisitions of Pixar, Marvel, Lucasfilm, and 21st Century Fox and increased the company’s market capitalization fivefold during his time as CEO. Iger continued to direct Disney’s creative endeavours until his departure as executive chairman last December, and the company’s pipeline of content is a testament to his leadership and vision.

  • D23 Expo 2022: Marvel Studios, Lucasfilm and 20th Century Studios showcase upcoming offerings

    D23 Expo 2022: Marvel Studios, Lucasfilm and 20th Century Studios showcase upcoming offerings

    Mumbai: At the recently concluded Disney fan event, D23 Expo 2022 in Anaheim, California Lucasfilm, Marvel Studios and 20th Century Studios made presentations.

    The Walt Disney Studios chairman Alan Bergman reflected on the 13-year history of D23 Expo—as well as the evolution of the Studios group. “That [first] year, none of the iconic studios you’ll hear from today were part of the company. It was just Disney Animation, Disney Live Action, and Pixar. We announced the Marvel acquisition just before our first expo in 2009. Then three years later, we added Lucasfilm, and in 2019, 20th Century Studios. I’ve been at Disney for 26 years, so it’s been incredibly exciting to welcome each of them to our studio family. And like Disney and Pixar, each of these studios has a phenomenal legacy of storytelling,” Bergman explained.

    Lucasfilm: Lucasfilm president Kathleen Kennedy introduced the content line-up. The movie “Indiana Jones 5” will be released next year on 30 June 2023. She welcomed the film’s director, James Mangold, who shared details and first-look footage from the upcoming fifth instalment of the “Indiana Jones” franchise. Kennedy and Mangold were joined on stage by the film’s stars, Harrison Ford and Phoebe Waller-Bridge. “Thank you for making these films such an incredible experience for all of us. I’m very proud to say that this one is fantastic, and [Waller-Bridge] is one of the reasons.”

    “”Indiana Jones” movies are about fantasy and mystery, but they’re also about heart… I’m really, really happy that we have a really human story to tell, as well as a movie that will kick your [butt],” said an emotional Ford. This is the first “Indiana Jones” movie that will not be directed by Steven Spielberg.

    Andor is a 24-episode spy thriller. The era featured in Andor—the five years before the events of Rogue One: A Star Wars Story—is filled with danger, deception, and intrigue, where Cassian Andor will embark on the path that is destined to turn him into a rebel hero. Much to the delight of the assembled crowd, Luna and his co stars unveiled a final trailer for the series.

    The series presents Star Wars from a different perspective, focusing on everyday people whose lives are affected by the empire. The decisions they make have real consequences, and the stakes for them—and the galaxy—couldn’t be higher. The series debuts with three episodes on Disney+ on 21 September.

    Meanwhile, Willow is a live-action fantasy-adventure series that returns to the world of Andowyne that we first met in the 1988 feature film (directed by Ron Howard and produced by Disney Legend George Lucas). Set in a magical world where brownies, sorcerers, trolls, and other mystical creatures flourish, Willow is the story of an unlikely group of heroes who set off on a dangerous quest, facing their inner demons and coming together to save their world. An epic period fantasy told with a modern sensibility and plenty of humour and heart, Willow begins streaming on Disney+ on 30 November.

    Kennedy welcomed Dave Filoni, who shared a host of Star Wars-related announcements. First, Filoni showed a new image from the upcoming 16-episode second season of the animated series Star Wars: The Bad Batch. Months have passed since the events on Kamino, and the Bad Batch continue their journey, navigating the empire after the fall of the republic. They’ll cross paths with friends and foes, both new and familiar, as they take on a variety of thrilling mercenary missions that will take them to unexpected and dangerous new places. The series will begin streaming on Disney+ with a two-episode premiere on 4 January, 2023.

    Star Wars: Tales of the Jedi comprises six brand-new animated shorts featuring parables built around Jedi from the prequel era. Journey into the lives of two very different Jedi—Ahsoka Tano and Count Dooku—who will be tested as they make decisions that will shape their destinies. Filoni delighted the audience by sharing an official trailer for the shorts. All six shorts will debut on 26 October on Disney+.

    Filoni shared with Hall D23 how much the character of Ahsoka means to him—having crafted her story from her 2008 debut in the animated series Star Wars: The Clone Wars through her live-action debut in The Mandalorian. Ahsoka is a new live-action series heading to Disney+, starring Rosario Dawson in the title role. Set after the fall of the empire, Ahsoka follows the former Jedi knight Ahsoka Tano as she investigates an emerging threat to a vulnerable galaxy. The new series is slated for 2023 and will be exclusive to Disney+.

    Star Wars: Skeleton Crew coming soon on Disney+. Skeleton Crew tells the story of four kids who find themselves lost in the vastness of the galaxy trying to find their way home.

    Meanwhile in the third season of The Mandalorian, the Mandalorian and Grogu have been reunited and continue their journey through the lawless galaxy. Season three is set to launch exclusively on Disney+ next year.

    Marvel Studios: Marvel Studios producer, president Kevin Feige detailed several recent announcements, including the Multiverse Saga—the conclusion of Phase 4, the Phase 5 slate, and the Phase 6 titles that include “Fantastic Four” and two new “Avengers” films: “The Kang Dynasty” and “Secret Wars.”

    “Black Panther: Wakanda Forever” releases in theatres on 11 November.

    Ironheart is a series that takes place after the events of “Black Panther: Wakanda Forever.” The new series is slated for Disney+ in 2023.

    Feige then officially kicked off Phase five of the MCU with “Ant-Man and the Wasp: Quantumania.” Hitting theatres on 17 February 2023, the film connects to “Avengers: The Kang Dynasty,” Feige announced.

    Feige then announced Marvel Studios’ first-ever special presentation, created for this “Halloween: Werewolf by Night,” directed by music composer Michael Giacchino who Disney said is also an accomplished filmmaker. The special starts streaming on Disney+ this October 7.

    Secret Invasion is a new event series that showcases a faction of shapeshifting Skrulls who have been infiltrating earth for years.

    Loki season two picks up in the aftermath of the shocking season finale when Loki finds himself in a battle for the soul of the Time Variance Authority. The new season streams on Disney+ next year.

    Feige has also officially confirmed that Matt Shakman—who directed every episode of 2021’s WandaVision and who was in the Hall D23 audience—would be directing “Fantastic Four.” The film opens in theatres on 8 November, 2024.

    Echo is a new series. In the show Maya Lopez’ ruthless behaviour in New York City (after the events in Disney+’s “Hawkeye”) catches up with her in her hometown.

    Daredevil: Born Again is an 18-episode Disney+ series. Production has not yet started on the show.

    A movie “Captain America: New World Order,” continues Sam Wilson’s journey as Captain America and comes to theatres in 2024. “Thunderbolts” opens in theatres on 26 July, 2024.

    Finally, Feige wrapped the Marvel Studios portion by revisiting key moments in the MCU before welcoming to the stage director Nia DaCosta and The Marvels cast members Iman Vellani (Kamala Khan/Ms. Marvel), Teyonah Parris (Monica Rambeau), and Brie Larson (Carol Danvers/Captain Marvel). Fans were given a look at scenes from the new movie, which opens in theatres on 28 July, 2023.  

    20th Century Studios:  Bergman then returned to the stage to introduce—via Zoom from New Zealand—Oscar-winning producer/director Cameron, director of the upcoming “Avatar: The Way of Water.” He’s hard at work finishing the film—the highly anticipated sequel to the biggest film of all time, “Avatar”—so he couldn’t join the D23 Expo in person. But the film’s producer, Jon Landau, helped welcome returning cast members Sam Worthington (Jake Sully), Zoe Saldaña (Neytiri), Sigourney Weaver (Kiri), and Stephen Lang (Colonel Miles Quaritch)—plus new-generation cast members Jamie Flatters (Neteyam), Jack Champion (Spider), Bailey Bass (Tsireya), and Trinity Jo-Li Bliss (Tuk)—before the audience was treated to several scenes from the new film! Fans were invited to don a pair of Dolby 3D glasses (a Hall D23 first!) to get fully immersed in the brand-new footage.

  • Disney+ Hotstar to enter Thailand market on 30 June

    KOLKATA: Disney+Hostar has been a significant contributor to Walt Disney Co. (Disney)’s biggest OTT bet Disney+. Following its success in India and Indonesia, Disney+Hotstar is now rapidly expanding its footprints in the South East Asian market. Coming 30 June, the service will be operational in Thailand.

    As revealed on the official website of Disney+Hotstar Thailand, the service will be available at 799 baht a year or 99 baht per month. It will have close ties with local telecom provider AIS. For AIS customers, the service will be priced at 35 baht per month if pre-subscribed between 8-27 June with an additional one-month free service.

    Along with Thai shows, content from Disney, Pixar, Marvel, Star Wars, National Geographic will be available for its users. Disney has entered partnerships with studios like GDH 559, Sahamongkolfilm, Kantana Group, and One 31 for a robust content library. Exclusive shows like God Bless The Trainees Too!, Extraordinary Siamese Story: Eng and Chang, movies such as Pee Mak, Friend Zone, Brother Of The Year, Laddaland, and Tom Yum Goong will be on the service.

    Disney+Hotstar entered Malaysia just a week back on 1 June. The platform struck a deal with Astro Malaysia Bhd for distribution. For its Singapore launch last year, it tied up with Starhub.

    Hotstar, which grew as an Indian OTT platform under Star India, came under the Disney umbrella after the 21st Century Fox acquisition. After Disney Plus’ launch, the parent company decided to rebrand it as Disney+Hotstar in India to leverage the existing base of consumers. Notably, Hotstar was already regarded as the biggest OTT platform after YouTube in the Indian market. As Disney+Hotstar was launched in India last April, it was soon expanded in Indonesia.

    Disney+ paid subscribers already exceeded 100 million at the end of March, Disney+Hotstar was the strongest contributor to net subscriber addition and made approximately a third of the total Disney+ subscriber base.

    Recently, the company announced that it will close 100 linear channels this year to push its direct-to-consumer strategy. A large part of the linear TV content will move to Disney+. 

  • Disney to offer Disney+-Hulu-ESPN+ bundle for $12.99 a month

    Disney to offer Disney+-Hulu-ESPN+ bundle for $12.99 a month

    MUMBAI: With the launch of Disney+, Walt Disney Company (Disney) will offer a bundle package of its three streaming services — Disney+, Hulu, and ESPN+ from 12 November. The bundle has been priced at $12.99 a month.

    Disney chief executive officer Bob Iger revealed the plan for the bundle during Disney’s quarterly earnings call with Wall Street analysts. Iger also disclosed that Disney is in talks with Apple, Amazon and Google to distribute its highly awaited Disney Plus and the newly announced bundle on their platforms.

    “The positive response to our direct-to-consumer strategy has been gratifying, and the integration of the businesses we acquired from 21st Century Fox only increases our confidence in our ability to leverage decades of iconic storytelling and the powerful creative engines across the entire company to deliver an extraordinary value proposition to consumers,” Iger said in a press release.

    Disney+ will enter the market with 300 film titles and 7,500 episodes of Disney TV series. Eight of the films will be from the Star Wars franchise, 18 will be Pixar, 70 will be from Disney Animation and four will be Marvel.

  • The year of sex scandals

    The year of sex scandals

    MUMBAI: The year 2017 will be known for the open-to-the-public-eye exposure of the dark underbelly of the media and entertainment industry. And it did not happen just in Hollywood or in American prime-time news — the Indian entertainment ecosystem was not sequestered from it.

    No, no not all. Skeletons spilled out of the closet as allegations were hurled at TV hosts, journalists, on-screen talent, creative and business icons that they could not keep a check on their excessive libido and lust and keep their pants and zippers up. Accusations of sexual molestation and abuse saw them fall from grace.

    Several of them faced the axe. Some issued denials and protested their innocence. Some of them admitted to the excesses and misuse of their positions and apologised — their organisations stated that they were bringing in place processes to prevent recurrences.

    Amongst the major scandals that hit media-dom and entertainment-dom include:

    The Viral Fever gets a virus

    The Viral Fever’s (TVF) Arunabh Kumar had become a darling of the new-age digital content generation. Almost everything he touched on behalf of brand partners was lapped up by millions who had been starved for content for too long.

    And then an anonymous post was made by a woman online. In it, she alleged that Kumar had preyed on her. His company pooh-poohed the post, saying it was put up to discredit TVF. More women surfaced to complain. The denials continued and the same digital generation that swore by him came out in hordes and trolled and slammed his behaviour on various social outlets.

    A video production executive filed a first information report (FIR). Another FIR followed. The police swooped in, Kumar was questioned several times, and he was arrested and released on bail immediately. Under pressure from investors, the company decided to let go of Kumar, who, in his parting post, said that TVF was bigger than any individual.

    Shilpa Shinde’s long running feud

    Actor Shilpa Shinde—who is stealing the limelight on Colors’ happening show Bigg Boss—had been feuding with her Bhabhiji Ghar Par Hai producer Sanjay and Benaifer Kohli about an exclusivity clause for over a year that prevented her from taking up other assignments and the mental harassment it caused her. Benaifer Kohli, on her part, had highlighted Shinde’s unprofessional behaviour, which included throwing tantrums, leaving the show mid-way and also demanding a higher per-day fee. The channel supported Kohli and Shinde was let go. Both filed suits against each other; the Kohlis wanted Shinde to cough up Rs 12.5 crore for losses caused to them on account of her walking out; Shinde wanted Rs 32 lakh for alleged back payments not made.

    Shilpa approached the actors’ union, which did not support her. All was quiet while the two fought a legal battle behind the scenes.

    And then in March Shinde shocked the world by alleging that Sanjay Kohli had touched her inappropriately and even made suggestive statements to her. She filed an FIR while the couple filed a defamation suit. The husband-wife duo denied the allegations outright and questioned her motives having taken so long to hurl such accusations.

    Somehow, Shinde stopped mouthing the charges, the controversy seemed to have lost steam—probably, it did not have too much of it in the first place—and she then moved on to reality show Bigg Boss.

    Were her charges real? Or was she just gathering enough of a bad girl and controversial reputation to push her candidature and be considered for selection to the Bigg Boss house?

    These are questions to which answers will emerge when she emerges from the Big Boss house. But, for the Kohlis, it left an extremely bad taste in the mouth.

    Harvey Weinstein: A giant collapses

    Harvey Weinstein probably did not know what hit him. One morning, he was the toast of Hollywood–an Oscar-winning producer of the Weinstein Co and the next he was consigned to being a bad memory everyone wanted to forget. Almost 50 actors, and some of them top-notch A graders — right from Rose McGowan Gwyneth Paltrow to Angelina Jolie to Selma Hayek to Ashley Judd to Kate Beckinsale to Annabella Sciorra to Darryl Hannah — came out and alleged that Weinstein had made passes or propositioned them for sex or groped them or even raped them. He denied all allegations and initially announced he would sue The New York Times, which first broke the story.

    The furore against him grew. The greater his denials, the more Hollywood women stepped forward to reveal the violations that were made into their personal spaces by somebody they once revered like the almighty.

    As the scandal continued to grow, he was evicted from the board of the company he cofounded with his brother, from the Producers’ Guild of America, he was stripped of his membership to the BAFTAs, the Academy of Television Arts & Sciences, and the Academy of Motion Pictures Arts & Sciences, and then his lawyer and later his wife left him.

    What next, only time will tell. But his image has been tarnished forever.

    Weinstein continues to insist that most of the acts he was accused to have been involved in were consensual and that he unequivocally denies any allegation of rape.

    The amazing downfall of Amazon’s Roy Price

    He had close to $4.5 billion dollars to spend every year on content for Amazon’s video play. But Roy Price paid the price for allegedly giving in to his lusty nature and repeatedly propositioning Isa Dick Hackett, an executive producer of the popular Amazon show The Man in the High Castle in 2015. Within hours of her disclosures to The Hollywood Reporter, Price was told to carry his personal belongings and leave Amazon Studios forever. He had joined Amazon in 2004 and oversaw the launch of its digital video store and then its video streaming unit, Amazon Prime.

    Price was also allegedly linked to the Weinstein scandal when Rose McGowan, who first blew the whistle on Harvey, reached out to Jeff Bezos on Twitter telling him that she had told the head of Amazon Studios that the former had raped her. And before that she had also directed a message on Twitter at Price stating: “Remember when I told you not to do a deal with him and why?”

    Post his departure, Amazon also undid a few deals that the streaming site had signed with the Weinstein Co. They ran into tens of millions of dollars. Many say that the price both paid was not enough.

    Pixar’s Lasseter: Animation’s poster boy goes down

    Pixar’s John Lasseter was not kidding around when he announced that he was taking a leave of absence after confessing to certain missteps when building the company that is a part of Disney and has produced classics such as Toy Story.

    He was the poster boy of the animation industry, renowned as a creative genius who entertained hundreds of millions of kids the world over with Pixar’s 3D CGI movies.

    Then news began to trickle out about his alleged hugging and kissing and passing lewd remarks at women at Disney and Pixar and placing his hands on their knees and legs.

    In response, Lasseter sincerely apologised in his sabbatical announcement memo. “I especially want to apologise to anyone who has ever been on the receiving end of an unwanted hug or any other gesture they felt crossed the line in any way, shape, or form. No matter how benign my intent, everyone has the right to set their own boundaries and have them respected. My hope is that a six-month sabbatical will give me the opportunity to start taking better care of myself, to recharge and be inspired, and ultimately return with the insight and perspective I need to be the leader you deserve,” he said.

    With the Lasseter myth busted, his six-month leave might extend beyond that period considering the growing number of sexual harassment scandals that are hitting the limelight and the growing public outcry against them.

    Den of Vice

    The Shane Smith-headed firm has been living up to its name. It apparently is a den of vices with charges being filed against senior male executives who preyed on women employees and even bought off their silence in a few cases.

    This was revealed following an investigation by The New York Times, which stated in its report that more than two dozen women–mostly in their twenties and thirties–had been groped, kissed, and had advances made on them by males ranging in the ages of twenties to forties.

    Vice Media settled four cases of sexual transgressions or defamation against employees, including the current president Andrew Creighton, by making hefty payments. The latter had been accused by a woman executive of propositioning her for sex; he apparently bought her silence for $135,000. Vice, however, stated that the woman had initiated and pursued a sexual relationship with Creighton.

    Jason Mojica–an executive who led Vice’s documentary film units–was accused by two women of sexual abuse. Former Vice journo Abby Ellis disclosed that in 2013 he tried to kiss her against her will and she beat him off with an umbrella several times. Then Helen Donahue, a former employee, said that he groped her breasts and buttocks at a holiday party in 2015.

    Vice has since fired Mojica and another two employees, has brought in a new HR head, created a diversity and inclusion board, which includes social activist Gloria Steinem, and issued a ban on supervisors dating juniors.

    Both Vice founders, Smith and Suroosh Alvi, have admitted that there were problems at the $6 billion valued media firm. “From the top down, we have failed as a company to create a safe and inclusive workplace where everyone, especially women, can feel respected and thrive,” they said in a statement.

    There are many other media executives who have been blamed or implicated in scandals throughout 2017. Amongst these include:  Netflix House of Cards star Kevin Spacey and comic Louis CK, NBC TV journalist Matt Lauer, ABC TV journo Mark Halperin, Def Jam founder Russel Simmons, television host Charlie Rose, and director Brett Ratner. Even documentary maker Morgan Spurlock vlountarily disclosed that he had two questionable encounters with women and resigned from his firm. Probably to preempt any shaming that may have hit him had he not. According to a Time magazine report, the figure runs into hundreds.

    According to a Time magazine report, the allegations of sexual misconduct by people in positions of power in the media and entertainment ecosystem run into hundreds in the US. India, however, had just two pretty prominent ones in 2017. Hopefully, their tribe will not increase in 2018 and thereafter.

    Also Read:

    The year the telecom sector quaked

    The year of big switch in sports broadcasting

    Kids genre grows on TV despite digital onslaught

    Guest column: Taking Indian content to the global market

    Guest Column: How 2018 could become a landmark year for OTT entertainment in India

  • Disney, Pixar’s John Lasseter accused of misconduct, takes leave

    Disney, Pixar’s John Lasseter accused of misconduct, takes leave

    MUMBAI: Now it’s the turn of Pixar cofounder and Disney chief creative officer John Lasseter to lose his halo. The animation legend has apparently taken a leave of absence from the company following alleged misconduct and missteps. The leave is expected to be for six months.

    A number of reports appearing in the US media have Pixar employees over the years alleging that Lasseter hugged them or kissed them wantonly. In fact, many employees were petrified to come out in the open and talk about their sordid experiences with the twice Oscar winner wherein he intruded on their private personal spaces or commented on their bodies. Many stated that they had got used to his moves and even found ways to avoid. Some partners, over the years, chose to discontinue working with the studio, according to media reports.

    In a memo to his company staff Lasseter stated : “I’ve recently had a number of difficult conversations that have been very painful for me. It’s never easy to face your missteps, but it’s the only way to learn from them. I have always wanted our animation studios to be places where creators can explore their vision with the support and collaboration of other gifted animators and storytellers. This kind of creative culture takes constant vigilance to maintain. It’s built on trust and respect, and it becomes fragile if any members of the team don’t feel valued. As a leader, it’s my responsibility to ensure that doesn’t happen; and I now believe I have been falling short in this regard.”

    Disney response to the media on the allegations and Lasseter’s sabbatical read as follows: “We are committed to maintaining an environment in which all employees are respected and empowered to do their best work. We appreciate John’s candor and sincere apology and fully support his sabbatical.”

    The last few months have seen a spate of senior executives and talents in Hollywood fall from grace following allegations that they abused their positions and made sexual advances or indulged in questionable behavior. Among these: Harvey Weinstein, Amazon’s Roy Price, actor Kevin Spacey, and director James Toback. Now the name of Lasseter has been added to the list of alleged sexual offenders.

    Surely, the characters Walt Disney Animation or Pixar – whether Woody from Toy Story or Moana from the Disney hit Moana – created must be cringing and holding their heads in shame.