Tag: Pirates

  • Sportel 2025: Laliga’s Tebas declares war on football pirates

    Sportel 2025: Laliga’s Tebas declares war on football pirates

    MONACO: Piracy is theft, plain and simple. That’s the message Javier Tebas delivered with fire at Sportel Monaco, opening his remarks with a moral flourish: “When I was a young man I was taught not to steal because it’s a sin. This is stealing.” The LaLiga president wasn’t mincing words. He warned that illegal streaming remains one of the gravest threats to football’s future and demanded that rights holders stop being passive victims.

    “Rights holders need more awareness,” Tebas urged. “Broadcasters have to work on the protection of the service.” The enemy, he explained, is growing more sophisticated by the day. Pirates are deploying increasingly advanced technology to siphon content, forcing LaLiga to respond with its own arsenal. The league is pouring investment into anti-piracy systems designed to trace and block illegal streams in real time. “Pirates are extremely advanced,” Tebas said. “We’re blocking. It is like the NASA headquarters…but we need to be able to trace them.”

    The war on piracy wasn’t Tebas’s only battle. He also vented his frustration over UEFA’s reluctant approval of LaLiga’s plan to stage a match in the United States—the December 2025 fixture between Barcelona and Villarreal in Miami, Florida. “It is very frustrating,” he said of UEFA’s stance. “This is a very old-fashioned vision of professional football.”

    Tebas argued that taking one league match abroad is a natural step for a global sport, not some radical betrayal of tradition. “This is just one game, not twenty,” he pointed out, before deploying a cultural counterpunch: “We accepted Halloween from the US, why don’t they accept something from us?”

    But the LaLiga chief suggested there’s more lurking beneath the surface—secrets he’s saving for his memoirs. “I am going to write about it when I retire and talk about a lot of secrets,” he teased. Until then, he’ll keep fighting pirates, battling UEFA, and dragging Spanish football into the future—willing or not.

  • Irdeto tightens the screws on sports pirates with high-frequency key rotation

    Irdeto tightens the screws on sports pirates with high-frequency key rotation

    AMSTERDAM:  Live sport is the crown jewel of streaming — and the favourite target of pirates. The digital-security specialist Irdeto has launched a new feature for its cloud-based multi-DRM platform, Irdeto Control, designed to make life harder for stream hijackers and easier for broadcasters under pressure from rights holders.

    The enhancement centres on high-frequency key rotation: a technique that shrinks the exposure window for encryption keys, forcing frequent re-authentication. Each cycle destabilises pirate streams by disrupting the stolen keys they rely on, making common tricks such as key extraction and CDN leeching far less effective. The result, says Irdeto, is the gradual degradation of illegal feeds — a frustrating user experience that pushes fans back towards legitimate platforms.

    Irdeto Control already delivers more than 15 billion DRM transactions monthly, protecting content for over 200m users. It supports Widevine, FairPlay and PlayReady, while layering on piracy countermeasures such as concurrency management, vulnerable-device blocking, emulator detection and geo/VPN enforcement. The new key-rotation capability slots into existing multi-DRM workflows without requiring changes to players or packagers — a crucial point for operators wary of integration headaches.

    “Piracy in live sports continues to evolve rapidly, and rights holders are demanding tougher security standards that don’t hinder operational efficiency,” said  Irdeto chief operating officer for video entertainment Andrew Bunten. “This is a major step forward in protecting the value of live content.”

    The economics of piracy are sobering: for broadcasters, unauthorised streaming of premium leagues erodes subscription revenues; for rights holders, it undermines billion-dollar licensing deals. Regulators, too, have begun pressing platforms to prove they can safeguard live streams against theft.

    Irdeto, which has long positioned itself at the intersection of video platforms and security, hopes its latest upgrade will strengthen its pitch to both camps. By degrading pirate feeds rather than merely chasing them offline, it aims to tilt the balance in favour of legal distribution.

    The announcement comes ahead of IBC 2025 in Amsterdam, where Irdeto will showcase its full suite of video-protection tools. In a marketplace where streaming platforms compete as much on content security as on user experience, the company is betting that tougher defences can help keep live sport the revenue engine it has always been.

  • Halloween-a tricky holiday for us and a sweet treat for pirates

    Halloween-a tricky holiday for us and a sweet treat for pirates

    MUMBAI: In all spirit of spookiness, there were a total of 653,260 search visits to piracy sites by consumers interested in viewing horror content—25 times higher than search visits to legal sites. Monster and Killer movies/TV shows were the most popular genres being illegally downloaded, but Paranormal was a close third when it comes to TV shows. Irdeto’s data also found clear spikes in the level of activity at peer-to-peer pirate sites during the month of October across horror genres.

    While it is clear that consumers are looking to get their Halloween fix through illegal means, the film or TV show they are watching may not be the only scare coming their way. By downloading pirated content, consumers are openly inviting malware and other viruses to hack into their systems and steal their personal information.

    More Halloween piracy findings can be found on Irdeto’s latest Horror of Piracy blog and interactive website for your reference. Please let us know if you're interested to run the blog post or use the piracy findings for a story you're working on.

  • Disney delays ‘Star Wars: Episode VIII’ release; replaces it with ‘Pirates’

    Disney delays ‘Star Wars: Episode VIII’ release; replaces it with ‘Pirates’

    MUMBAI: Walt Disney Studios has postponed the release of Star Wars: Episode VIII from 26 May, 2017 to 15 December of the same year.

     

    With Star Wars: Episode VIII jumping to December, Disney’s Pirates of the Caribbean: Dead Men Tell No Tales will set sail on 26 May, 2017, from its previously scheduled 7 July, 2017, berth.

     

    The move follows the success of Star Wars: The Force Awakens, which was the first Star Wars movie to premiere in December. In the popular holiday moviegoing corridor, it smashed numerous records, including biggest domestic and global debuts of all time as well as the biggest domestic second and third weekends, en route to becoming the highest grossing domestic release of all time with over $861 million and the third biggest global release ever with $1.887 billion.

     

    Written and directed by Rian Johnson, Star Wars: Episode VIII is currently in pre-production and will begin principal photography in London next month. Kathleen Kennedy and Ram Bergman will produce and J.J. Abrams, Tom Karnowski, and Jason McGatlinwill executive produce.

     

    In Pirates of the Caribbean: Dead Men Tell No Tales, Johnny Depp returns as Captain Jack Sparrow with Geoffrey Rush back on board as Barbossa, Orlando Bloom resurfacing as Will Turner, and a terrifying new adversary, Captain Salazar, played by Javier Bardem, in the mix. Produced by Jerry Bruckheimer and directed by Joachim R?nning and Espen Sandberg, the film is currently in post-production.

  • Disney delays ‘Star Wars: Episode VIII’ release; replaces it with ‘Pirates’

    Disney delays ‘Star Wars: Episode VIII’ release; replaces it with ‘Pirates’

    MUMBAI: Walt Disney Studios has postponed the release of Star Wars: Episode VIII from 26 May, 2017 to 15 December of the same year.

     

    With Star Wars: Episode VIII jumping to December, Disney’s Pirates of the Caribbean: Dead Men Tell No Tales will set sail on 26 May, 2017, from its previously scheduled 7 July, 2017, berth.

     

    The move follows the success of Star Wars: The Force Awakens, which was the first Star Wars movie to premiere in December. In the popular holiday moviegoing corridor, it smashed numerous records, including biggest domestic and global debuts of all time as well as the biggest domestic second and third weekends, en route to becoming the highest grossing domestic release of all time with over $861 million and the third biggest global release ever with $1.887 billion.

     

    Written and directed by Rian Johnson, Star Wars: Episode VIII is currently in pre-production and will begin principal photography in London next month. Kathleen Kennedy and Ram Bergman will produce and J.J. Abrams, Tom Karnowski, and Jason McGatlinwill executive produce.

     

    In Pirates of the Caribbean: Dead Men Tell No Tales, Johnny Depp returns as Captain Jack Sparrow with Geoffrey Rush back on board as Barbossa, Orlando Bloom resurfacing as Will Turner, and a terrifying new adversary, Captain Salazar, played by Javier Bardem, in the mix. Produced by Jerry Bruckheimer and directed by Joachim R?nning and Espen Sandberg, the film is currently in post-production.