Tag: peninsula pictures

  • Crucial for broadcasters and production houses to invest in better technology

    Crucial for broadcasters and production houses to invest in better technology

    MUMBAI: Helmed by the creative duo Alind Srivastava and Nissar Parvej, Peninsula Pictures has been entertaining television viewers since 2015. From fantasy to supernatural and mythology, the production house has attempted to explore different genres in a short span. It recently dabbled in creating a historical drama with TV show RudraMaa Devi which went on air on Telugu channel Star Maa.

    “When we started in 2015, we didn’t have enough capital to start a production house. Our decision to still go ahead was purely based on instincts. It began with a TV show for Star Bharat titled Mayavi Maling. Soon, [we were] approached by Zee TV to make a supernatural love story – Vishkanya, which ran for around 140 episodes,” Peninsula Pictures founder Alind Srivastava told Indiantelevision.com.

    This was followed by Dev – a suspense drama series revolving around the life of ace detective Dev Burman, who uses his expertise to investigate various crimes. The show debuted on Colors TV in August 2017 and lasted for as many as 71 episodes.

    “It is all about good storytelling,” said Srivastava, when asked about the factors which drive the popularity of the shows. One of its most popular mythological drama series – Paramavatar Shri Krishna – went on air on &TV in June 2017 and became one of its longest-running shows with 687 episodes. Some of the other shows include Vishkanya, Mayavi Maling, Vish: A Poisonous Story, and Vikram Betaal Ki Rahasya Gatha.

    The production house is currently producing Aladdin – Naam Toh Suna Hoga and Hero Gayab Mode On on Sony Sab. They have also rolled out a new mythological show titled Paapnashini Ganga on the newly launched Hindi GEC Ishara.

    But their journey in TV production was far from a smooth one, the duo shared, as they recalled an incident during the shooting of the TV show Vishkanya, which almost convinced them to shut down the company. “We were mulling over the closure, but before we could even arrive at a decision, we got the opportunity to work on two more shows,” recalled Srivastava.

    Peninsula Pictures co-founder Nissar Parvej chimed in, “In fact, now when we look back, we realise it was the right time to start a production house. There are so many OTT platforms and it is only going to go upwards from here.”

    The Peninsula group has now grown into an integrated and diversified television production house which also owns Peninsula TV and Peninsula Studio, responsible for creating VFX content for their TV shows. The extensive use of VFX and CGI was evident in its sci-fi superhero saga Hero Gayab Mode On, where special effects have been utilised liberally to create an alien spaceship, along with drone footage of Mumbai city to depict an alien world.

    “Virtual production has immense scope, especially in the post-pandemic era. It has become challenging for producers to shoot outdoors with ease,” noted Parvej. Citing the example of one of their own series, he added, “For Paapnashini Ganga, we wanted to shoot some scenes in and around Uttarakhand, Kashmir, Devprayag, and Rudraprayag. But, we could not do it because of the pandemic restrictions.”

    With the rising demand for OTT-like content, the duo believe, it has become important for production houses to master the usage of new technology in their shows.

    “MoCap (motion capture) can be used for live-action shows and animated and 3D shows. We will also see more usage of motion track cameras. Whenever we approach any network or streaming platform, we insist that we need to invest in this particular technology. Investing in good tools and technology is similar to putting money in casting and writing, it is equally important. We need to up the game,” Srivastava signed off.

  • TV channels have to innovate to survive OTT threat: Sony Sab’s Neeraj Vyas

    TV channels have to innovate to survive OTT threat: Sony Sab’s Neeraj Vyas

    MUMBAI: As competition in the GEC space continues to intensify, Sony Sab has been consistently launching new shows to keep viewers engaged. The second GEC from Sony's stable, Sab TV maintains that it is the only dessert in a thali overflowing with saas-bahu sagas. But as OTTs emerge as the new challenger, channels can no longer remain complacent with the same old formulaic shows. On its part, Sab is banking on its latest offering Hero – Gayab Mode On, the channel’s take on the extremely popular and lucrative superhero genre, to cut through the clutter and draw in viewers.  

    Sony Pictures Networks India channel Sab and Max cluster of channels senior EVP and head Neeraj Vyas revealed that it took almost eight months to conceptualise and create the show. Unaffected by the upheaval caused by the Covid2019 pandemic, Vyas believes that the lockdown period has in fact helped him to work on the show. It allowed the makers to work on graphics, VFX, CJI and the overall storyline.

    Hero – Gayab Mode On is the journey of a common man, Veer, played by Abhishek Nigam, and his quest to find his father. Veer’s life takes an exciting turn when he chances upon a miraculous ring, which upon wearing gives him the power of invisibility. However, Veer’s prized possession is also desired by the evil aliens of the outer world and here begins the Hero’s real challenge to save humanity.

    The show also stars Manish Wadhwa as Amal Nanda, Ajay Gehi as Shukracharya, Yesha Rughani as Zaara, Nitish Pandey as Mama and twins Surabhi and Samriddhi as sisters Sweety & Meethi, along with a host of supporting cast.
     
    Sony Sab have ensured no stone is left unturned to impress the audience with its state-of-art graphics, elaborate costume designs, and visual effects. An entire alien spaceship interior was created on the set with hi-tech features like sliding doors, long spaceship corridors, round monitors and giant chairs, amongst other elements.

    Peninsula Pictures producer Alind Srivastava shared that makers have used both VFX and live prosthetics on actors. After a lot of trial and error, the prosthetics were ordered from the US but it couldn’t reach India due to the pandemic. Finally, the production house decided to hire Prasoon Basu to create disposable prosthetics locally. Attention was paid to the minutest details – right from the skin texture, face, hair – while designing the prosthetics for actors. It takes almost three hours for the makeup and hair process.

    Due to Covid2019 restrictions, the channel has had to cut down on the staff allowed on sets. As a result, it is extremely difficult to create a sci-fi show with limited crew members, said Srivastava. From 12 hours of shoot, the studio is able to extract only seven minutes of shot footage. The shooting is happening at Naigaon’s Mother Nature studio whereas editing and VFX is done in Peninsula Pictures’ own VFX studio in Andheri.

    Vyas mentioned that the storyline of the show is very different from other TV shows. There is a backstory to all the characters. Said he: “If you see the show there are a lot of nuances which are unlike other daily programmes, where the only aim is to create footage and ensure that the episode is delivered regularly. The lockdown helped us to work on scripts, we casted much in advance and most importantly we worked on VFX and graphics.” Hero – Gayab Mode On is believed to be different from the channel’s existing roster in the same genre Tenali Rama, Aladdin and Baalveer Returns. 

    Sab has already roped in Amul Macho as the presenting sponsor.

    As far as marketing and promotions are concerned, the channel is looking at a younger space. Hero – Gayab Mode On will be promoted through television, digital, print and OOH mediums.

    Asked about competition in the space, as other channels have similar kinds of sci-fi shows, Vyas remains unfazed. He highlighted that Sony Sab is a living room brand where every member of the family is a vital decision-maker in this process. Unlike other channels, Sony Sab is not bound to create content only for housewives. A lot of its content is geared towards entertaining various segments of the audience. While it has programmes like Tarak Mehta ka Oolta, Katelal & Sons, Chashma and Bhakharwadi which appeal to the entire family, shows like Aladdin: Naam Toh Suna Hoga, Baal Veer and Jijaji Chhat Per Hai clearly targets a younger audience. He intends to keep the audience mix beautifully balanced and intact.

    Sony Sab’s biggest viewer segment is the youth, aged between 15 to 21 years. This is followed by a huge chunk of audience in the age group of 21 to 30. The channel is actively looking at Hindi speaking market but it is not a rural-focused channel, the content is created keeping in mind the urban audience. Sony Sab clearly targets the one million-plus population market.  

    Vyas underlined that their current focus is on making audiences aware of the quality and variety that the channel is delivering to ensure that television survives from the competition faced by OTT content. Said he: “Online content is viewed by every category of the consumer across the country and it is not elite anymore. Today, it’s not unusual for the common man to have two to three OTT apps. It means that people are now seeing a huge amount of innovative, and very high-quality differentiated content which was not the case a few months back. If TV has to stay relevant, we absolutely can’t be just for the sake of ratings and keep putting out the same content.”

    He opined that ratings are critical but now consumers have the right to choose. It is important to create a fine balance between rating and brand image in the long term. He believes that keeping a watchful eye on ratings and also managing to create a differentiated appeal for the brand in terms of production quality, content, packaging makes a lot of difference. The entertainment audience will now have to cater to a much larger audience. Innovation and variety are the need of the hour, he said.

    With this philosophy in mind, Srivastava, who conceptualised Hero along with his partner Nissar Parvej, has derived his inspiration from Indian mythologies and Puranic stories. The makers have incorporated a distinct Indian silhouette along with the element of modernity while designing the set, head gears, weapons and costumes. They have made use of LED lights in the costumes which is further advanced by VFX and CCI. The show is directed by Maan Singh, and the sets designed by Vinod Bagh and Archana Shourey. The duo has recreated Mumbai streets inside the studio to shoot multiple fight sequences. Souvik Bhattacharyya is the music composer. Costumes are created by senior costume designer Vini Malhotra.

    The studio has hired concept artist Harshvardhan Kadam to design the look of the spaceship and other characters. Apart from Srivastava and Parvej the show is developed and written by Shakti Sagar Chopra and Faisal Akhtar. Later, Utkarsh Mathane also joined the writers’ room.

    The channel is all set to announce yet another show, but currently, Vyas refused to delve into further details about it.

  • Peninsula Pictures eyes new genres for digital foray

    Peninsula Pictures eyes new genres for digital foray

    MUMBAI: Peninsula Pictures, the production house known for its shows like Vishkanya, Dev Anand, Shree Krishna, Mayavi Maling and Aladdin has decided to foray into the digital world, with the intent of providing quality content. One of the key reasons for entering digital is also to retain show IPs.

    Apart from its expertise in genres like mythology and fantasy, the production house has plans to experiment with a romantic thriller, crime, comedy and paranormal genres among others for its new web series. As far as television is concerned, it has plans to produce shows in genres like contemporary love story, thriller, etc.

    The production house, led by Nissar Parvej and Alind Srivastava, highlighted that the year 2018 was a bittersweet one. Parvej said that Shree Krishna has done quite well in the industry and has completed 400 episodes. Mayavi Maling was yet another show produced for Star Bharat that didn’t garner much attention from viewers but it didn’t let them down. Aladdin, a period fantasy for Sony Sab, has already made an entry in the space, while Alibaba for Colors and two other shows are in the pipeline to enter the TV space. It also has plans to produce shows for the regional segment.

    Talking about the challenges that they have faced, Srivastava said, “Detective shows take time for the audiences to pick up. The other challenge was streamlining our studio which was launched last year. In 2018, there were a lot of shows that were VFX. Now, we will be able to take more VFX-based shows. We also want it to become one of our strengths and this does not mean that we just want to stick to VFX shows.”

    Parvej further added that they don’t want to pick up too much work so that they can focus on quality. Srivastava said that there was a wave of shows like Daayan, Chudail that were trendy in 2018. Taarak Mehta Ka Ooltah Chashmah is the show that is still working well with the audience. “One should know that when you are making a show, you are making it for the audience, so whatever relates to them should be made and should follow certain basics like touching the emotional core of it,” he said.

    Talking about OTT, Parvej said that the money is definitely more in the OTT space, but according to him, that does not make TV insecure. However, it will take 4-5 years for OTT to settle. He feels that show production cost on TV will go down because of dipping advertising money.

  • Sab’s Aladdin to be relevant to the new generation

    Sab’s Aladdin to be relevant to the new generation

    MUMBAI: Sony Sab is all set to transport viewers to an age-old story with a modern twist. After giving three new launches this month, it is close to launching the fourth one Aladdin: Naam Toh Suna Hoga, produced by Peninsula Pictures, which will be aired on 21 August, Monday to Friday at 9 pm. Its recent launches were India Ke Mast Kalandar, Namune and Super Sisters.

    Aladdin took almost a year to execute the whole story in a show, that too with the aspect of making it a family entertainment show. Peninsula Pictures co-founder Nisser Parvej said that everyone must have heard about ‘Aladdin’ but very few must have seen it. “The idea was to bring to the new audience because this generation has changed and keeping that in mind, we have made Aladdin with full masala of emotions, thrill and a complete family entertainer,” he said.

    The show took a lot of research to fit it into today’s generation’s requirement. Peninsula Pictures director Alind Srivastava said, “We saw all the versions of Aladdin because we wanted to make it relevant to this generation, we just didn’t want it as a kids’ show.”

    He added that the only challenges that they faced while producing the show was to get the cast correct and also to set design, costumes and the look in a contemporary style was quite difficult, which took a lot of planning and research.

    Since the past one year, its attempt was to bring out compelling characters and stories as well which would help in growth. Programs like Jijaji Chhat Per Hein, Tenali Rama, Sajan Re Jhoot Mat Bolo and Tarak Mehta ka Ooltah Chashmah are the shows that are working well with the audiences.  

    Sony Sab Hindi movies and music business head Neeraj Vyas said, “It’s just all about ideas that you select, it is not just about launching a show. It is actually the basic philosophy that derives from your thinking and strategy. The move towards more compelling content, more engaging content and more engaging characters is the way forward for the new segment,” he added. According to him, the cluster wasn’t much known for the genres other than comedy and now the channel is experimenting.

    In the process of the making of the show, the only thing to keep in mind about the story was to portray it in a manner that was relevant to the viewers and also keeping in mind that today is 2018 and not 2008. Vyas said that the show’s episode run isn’t decided yet. It will depend on the performance of the show.  

    Vyas said that Sony Sab has observed a 20 per cent growth in viewership and advertisers. “We have also seen a good growth in terms of advertisers. A lot of people have now started realising the fact that we have moved the arc dramatically in terms of our shows and its production values. The way we have created the characters, the way we have marketed our shows, so that the arc has moved dramatically and I am happy that for the last one year, we have been able to at very conscious level become a lot more relevant in TV space than what we used to be.”

    When asked about Peninsula Pictures retaining its IP rights in the near future, Parvej said, “With the onset of digital, we have certain subjects to only produce for our self and for the platform where we can retain our IPs. But sadly on TV it hasn’t started yet. We are preaching the good shows and we are trying to negotiate on those lines and we hope for the best.” The next fantasy show that will be produced by the company will be for Zee Networks as Vikram and Betal which is expected to be launched during the end of September.  

    Sab’s flagship show Taarak Mehta Ka Ooltah Chashmah, the channel seems to have had a sudden downfall in terms of viewership due to the absence of the two main characters, to which Vyas disagreed and said that the characters will always be missed. “But there are certain shows that are a lot more iconic, we still have a long hold on this show. The show’s viewership hasn’t been affected yet.”

  • The Naagin concept is back again with a vengeance, this time as Vishkanya on Zee TV

    The Naagin concept is back again with a vengeance, this time as Vishkanya on Zee TV

    MUMBAI: After the huge success of Naagin, it seems there is market for more stories based on the supernatural across channels.

    However, the ‘Naagin’ or ‘Ichhadhari Naagin’ trend is not new in India and has been seen in several films like the Sridevi starrers Naagin, Nagina, Sheshnaag and also Mallika Sherawat’s Hiss.

    In fact, Zee TV had in 2007 launched a show on the same concept titled Naagin – Waadon Ki Agnipariksha produced by AK Films. The series ran for three years and completed 219 episodes.

    Once again experimenting with this concept, Zee TV is all set to launch its upcoming show Vishkanyafrom 21 March, to be aired from Monday to Friday at the 10.30 pm slot.

    Produced by Peninsula Pictures, Vishkanya is an extraordinary love story of star crossed lovers from the mysterious heartland of Kolkata. It is a story about  the female protagonist who would be drawn into a revenge tale in the midst of a blossoming love story.

    Though the promo of the show looks appealing and promising because of its graphics and visual effects, it will be interesting to see how the show penetrates the minds of the viewers in weeks to come.

  • The Naagin concept is back again with a vengeance, this time as Vishkanya on Zee TV

    The Naagin concept is back again with a vengeance, this time as Vishkanya on Zee TV

    MUMBAI: After the huge success of Naagin, it seems there is market for more stories based on the supernatural across channels.

    However, the ‘Naagin’ or ‘Ichhadhari Naagin’ trend is not new in India and has been seen in several films like the Sridevi starrers Naagin, Nagina, Sheshnaag and also Mallika Sherawat’s Hiss.

    In fact, Zee TV had in 2007 launched a show on the same concept titled Naagin – Waadon Ki Agnipariksha produced by AK Films. The series ran for three years and completed 219 episodes.

    Once again experimenting with this concept, Zee TV is all set to launch its upcoming show Vishkanyafrom 21 March, to be aired from Monday to Friday at the 10.30 pm slot.

    Produced by Peninsula Pictures, Vishkanya is an extraordinary love story of star crossed lovers from the mysterious heartland of Kolkata. It is a story about  the female protagonist who would be drawn into a revenge tale in the midst of a blossoming love story.

    Though the promo of the show looks appealing and promising because of its graphics and visual effects, it will be interesting to see how the show penetrates the minds of the viewers in weeks to come.