Tag: pay TV

  • StarHub spices up as Fashion TV hits the runway

    StarHub spices up as Fashion TV hits the runway

    MUMBAI: Singaporean pay-TV operator, StarHub will launch Fashion TV – the international channel dedicated to fashion, beauty and style – on StarHub Digital Cable. The channel will make its debut on 13 November 2006.

    The info-communication company had recently launched a slew of new channels on its digital platform, including Star Chinese Channel, Vihay TV, Sky News, Channel [V] International, Foxcrime, Boomerang and National Geographic Wild.

    Fashion TV will be made available on the Digital-only Add-on Tier, and customers with a digital or DVR set-top box will be able to enjoy Fashion TV for a monthly subscription of $8 ($8.40 with GST), which includes the complimentary use of their first digital set-top box.

    StarHub VP cable TV services Patrick Lim says, “The customers we serve have a diverse spectrum of interests, and we aim to meet the needs and desires of all of them by offering a more comprehensive range of channels. This is certainly something local consumers can continue to expect from us.

    “While there are many excellent fashion publications available in Singapore, we believe that a market exists for a global fashion channel that combines music and stunning visuals to offer viewers the ultimate fashion experience. Fashion TV brings the ritz, glamour and excitement of fashion shows ‘live’ to audiences.”

    Fashion TV CEO and president Michel Adam Lisowski says, “As the definitive fashion channel, Fashion TV has been very well received in Asia, and we are confident that the refreshing, uniquely sophisticated content on the channel will not only win over keen fashion buffs, but also the general Singapore audience who appreciates beauty and style.”

    Fashion TV is the fashionista’s ticket to all the hottest fashion events around the globe. From the catwalks of New York, Paris, Milan and London, to glamourous red carpet events – Fashion TV is there on the front lines, poised to present up-to-the-minute news on every aspect of the fashion industry.

    Shows like Fashion Week and Fashion Event deliver the world of international fashion home to viewers, while Midnight Hot – one of the most popular segments on Fashion TV, serves up a visual feast for viewers at midnight, as the world’s top supermodels parade in the season’s trendiest lingerie and bikini outfits.

    Fashion TV also celebrates the personalities who make it all happen in the cutting-edge world of fashion. The designers and photographers featurettes give viewers an in-depth look at the creative process behind the work of designers, stylists and photographers who inspire the latest trends, while “First Face” and “F People” give the low down on the lifestyles of models and celebrities who dictate what’s in and what’s not in the fickle fashion scene.

    Fashion TV also has the latest tips and fashion finds – all that the fashion and beauty fan needs to hit the streets. Viewers will receive expert tips to revamp their wardrobe and makeup via programmes like Hair and Make-up, Now in Stores and Tendances. Hair and Make-up reveals the beauty secrets behind the most dazzling hairstyles and makeup; Now in Stores highlight one’s shopping spree must-haves; while Tendances showcases the season’s most coveted accessories.

    The channel’s Fashion and Film and Fashion and Music programmes take viewers behind-the-scenes of the latest films and music videos, and give them an exclusive glimpse of the elaborate makeup, styling and costume designing that takes place on the set of upcoming movies and music videos.

    This month Fashion TV profiles acclaimed designer, Roberto Cavalli, who started with humble beginnings in the late 60’s when he created his own fashion line inspired by art made from patchwork of different fabrics. He had his first taste of fame in the mid-90’s when his new line of clothing drew a celebrity clientele that included Madonna and Kate Moss. Cavalli was chosen as the favorite menswear label in Florence in 2002, and Cavalli was picked by Fashion Group International as Designer of the Year. Check out Cavalli’s latest inspirations on Fashion TV this November.

    Come December, Fashion TV will present the latest spring/summer 2007 fashion looks ‘live’ from shows in all the fashion capitals around the world. Book a spot next to the catwalk by tuning in to Fashion TV!

    Viewers can refer to the On-screen TV Guide or StarHub’s Online Programme Guide at www.starhub.com/cabletv for the schedule of the programmes on Fashion TV, and customers can call 1630 or 1633 to subscribe to the channel from 13 November 2006 onwards.

  • Taj TV to produce Cricket Plus channel for DirecTV in the US

    Taj TV to produce Cricket Plus channel for DirecTV in the US

    MUMBAI: Taj TV has reached an agreement with US pay TV platform DirecTV to produce its new Cricket Plus Channel which goes on air later this month.

    Taj TV operates the channel Ten Sports in India.
    The 24 hour cricket channel has rights to all ICC competitions for the North American territory as well as cricket from the West Indies, Sri Lanka, Australia, New Zealand, South Africa and Zimbabwe.

    DirecTV will broadcast matches live, on a pay-per-view basis, while Cricket Plus will show delayed coverage of matches as well as broadcasting same day highlights.

    Along with the cricket coverage the channel will also broadcast daily sports news bulletins as well as other sports relating to the South Asian community living in the U.S. such as hockey. Cricket Plus has acquired the rights to broadcast live all the major international hockey events including the men’s and women’s world cups and the Champions Trophies.

    DirecTV VP international programming Aaron McNally says, “Cricket Plus is an exciting new addition to our cricket programming lineup and we believe it will attract a large and loyal following among DirecTV customers. With its 24-hour, in-depth coverage, this is the perfect channel for cricket lovers and we’re pleased to be the exclusive provider of Cricket Plus in the United States.”

    The Dubai based Taj TV says that it already has experience in running some of the best known sports channels for a variety of clients through its Dubai Media City operation, currently handling Ten Sports Middle East, Ten Sports India, Ten Sports Pakistan, ART Prime Sport, Showtime Sportsnet, Showtime Sportsnet America and Citrus TV.

    Taj Television CEO Chris McDonald said, “Taj TV is delighted to have entered into this agreement with DirecTV. With the expertise within our organisation working on Cricket Plus, the US market is assured of a first class cricket channel.”

  • BSkyB’s Q1 revenues up 11 %

    BSkyB’s Q1 revenues up 11 %

    MUMBAI: UK pay TV platform BSkyB has announced results for the first quarter ended 30 September 2006.

    Revenues increased by 11 per cent to £1071 million.

    DTH subscribers increased to 8.258 million, net growth of 82,000 in the quarter. Sky+ households increased by 139,000 in the quarter to 1,692,000, represtning a 20 per cent penetration of total DTH subscribers.

    Multiroom households increased by 46,000 in the quarter to 1,093,000, a 13 per cent penetration of total DTH subscribers. HD households increased to 96,000, net growth of 58,000 in the quarter.

    BSkyB CEO James Murdoch said, “This has been an important period for the company. We are building on our leadership in pay television and are becoming an increasingly well positioned challenger in the £20 billion combined industry for pay television, broadband and telephone services. Sky has delivered the highest first quarter subscriber growth for three years and is seeing high demand across our range of services.

    “One in three families in the UK and Republic of Ireland are choosing Sky for the widest choice in television and now almost a quarter of those families take at least one additional product from us as well. While it is still early, we are pleased with the progress since the launch of Sky Broadband and in just 15 weeks, we’ve seen a great response from Sky customers. Our preparations, pace of provisioning and investments in service and systems to manage demand are performing well. Our strategy is leading to an increase in revenue growth with overall revenues up 11 per cent in the quarter.

    “Our expansion into new areas is supported by continued growth and strong financial performance with pay television EBITDA up eight per cent in the quarter. A wide choice of quality programmes, innovative services like HDTV, Sky+, and broadband are not only attracting new customers, but also offering new services to existing customers. There’s never been a better time to join in.”

    The total number of DTH digital satellite subscribers in the UK and Ireland was 8,258,000, representing a net increase of 82,000 in the quarter and the highest first quarter net subscriber growth since 2003. Strong demand for Sky’s broad range of products led to an increase in gross additions of 14 per cent on the comparable period to 325,000; gross additions were 34 per cent higher than those recorded in the three months to September 2004.

    Sky+ the firm says continues to exceed expectations, with over 20 per cent of all Sky households now taking the product. At 30 September 2006, the number of households subscribing to Sky+ was 1,692,000, an increase of 139,000. During the quarter, the Group reduced the price of Sky+ for existing customers, removing the necessity to take a Multiroom subscription, and thereby allowing them to upgrade at the same attractive rates as new joiners.

    Sky HD subscribers more than doubled during the quarter to 96,000, the fastest ever customer take-up of an additional Sky product, and already representing three times the sales levels achieved by Sky+ in its first year.

  • India leads in pay TV piracy in Asia-Pac

    India leads in pay TV piracy in Asia-Pac

    HONG KONG: Pay television piracy continues unabated in the Asia-Pacific region, with total loss in revenue estimated to be $1.13 billion in 2006, out of which India’s dubious contribution is a whopping $ 668 million.

    According to study on piracy in Asia-pacific released by Cable and Satellite Broadcasting Association of Asia (Casbaa) here today ahead of their three-day annual convention, for the fourth consecutive year pay TV piracy has shown an increase with illegal pay TV subscription across the region growing by 20 per cent in 2006 to 5.2 million.
    The report, undertaken in association with Standard Chartered bank, also highlights that pay TV piracy will result in net estimated tax revenue loss of $ 158 million to the region’s governments in 2006.

    In particular, the piracy situation in India (considered the biggest accessible market, though), Hong Kong and Vietnam continues to worsen, the report said.

    Asked by Indiantelevision.com whether the Indian and foreign players operating in India have undertaken any concrete anti-piracy initiatives in India instead of just blaming the government, Casbaa CEO Simon Twiston Davies said, “The industry is constantly in talks with the government and the regulator on the issue.”

    He added that Casbaa has also exhorted the government to “review” existing regulations and strengthen digital infrastructure.
    The grey market deficit in India due to under-reporting by cable operators has grown from $ 632 million in 2005 to $ 667 million in 2006.

    Thailand also suffers from rising cost of piracy and at $ 160 million revenue loss has the second highest rate of piracy in the Asia-Pacific region

    Other markets facing an uphill pay TV piracy battle include Vietnam and the Philippines.

    The “Greenfield” market of Vietnam has the worst ratio of piracy in the region with one legal pay TV subscriber for every 15 illegal connections.

    In the Philippines, estimated net piracy costs due to illegal distributors, largely in provinces, has risen by 24 per cent in 2006.

    Indonesia is not far behind with revenue leakage of $ 23.8 million as government and industry insiders indicate a substantive piracy growth.

    Singapore is the only market covered by the report that brings some cheer to the industry reeling under piracy.

    As a result of ongoing digitization of cable networks, the number of pirated pay TV subscriptions remains low with a 15.8 per cent decline in piracy costs.

    Macau, covered in the study for the first time, has the unenviable distinction of having the region’s second highest piracy rate with 10 pirated connections for every one legal subscriber.

    The study notes that the Macau government’ anti-piracy measures announced last year have been inadequate to arrest rising piracy.

    The new study estimates that the cost of piracy in Hong Kong for 2006 will be $ 32.4 million, a hike of 29 per cent over last year.

    “This could have a genuine impact on Hong Kong’s reputation as an intellectual property rights hub,” Davies said.

    Pointing out that pay TV piracy is “corrosive” in nature and undermines investments in various markets of the Asia-Pacific region, Davies, however, said growth prospects remain good in the region.

    Interestingly, piracy also results in huge losses to governments too with the study estimating that at least $ 158 million being annually lost to regional governments. The losses corporate profit tax ($ 127 million) and VAT/GST ($ 31 million).

    The governments in the region taking the maximum hits due to loss in tax revenue include those in Thailand ($ 59 million), the Philippines ($ 38 million), Australia ($ 14 million) and Vietnam ($ 12 million). The India figure for this segment was not available.

    No wonder, Standard Chartered head of media and entertainment Lee Beasley said, “Pay TV piracy should raise an alarm not only in the pay TV industry, but also for a range of Asian governments.”

    Meanwhile, the annual Casbaa convention where industry people from the broadcasting and cable industry, investors and regulatory authorities from round the globe are converging kicks off Wednesday.

    Apart from the usual rounds of seminars and debates on issues of relevance, a tech exhibition too is being organized.

  • Hathway launches interactive gaming service

    Hathway launches interactive gaming service

    MUMBAI: Hathway Cable & Datacom has launched an interactive gaming service on its digital cable television services.

    Launched on 10 July, the gaming feature would initially be available to all Hathway digital subscribers on a free of cost basis.

    For the gaming technology, Hathway has selected NDS, a global provider for open end-to-end digital pay TV solutions. Once the digital box is activated, the customer needs has to select the gaming icon on the screen and access the available games such as Lilly Lovers, Stubby the Sock Gnome and Sumo Temple. Many more games will be added in the course of the year, according to an official release

  • StarHub, OpenTV ink deal to develop cutting edge applications

    StarHub, OpenTV ink deal to develop cutting edge applications

    MUMBAI: Singapore’s largest pay TV operator StarHub and a provider of enabling technologies for advanced digital television services OpenTV Corp announced that StarHub has become the first network operator to fully-deploy OpenTV Core 2.0 software in connection with its recent launch of Smart TV. The two companies are working closely to bring more market-leading applications to StarHub’s subscribers.

    Leveraging the OpenTV platform, StarHub anticipates the introduction of various Smart TV remote access applications through mobile and internet devices. It is expected that Smart TV users will be able to schedule recordings, through a mobile phone or the internet, on their digital video recorder set-top boxes while they are away from home. StarHub and OpenTV are also exploring the introduction of internet access services through a Smart TV television portal.

    StarHub’s Smart TV service allows users to record and playback their favorite TV programs so that they can watch them at their convenience. Among the features Smart TV users are presently enjoying are the ability to pause or replay ‘live’ TV, one-touch recording, TV SMS, and access to their i.Mail email accounts. StarHub also intends to introduce more features to Smart TV service in the near future, such as video-on-demand (VOD) and chat.

    StarHub head of integrated products and marketing Mike Reynolds said, “Hubbing is much more than a way to play off our name ‘StarHub.’ It represents our passion to better serve the needs of our customers through the interaction and value creating applications across our payTV, broadband, and mobile platforms. Cable TV, Mobile, and Online are three important pillars of StarHub’s business, and we are constantly exploring ways to drive more value and direct benefits of Hubbing to our customers, beyond the value of traditional discounts and rewards. That is why we came up with the idea of extending the access of Smart TV beyond the remote control, to mobile and online platforms as well.”

    “With its cable, wireless and mobile network, StarHub is perfectly positioned to leverage OpenTV’s advanced digital television technologies and solutions. With the recent commercial launch of Smart TV, StarHub became the first operator to fully deploy OpenTV Core 2.0. And it is easy to see where StarHub intends to take this technology — giving its customers a converged experience through Smart TV with mobile, online, and television applications working seamlessly together. We very much look forward to working with StarHub on these initiatives and helping it develop tomorrow’s television experience for the Singapore market,” said OpenTV senior vice president and managing director (Asia Pacific) Mike Ivanchenko.

    StarHub and OpenTV share a longstanding working relationship. OpenTV is also one of StarHub’s technology partners for its digital cable services launched in 2004, providing the middleware to support an open multi-vendor set-top deployment.

    Reynolds added, “StarHub’s partnership with OpenTV comes naturally. We have a proven track record of offering innovative products and services, while OpenTV is well-known for integrating innovative technology. We are thankful for OpenTV’s support and commitment, despite the relatively small size of the Singapore market. Events like BroadcastAsia is a good occasion for all industry players to facilitate the exchange of ideas and share experiences, and we are confident that we will have more to share regarding our new Hubbing applications in the near future, well before the next regional event.”

  • Casbaa, MPA join hands for content protection in the digital age

    Casbaa, MPA join hands for content protection in the digital age

    SINGAPORE: With technology booming in the television world, one matter that needs immediate attention is protection of pay-TV content. Digital transmission is becoming the norm in the Asia-Pacific pay-television industry. Soon it will become the dominant means of handling content within the home and hence content protection becomes a critical issue for the entire industry.

    The Cable and Satellite Broadcasting Association of Asia (Casbaa) technical committee chair and Zieland Group of Companies (New Zealand) chief technology officer Karl K Rossiter threw light on the technical approach to content protection. 

    “Content providers, programme distributors and cable/satellite platform operators need to protect their revenue streams and avoid unauthorised distribution across the internet. This requires technical intervention and the adoption of a united approach to managing the digital output from future generations of set-top boxes (STBs). Manufacturers of those STBs and the chipsets that fill them need to know the technical controls that will be prescribed by platform operators and programme suppliers to protect content. To this end, Casbaa Technical Committee, with assistance from the Motion Picture Association (MPA), has taken up this challenge,” he informed.

    Casbaa Technical Committee has been working in close association with the Asia-Pacific pay-television industry since 2004 and through a formal consultation process with Casbaa members, it has compiled a series of recommendations covering content protection and technical approaches to managing the digital output from new STBs. 

    Rossiter said, “The committee’s approach has been to acknowledge standards for technologies developed by other relevant industry organisations and to incorporate input from manufacturers and operators. The recommendations provide for companies to choose one of a number of technologies, consistent with their commercial interests. On the other hand, the recommendations also incorporate provisions to take account of new technological developments.” 

    Casbaa Technical Committee Recommendations on content protection are as follows:

    For Video-On-Demand (VOD), Pay-Per-View (PPV), Pay TV and other encrypted digital programming:

    1) The ability of a STB to receive and honor usage rules signaling from the broadcaster that may include copy control, redistribution control, content output resolution controls, and content output enabling controls;

    2) The ability of a STB to map usage rules signaling information from the broadcast to the appropriate equivalent signaling in any content outputs;

    3) A standardised set of allowed digital content outputs for display purposes and for digital home networking have been identified.

    4) A standardised set of allowed analog content outputs has been identified

    For retransmission of unencrypted programming, for example, free-to-air broadcasts, over multi-channel broadcast systems such as cable and satellite:

    1) A method for controlling the unauthorised redistribution of such programming comprising one of the following:

    i. Encryption of the retransmitted free-to-air broadcasts, or other unencrypted programming, over the satellite, cable or “other” system and use of the same redistribution control solution established for VOD, PPV, PayTV and other encrypted digital programming; or

    ii. In consultation with the Asia-Pacific Broadcasting Union (ABU), implementation of a Redistribution Control protection regime that (a) provides a method to signal Redistribution Control in the unencrypted broadcast; (b) includes associated receiver requirements to look for the Redistribution Control signal and abide by it in accordance with output rules, compliance rules and robustness rules; (c) may be defined by an appropriate standards developing organization and (d) is established and required by an appropriate authority.

  • UK pay TV provider Sky looking to launch another sports channel

    UK pay TV provider Sky looking to launch another sports channel

    MUMBAI: UK pay television service provider Sky is looking to launch a fifth sports channel to add to its Sky Sports 1, 2 and 3 and Sky Sports Xtra channels.

    Sky won a new TV licence from media regulator Ofcom. The licence has been issued under the name Sky Sports 4.

    A report in brandrepublic.com states that Sky already has a Premiership rights package, which was extended last month. It also has the rolling sports news channel Sky Sports News, which, as well as being broadcast on satellite and cable channels through Sky, is also broadcast on Freeview channel 83. In addition to Premiership football rights, Sky’s live sports coverage includes cricket, rugby, golf and boxing.

  • Sports super show kicks-off in Germany

    Sports super show kicks-off in Germany

    MUMBAI: The biggest global sporting event on the planet kicked off in Germany with the hosts playing Costa Rica. Around 1.5 billion viewers around the globe are expected to tune in to the opening fixture of the World Cup alone.

    A record number of deals: What is helping television viewership in this regard is the sheer number of deals that have been done by football’s governing body Fifa’s marketing agency Infront. Besides getting deals which will ensure the event gets viewed in over 200 countries, InFront has also signed deals with more than one broadcaster in key territories like Germany.

    The World Cup is projected to get a cumulative viewing global audience of 32.5 billion. This marks a 10 per cent increase compared to 2002. For 2006, there will be more than 500 broadcast partners including 240 television licensees, a record number of 220 radio stations and more than 50 New Media Licensees (Mobile Telephony and Internet). By comparison, the 2002 event was transmitted by 300 broadcast partners.

    Distribution has been handled on an open-market basis. This offers viewers variety and choice in how they watch the event and an exciting array of production advances to add to their enjoyment. Infront achieved these record results through ‘layering’ different television offerings for the various markets worldwide. The event will be shared between a broad range of distribution platforms, offering viewers a variety of options. Infront has contracted with two or more broadcasters in 120 territories.

    Strong deals in the key markets: In the top television markets Infront’s marketing strategy has led to impressive results. For instance in host country Germany Infront signed deals with three Free-TV stations – ARD, ZDF, RTL. It also signed a pay TV deal with Premiere. Another important market is France. There it has signed two Free-TV (TF1, M6) and two Pay-TV (Canal+, Eurosport France) agreements.

    In soccer mad Brazil, it has signed four Pay-TV
    (Bandsports, DirecTV, ESPN do Brazil, Globosat) deals and one free TV (TV Globo) agreement. 77 per cent of Brazilians are eagerly counting down the hours to kick off, a figure exceeded only by the 79 per cent recorded in Mexico and Japan.

    Radio coverage of the event is also becoming increasingly important as a category of the overall broadcast. The 2002 World Cup was the first time that radio rights were offered independently and separately from television. The 2006 event continues with this expansion, further acknowledging the growth in radio and its importance as a communication medium.

    Around 80 regional and local radio stations will ensure record radio coverage in Germany. In France five stations have done deals while in Brazil the number is 24.

    Fifa taps into new media: New media coverage of the event is set to reach new standards. In 2002, new media coverage of the event was limited to the official Fifa website and trial transmissions to mobile phones in Japan. This year fans will be able to receive near-live coverage of the most dramatic and decisive moments of all the 64 matches on their mobile telephony devices or their home computer. More than 100 territories are covered by a New Media license.

    Technological inovations: The event will showcase HD technology. Following 2002, this is the second World Cup host broadcast in private hands – a break from the past when this function was handled by the world’s television unions. Infront’s wholly-owned subsidiary, Host Broadcast Services (HBS), is charged with the task of delivery.

    2006 will be the first Fifa World Cup produced exclusively in the high definition (HD) 16/9 widescreen format and will be the first major international sport event to commit fully to the format of the future and to showcase it on a significant scale.

    All 64 matches will be produced in HDTV and made available in both high and standard definition (SD). While the majority of broadcasters will still broadcast in SD 4/3 the demand for widescreen format and HDTV gains momentum.

    Several broadcast partners will pick up the state-of-the-art HD feed produced by HBS and HDTV will be featured in more than 70 territories worldwide, including host country Germany (Premiere), France (TF1, M6), United Kingdom (BBC, ITV), Italy (RAI, Sky Italia), USA (ABC, ESPN), Canada (Rogers Sportsnet), Brazil (TV Globo, Bandsports), Mexico (Televisa, TV Azteca), Japan (Japan Consortium, Sky Perfect), South Korea (KBS, MBC, SBS), and China (CCTV).

    HBS produces 2,200 hours of host broadcast coverage, as opposed to 1,200 hours for Korea / Japan 2002, filmed by a total of 170 cameras. Super feeds will include specific team and player coverage to help broadcasters tailor their offering to a national audience at home. 25 HD cameras will capture every moment and nuance of every match.

    A serious money spinner: All the marketing and promotional activity is expected to pay off big time. A report from Sportcal.com indicates that the event is on course for profits of €1.1 billion. The estimated €1billion cost of staging the event is far outweighed by revenues from the sale of media rights, sponsorship, merchandise and tickets.

    Fifa’s anticipated media rights revenues of €1.2 billion for the 2006 World Cup represent a 34-per-cent increase on the media rights revenues it realised at the 2002 World Cup, held in Japan and South Korea, a less favourable time zone than Germany’s for most of soccer’s top television markets.

    The UK’s BBC and ITV are among the largest contributors to overall 2006 World Cup revenues, jointly paying £105 million for the rights for the event. The largest single contribution to 2006 World Cup revenues is coming from ARD and ZDF, the German public-service broadcasters, which jointly agreed to pay €170 million for the television rights to screen the event.

    All not hunky dory: There has been criticism in some corners over the aggressiveness of Fifa in terms of merchandising and also regarding ticket sales. A report in Deutsche Wells indicates that this is the first World Cup where Fifa got aggressively into the business side of things. Cracks are said to be forming in its relationship with the German Organising Committee as Fifa allegedly pockets millions from the sales of tickets at the expense of fans.

    Fifa has also been strict in the use of branded phrases. Such is the power of Fifa that Hamburg’s AOL Arena has had to remove its name for the duration of the World Cup, since it is not an official partner, as has Munich’s Allianz Arena. The logo on sportswear giant Nike’s headquarters in Frankfurt has also been covered after Fifa took objections to it. German businesses and politicians are furious over Fifa imposed zones around stadiums where only official sponsors can advertise. For example, milk cannot be used on match days in the Coca Cola area.

    A recent survey by SID sports news agency showed that a third of Germans are annoyed at the level of commercialisation that Fifa is doing around the World Cup. To offer an example Budweiser is the sponsor of the event and Germans are upset that at the stadium popular German brands will not be allowed. The head of Fifa Sepp Blatter has had to defend the organisation from accusations over the past few weeks that big business concerns are spoiling the spirit of football.

    Fifa, not surprisingly, justifies its aggressiveness as each partner pays a lot of money to be associated with it. On an average each partner has forked out around $ 60 million for the 2006 WC. However the fact that there are as many as 15 partners means that there is the danger of clutter. That in fact is a major reason why Phillips had earlier chosen not to renew its deal with Fifa.

    ‘Sport selling its soul to big business’: That Fifa’s aggressive marketing tactics have not gone down well in some quarters can be gauged from what former German football great Franz Beckenbauer, who is the head of the World Cup organizing committee, had to say. He recently expressed concern that the sport is selling its soul to big business. Therefore he feels that there is need for discussion on the limits of money-making. Blatter countered that by talking about the importance of a mutually beneficial partnerships between Fifa, television and the global economy.

    A small but significant example of economic benefit can be seen in England’s pubs. The Independent did an investigation on the phenomenon of the rise in the number of people looking for jobs in pubs up and down the UK. In terms of atmosphere Britain’s pubs are considered to be even better than watching the game live according a job applicant.

    On the ground level a report in VOA News indicates that the German government has spent around $7.7 trillion on improving stadiums and transportation infrastructure. The country expects a 1.6 percent increase in its gross domestic product this year, with analysts saying a half per cent of that will be because of the World Cup. Germany is expected to get around four million visitors on account of the event. Each visitor is expected to spend around $400 a day. The World Cup is expected to have generated 60,000 jobs in Germany alone. 20,000 are expected to remain once the event concludes.

    A report in The BBC says that “A Time to Make Friends” has been the slogan in Germany and over the past two years the country has striven to spread its message far and wide. Other official messages have included “We Want to Roll out the Red Carpet For You” – the tag for the 6 billion euros invested from both public and private funds in stadiums, hotels, roads and train stations.

    It is a chance to portray Germany as a dynamic place to visit or do business

    However, there are mixed feelings in Germany about what the economic outcome will be. Germany is looking to show itself as not just a place that is passionate about soccer but also a country that is an excellent tourist destination.

    A study, from Postbank claims the additional sales of TV sets, beer, soft drinks, VIP hospitality, sports goods and other WM-themed products will come to between two and three billion euros.

    However another report from Germany’s influential DIW economic research institute seeks to puncture this growing optimism, forecasting that the World Cup will not significantly aid the country’s economic situation.

    The World Cup, it says, will have a negligible impact on the domestic economy, which for years has been beset by weak demand at home.

  • NDS to deploy full end to end system to Romania’s DTH platform Boom TV

    MUMBAI: News Corporation‘s NDS Group has announced that a leading digital satellite pay-TV broadcaster in Romania, DTH Television Group has contracted NDS to deploy a full end-to-end system including NDS VideoGuard conditional access, MediaHighway middleware and EPG on their newly launched digital pay-TV platform, Boom TV. NDS is the provider of technology solutions for digital pay-TV.

    The platform had launched in May to homes in Romania. The NDS VideoGuard will protect all content delivered to new digital subscribers.

     

    DTH Television Group chose the full end-to-end system to secure their premium subscription content and will also take advantage of new services offered by NDS, including interactive TV applications, informs an official release.

    NDS Group chairman and CEO Dr Abe Peled said, “We‘re delighted that DTH Television Group has selected our proven solutions for their new service, Boom TV. This is an important contract for NDS as Romania, which has a population of over 40 million, is a significant TV market with the highest TV viewing figures in Europe by a wide margin. It also signals our expansion into the high-growth Eastern European broadcasting market, which we will continue to develop over the coming months and years.”

     

    Boom TV CEO Isaac Waldman said, “NDS is an important partner in being able to offer our subscribers enhanced TV services to make their viewing experience more entertaining.”