Tag: partnership

  • STB’s future outlook: Envisioning vibrant India-Singapore travel bonds

    STB’s future outlook: Envisioning vibrant India-Singapore travel bonds

    Mumbai: The Singapore Tourism Board (STB) in partnership with MX Player’s content arm, MX Studios is set to unveil the interactive film on an Indian OTT platform. Titled ‘Lost and Found in Singapore’, this innovative film introduces a choose-your-own path approach that invites viewers to actively shape the unfolding narrative against the backdrop of Singapore.

    A first-of-its-kind initiative by an NTO in India, this film captures and blends the elements that define Singapore’s character, creating an immersive exploration. Seamlessly integrating triggers for engagement, the interactive component promises a captivating experience. This collaboration caters to evolving preferences, especially among young Indian travelers. As audiences seek innovative ways to engage with travel content, ‘Lost and Found in Singapore’ offers fresh, firsthand inspiration.

    STB has also previously collaborated with  Singapore Airlines, Mandai Wildlife Reserve, etc. Even during COVID, it was the only NTO that gave Chhota Bheem in Singapore cartoon series as a gift of smiles to the children who were at home because of COVID.

    Indiantelevision.com on the sidelines of the trailer launch caught up with Singapore Tourism Board regional director, India, Middle East, South Asia & Africa, GB Srithar to chat further on their collaborations, offerings, and much more.

    Edited Excerpts:

    On STB’s collaboration with MX Player and the thought behind it

    First of all, we have been very focused and continuously looking for very bold and creative projects. And this is not one of the first in fact, we have done quite, various projects over the last couple of years. Even during COVID, we had some virtual events going on. But post-COVID, we have done a couple of things. We have done a web series in English, focusing on young women traveller’s, and that was done just earlier this year. We have also collaborated with Street Art India Foundation, to offer Singapore in a very different light to the Indian audiences. So there have been always very agile, bold, creative, and effective content marketing partnerships, and technical partnerships, along that lines. We have always been on the lookout for such collaborations.

    MX Player came up with this idea and we were where looking at how do we engage the young Indian audiences. I mean, you’ve got a very young Indian population 67 per cent under the age of 35. Presenting Singapore as a cool lifestyle events destination to the Indian audience was very important to us. So then we said, okay, let’s try out something new and we didnt want to do a typical run-of-the-mill series. So this idea of an interactive OTT, where you are choosing as the story develops. So you come to a juncture, and you choose your own ending kind of plot and we liked that idea. Then we collaborated with MX Player and we are happy that it has turned out quite well. So this ‘Lost and Found in Singapore’ project is our way of saying, getting yourself lost in the vibrant and exciting offerings of Singapore and finding yourself and living up your passions in Singapore. So I think that this concept worked, the idea and the story plot was very interesting for us. We have been consistently engaging the consumers in very different ways, and this is one of our initiatives in that journey.

    On the ROI that STB is looking at during these collaborations, tie-ups, web series, etc

    We are in a very unique situation. Singapore is well known by Indian audiences and also not so well known to them. What do I mean by that? So what happens is, that we have been here for more than two and a half decades, and Singapore has been portrayed in movies in very good light in the socio-political, economic, environment, and journalism. So Singapore is a destination that Indians know, either by themselves or through friends, or through movies.

    We are now coming to an interesting confluence of things. One on the India outbound set-aside. The Indian traveller is getting a lot more discerning. He wants experiences, he wants to immerse himself, he wants to know the local cultures, he wants to go and walk the neighborhoods. We have been doing this for the last few years and we are now able to offer this even more. So this kind of partnership helps us bring Singapore, even closer to the hearts and minds of Indian audiences, because it is like you being able to have a destination that you will visit, revisit and revisit again. So for us, this kind of collaboration is to reach out to different types of audiences. It is no longer a push message. So this particular MX Player venture/collaboration will allow us to talk to the audiences of that platform, that community that consumes this kind of content, and let them know that in a very nice storytelling fashion, hey, while you’re enjoying the story, and these two characters moving around, and, seeing themselves and finding themselves, you also see Singapore. So our purpose for these kinds of projects is where Singapore is integral to the plot and the story. We say yes, let’s do it, and in that way, we get into the communities that are consuming this content, letting them know Singapore has got so many other things to offer.

    On the cities you get the maximum Indian footfalls to Singapore

    So, we have got today direct connections from 17 cities across India. Probably Singapore is among the most well-connected destinations for Indian audiences. The four metros – Mumbai, Delhi, Chennai, and Bangalore give us the maximum number of tourists and travelers. Then there are cities like Kolkata, Ahmedabad, Trichy, and Hyderabad, all these give us good numbers as well. Then you have the other cities like Bhubaneswar, Amritsar, Vizag, and Madurai which are the latest to start a direct connection to Singapore.

    On the packages that STB is giving a traveler who’s coming into Singapore today to see things that are not advertised or not spoken about

    STB’s role in content partnerships is to highlight upper-funnel marketing—showcasing Singapore broadly and presenting diverse activities available, effectively capturing attention. Furthermore, we collaborate with key stakeholders such as Sentosa, Singapore Zoo, Gardens by the Bay, hotels, and others. They actively promote their offerings in India through road shows held in major cities, including Mumbai, Delhi, Bangalore, and Chennai. Recently, we organized a successful roadshow in Jaipur, Pune, and Coimbatore for stakeholders from Singapore, facilitating interactions with the Indian travel trade. Alongside these efforts, we partner closely with Indian travel agents, collectively emphasising the wide array of experiences available during a six to seven-day stay in Singapore. Our collaborative work with the travel trade significantly amplifies the reach of these unique offerings.

    On STB’s upcoming plan for the next two years

    Pre-COVID India was our third largest source market after China and Indonesia and we welcomed 1.41 million visitors. Today as we speak, mid-August now, we are about two-thirds of the number of 1.41. So, what we are hoping is that we will be able to capture the pre-COVID numbers. We want more travellers from India to Singapore. Number two, I think the diverse audiences we are targeting. Families continue to be very important and they should come to Singapore to enjoy all the family-friendly attractions and experiences. Young Indians coming to Singapore to see the lifestyle, events, entertainment, and offerings are very important. Cruise, the Indian cruise traveller is a very important traveller for us as a cruise hub. Meetings and inceptions is another important segment and finally weddings. We are now positioning Singapore as a destination wedding. Alright, so for those 50 to 250 intimate Indian weddings in Singapore is another area we are looking at. So my hope is that in the next couple of years, you will see India seeing Singapore as that destination to go to for many reasons on many occasions in many parts of your lifetime.

  • Pitchfork Partners joins SBICAP Ventures as strategic communication counsel

    Pitchfork Partners joins SBICAP Ventures as strategic communication counsel

    Mumbai: SBI Capital Markets’ SBICAP Ventures Ltd. (SVL) has appointed Pitchfork Partners as its strategic communication counsel. The agency will work towards strengthening the brand’s position as one of India’s fastest-growing asset management companies.

    The service mandate will now cover external communication in addition to the ongoing digital outreach for the various fund initiatives under SBICAP Ventures, namely Neev funds, SWAMIH (Special Window of Affordable & Mid-Income Housing), and SRI (Self-Reliant Fund).

    SVL has a stellar track record of investing in stressed residential real estate and the MSME sector in India, as well as contributing to many renewable energy, waste management, and climate-related initiatives.

    Neev Fund vice president Anjana Seshadri said, “We are excited about our collaboration with Pitchfork Partners. Our long-standing association with the company has propelled us to expand our horizons and dive even deeper into the brand’s communication with the media. With Pitchfork’s guidance and expertise, we hope to foster a better positioning of SBICAP Ventures as a whole.”

    “We are happy to announce this partnership. Given SBICAP Venture’s current positioning in the market, it has emerged as one of India’s largest asset management companies. We are privileged to partner with them and build on their credibility,” added Pitchfork Partners co-founder Jaideep Shergill.

  • Big Bang Social signs Zomaland by Zomato as the creator experience partner

    Big Bang Social signs Zomaland by Zomato as the creator experience partner

    Mumbai: Creator marketplace Big Bang Social has tied up with Zomaland, one of India’s grandest food and entertainment carnivals, by Zomato, which is spread over the weekend across seven cities in 2022-2023 with incredible food, entertainment, carnival games, and attractions all under one roof.

    Big Bang Social has been brought on board as a creator experience partner to activate its vast network of creators that are social storytellers and pop-culture custodians, in their own right.

    As Zomaland makes its place among India’s most iconic live experiences, the country’s thriving creator community will be made part of the legacy being built. Big Bang Social will cater to creators providing them with unforgettable Zomaland experiences.

    The collaboration will include over 300 creators across seven cities where the event is scheduled to take place. Creators will be capturing the best of culinary delights, carnival games, music, and comedy performances at the festival through mini-vlogs and engaging content. Attendees will get a chance to interact with their favourite creators as they attend the spectacular festival.

    “CreatorXP is our way of bringing the world’s best experiences to India’s creator universe. Creators are constantly looking for unique spaces to create content, and IP owners find mutual benefit in their unique story-telling and digital distribution expertise. We’re delighted to be partnering with Zomaland by Zomato to enable this very idea. Creators are gaining a fantastic opportunity to showcase their stories at Zomaland in this amazing confluence of food, music, and community,” says Big Bang Social co-founder Dhruv Chitgopekar.

    “Zomaland is an experience-led food carnival that brings every aspect of Zomato to life. After a two-year hiatus, we are back—bigger, better, and grander—to celebrate and create immersive experiences for our attendees. We’re excited to partner with Big Bang Social and invite key trendsetters to become part of our community while indulging in great food, music, and entertainment at the carnival,” says Zomato Live global head Chaitanya Mathur.

    With over 1,20,000 “curated” influencers and growing on the platform, which has a cumulative reach of over 250 million, Big Bang Social strives to bring true creative and commercial value to the creator market by driving advertising & commerce revenues and creating opportunities across blockchain, metaverse, etc. This backed with the legacy and strength of Collective Artists’ premium celebrity network, makes this ecosystem a one-stop shop for the creator economy.

  • FanClash becomes the official esports fantasy partner of Revenant Esports

    FanClash becomes the official esports fantasy partner of Revenant Esports

    Mumbai: Revenant Esports has signed a multiyear deal with popular esports fantasy platform FanClash as the official fantasy partner. Through this partnership, FanClash will engage with the massive fan following of the team and aims to create various fantasy engagement activities.

    This association will give gaming enthusiasts an opportunity to be actively involved with Revenant’s various gaming rosters as well as the tournaments they participate in.

    This deal is one of the many recent success stories of brands associating with Indian esports outfits who are benefiting from this massively growing gaming ecosystem and skyrocketing the revenue of this industry.

    Speaking about the partnership, Revenant Esports CEO Rohit Jagasia said, “FanClash is now an aspirational name in the world of esports and we are thrilled to have them associated with us as our fantasy gaming partner. Revenant Esports believes that the popularity of our esports roster and content creators will continue in the future.Our association is a step taken towards revolutionising esports fandom in the country.”

    Commenting on the association, FanClash marketing head Archana Sangaran added, “Esports as an industry has been gaining greater popularity and receiving traction on a national and worldwide scale. Valorant has also been gaining a great fan following from the esports community. Therefore, the company has been aggressively exploring opportunities for increasing fan engagement, along with creating excitement and anticipation. Our endeavour has always been to bring accessibility through compelling associations for gamers. We will be announcing many more developments in the upcoming months.”

  • Havas Worldwide India creates brand film for Stashfin

    Havas Worldwide India creates brand film for Stashfin

    Mumbai: Stashfin, the fintech platform, has launched a new campaign to drive awareness about its unique offering. Stashfin provides instant access to funds in a seamless and efficient manner with a flexible mode of repayment, making it one of the most convenient digital lending platforms.

    Created by Havas Worldwide India, the campaign promotes an innovative product that allows customers to get instant funds for a variety of needs, providing them with the ideal financial boost in the easiest and most hassle-free manner.

    Stashfin has been dedicatedly working towards the financial inclusion of various customer segments who find it difficult to be accepted by traditional banking systems, with a brand promise of “Nobody in India should be credit-starved.”

    The company also assists the under-represented in developing their credit footprint, allowing them to improve their quality of life. Stashfin provides flexible tenures ranging from three to 36 months; quick processes and easy application; instant funds; and the unique proposition of only paying interest on the amount used.

    With a quirky approach in the two-film campaign, a witty superhero fumbles and appears to be an antihero, unable to use his superpowers to help those around him. However, the only good he does is introduce others to the all-new Stashfin credit line app, which becomes their superpower as well.

    Speaking about the campaign, Stashfin co-founder Shruti Aggarwal said, “Stashfin has always strived to provide a positive customer experience, which is why we focused on every detail of making our product simple to use. With the goal of making Stashfin’s offering available to everyone who needs credit, it is critical that credit be made available to the majority in an effortless way. As Stashfin plays a critical role in fulfilling people’s needs, it is evidently a superhero. With our latest films, we want to show how Stashfin, as a superpower, can help anyone in need.”

    “The ever-changing fintech space allows us to tell very interesting stories, and collaborating with a brave brand like Stashfin has been great fun. We are always eager to take on the challenge of portraying the dynamic fintech space as not only exciting but also relatable and aspirational. A bumbling superhero who makes mistakes is a novel concept that communicates the brand’s core concept of quick and easy access to funds. I’m confident that, like our previous collaboration, this one will bear fruit too, with people choosing the brand Stashfin,” added Havas Group India chairman & chief creative officer Bobby Pawar.

  • In partnership with Airtel, Big Boss Marathi announces new plot-twists and innovative brand integrations

    In partnership with Airtel, Big Boss Marathi announces new plot-twists and innovative brand integrations

    Mumbai: Bigg Boss Marathi has partnered with Airtel to install a phone booth inside the ‘house’ through which the contestants can connect with anyone outside the show.

    Essence, the global data and measurement-driven media agency behind this innovation, has left no stone unturned in creating a one-of-a-kind experience for both contestants and viewers of the unrivalled show.

    The phone booth also plays the signature Airtel song, transporting viewers on a nostalgic journey.

    For the first time, Airtel ran a Bigg Boss contest in which the lucky winner was chosen from millions of Airtel customers to be a part of the ‘house.’ For the first time in Marathi television history, a unique brand association like this has resulted in a commoner winning a once-in-a-lifetime opportunity of this magnitude.

    Bigg Boss Marathi is in its fourth season, hosted by the versatile actor-director-producer Mahesh Manjrekar, and features an exciting mix of 16 housemates who make the season an entertainment extravaganza.

    This season promises nonstop entertainment, exclusive cuts, round-the-clock content drops, and a 24-hour live feed from the house, exclusively on Voot, Monday through Friday.

    Viacom18 Regional Entertainment revenue head Bikash Kundu said, “We are thrilled to join hands with India’s leading telecom company, Airtel, through an innovation-driven marketing concept. While the phone booth became a huge hit on the show, the contest received a humongous response across traditional and new-age media. We reached out to the combined user base of Airtel and Colors Marathi through TVCs, on-ground activations, push messages, recorded announcements and messages, among other initiatives, making the campaign a massive success.”

    Essence managing director (India) Sonali Malaviya commented, “As Airtel’s integrated media agency of record, Essence is excited to partner with Viacom18 and Colors Marathi on this custom content innovation initiative. Leveraging the popular reality television show Bigg Boss, the idea and execution have enabled us to help drive increased consumer engagement and brand consideration for Airtel in the market. We look forward to collaborating on even more creative opportunities and breakthrough experiences to help Airtel win in the dynamic telecommunications category.”

  • Network18’s consolidated revenue grew 12 per cent YoY to Rs 1,549 cr for Q2FY23

    Network18’s consolidated revenue grew 12 per cent YoY to Rs 1,549 cr for Q2FY23

    Mumbai: On Tuesday, Network18 Media & Investments announced its financial results for the quarter that ended 30 September, 2022. Amidst a challenging macro environment, the company reported that its consolidated revenue from operations rose to Rs 1,549 crore (year-on-year) as against Rs 1,387 crore in the corresponding quarter of the preceding fiscal. They have reported a consolidated net loss of Rs 28.84 crore.

    Total expenses were at Rs 1,592 crore, up by 33.88 per cent in Q2FY23, as against Rs 1,189.04 crore earlier. The network’s consolidated operating Ebitda fell 87 per cent year on year to Rs 32 crore in Q2FY23, from Rs 253 crore in Q2FY22.

    According to a regulatory filing, TV news revenue was down three per cent YoY in the second quarter, owing primarily to a decline in advertising revenue. News ad inventory declined by 10 per cent at industry level and the drop was even higher for the network as they continued to optimise inventory on key channels. However, the impact on revenue was much lower as the scale-up of events-led monetisation partially offset the loss of display advertising.

    TV18’s entertainment portfolio had a viewership share of 9.9 per cent in the non-news genre in Q2FY23. Its full-portfolio offering across national, regional, niche, sports, infotainment, and digital has diversified revenue streams and makes it future-ready.

    Network18 continued to invest in content, marketing, and distribution initiatives in order to lay a solid foundation for long-term growth, resulting in a 34% increase in operating costs.

    Growth in revenue was primarily driven by the movie segment, as ad revenue was flat due to the subdued advertising environment. Adjusting for the impact of the withdrawal of Colors Rishtey from DD FreeDish, ad revenue grew in the high single digits on a YoY basis, despite the challenging environment.

    Operating expenses increased by 15 per cent (excluding film production) due to increased content and marketing spending. The higher number of hours (TV and digital), higher episodic costs, and increased spending in regional markets all contributed to the increase in content costs.

    The business’s profitability suffered as advertising revenue fell short of expectations, despite content investments helping us strengthen our ratings in certain markets.

    In addition, increased investments in digital and a drop in Colors Rishtey ad revenue also impacted Ebitda.

    Viacom18 Studio’s Laal Singh Chaddha and Shabaash Mithu received a mixed response from Indian theatre-going audiences but received great traction in international markets and on digital platforms.

    Key highlights:  

        TV18’s CNN News18 and News18 India join CNBC TV18 as undisputed leaders in the English and Hindi markets, respectively.

        News18 Jammu & Kashmir, Ladakh, and Himachal is the first channel launched by a major news network to cover the region.

        Colors fortifies the number two position in the Hindi GEC segment.

        Viacom18’s proposed transaction with Bodhi Tree and Reliance got CCI approval.

    Network18 chairman Adil Zainulbhai said, “The first half of the fiscal has been challenging for most sectors. However, we believe that this phase should only be a minor bump in the long runway for growth. Our presence across the full spectrum of content segments and platforms places us in a unique position to leverage the combined strengths of our assets. We have set clear objectives for our different business segments and are working on executing our plans in that direction. Despite the macro environment being less than ideal for growth currently, we continue to make investments which will help us create a strong foundation for the long term and will hold us in good stead as growth returns.”

  • Hungama partners with JioTV; eyes domestic reach in India

    Hungama partners with JioTV; eyes domestic reach in India

    Mumbai: Hungama has partnered with JioTV to expand its domestic reach in India. The partnership aims to expand Hungama’s reach in the country by leveraging JioTV’s large user base in tier II and tier III cities. With this partnership, Hungama gains access to a core Jio TV audience in the Hindi heartland.

    With the wide-ranging bouquet of content from Hungama, JioTV can also offer more diverse and specially curated content to viewers. JioTV Specials provide access to the service.

    The partnership gives JioTV subscribers access to 12 additional Hungama linear channels and 100+ hours of programming in Punjabi, Hindi, Kannada, Bhojpuri, and Malayalam.

    It also provides a selection of independent music in various dialects, as well as devotional content, ghazals, concerts, stand-up comedy, and award shows.

    Hungama also provides access to rich and exclusive in-house original content, such as gossip, scoops, interviews, paparazzi, trailer launches, movie premieres, and reviews, on JioTV as part of JioTV Specials.

    Together with the JioTV advantage, Hungama can reach millions of viewers in the heartland and is now available on the app, allowing Jio sim users to take their favourite content with them wherever they go.

    Hungama digital media CEO Siddhartha Roy said, “We have tremendous trust and loyalty amongst audiences across India. Through this partnership, we are taking entertainment to a larger section of the audience, especially in tier II and III markets. Hungama’s partnership with JioTV strengthens our endeavour to widen our reach and make content accessible across demographic boundaries. We look forward to a long-standing business partnership with JioTV in our commitment to entertain India.”

  • MX Player gets into a multi-year partnership with Lionsgate

    MX Player gets into a multi-year partnership with Lionsgate

    Mumbai: MX Player has partnered with global giant Lionsgate to bring premium Hollywood content, including award-winning titles across genres.

    With over 200,000 hours of content across 800+ original series, web series, international, dubbed content and an average time spent of 56 minutes per user per day, MX Player continues to ink partnerships to make quality content available to all of its users.

    MX Player senior vice president (content acquisitions and alliances) Mansi Shrivastav said, “At MX Player, we are invested in our consumers. As the second largest entertainment ecosystem across the globe, we have continually and consistently brought diverse content to the platform across genres, formats, and languages. Our partnership with Lionsgate allows us to bring some of the most popular and commercially acclaimed Hollywood films to our viewers in their local languages.”

    She further added, “This partnership also enables us to attract new users to the platform while consolidating our existing audience base. We are thrilled with this alliance and look forward to working closely with the team at Lionsgate to make more Hollywood content available for users in the region.”

    MX Player users in India, Pakistan, Afghanistan, Nepal, Bangladesh, Bhutan, Sri Lanka, and the Maldives will now have access to 50+ Hollywood blockbuster films dubbed in Hindi, Tamil, and Telugu each year as a result of this collaboration.

    Through this collaboration with Lionsgate, MX Player will have access to the most recent and well-liked Hollywood blockbusters, significantly broadening its current content inventory and enabling fans to watch movies in their preferred language.

    Lionsgate vice president (licensing and content partnerships) Gayathiri Guliani said, “Lionsgate has been bullish for its compelling content slate, and we are delighted to partner with MX Player as this will multiply our consumption, reaching out to maximum viewer base. It’s all about genre diversification, breaking language barriers, and having the best stories to watch. This alliance is all set to grow with multiple Lionsgate titles made available on the platform, spoiling viewers for choice.”

    “Hunger Games: Mockingjay part 1”, “Hunger Games: Mockingjay part 2”, “War” (2007) and “Destruction: Las Vegas” (2013) are among the recommended titles for September 2022 on MX Player.