Tag: Over the Top

  • Ditto TV goes OTT first with ‘before TV’

    Ditto TV goes OTT first with ‘before TV’

    MUMBAI: Zee Digital Convergence Limited’s Over The Top (OTT) platform DittoTV now allows viewers to enjoy their favourite content from the channels under Zee Group before airing it on television through their new feature titled ‘before TV’.

    The feature is in line with the company and group’s continued focus on content and service innovations for the consumers.

    Talking about this new initiative, ZDCL CEO Debashish Ghosh said, “The fact that more and more people are finding it easy to cut away from appointment viewing and watch their chosen entertainment anytime, anywhere, has only driven consumer expectations higher and upped the ante for OTT platforms the world-over. While, original content will remain one of the key drivers and focus of DittoTV’s global operations, serious innovations will help give our consumers something new and engaging all-the-time, every time. before TV is one such step in this direction.”

    The company has recently created an original content titled as Life is Music and also plans to launch music based documentary titled as Chords of Change, which will feature musicians narrating their stories of their struggle and registering their protest in various zones across the country through their music.

    The platform is focused on markets like the US, UK, Europe, Australia, New Zealand, Middle East, Asia Pacific and some parts of Africa. It will also carry non-Indian content shortly in the markets where it has been launched.

  • Ditto TV goes OTT first with ‘before TV’

    Ditto TV goes OTT first with ‘before TV’

    MUMBAI: Zee Digital Convergence Limited’s Over The Top (OTT) platform DittoTV now allows viewers to enjoy their favourite content from the channels under Zee Group before airing it on television through their new feature titled ‘before TV’.

    The feature is in line with the company and group’s continued focus on content and service innovations for the consumers.

    Talking about this new initiative, ZDCL CEO Debashish Ghosh said, “The fact that more and more people are finding it easy to cut away from appointment viewing and watch their chosen entertainment anytime, anywhere, has only driven consumer expectations higher and upped the ante for OTT platforms the world-over. While, original content will remain one of the key drivers and focus of DittoTV’s global operations, serious innovations will help give our consumers something new and engaging all-the-time, every time. before TV is one such step in this direction.”

    The company has recently created an original content titled as Life is Music and also plans to launch music based documentary titled as Chords of Change, which will feature musicians narrating their stories of their struggle and registering their protest in various zones across the country through their music.

    The platform is focused on markets like the US, UK, Europe, Australia, New Zealand, Middle East, Asia Pacific and some parts of Africa. It will also carry non-Indian content shortly in the markets where it has been launched.

  • NBCU’s Fandango snaps up DreamWorks & Technicolor’s movie streaming service

    NBCU’s Fandango snaps up DreamWorks & Technicolor’s movie streaming service

    MUMBAI: NBCUniversal’s Fandango has acquired the movie streaming service M-Go, which is jointly owned by Technicolor and DreamWorks Animation.

     

    M-GO offers new release and catalog movies from studios and television programming to a wide variety of connected, over-the-top (OTT) and mobile devices including Android, iOS, Samsung, LG, Roku, and others.

     

    The acquisition comes on the heels of Fandango’s record-breaking 2015, when the company experienced 81 per cent growth in ticketing dollars year-over-year and added more than 1,600 new screens, bringing its total US screen count to more than 27,000. 

     

    “With the addition of M-GO, we’ll be able to accelerate the ticketing momentum achieved in a record-breaking 2015 by creating compelling new digital products that serve consumers throughout the movie lifecycle,” said Fandango president Paul Yanover. “We’re excited to start working with our studio and exhibition partners to bundle theatrical tickets and home entertainment products in the form of ‘super tickets,’ gifts with purchase, and other promotional offers.”

     

    By creating theatrical ticketing and home entertainment bundles, Fandango will offer compelling “super ticket” products such as special “movie catch-up” bundles with franchise movie instalments, home entertainment pre-sell opportunities, and bundles with bonus content, collectible memorabilia, fan experiences, and more. 

     

    Furthering its goal to super-serve moviegoers, in 2015 the company increased its investment in ticketing and launched FandangoLabs, a new research and development group that was formed in collaboration with movie and technology industry leaders to innovate and enhance the moviegoing experience. Moving forward, FandangoLabs will utilise the capabilities of the M-GO platform in the creation of new moviegoing products and services.

     

    Along with the acquisition, the Universal Filmed Entertainment Group and Technicolor will work together to explore opportunities to collaborate on next-generation video technologies, inclusive of augmented and virtual reality, to accelerate innovation in this immersive space.

  • NBCU’s Fandango snaps up DreamWorks & Technicolor’s movie streaming service

    NBCU’s Fandango snaps up DreamWorks & Technicolor’s movie streaming service

    MUMBAI: NBCUniversal’s Fandango has acquired the movie streaming service M-Go, which is jointly owned by Technicolor and DreamWorks Animation.

     

    M-GO offers new release and catalog movies from studios and television programming to a wide variety of connected, over-the-top (OTT) and mobile devices including Android, iOS, Samsung, LG, Roku, and others.

     

    The acquisition comes on the heels of Fandango’s record-breaking 2015, when the company experienced 81 per cent growth in ticketing dollars year-over-year and added more than 1,600 new screens, bringing its total US screen count to more than 27,000. 

     

    “With the addition of M-GO, we’ll be able to accelerate the ticketing momentum achieved in a record-breaking 2015 by creating compelling new digital products that serve consumers throughout the movie lifecycle,” said Fandango president Paul Yanover. “We’re excited to start working with our studio and exhibition partners to bundle theatrical tickets and home entertainment products in the form of ‘super tickets,’ gifts with purchase, and other promotional offers.”

     

    By creating theatrical ticketing and home entertainment bundles, Fandango will offer compelling “super ticket” products such as special “movie catch-up” bundles with franchise movie instalments, home entertainment pre-sell opportunities, and bundles with bonus content, collectible memorabilia, fan experiences, and more. 

     

    Furthering its goal to super-serve moviegoers, in 2015 the company increased its investment in ticketing and launched FandangoLabs, a new research and development group that was formed in collaboration with movie and technology industry leaders to innovate and enhance the moviegoing experience. Moving forward, FandangoLabs will utilise the capabilities of the M-GO platform in the creation of new moviegoing products and services.

     

    Along with the acquisition, the Universal Filmed Entertainment Group and Technicolor will work together to explore opportunities to collaborate on next-generation video technologies, inclusive of augmented and virtual reality, to accelerate innovation in this immersive space.

  • Vuclip hires Vishal Maheshwari as country manager – India

    Vuclip hires Vishal Maheshwari as country manager – India

    MUMBAI: As it gears up to launch its Over-The-Top (OTT) video streaming service in the country, Vuclip has roped in former Yahoo! India director Vishal Maheshwari as country manager in India.

     

    Maheshwari’s core responsibilities will include driving consumer adoption, engagement and monetisation for the video on demand (VOD) service in India through strategic partnerships, service innovation and consumer insights. 

     

    The appointment also reflects the company’s strategic intent to expand market share in a hyper competitive VOD market like India post the entry of international players like Netflix and HOOQ.

     

    What’s more, Vuclip is also looking at transitioning from a B2B to a consumer facing company.

     

    Maheshwari joins Vuclip with over 15 years of experience in the telecom and mobile internet space with organisations such as Yahoo! India and BPL Mobile, and 10 years of product and brand management experience at Parle, Warner Lambert and SBI Cards.

     

    Vuclip COO Arun Prakash said, “We are excited for Indian consumers in 2016 to experience a whole new way of entertainment on the go and pleased to have Vishal come on-board to lead our OTT service in India. With India in digital overdrive, creative thinking, fleet-footedness and focused execution are required to win over consumers’ hearts, minds and devices. Vishal’s leadership, consumer centric thought process, passion for product and brand, and value creation for partners will lead Vuclip and this entire industry in India.”

     

    “The ever evolving video space in India offers the thrill of a challenge. It is my endeavor to make 2016 a year of delight for the Indian audience in the entertainment and OTT space. I believe Vuclip is best positioned to make that happen,” added Maheshwari.

     

    Vuclip has a free user base of 20 million and a paying subscriber base in excess of five million people in India. The company’s OTT service in India will see tough competition from existing players like Netflix, Hotstar, HOOQ, Sony Liv, Ditto TV and ErosNow amongst others.

  • Vuclip hires Vishal Maheshwari as country manager – India

    Vuclip hires Vishal Maheshwari as country manager – India

    MUMBAI: As it gears up to launch its Over-The-Top (OTT) video streaming service in the country, Vuclip has roped in former Yahoo! India director Vishal Maheshwari as country manager in India.

     

    Maheshwari’s core responsibilities will include driving consumer adoption, engagement and monetisation for the video on demand (VOD) service in India through strategic partnerships, service innovation and consumer insights. 

     

    The appointment also reflects the company’s strategic intent to expand market share in a hyper competitive VOD market like India post the entry of international players like Netflix and HOOQ.

     

    What’s more, Vuclip is also looking at transitioning from a B2B to a consumer facing company.

     

    Maheshwari joins Vuclip with over 15 years of experience in the telecom and mobile internet space with organisations such as Yahoo! India and BPL Mobile, and 10 years of product and brand management experience at Parle, Warner Lambert and SBI Cards.

     

    Vuclip COO Arun Prakash said, “We are excited for Indian consumers in 2016 to experience a whole new way of entertainment on the go and pleased to have Vishal come on-board to lead our OTT service in India. With India in digital overdrive, creative thinking, fleet-footedness and focused execution are required to win over consumers’ hearts, minds and devices. Vishal’s leadership, consumer centric thought process, passion for product and brand, and value creation for partners will lead Vuclip and this entire industry in India.”

     

    “The ever evolving video space in India offers the thrill of a challenge. It is my endeavor to make 2016 a year of delight for the Indian audience in the entertainment and OTT space. I believe Vuclip is best positioned to make that happen,” added Maheshwari.

     

    Vuclip has a free user base of 20 million and a paying subscriber base in excess of five million people in India. The company’s OTT service in India will see tough competition from existing players like Netflix, Hotstar, HOOQ, Sony Liv, Ditto TV and ErosNow amongst others.

  • Netflix acquires first Indian documentary

    Netflix acquires first Indian documentary

    MUMBAI: Over the top (OTT) service provider, Netflix, made a big bang launch across the world and in India on 7 January, has picked up its first documentary film from India.

    Titled What’s Love Got To Do With It?, the documentary is directed by Rohena Gera.

    The film is available on its Indian site as well as in four other territories including US, Canada, UK, Australia and New Zealand.

    What’s Love Got To Do With It? is a fun, moving documentary, which explores why urban individuals often choose arranged marriages over love.

    On seeing the film, filmmaker Ashutosh Gowariker said, “What’s Love Got To Do With It? is the first fun documentary that I’ve seen. It addresses our national preoccupation of arranged marriages with humour. It’s not only funny, but also insightful, while being entertaining, and hence I like to call it… a FunDoc!”

    Gera added, “I am delighted and honoured that Netflix has chosen What’s Love Got To Do With It? I feel that this signifies the democratisation of cinema in many ways. If a tiny-budget film like mine can be on a platform side by side with big Bollywood films, independent gems and grand classics I feel there is a lot to look forward to for filmmakers and audiences alike!”

  • Preview to Asia TV Forum & Market

    Preview to Asia TV Forum & Market

    MUMBAI: The 16th edition of the Asia TV Forum & Market (ATF) is scheduled to take place from December 1 to 4 at Singapore’s Marina Bay Sands. Running concurrently with the 5th edition of ScreenSingapore, the 2015 edition of ATF is poised to attract more than 5,000 attendees from across 60 countries, according to Yeow Hui Leng, the Senior Project Director of Asia TV Forum & Market (ATF) and ScreenSingapore (SS) at Reed Exhibitions.

     

    Divided in two parts – market and conferences – ATF market will provide attendees with plenty of business opportunities to buy, sell, network with producers, broadcasters, over-the-top (OTT) players and cable operators in the region.

     

    With over 850 buying companies attending, Asia TV Forum & Market (ATF) brings you closer to Asia’s buying community, facilitating the sale and export of engaging content across all genres and platforms to the Asian buyer.  With growing interest from Asian content buyers, this year we will also see more exhibitors from China and Japan and new entrants such as Bloomberg, Studio Canal, Fox International Channels, Raya Group, Rainbow, MNC Contents who will be participating in ATF for the first time, the market is likely to expect an even more robust performance.

     

    Hui Leng says that the overall ATF line-up this year presents a greater variety of the Asian countries covered, “giving ATF 2015 a more holistic view of the industry in Asia”. Participants can expect to gather a great deal of information from the panel of speakers and thought leaders that will be present at ATF.

     

    Kicking off ATF’s pre-market conference as the keynote speaker for Into the Future of Television: Asia’s Move Forward is TV industry’s well-known business leader  CJ E&M Media Content Business (Korea), president DJ Lee.  This will be one of the most exclusive and progressive insights into one of Asia’s most significant media empires. Another keynote speaker is Maker Studios (USA), International head René Rechtman, who will be elaborating on the Development and Expansion in Asia’s Digital Marketplace.

     

    Buyers and producers will also be presented with the latest know-how and trends for kids’ content at Junior@ATF, alongside the deployment of a dragnet on narratives for new formats and ideas that can travel across borders at Formats@ATF. Its is an initiative that  was developed with producers in mind as a forum to create, develop and market ideas with format experts through a conference setting, as well as masterclasses conducted by renowned creative talents such as Danny Stack, Writer and Director (UK) of  Thunderbirds Are GO, Octonauts, Who Killed Nelson Nutmeg? and Melodie L. Shaw, Member Representative and Organizer of the Writers Guild of America (USA).

     

    Highlighting the current business landscape that traditional players face with disrupters and shifts in content consumption, Steve Macallister, CEO of All3Media International (UK), will share how they stay on top of the United Kingdom and foreign markets. 

     

    Some of Asia’s top buyers like Maggie Xiong, Senior Director of International Acquisitions of Youku Tudou (China) and Charlene Lai, Senior Director, Content Acquisition and Licensing, APAC, Le Corporation Limited (Hong Kong) will discuss more on the evolving role of international acquisitions and the type of new ideas and shows channels that they are looking for among content providers.

     

    Last year’s edition hosted more than 71 speakers and 658 exhibitors, and Leng acknowledges that 2015’s ATF attendees can expect to be a part of the mechanics within the heart of Asian television. From the dynamically curated market and conference, where they can tap into the growth potential of Asia’s market, to experiencing the robust character of Asia’s entertainment content industry by connecting with international content sellers and Asian buyers, participants will be able to mesh together and be allied to the constantly evolving Asian television landscape.

     

    Held in conjunction with ATF, the 2015’s edition of ScreenSingapore (SS) will launch a brand new feature, the Southeast Asian Film Financing (SAFF) Project Market. The first of its kind, SAFF seeks to connect promising producers and their projects with commissioners, investors, and co-production partners.

     

    For more information on ATF’s exciting programme, conference line-up and speakers, please visit www.asiatvforum.com

  • Shift to broadband in US cable industry will mitigate TV subscriber loss: Moody’s

    Shift to broadband in US cable industry will mitigate TV subscriber loss: Moody’s

    BENGALURU: Rising demand for broadband services will compensate for the loss in TV video subscribers and help sustain industry growth through 2016, says Moody’s Investors Service. As a result, the rating agency maintains its stable outlook on the US cable industry.

     

    Broadband gaining ground, video slides, voice stable

     

    Key takeaway:

    The key takeaway is that the broadband offset is substantial, and much higher than in the past couple of years. In 2013, for every video subscriber lost, cable signed up 1.4 broadband customers. In 2016, Moody’s are projecting a 2.4x multiple.

     

    Broadband subscribers outnumbered total video subscribers in Moody’s rated universe for the first time at the end of 2014, and the agency forecasts that this spread will widen to seven per cent by the end of 2016 as demand for broadband continues to grow.

     

    “This change in subscriber demand represents a fundamental shift in consumer appetite and the economics of the cable business model,” said Moody’s vice president and senior analyst Jason Cuomo. “The loss of video subscribers is a fundamental weakness, but broadband demand and pricing actions are more than fully offsetting the negative video trends.”

     

    The report says that broadband demand continues to grow faster than pay-TV subscriber losses. Companies in Moody’s rated universe had a little more than 126 million (12.6 crore) Revenue Generating Units (RGU – equal to the number of subscriptions at a service level) at the end of last year. Moody’s project that RGUs will grow to over 130 million (13 crore) by the end of 2016, representing a CAGR of approximately 1.7 per cent. Broadband is now the leading product, as video continues to slide and the number of phone customers holds steady.

     

    Moody’s says that the number of pay-TV subscribers in its universe has gone done from 50 million (5 crore) in 2013 at the rate of about 1 million (10 lakh) per year and its predicts that by 2016, the number will reduce to 46 million (4.6 crore). During the same period, broadband subscribers would increase from 49 million (4.9 crore) in 2013 to 57 million (5.7 crore) by 2016. Voice subscribers in 2013 at 25 million (2.5 crore) would increase to 27 million (2.7 crore) by 2016.

     

    Phone subscribers have also been growing between three – four per cent, but the report says that the pace is trending down and could moderate to below two per cent by 2016.

     

    Lower revenues, better margins

     

    This mix shift has changed the economics of the business, with the top line suffering from the loss in video revenues, while creating opportunities to grow EBITDA and margins that are better in broadband.

     

    The industry continues to raise prices for broadband services, driving average revenue per unit higher. Demand is being largely driven by video consumption, which requires more and faster bandwidth, positioning cable companies to further monetize their high-speed distribution system. At the centre of this transformation is streaming content “over-the-top” to deliver video-on-demand services, which is growing quickly, according to the report “Pricing, Broadband Demand Ease Pressure from TV Subscriber Losses.”

     

    The report says that Broadband generates much lower revenues than residential TV, (roughly half, on average) but much higher margins and EBITDA per customer. In addition, the business is growing much faster than the rate of loss in video subscribers (more than 2:1,) which supports both revenue and profits.

     

    Pay-TV produces the highest revenue per customer among the three main service offerings, significantly exposing the top line when subscribers defect. To put the risk in context, Charter’s annual video revenue per residential subscriber was $1,068 in 2014, much higher than the $540 for residential broadband and $235 for residential phone service. However, programming costs are high, and rising despite the loss of revenue, squeezing EBITDA and margins.

     

    The net effect of the mix shift is revenue growth of nearly four per cent, a rise in EBITDA of approximately three – four per cent, and relatively stable EBITDA margins of 38-39 per cent.

     

    “Despite the concerns that the cable industry is about to lose its competitive footing, it still maintains a steady share of the triple-play bundle — offering a package of video, broadband and phone services,” said Cuomo.

     

    Growth drivers are new subscribers, SMEs

     

    The large majority of growth is coming from new residential customers. Commercial is only a small contribution but growing quickly. Small to medium-sized business demand for broadband is growing and cable is attracting their business with competitive speeds. Time Warner Cable and Charter, for example, have reported growth rates over the last four years that average 15 per cent and 22 per cent, respectively.

     

    Although their commercial businesses are less than five per cent of total revenues, for both companies, new commercial broadband subscribers represented approximately eight per cent of all new broadband subscribers in 2014.

     

    Video going over-the-top, but on cable’s terms

     

    In video, the big story continues to be consumer demand for viewing content ‘Over-the-Top’ (OTT) on multiple devices — arguably the number one threat facing cable. OTT is the epicentre of risk in an industry at the very early stages of a rapid transformation. The speed of broadband, proliferation of devices, and emergence of content streamers such as Netflix Inc. have made this type of “non-linear” alternate possible. The pace is accelerating (Netflix now has over 40 million subscribers, starting from zero in 2007 when it was first introduced in the US) as the awareness of alternate viewing options grows. This may also be at least partially responsible for driving subscriber losses — although Moody’s believes the great majority of users are also pay-TV subscribers that migrated OTT as a complimentary service.

     

    Content companies facing huge challenge

     

    Rapid development of new content, more widely distributed through new media channels, over a larger number of devices, and at lower cost, is a huge challenge for content owners struggling to maintain market leverage by controlling content rights. Extracting value from every property they own is easier when it’s all sold in a bundle. This neat and simple packaging model is beginning to break down, however, as content is offered in skinnier bundles and a la carte. In this model, the value shifts to the highest-quality content assets, exposing those with lower viewer ratings and therefore lesser value.

     

    As the industry transforms, the friction of change could temporarily slow video-subscriber defections. The move to OTT can be stalled by a rise in broadband price or recognition that stacking OTT content is more costly than expected, especially when buying sports and other high-value content. Content unbundling and programming offered via apps may also create confusion and inconvenience for the customer. Issues including new bills to manage, more frequent ID authentications, and the need to search, find, and switch between apps may end up being more cumbersome than simply switching channels on a cable remote. Until addressed, these issues will help cable buy time.

     

    Cable’s pricing power is driving ARPU higher

     

    The industry has consistently raised prices as they continue to pass through most of the rising programming costs and charge higher rates for more services. This pricing power could rise further once pending acquisitions are completed. Based on Moody’s forecast for ARPU of $837 by the end of 2016, the CAGR will be approximately 2.5 per cent from 2013 with a slope in ARPU that has been essentially linear, despite the rise in competitive threats. This has been largely driven by the rise in content costs, but can also occur as owners attempt to reprice OTT programming on the same, or similar, terms as current pay-TV economics.

     

    Moody’s expect this trend to continue given cable’s strong market position. In particular, we think the cable industry is positioning itself to charge higher prices for broadband to offset the loss in video ARPU. This could come in the form of higher prices for more data consumption, faster speeds, data limits that force customers to pay for higher speeds, or a fee for the use of Wi-Fi hot spots, which so far has been free. Given the high cost of mobile broadband and limited coverage of mobile Wi-Fi, viewing streaming video in-home, on cable Wi-Fi is currently one of the lowest-cost/highest-quality experiences available — and ripe for price increases.

     

    While there is healthy growth in prices, competition will keep growth rational. Another major constraint to higher broadband pricing is regulation, now that broadband is subject to Title II of the Communications Act of 1934. Price hikes are likely to be tolerated by regulators, but only as long as they are reasonable and customary. The government has stated that they are disinterested in pricing regulation, but their position would likely change if prices rose aggressively and consumer complaints mount. Moody’s outlook assumes no regulatory intervention.

     

    Industry Consolidation

     

    Moody’s notes that industry consolidation resulted in a number of transformative deals over the past year, but further consolidation is unlikely through 2016 given the size and concentration of the largest and smaller players.

  • BBC to launch US OTT service in 2016

    BBC to launch US OTT service in 2016

    MUMBAI: BBC is planning to launch a new over-the-top (OTT) video service in the US by next year. 

     

    BBC director general Tony Hall made the announcement during the Royal Television Society Convention in Cambridge.

     

    “Following on from our AMC partnership in the US, we have just signed a new joint venture with Sony Multi-Screen-Media to launch a BBC Earth channel to India. And we’ll begin to try out businesses that go direct to the public. Next year, we’re launching a new OTT video service in America offering BBC fans programmes they wouldn’t otherwise get – showcasing British actors, our programme-makers – and celebrating our culture,” Hall said.

     

    He also informed that the plans would increase commercial returns from BBC Worldwide to ?1.2 billion over the next five years, more than 15 per cent higher than the returns of the previous five years.

     

    While addressing the conference, Hall said that BBC would work with global partners to grow BBC Worldwide further, taking advantage of the demand for British programming and new digital opportunities with offering such as the new OTT service.

     

    Hall hit back at critics, pointing out that to deliver the quality content licence fee payers should expect, the BBC needed a commercial strategy where BBC Worldwide delivers as much as possible back into public service programmes. He said that in 2014 the commercial arm was an indivisible part of the BBC and had a turnover of ?1 billion that gave the BBC a record return of ?226 million.