Tag: OTT

  • Warner Bros to stream 2021 movies on HBO Max

    Warner Bros to stream 2021 movies on HBO Max

    KOLKATA: In a big move, Warner Bros will release its entire movie slate simultaneously on HBO Max along with theatres in 2021. It had announced earlier that Wonder Woman 1984 would land on the streaming service on Christmas, the same time as its theatrical release, in response to Covid2019 crisis.

    “We are announcing today that, in the United States, the entire anticipated 17-film 2021 Warner Bros motion picture slate is going to be released throughout the coming year in theatres and on HBO Max the same day. That’s a Warner Bros motion picture just about once every three weeks,” WarnerMedia CEO Jason Kiler said.

    Hence, HBO Max subscribers will be able to enjoy The Little Things, Judas and the Black Messiah, Tom & Jerry, Godzilla vs. Kong, Mortal Kombat, Those Who Wish Me Dead, The Conjuring: The Devil Made Me Do It, In The Heights, Space Jam: A New Legacy, The Suicide Squad, Reminiscence, Malignant, Dune, The Many Saints of Newark, King Richard, Cry Macho and Matrix 4 at home itself. The movies will not cost any additional charge in the first month of release.

    “We are so excited for the year ahead, which for us begins with the release of Wonder Woman 1984 in a few weeks (less than 22 days from now, but who’s counting?). 17, yes, 17 huge motion pictures are planned to be both in theatres and on HBO Max,” Kiler added.

  • There will be a ‘Mahabharat’ between TV & OTT: BARC’s Sunil Lulla

    There will be a ‘Mahabharat’ between TV & OTT: BARC’s Sunil Lulla

    MUMBAI: BARC India CEO Sunil Lulla is in a unique position, being at the helm of a body which is the only industry currency for the 3.5-billion-dollar television advertising market. Needless to say, it comes with a lot of responsibility.

    Lulla brings over 35 years of significant leadership and domain proven knowledge, with ground-up experience in growing brands and building businesses. Having worked across media, brands and advertising, he has occupied leadership roles at MTV, Sony, Times Television Network, SaReGaMa, Diageo, Indya.com, GREY group, JWT and Balaji Telefilms. Sunil maintains active interests in serving industry interests to foster the spirit of self-regulation and collaboration. He is an active long-distance runner, enjoys sailing and evocative conversations.

    During an interaction with Governance Now’s Kailashnath Adhikari, Lulla talked at length about the impact of Covid2019 on the television and broadcast industry, key takeaways during the pandemic, television viewership, technology, advertising, and much more.

    Lulla shared that the peak in television viewership has gone down compared to the pre-Covid2019 level, but it is slowly picking up. Said he: “We are more than 902 million viewing minutes, it picked up to one billion viewing minutes. As people are confined into their homes the lines have blurred between primetime and non-prime time. The prime-time hours of 6 am to 6 pm witnessed a major shift in viewing.”

    With filming being halted during the lockdown, no production of televised content was happening, so the only option left with audiences was to watch news, movies and kids’ content. Hence, the news genre picked up pretty well – it went from seven per cent of viewing to 21 per cent, then back down to 14 per cent. Now it’s holding steady at seven per cent share of the category. Similarly, kids watched a lot of content before schools went online. Movies became big and once original programming started general entertainment channels (GECs) are back with higher viewership than the pre-Covid2019 period.

    TV will continue to remain as the screen of the household, claimed Lulla, but the initial few months into the lockdown were difficult for the industry as a whole. While there was a peak in viewership, advertising went down. The gap has never been as difficult to bridge before. “However, now advertising volumes are higher than what they were last year, so the shortfalls that are present will not be as bad as expected,” he said. A whole new set of advertisers and brands have come in, health and hygiene products, digital, gaming, e-commerce, ed-tech became huge during this time.

    In the middle of the crisis, digital has picked up fairly because of more mobile connections, higher data consumption, digital show launches. Also, despite being a difficult time period, the IPL has performed well both in terms of viewing and advertising.

    Another aspect that Lulla highlighted is the stiff competition between television and OTT. As audiences are now moving towards online content it is believed that digital advertising will outgrow television advertising in the coming years. Lulla quipped that there will be a Mahabharat between TV and OTT.

    “I think in 2020 in the US, digital advertising may overtake TV advertising but that’s unlikely  to be the case in India before 2030. It’s a question of quality service, quality of economy and what happens to the overall economy. It is not about OTT content or mobile screen. It is more about screen time. I think there will be growth in digital advertising. TV is not dropping, it is sustaining. Because if you want to reach the masses of India, TV is still the best medium.”

    In the last few months, the duration of a lot of niche channels like English GECs and infotainment has witnessed a lot of turbulence, courtesy the pandemic and NTO. But the question that begs to be asked is: weren’t they already seeing a slow death?

    Lulla explained that English is a sliver of the content pie, with less than one per cent of Indian audiences watching English programming. Later, the audiences started watching content on other mediums. So, in order to survive English GECs will have to rework their strategies.

    Another challenge before the television is that it is too advertising dependent, which is not the case in the west, where there is a balance between advertising and subscription. But since cable service in the country is cheap, compounded by a price tariff regime, very few channels are going to make profitable money on subscription alone, Lulla concluded.

  • Epic On app now on DishSMRT Hub & d2h Stream

    Epic On app now on DishSMRT Hub & d2h Stream

    KOLKATA: Dish TV India has now made available OTT platform Epic On on its DishSMRT Hub and d2h Stream android set-top box. DishTV & D2H users can now access Epic On’s massive content library including over 2,000 hours of factual and fictional series, movies, talks, and documentaries.

    This partnership will enable Dish TV customers to have access to Epic On’s engaging short-format content especially customised for digital audiences. DishTV and D2H users will now be able to stream an exciting slate of 5,000 hours of inspiring and entertaining podcasts, 1,000-plus casual multiplayer and interactive games, along with e-sports and over 1,000 E-books for bibliophiles.

    Dish TV India executive director and group CEO Anil Dua said, “We have been continuously working on expanding our content basket based on the tastes and preferences of our subscribers. Our partnership with Epic On is another step in the same direction, making it easy for our Android box users to access their vast content library including, short-form versions of its flagship and popular TV shows. At Dish TV India, we strive to bring the best for our customers with all our associations as well as through exclusive content, taking the entertainment quotient higher each time.”

    EPIC ON COO Sourjya Mohanty said, “While tier-2 and tier- 3 audiences are getting used to consuming OTT content, a strategic partnership with Dish TV would help us in accelerating our national presence through its strong distribution network across India. We are delighted to associate with Dish TV for this exciting offering and believe that this opportunity would help further ease the content consumption experience of our users. With our recent launch, we are devoted to the idea of an India-centric OTT platform and are exploring every opportunity that helps us to reach our audience more effectively.”

    In addition to Epic On, the android box offers a host of features like built-in Google Assistant, Chromecast, Google Play, and access to all popular featured OTT platforms like Watcho, YouTube, Amazon Prime Video, Zee5, Voot, Eros Now, ALTBalaji, and many more. Coupled with the ease of using voice commands via Google Assistant, the Android-based set-top box is compatible with any television set.

    Dish SMRT Hub and d2h stream are internet-enabled android-based HD set top box, available for Rs 3,999 for new subscribers and Rs 2,499 for existing subscribers.

  • Lionsgate Play enters Indian streaming arena with SVoD model

    Lionsgate Play enters Indian streaming arena with SVoD model

    KOLKATA: Another global player makes its official foray in India with the rollout of Lionsgate Play. After running on partnerships for more than a year, Lionsgate has now introduced its independent streaming service. Along with international premium content, it will also deliver high-budget Indian originals. Like other global streaming services, Lionsgate Play will also run on subscription model.

    The service has two pricing points – Rs 99 per month, and Rs 699 per year, which is very competitive compared to other OTT services in India. The app will be available to download across a broad array of platforms and devices including Google Play store, Apple app store and Amazon firestick.

    The platform anticipates continued strong growth in the Indian OTT ecosystem and is capitalising on this opportunity by bringing a host of “new, provocative, and edgy movies and web series”  to the country.

    Starz (a subsidiary of Lionsagte) president and chief executive officer Jeffrey A Hirsch said, “India has always been a key market for us. The large and diverse population, increased data usage in urban and rural markets, and adoption of OTT across all demographics created an exciting opportunity for us to launch Lionsgate Play. We’re confident that our unique, exclusive and exceptionally curated content will generate a great response from Indian audiences.”

    Lionsgate South Asia managing director Rohit Jain added, “We are thrilled to launch the much-awaited Lionsgate Play app in India. We want to provide the finest, never seen before content that will captivate our audiences with bespoke entertainment drawing on the most exciting current releases and our premium library.”

    Talking about content slot, Jain added that it will  be launching Indian originals in the coming months, featuring untold edgy urban stories from some of the best creative minds in the Indian film industry. Jain mentioned that it tied up with the famous B-Town faces like  Anil Kapoor, Mukesh Bhatt, Kunal Kohli and studios such as Endemol Shine, Jar Pictures.

    Starz first launched internationally with its Starzplay international premium streaming platform in 2018. This month it will expand  its global footprint into 55 countries throughout Europe, Latin America, Canada, Japan and India, aiming to become one of the most widely distributed and fastest growing premium OTT services worldwide while entertaining millions of users with bold and curated content.

    The Lionsgate Play app features a broad portfolio of content ranging from the best of original feature film and television dramas, romances, comedies, thrillers and action favourites and premieres, bringing world cinema and television series directly to Indian audiences.

  • Studio Bodhi is newest entrant in regional OTT space

    Studio Bodhi is newest entrant in regional OTT space

    Mumbai: Covid2019 has given a huge fillip to the OTT industry. There is a massive surge in the audiences on these platforms and viewers are consuming more content than ever, thus creating a huge requirement for fresh content. The acceleration in the rate of content adoption and growing demand for content in native languages, has led to an increase in the appetite for regional consumption.

    With an aim to capture this increasing potential and strengthen their position in the regional space, the promoters of Bodhi Tree Multimedia with the backing of Sumukha Capital have launched Studio Bodhi to cater to the ever-growing need for content across the country.  

    The combined forces will develop exclusive original IPs and produce unique content in multiple languages across genres for the burgeoning OTT market. With eminent writers and directors on board, Studio Bodhi has 10 projects at different stages of production and will continue to work on numerous IPs in the near future. The studio is currently working towards producing a rich slew of original offerings in languages such as Tamil, Bengali and Marathi in 2021 and further expanding into Telugu, Punjabi and Malayalam by 2022.

    Bodhi Tree Multimedia MD Mautik Tolia said, “Content today is region agnostic with good rooted stories transcending all barriers and can travel across the world. Studio Bodhi is our earnest endeavor to further widen our horizon to build a vast range of successful digital series to cater to every audience palate. Over the past few months, with projects at various stages of development, we have diligently worked towards acquiring the best of talents to put together a team together which we believe will deliver compelling content. With our new venture, we are looking forward to exploring different genres and narrative styles.”

    Sumukha Capital, a division of Sumukha Group founder Santosh Kanodia said, “We are committed to investing Rs 200 crores in the entertainment industry ventures in the coming years. We recognise the need gap for regional content that is produced at top-notch quality standards and feel this has the potential for exponential growth. The lineup is extremely exciting and the ambition is to move to produce a slate of 10 originals every year.”

    With projects greenlit in multiple languages, Studio Bodhi aims to nurture the ecosystem with content that is relevant for regional consumers and make regional content mainstream. The alliance with proven excellence in creativity and production ushers in an exciting new phase in the business of content creation for Studio Bodhi.

    A month earlier, Bodhi Tree Multimedia also debuted on NSE Emerge and raised Rs 3.71 crore from its SME initial public offering. The move aimed to help in expansion activities, strategical growth.

    Bodhi Tree Multimedia started its journey in 2013. The production house started by Mautik Tolia, Sukesh Motwani initially focused on general entertainment on TV, later expanding into other genres and also in digital content. Along with working for major broadcasters, it has produced content for OTT platforms like Voot, Viu.

    It has over 30 successful shows and 1000+ hours of digital media content in its kitty. 

  • After dip in revenue, ALTBalaji offers cashbacks on subscription

    After dip in revenue, ALTBalaji offers cashbacks on subscription

    KOLKATA: ALTBalaji has teamed up with payment gateways Paytm and Amazon Pay to offer consumers up to Rs 300 cashback on the first Paytm wallet or Paytm UPI transaction on subscribing to the OTT platform. On the other hand, consumers can opt for Amazon Pay and get a cashback between Rs 10 to 250. Both the offers will be valid for Android, and web only from 1 December to 31 December 2020.

    The offer comes on the back of the streaming service registering marginal degrowth in subscriber revenue in Q2, down to Rs 12.2 crore from Rs 12.9 crore in the preceding quarter. The company attributed this to downtrend to the Unlock phase, as customers returned “back to work and social commitments." In the same period, however, the platform clocked four million subscribers and an ARPU of around Rs 140–150.  

    To avail the offer through Paytm and Amazon Pay, the audience needs to buy an ALTBalaji subscription for Rs 100 or more. These offers can be availed only once, during the campaign validity. Once the whole amount is paid from Paytm wallet or UPI, cashback will be credited to the user's bank account linked to their Paytm UPI ID. For Amazon Pay users, it will be credited as Amazon Pay balance within three working days.

    ALTBalaji CEO and Balaji Telefilms group COO Nachiket Pantvaidya said, “Since the launch, our main focus has been on offering quality content which is also affordable. Available to stream at 0.80 paise per day today, we are one of the most affordable OTT platforms in the country. Our association with key payment gateways like Paytm and Amazon Pay is in sync with our objective of keeping our consumers at the very core and going deeper into the Hindi heartlands.”

    For the upcoming festive season, ALTBalaji has an exciting pipeline consisting of multiple shows. The festive month of November started with Mum Bhai, followed by Bicchoo Ka Khel and Dark7White. Coming up next are Paurashpur, LSD, Class of 2020 Season 2, Who’s Your Daddy Season 2, and Crashh, to name a few. Each of these new shows is high-octane dramas, which the audience can binge-watch through the festive season.

    With an extensive library of 68 Indian originals across genres that cater to all kinds of audiences, the shows at ALTBalaji are a mix of thriller, drama, romance, youth drama, horror, comedy, amongst others. Romantic dramas like Kehne Ko Humsafar Hain, Karrle Tu Bhi Mohabbat, It Happened in Calcutta, Baarish, Dil Hi To hai etc enjoy a growing fandom amongst women in the 25-45 years TG. While on the other hand, thrillers like Apharan, Fixxer, Boss, Ragini MMS, Code M are consumed by men in the 22- 45 age bracket. In addition to the above, shows such as Mentalhood, The Test Case, MOM: Mission Over Mars, Bose: Dead/ Alive, The Verdict – State v/s Nanavati are being consumed extensively by the urban audience across all age groups.

  • Zee5 partners with XroadMedia to ramp up personalised user experience

    Zee5 partners with XroadMedia to ramp up personalised user experience

    KOLKATA: Zee5 has onboarded XroadMedia to ramp up its hyper-personalised Video on Demand offerings and social media services. Through this partnership, Zee5 will put to use XroadMedia’s innovative back-end solution, Ncanto, to provide multiple content discovery, recommendations and personalisation use-cases to its users. XroadMedia is a leading specialist in building personalisation services and its expertise will also be deployed to scale up HiPi, Zee5’s new short-form-video platform.

    Since HiPi’s beta launch in August 2020, Zee5 has witnessed a massive 30 million new user installs along with 70 million existing Zee5 users upgrading to the short-form-video platform.

    Zee5 expansion projects business head and product head Rajneel Kumar said the platform had benchmarked XroadMedia’s solution for a few months and found adoption and click-through-rates on recommendations were significantly higher along with a substantial increase in average time spent by a user.

    “Zee5 has always believed in the power of great content and powerful technology coming together to offer the best experience to a viewer. We believe gone are the days of broadcast; even the current trend of viewing audiences in clusters and cohorts will soon give way to individual personalisation. And this is where XroadMedia comes in. XroadMedia’s cloud-based services have also provided us with a higher level of flexibility to serve personalisation use-cases and I’m confident this partnership will heighten our seamless content viewing experience, a feat we take great pride in and work tirelessly to maintain,” added Kumar.

    XroadMedia co-founder and CEO Adolf Proidl said the agency is working on several aspects to better streamline the OTT platform, from personalising entire screens in the user interface via creating and managing editorial services, to applying solutions across multiple content types and sources. “We are very pleased with this partnership, as the application of our solution shows how important personalisation is to ZEE5 and I am sure together we will push the boundaries of content discovery and personalisation even further in the future.”

    First launched in India in July, Ncanto provides dynamic personalisation of Zee5’s services based on interests and watching behaviour. Additionally, with the help of Piloto, XroadMedia’s advanced business and service management tool, Zee5 can provide an ever-changing user experience by closely following the user’s entertainment journey. XroadMedia’s cloud-based solution also encompasses a dynamic mix of statistical, editorial and user-based recommendations.

  • Film shoots resume in Madhya Pradesh under Covid2019 norms

    Film shoots resume in Madhya Pradesh under Covid2019 norms

    MUMBAI: Madhya Pradesh has become the first state to permit film production post the unlock. The state is taking all necessary measures to ensure shooting takes place safely. The government has come out with a set of standard operating guiding principles that need to be followed at film sets and by the crew at all places where filming takes place.

    Moreover, Madhya Pradesh is a predominantly Hindi speaking state, making it more viable and manageable for Bollywood movies. The availability of production facilities, line producers, artists, local crew etc, makes it much more economical to shoot in.

    Till now, more than 200 projects including feature films, TV serial/series, TVCs and reality shows have been shot in Madhya Pradesh, such as Stree, Sui-Dhaga, Kalank, Manikarnika, Luka Chhupi, Padman, Toilet ek Prem Katha, Bajirao Mastani, Paan Singh Tomar, Lion, C, Aarakshan, and Raajneeti, to name a few.

    Recently, actors like Anupam Kher and Bhumi Phednekar have wrapped up filming in Madhya Pradesh for their movies. And a few shoots with actor Vidya Balan are in the pipeline around the last week of November.

    Anupam Kher said, “It is picture wrap for our movie #TheLastShow!! What an amazing, creatively satisfying and courageous journey it has been. We will miss this time together. But I think we have created something, the memories of which will last us for a lifetime. ‘Thank you’ is a small expression to express our gratitude. But we couldn’t have created this gem without the help of #MPGovt, local authorities and people of #Bhopal. Especially @mptourism dept. Jai Ho to you all.  #Film #PassionAndPaseenaFilms.”    

    Madhya Pradesh Tourism department is liable to coordinate with the different concerned departments for shoot permission on behalf of filmmakers. The state is working on a Film Tourism Policy to simplify the process of securing permission for shoots.

    The vision of this policy is to make Madhya Pradesh a major filmmaking hub and generate a number of employment opportunities in the state.

    MP tourism provides the following facilities to producers/directors:

    •      Dedicated film facilitation cell shall work as a nodal agency to ease out the shooting permissions through single window clearance system.

    •      Authentic shooting locations

    •      Film friendly authorities and strong government support

    •      Easy permissions

    •      Modern infrastructure and omnipresent hotels

    •      Favourable law and order condition

    •      Cost-effective infrastructure, crew, local talent and other skilful workforce

    •      Hindi speaking people, food/cuisine flexibility and ideal climate

    Comfort of filming in MP:

    ·        A dedicated online film web portal shall be created to provide a single-point interface and time bound clearance mechanism for filmmakers intending to shoot in Madhya Pradesh.

    ·        All the applications shall be received through online mode by the film facilitation cell and action shall be taken in coordination with the concerned department for permission.

    ·        The portal shall also act as a platform for information dissemination related to film tourism policy and shall also act as a forum for the dissemination and the rules, regulations, also provide information on grants and other utility services.

  • ‘Den of pirates’: Why OTTs should tackle Telegram soon

    ‘Den of pirates’: Why OTTs should tackle Telegram soon

    KOLKATA: There is no dearth of OTT platforms in India, and which one is the most popular is a matter of debate. But what is very evident is Telegram’s overwhelming popularity as an alternative to providing free access to any new movies or shows launched on these platforms. The wide availability and easy access to pirated shows is making the messaging app more appealing day by day to a section of internet users. Even as OTT platforms burn mounds of cash to roll out premium content, such piracy could eat up a significant revenue going forward.

    Soaring popularity of Telegram

    Make a list of all recent popular shows or original movies that dropped on streaming services – Scam 1992, Mirzapur Season 2, Ludo, Naxalbari – and you’ll already find every single one of them on Telegram. Students who don’t earn yet but are keen to watch these programmes, thus, go the pocket-friendly way by downloading the Telegram app. And another section of users who have subscription to a few OTT platforms but don’t want to shell out money to watch just one show on a different, unsubscribed platform, use the app as well. Moreover, the simplicity in downloading content both in terms of mechanism, required time and data – unlike Torrent – has made it a den of pirates.

    “Telegram is a vast source of VOD content; many groups offer updated content of newly released movies and series, even with subtitles in different languages. We have seen certain titles appear on Telegram within a few hours of release. Pirates are increasingly using such groups as a way to easily share, exchange and sell this content without being exposed to malware prevalent on the dark web,” Synamedia chief intelligence manager-security Ted Rose said.

    During a webinar hosted in late October by Indiantelevision.com, SonyLIV technology head Manish Verma also acknowledged that Telegram is evolving as a potential threat. He added that it is very important for the platforms to stop piracy with content acquisition and content production costs increasing – be it for original content or live sports events.

    How pirates use the platform

    Synamedia’s Rose shared that streaming pirates are increasingly using Telegram groups as a way to distribute links to consumers. In fact, streaming of live events can be found on the messaging app as links that direct users to open internet streaming websites. The app can only share files that are stored on its cloud service or links to other sites.

    On the other hand, there are Telegram groups that share stolen M3U links to different subscription-based pirate IPTV networks. These links are updated daily and usually contain information on the content available on each pirate network. Rose went on to share that pirates have taken to Telegram, as well as the dark web, to share and sell OTT subscribers’ stolen credentials.

    “It is really a game of cat and mouse. If there are repeated claims of infringement, Telegram will shut down a group. Removal of a channel can be more difficult for a pirate to recover from, although some pirates can pre-empt this by notifying consumers in advance of backup channels they can use should the first group or channel be removed,” he added.

    Surge in piracy during Covid2019

    With a massive uptick in the use of streaming services during the pandemic, Telegram piracy has also seen a huge surge as well. As sporting events came to a halt in the wake of the crisis, pirates were scrambling for other ways to fill the revenue gap. As a result, OTT providers with premium VOD content and originals emerged as hot targets at that time.

    According to data shared by Markscan, a firm that provides digital IP protection to entertainment companies, piracy on telegram skyrocketed by 1092 per cent, or about 11 times, during lockdown.

    How can the law help?

    Although there are anti-piracy laws in India, it is tough to track the breach happening on Telegram due to encryption. Moreover, it becomes more difficult to take legal steps as the platform itself is legitimate despite the fact that there is pirated content available, according to Kaushik Moitra, partner at Bharucha and Partners.

    Moitra explained that Telegram is not under liability to take pirated content off until someone files a complaint. Hence, it is not possible for Indian law enforcement to actively track the infringement. He noted that the onus is on individual OTT platforms to track whether or not any illegitimate link is being circulated on the messaging app so the latter can take it down immediately. However, he mentioned that Telegram will be put on notice if the OTT platforms opt for John Doe order for pre-infringement injunction.

  • Lens of regulation is more important: Uday Shankar on OTT platforms

    Lens of regulation is more important: Uday Shankar on OTT platforms

    KOLKATA: ‘Will OTT platforms be put on leash?’ is the question being discussed and debated lately, especially after being brought under the ambit of the ministry of information and broadcasting (MIB). It is very much evident that the industry will have some regulatory framework sooner or later but what matters is the regulatory lens, as Star & Disney India president Uday Shankar said at the HT Leadership Summit 2020.

    “More than anything else, it is an official decision. I don’t really think it matters. What is important is what will be the lens of regulation. Do we really want to be over-prescriptive or do we want creativity and imagination to have a role in this?" Shankar commented on the matter of government monitoring OTT content.

    According to him, the country and consumers have always been way ahead of where the government and regulators believe they are. They are far more open and mature but regulators assume that a huge filter needs to be applied before they consume content.

    However, he cautioned that global streaming services must not be insensitive to India’s diversity and culture by offering content simply tailored to grab eyeballs. “I’m not a fan of censorship, I don’t believe in it…the kind of gratuitous content, the amount of sex, abusive language or violence, even though it is part of all our lives…a lot of the times it is just done to pander to attention," he said.

    In light of the recent controversies and calls for boycott of certain OTT platforms over shows that purportedly wounded religious sentiments, Shankar averred that foreign players need to take some responsibility for the content they put out, because in the end, India is a sensitive country.

    “We should not take the freedom for granted. I think this is what happens when the global services come into the country and disregard everything. They believe that what works in one country can work in every country. This is the backlash,” he noted.