Tag: OTT

  • Sony acquires Crunchyroll from WarnerMedia’s AT&T

    Sony acquires Crunchyroll from WarnerMedia’s AT&T

    NEW DELHI: WarnerMedia’s AT&T has agreed to sell Crunchyroll to Sony in a deal worth $1.175 billion.

    Crunchyroll is an anime direct-to-consumer service within AT&T’s WarnerMedia segment with three million plus SVoD subscribers. It currently serves 90 million registered users across more than 200 countries and territories offering AVoD, mobile games, manga, events merchandise and distribution.

    Funimation is a joint venture between Sony Pictures Entertainment and Sony Music Entertainment (Japan) subsidiary, Aniplex.

    “The Crunchyroll team has done an extraordinary job of not only growing the Crunchyroll brand but also building a passionate community of anime fans. Crunchyroll’s success is a direct result of the company’s culture and commitment to their fans,” WarnerMedia CRO Tony Goncalves said. “By combining with Funimation, they will continue to nurture a global community and bring more anime to more people. I’m incredibly proud of the Crunchyroll team and what they have been able to accomplish in the digital media space in such a short period of time. They’ve created an end-to-end global ecosystem for this incredible art form.”

    “We are proud to bring Crunchyroll into the Sony family,” Sony Pictures Entertainment chairman and CEO Tony Vinciquerra said. “Through Funimation and our terrific partners at Aniplex and Sony Music Entertainment Japan, we have a deep understanding of this global art form and are well-positioned to deliver outstanding content to audiences around the world. Together with Crunchyroll, we will create the best possible experience for fans and greater opportunity for creators, producers and publishers in Japan and elsewhere. Funimation has been doing this for over 25 years and we look forward to continuing to leverage the power of creativity and technology to succeed in this rapidly growing segment of entertainment.”

  • Disney+Hotstar crosses 26 mn subs, makes up 30% of Disney’s global base

    Disney+Hotstar crosses 26 mn subs, makes up 30% of Disney’s global base

    New Delhi: The Walt Disney Company conducted its annual Investor 2020 day where it shed light on the current properties and the future plans associated with them. Several executives – including media & entertainment distribution chirman Kareem Daniel, Disney+ and ESPN+  president Michale Paull,  international operations and D2C chairman Rebecca Campbell, Hulu president Kelly Campbell, ESPN and sports content chairman Jimmy Pitaro, Walt Disney Television entertainment chairman Dana Walden, FX chairman John Landgraf, Lucasfilm president Kathleen Kennedy, National Geographic content president Courteney Monroe, Walt Disney Studios Motion Pictures Productions president Sean Bailey, Walt Disney Animation Studios chief creatie officer Jennifer Lee, Pixar chief creative officer Pete Docter, Marvel Sutidos president and Marvel chief creative officer Kevin Feige, executive chairman &  chairman of the board  Bob Iger, senior executive vice president & chief financial officer Christine McCarthy – spoke at length about their progress of their charges and the milestones they have set for them globally and in the US. 

    McCarthy shared that Disney+ Hotstar subscribers accounted for 30 per cent of Disney+'s 86.8 million subscriber base as of December 2, 2020. This accounts for nearly 26 million sign ups for the OTT platform in India. One of the primary drivers for this has been its partnership with Jio. 

    This accounts for nearly 7.5 million increase in the subscriber in the last two months, as the last reported numbers on the Hotstar’s subscriber base were 18.5 million in September 2020.

    Indian Premier League has clearly played a strong role in increasing this subscriber base.

    Disney+Hotstar is currently offered in seven languages and has over 17,000 hours of original local programming. It also plans to expand Disney+ Hotstar to more markets. The service is currently available in India and Indonesia.

    “With a rapidly growing middle class, India is a promising market opportunity and we are uniquely positioned to succeed in the country due to our existing presence with Star TV and Hotstar,” added Campbell.

    McCarthy further mentioned that Disney+ Hotstar is expected to contribute 30-40 per cent of its projected paid subscriber base of 230-260 million by 2024. It also expects to become profitable in the same year.

    Disney+ has added over 16 million subscribers to it already existing 73.7 million global subscriber base pool (reported in the last earnings call).

    The overall portfolio of the organisation including Hulu, ESPN+ and Disney+ includes over 137 million plus paid subscribers. This includes – Hulu (38.8 million), ESPN+ (11.5 million) and Disney + (86.8 million). The company shared its expectations to hit 300 – 350 million subscriber base by 2024.

    The executives  further announced that the company  will include its general entertainment content brand Star on Disney+ in a few international markets. It will be launched in Latin America in June 20201 while in Europe, Canada, Australia-New Zealand, and Singapore the date has been set as  February 2021. Star has a huge library of television shows and movies and thousands of hours of local programming content including content from multiple sources – Disney Television Studios, FX, 20th Century Studios, 20th Television, and others. The cost for service in ANZ, Europe, Canada and Singapore will be at 8.99 euros.

    The company also revealed its original content slate over the next few years. Disney+ plans to release approximately 10 Star Wars series and 10 Marvel series, as well as 15 Disney live-action, Disney Animation, and Pixar series, as well as 15 Disney live-action, Disney Animation, and Pixar features.

  • Netflix India shares what worked for the platform in 2020

    Netflix India shares what worked for the platform in 2020

    NEW DELHI: Since its launch in 2016, Netflix has been making substantial inroads in India. Initially, despite having a massive content library, it would still lose out to rival streaming services because of its pricier subscription plans. With the twin aims of retaining users after the one-month free trial and widening its subscriber base, Netflix last year introduced its mobile membership plan, priced at only Rs 199 per month.

    In its last earnings call, the CEO of the streaming platform  stated that India is a priority market for them. It has been working tirelessly to attract Indian audiences to sample the platform. A week ago, Netflix held StreamFest, where it offered free access to its content across the country with the objective to create buzz and get newer audiences.

    The streaming platform also has an extremely active social media platform that continuously keeps the audiences engaged with its witty and funny tweets, YouTube community posts and collaborations with influential Indian vloggers and content creators.

    In a recent blogpost, Netflix India VP content Monika Shergill shared some insights into ‘What India Watched in 2020.'

    She began with stating that India has the highest viewership of films on the platform globally. “It’s no surprise that we love films in India. India has the highest viewing of films on Netflix globally and over the last year, 80 per cent of our members in India chose to watch a film every week.”

    While Extraction, Malang and The Old Guard were the most popular action films, Raat Akeli Hai was the thriller that kept audiences on the edge of their seats.

    “Ludo was the most popular comedy film. Ala Vaikunthapurramuloo (Telugu), Kannum Kannum Kollaiyadithaal (Tamil), Kappela (Malayalam)and Uma Maheswara Ugra Roopasya (Telugu) are among many other films that featured in India’s Top 10 row,” she added.

    There is no doubt that OTT platforms have created a level playing field for the new talent in the industry. Netflix’s original shows and movies include top actors and fresh blood.  

    Shergill shone the light on strong female leads that viewers admired. “We gravitated towards stories with strong female characters across genres and formats. The inspiring story, Gunjan Saxena: The Kargil Girl, was the most popular drama film in 2020. The other popular films and series in India this year included Guilty, Masaba Masaba, Bulbbul, She, Miss India, Never Have I Ever and Emily in Paris,” she wrote.

    “Talented new actors became the face of clever scammers in Jamtara: Sabka Number Aayega. This thriller became the Indian title to feature the longest on the Top 10 row in India. And we saw one of our favourite actors return as Ayyan Mani in Serious Men, one of the most popular drama films this year. Confused because your fan loyalties may be shifting? Well, you are not alone,” added Shergill. 

    Shergill went on to note that the viewing for non-fiction series on Netflix in India grew more than 250 per cent in 2020 over 2019.

    “The most popular non-fiction shows that got us hooked were Too Hot to Handle, Indian Matchmaking and the recently released Fabulous Lives of Bollywood Wives. Documentary viewing also grew more than 100 per cent in 2020 over 2019, and Bad Boy Billionaires, The Social Dilemma and Money Heist: The Phenomenon were the most popular documentaries on Netflix in India this year,” read the blog by Shergill.

    As they say, all we need is love. Shergill mentioned that Love Aaj Kal, Ginny Weds Sunny and Mismatched were some of the most popular romantic films and series that made us swoon this year. “In 2020, the viewing for romantic stories on Netflix in India increased by roughly 250 per cent compared to 2019,” added Shergill.

    In the kids genre, she wrote that the viewing of kids titles increased more than 100 per cent in India in 2020 over 2019.

    “The kids adored traveling to outer space with Over The Moon, which was the most popular kids’ title on Netflix in India in 2020. The kids also loved to discover the meaning of a family with The Willoughbys and Boss Baby: Back in Business (S4) and grooved with Feel the Beat. Special mention to the lovable Mighty Little Bheem (S3) that featured in the top 10 lists in the most number of countries globally,” she stated. 

    Great stories can come from anywhere. Indian audiences also keenly watched a lot of international content across languages. “This year, we explored stories from around the world, making the best use of subtitles and dubs. The German series Dark made our world go forward and back and then back and forward and then some, and the Spanish series Money Heist, made us wish that we were in the bank when Tokyo, Berlin, the Professor and many others took over. Dark was on the top 10 row in India for 95 days and Money Heist featured on our top 10 row for 170 days. The Turkish series The Protector is among the most popular titles in the fantasy genre this year and was also the non-Indian, non-English title that was viewed the most with subtitles and/or dubs. Pokémon: Mewtwo Strikes Back-EvolutionBlood of Zeus and One-Punch Man (S2) were the most popular anime titles in India this year.” 

    Interestingly, the viewing for K-dramas on Netflix in India increased more than 370 per cent in 2020 over 2019, shared Shergill. Some of the most popular K-titles in India included The King: Eternal MonarchKingdom (S2)It’s Okay to Not Be Okay and Start-up.

    The platform is growing massively in India and is teaming up with multiple partners to bundle its offerings. It is working to make  payment processing easier and seamless. Overall, the company added 2.2 million subscribers worldwide in the quarter ended 30 September.

  • Amazon Prime Video’s Unpaused is about new beginnings

    Amazon Prime Video’s Unpaused is about new beginnings

    MUMBAI: The trailer of Amazon Prime Video’s Hindi anthology Unpaused is out. The movie, featuring five short films directed by some of the most talented filmmakers in the Indian film industry, aims to show the importance of moving on and finding new beginnings when things look dim. Unpaused will drop on the streaming platform on 18 December in over 200 countries and territories. 

    The trailer gives viewers a glimpse of the five stories encapsulated in the movie: 

    I.  The Apartment, directed by Nikkhil Advani (D-Day) and starring Richa Chadha (Inside Edge), Sumeet Vyas (Wakaalat From Home), Ishwak Singh (Paatal Lok)

    II. Rat – A – Tat featuring Rinku Rajguru (Sairat), directed by Tannishtha Chatterjee (Parched)

    III. Chaand Mubarak directed by Nitya Mehra (Made in Heaven) starring Ratna Pathak Shah (Thappad) and Shardul Bhardwaj (Bhonsle)

    IV. Sample House directed by Avinash Arun (Paatal Lok) starring Abhishek Banerjee (Paatal Lok) and Geetika Vidya Ohlyan (Thappad)

    V. Glitch directed by Raj & DK (The Family Man) starring Gulshan Deviah (Afsos), SaiyamiKher (Breathe: Into the Shadows)

    “The union of such creative forces during these unprecedented times is testament to the fact that creativity cannot be capped,” said Amazon Prime Video head of India Originals Aparna Purohit. She added, “These turbulent times call for faith and assurance in the power of new beginnings. It is our endeavour to consistently bring unique stories and newer formats on the service through our Originals offering; and we are delighted to offer a fresh format with Unpaused.” 

    The anthology follows the successful launch of Putham Pudhu Kaalai, the Tamil five-film anthology, as well as the releases of several widely-acclaimed Hindi films like Chhalaang, Shankuntala Devi and Gulabo Sitabo, along with Amazon Original series Bandish Bandits, Paatal Lok, Breathe: Into The Shadows, and Mirzapur 2, among others. 

    Unpaused was shot in compliance with government rules and regulations issued in the state of Maharashtra for filming during the Unlock phase. 

    "We are excited to extend our successful association with Amazon Prime Video and explore a new genre together,” said Raj and DK. “Creating The Family Man was a liberating experience for us as content creators, and the assurance of thinking unconstrained has only encouraged us to extend our collaboration through Glitch. We are certain viewers will enjoy the film as much as we enjoyed making it.” 

    “We went far down the roads of ingenuity and resourcefulness to come up with an exciting visual experience like The Apartment,” director Nikkhil Advani said. “With the cast and crew working towards a common goal, and having to think outside the box to bring this creation to life, this production experience has been a novelty. The intent is to showcase the optimism new beginnings carry, and we are happy to be able to take this story to a global audience.”

  • Online video to take lion’s share of video biz revenue in the Gulf by 2025: MPA

    Online video to take lion’s share of video biz revenue in the Gulf by 2025: MPA

    KOLKATA: As more people shift to alternative entertainment options, online video business is going to surpass pay-TV in next five-ten years worldwide. A report by Media Partners Asia (MPA) has projected that online video will account for the lion’s share of total video industry revenue by 2025, with both pay-TV and free TV in six Gulf Cooperation Council (GCC) countries. Within the region, the Kingdom of Saudi Arabia (KSA), and the United Arab Emirates (UAE) will continue to contribute over 70 per cent pay-TV and online video revenues in aggregate by 2025.

    According to MPA, the GCC video industry – comprising free TV, pay-TV and online video – will generate revenues of $1.6 billion in 2020, representing a 13 per cent year-on-year contraction with deep declines in TV advertising and subscription, only partially offset by the significant growth of online video. Covid2019 related macro issues have exacerbated headwinds across the TV sector. A rebound is expected in 2022 but the TV industry will face difficulties in the long term. Overall, GCC video industry revenues are forecast by MPA to increase to $2 billion by 2025, a CAGR of 5 per cent from 2020.

    MPA vice president Aravind Venugopal said: “The GCC’s vibrant and highly competitive video ecosystem has seen some significant changes in the past few years. Online video services continue to grow, driven by: low-cost pricing; telco partnerships, including hard bundles; and the availability of premium local and global content online, including increased investment into exclusive originals.”

    Even with telco partnerships, which help to broaden the customer funnel, the longer-term success of OTT platforms will rest on their ability to retain customers, manage subscriber acquisition costs (SAC) and increase lifetime value (LTV).

    “Over the next five years, the focus will move to the acquisition of high LTV subscribers via D2C. Market consolidation is also likely as the GCC region will be unable to support 15+ platforms with many competing in the same customer segments. New entrants into the market such as Disney+ Hotstar and HBO Max, could provide further impetus to industry growth, competitive intensity and consolidation,” he added.

    Venugopal also noted that the slow pace of innovation by pay-TV operators combined with high prices of subscription based video services, and the proliferation of broadband have contributed to the decline of pay-TV. IPTV has maintained subscriber growth, driven primarily by hard bundled triple-play services. However, as telcos re-examine their cost structures and investments in content and platforms, there remains an impending threat of the breaking of the hard bundle, which could further endanger pay-TV, he surmised.

    The report further states that within the GCC online video sector, three business models have emerged in recent years: freemium operators, led by MBC-owned Shahid, PCCW-owned Viu and Zee’s Weyyak; SVoD operators, led by Netflix, Amazon Prime Video, STARZPLAY, Jawwy TV, Watch iT and OSN Streaming; and AVoD operators, including YouTube and TikTok.

    Given the diverse demographics and large expat population in the region, several services targeted at specific language/ethnic groups have also launched in recent years. These include the Indian and South Asian segment, which are key audiences for Zee5, SonyLIV, Eros Now and YuppTV. As platforms seek to further expand their customer base and drive consumption, investment in Arabic originals has become a key battleground. While the Covid2019 pandemic and the economic-political crises in the region have impacted production activities, MPA has forecast that productions will return to normalcy by Q1 2021 as economies recover.

    In the telecoms sector, fixed broadband has been relatively insulated from economic woes given its utility-status in UAE and low penetration in KSA. However, mobile services, particularly prepaid, have experienced subscriber declines. The UAE and Qatar leads the region, both in terms of fibre connectivity and penetration with over 90 per cent of homes having access to fixed wired services via fibre. From a mobile perspective, the GCC is well connected, with a highly competitive environment (ex-UAE) keeping retail prices relatively affordable. Data consumption remains fairly high, driven primarily by video services. There remains further scope for growth, especially in markets with low fixed broadband penetration.

  • In with the new: Zee5 Global to end 2020 with a bang

    In with the new: Zee5 Global to end 2020 with a bang

    KOLKATA: Zee5 Global has lined up a fresh slate of originals to wind up 2020 with a bang. The OTT platform is ending the year with the robust content flow it has maintained throughout the year.

    Darbaan premiering on 4 December is inspired by a Rabindranath Tagore short story on love, loyalty and sacrifice. This Zee5 original film features Sharib Hashmi and Sharad Kelkar in lead roles.

    Lined up for release in the second half of the month is a remake of popular Nordic television series Black Widows, with an ensemble star cast that includes Mona Singh, Raima Sen, Swastika Mukherjee, Shamita Shetty, Sharad Kelkar, Parambrata Chattopadhyay, and Aamir Ali. Bisra Dasgupta has directed this highly-anticipated story of three oppressed women taking the bull by the horns to put an end to domestic violence. Black Widows premieres on 18 December exclusively on Zee5.

    Also lined up for release on 18 December is the world digital premiere of the Bangla movie Password. And on 29 December, Milind Soman and Shaheer Sheikh are set to share the screen in a magnum opus period drama Paurashpur, a Zee5-Alt Balaji collaboration.

    Apart from these, marking its second anniversary, Zee Keralam will be streaming two new serials – Kaiyethum Doorath that premiered on 30 November, and Manam Pole Mangalyam set to release on 21 December.

    Other new TV shows available on Zee5 are the much-awaited Zee Bangla show Aparajita Apu, which debuted on 30 November, Zee Tamil show Thirumati Hitler launching on 14 December, and Zee Punjabi fiction show Maava Thandiyan Chavan, releasing on 15 December.

    The streaming platform will also premiere Zee TV’s latest daily soap Kyun Rishton Mein Katti Batti, the story of a married couple who begin to have differences in their relationship, on 14 December, featuring new episodes every day.

    Among its year ender specials, Zee5 will air the popular Zee Rishtey Awards 2020 on 27 December. The streaming platform is also hosting a Global Content Festival through December, inviting entries for feature films, documentaries and shorts from independent film makers across the world, giving them a chance to showcase their content on Zee5.

  • ShortsTV to showcase women-centric docuseries ‘Five’

    ShortsTV to showcase women-centric docuseries ‘Five’

    MUMBAI: ShortsTV, which recently became the exclusive presenter of the Academy Award-nominated short film theatrical releases, has signed a one-year exclusive distribution deal with Mastercard for Five, a collection of documentary short films from women directors about the perseverance and passion of women entrepreneurs.

    Through the partnership, ShortsTV’s aims to spotlight short-form filmmakers and diverse perspectives in association with Mastercard’s commitment to gender balance and supporting small business. The five highlighted films will be featured on ShortsTV’s linear broadcast channels such as Tata Sky ShortsTV, Airtel Shorts TV and ShortsTV Active on Dish TV and d2h in March 2021 to mark International Women’s Day.

    This five documentary film series has been commissioned by Mastercard and includes Harfa, Justice Of The Pies, Onganic Foods, Sarah’s Bag and Talento Incluir. They follow the journey of five women from five countries across the globe who have each set out to start a purpose-driven business to improve and uplift their communities. Earlier this year, Mastercard expanded its commitment to financial inclusion with a pledge to bring one billion into the digital economy by 2025, including a focus on providing 25 million women entrepreneurs with solutions that can help them grow their businesses. Spotlighting these five stories will bring further awareness to some of the world’s most critical issues challenging inclusion.

    “We are thrilled to be joining Mastercard in highlighting five great films about five great women from around the world who have overcome significant challenges to create thriving, community-enhancing businesses,” said ShortsTV founder & CEO Carter Pilcher. “Each one of these uplifting stories speaks to the triumph of an indomitable human spirit, the subtle power of women heroes, and the ability of visual storytelling in film to inspire us daily.”

    Five is also a part of Mastercard’s gender balance commitment to design a better world for women by cultivating opportunities, resources and communities that give women the tools they need to grow their businesses.

    “Film is a powerful medium, inspiring and educating people through human stories and personal connections. It’s a natural way to drive awareness and empathy for the critical issues women entrepreneurs face every day and we’re honoured to give these five women a platform to share their experiences,” said Mastercard chief marketing and communications officer Raja Rajamannar. “Working with such an innovative partner, ShortsTV, gives our Five documentary series the ability to connect with people all over the world, sharing meaningful messages of resilience, perseverance, community and comradery.”

    Harfa, directed by Elle Mische

    Learning is a lifelong pursuit, often brimming with a wealth of books and experts on every topic imaginable. But when Irena Orlovic went searching for ways to help teach her young daughter with a developmental disability, she discovered only empty bookshelves in her native language. What began as an educational journey of her own led her to start Harfa, a publishing house founded with an entrepreneurial spirit and a desire to help teach an entire country.

    Justice Of The Pies, directed by Michelle Marrion

    Basil key lime, blue cheese praline pear, lavender lemon—mouth-watering pies by chef Maya-Camille Broussard delight all five senses. Created to honour her father’s legacy as a Chicago criminal defence attorney who could never say no to a good pastry, Justice of the Pies serves not only the most inventive pies in town but also the city’s future talent, by teaching skills like nutrition and budgeting to kids from underserved communities while they bake their first delicious pie.

    Onganic Foods, directed By Lisa Madison

    After starting her own garden, journalist Ekta Jaju uncovered that modern farming practices were causing profound health effects on small farmers in her district. Curious and community-minded, Ekta began educating hundreds of farmers about the dangers of pesticides and showing them a better way through organic farming. Her mission quickly blossomed into a thriving business based on sustainable agriculture. Onganic Foods is living proof that one small seed of change can transform a countryside.

    Sarah’s Bag, directed by Nadia Naffa

    Sarah’s Bag follows the story of solicitous entrepreneur Sarah Beydoun. While working on her thesis in Sociology, Sarah’s eyes were opened to the struggles of women who had been left behind – enduring imprisonment, abuse, and prostitution. Feeling compelled to help, Sarah found local resources and damaged materials to make handbags, while using employment to give the women their dignity back and a means to support their families. Sarah’s Bag takes you inside the lives of those given a second chance.

    On 4 August 2020, an explosion occurred that severely damaged Beirut. The horrific blast was the scale of a nuclear explosion — the size of the blast being estimated as that equivalent of 200 to 300 tons of explosives. The impact killed more than 200 people, injured more than 7,000 and left up to 300,000 survivors without their homes. The blast ripped through Sarah's business of 20 years.  The roof collapsed on Sarah but she survived. She is working to rebuild her physical and online store, both domestic and internationally.

    Talento Incluir, directed by Renata Sette

    In a split second, life changed for Carolina Ignarra. Following a harrowing accident, she would need to traverse the crowded streets of São Paulo, Brazil, in a wheelchair forever. She quickly discovered the biggest challenge she was about to face wouldn’t be her own disability, but systemic workplace discrimination for the broader Sao Paulo disabled population. Driven to educate managers on the meaning and value of inclusivity, Carolina started Talento Incluir to help promote new pathways for employers to value, hire and redefine what it means to be top talent.

  • StreamFest is here for Indians to ‘Netflix & Chill’

    StreamFest is here for Indians to ‘Netflix & Chill’

    KOLKATA: The much-hyped Netflix StreamFest is finally here. The global streaming giant is offering Indian users free access to its vast content portfolio during this weekend (5-6 December).

    "At Netflix, we want to bring the most amazing stories from across the world to all fans of entertainment in India. It's why we're hosting StreamFest: an entire weekend (5 December 12.01am – 6 December 11.59pm) — of free Netflix," Netflix India vice president (content) Monika Shergill said in a blogpost.

    Non-subscribers to Netflix can sign up with their name, email or phone number, and password and start streaming without any payment. However, those who sign up for StreamFest will get access to only one stream in standard definition. This has been done to ensure everyone who comes in gets the best experience.

    "So, during StreamFest, if you see a message saying ‘StreamFest is at capacity’, don't worry. We'll let you know as soon as you can start streaming," Shergill noted.

    Netflix has been promoting StreamFest aggressively through television and its social media platforms for over a month. It has released ad films featuring Anil Kapoor, Yami Gautam, and Nawazuddin Siddiqui. A recent promotional video featuring prominent content creators including Tanmay Bhat, YouTuber Ashish Chanchalani, former FilterCopy actors Ahsaas Channa and Aisha Ahmed, and vlogger Kusha Kapila was released on social platforms.

    “That’s right, it’s time to cancel your plans and settle in to watch Netflix. We don’t need any payment details – just your love and undivided attention,” the streaming service said on its website.

    “We think that giving everyone in a country access to Netflix for free for a weekend could be a great idea to expose a bunch of new people to the amazing stories we have and hopefully get a bunch of them to sign up. We will try that in India and we will see how that goes,” Netflix COO and chief products officer Greg Peters said earlier in an earnings call.

    Elara Capital VP research analyst (media) Karan Taurani said this is a good marketing strategy and a mode of substitution to the monthly free trial which Netflix used to offer earlier. According to him, Netflix has to get new subscribers at the end of the day through some kind of free trial. He added that two days is ample for users to sample a good amount of content. Taurani noted that the streaming giant has to keep rolling out such attractive promotion plans to increase its subscriber base.

  • Wife wishes for ‘upgraded’ husband in MX Player’s exclusive Marathi series

    Wife wishes for ‘upgraded’ husband in MX Player’s exclusive Marathi series

    NEW DELHIA: MX Player is now streaming yet another exclusive Marathi web series titled Baykola Hava Tari Kay (What a Wife Wants). The comedy web series includes actors like Shreya Budge, Aniket Vishwasrao, Nikhil Ratnaparkhi, and others. The series is an MX Exclusive and Mirchi Play original.

    This six part series is directed by Priyadarshan Jadhav and produced by Dakhkhan Studio.

     The core theme of the show is that every wife feels that God hasn't blessed her husband with the best qualities. She finds these features in various other men around her. They want their husband to be the best and in this quest a lot of unplanned things happen, which forms a part of the storyline. 

    Shreya, an ordinary wife of an ordinary man, manages to please Lord Krishna (played by Nikhil Ratnaparkhi) with her devotion and in exchange asks the Lord to bless her husband (played by Aniket Vishwasrao) with the best of features. Krishna agrees to upgrade her husband to a version that she finds is best for her. Shreya asks Lord Krishna to upgrade her husband multiple times after experiencing the personal life that comes with each of them. Fed up with Shreyaʼs non-stop demands, Lord is left wondering – what does the wife want? 

    It is expected to be an entertaining package for the audiences and is available for free viewing.  

    MX Player is creating a strong library of shows including Ashram 1&2, High, Dangerous, Behad ka Baaghi, Bhaukaal, Rakhtanchal, and many others. The OTT platform is getting good traction from viewers and has witnessed a massive increase in time spent and visits.

  • Discovery+ introduces India-special original shows

    Discovery+ introduces India-special original shows

    KOLKATA: Launched earlier this year, Discovery+ is all set to up the ante by foraying into original programming for the India market.

    With an eye on audience demand, Discovery+ has planned a slew of original shows starting from 9 December, which includes Mission Frontline, featuring movie star Rana Daggubati; Ladakh Warriors: The Sons of the Soil, narrated in Hindi by actor Randeep Hooda; and Secrets of Sinauli: Discovery of the Century, which will be presented by acclaimed Indian Film director Neeraj Pandey along with National Award-winning actor Manoj Bajpayee as the host.

    A new original content slate

    Since debuting in the Indian OTT space in March 2020, Discovery+ has added over 600 marquee shows across 60 different sub-genres including survival, sports, biopics, mystery, lifestyle, nature, science, military, crime, investigation, adventure, food, travel, to name just a few.

    Within the first half of 2021, Discovery+ will have the largest-ever content offering in the real-life entertainment and learning space with a wide range of more than 200 new and exclusive (local and global) titles to further strengthen its content offerings. Along with India produced originals, Discovery+ will also be launching other Indian titles including shows such as Amma & Appa, The Indian Dream Hotel, The Ganges with Sue Perkins, Aerial India as well as exclusive premieres like A Perfect Planet featuring Sir David Attenborough, The End of The Storm, The Impossible Row and the latest seasons of Top Gear and Gold Rush among many more.

    ‘For those who want to be entertained & informed’

    Discovery South Asia MD Megha Tata said, “We’re only a few months old but Discovery+ has exceeded our expectations of user adoption. The traction that the product has seen demonstrates the immense appetite Indian consumers have for real-life entertainment and learning space. With Discovery+, we are seizing a global opportunity with a single aggregated product. No other media company is better positioned to do this.”

    Discovery APAC direct-to-consumer head Issac John added that the platform’s Indian originals have been specially produced for heartland audiences who love real-life entertainment and learning. “These shows reflect the particular needs of our consumers – who seek to be both entertained and informed. They will provide our viewers unprecedented access to real-life stories that have never been told before. We’re delighted to launch Discovery+ Originals with such a varied and differentiated slate of shows.”

    New features on the app

    Furthermore, subscribers of the app will also be able to relish 12 live feeds from the Discovery bouquet from varied genres and channels including Dkids, HGTV, Eurosport India HD, Food Network HD, Travel Channel HD, DMAX HD along with Discovery HD, Animal Planet HD, TLC HD, Investigation Discovery HD, Discovery Science and Discovery Turbo, starting 15 December.

    To commemorate the global launch of Discovery+, the India-based app is also rebranding itself, unveiling a brand-new logo keeping in line with the global rollout of the offering across 25 international markets.