Tag: OTT

  • Vi kicks off online gaming tournament for IPL 2021 viewers

    Vi kicks off online gaming tournament for IPL 2021 viewers

    KOLKATA: With India Premier League (IPL) kicking in, the tournament’s associate media sponsor Vi has rolled out an engaging initiative based on the popular game concept Play Along’ i.e. play while you watch the live T20 league. One can play solo or with friends every day during the upcoming matches spread over 52 days, and add some fun and excitement with loads of rewards. Vi is offering its customers an opportunity to participate in the Vi Dekho bhi, Khelo bhi, Jeeto bhi online gaming initiative and win daily prizes as well as a bumper tournament prize, from 9 April to 30 May 2021.

    This announcement comes close on the heels of Vi’s partnership with Disney+ Hotstar, giving the telecom operator’s customers the opportunity to watch the IPL T20 games live from their mobile phones, from anywhere.  

    All Vi customers (pre-paid and postpaid) can register and play the game. It will need one time registration from the Vi App home page. There will be four stages for each game, pre-match, play along, strategic time-out, and power play. There will be daily challenges based on the day’s match. Each participant can earn booster points by inviting friends or recharge / bill payment through the Vi app. There are daily prizes for top scorers of the match, bumper prizes for top scorers of the tournament and mega prizes basis draw of lots for those who have scored a certain minimum points.

    As a separate initiative, Vi has invited customers to play the ‘Vi Fan of the Match’ contest during match breaks and win exciting rewards, including iPhones. ‘Vi Fan of the Match’ can be played on the telco’s official Facebook and Instagram page, and on Twitter during every match break. Participants will have to answer simple questions pertaining to the live match being played. There will be a total of 20 questions for each match. The gifts on offer for those giving the maximum correct answers:

    o   Surprise Vouchers on every ad break.

    o   iPhones to be won at the end of every match – 60 matches, 60 winners, 60 iPhones.

    o   Bumper prize at the end of the season.

    Additionally, the names and photos of each daily winner will be put up on Vi’s social media pages.

  • Telugu OTT Aha fosters female entrepreneurs with ‘Women In Focus’ initiative

    Telugu OTT Aha fosters female entrepreneurs with ‘Women In Focus’ initiative

    KOLKATA: Taking a leaf out of their upcoming women-centric original web series 11th Hour, Telugu OTT platform Aha has partnered with We Hub – India’s first state-led incubator for women entrepreneurs backed by the government in Telangana – to kickstart aha X We Hub: Women In Focus initiative that aims to promote and foster women entrepreneurship by setting up a revolving fund.

    This fund will give aspiring young women entrepreneurs a chance to have their ideas heard and an opportunity to build their very own successful and sustainable businesses. The first recipient of the inaugural financial aid through this initiative is Sortizy, a holistic one stop solution for kitchen management founded by Surbhi Guha and Sagthi Prakash.

    Launching the initiative with their latest original, both the organisations will extend the collaboration for upcoming aha originals as well.

    Through 11th Hour, starring prominent actress Tamannaah Bhatia in her digital debut, Aha will be showcasing the story of a dynamic CEO, Aratrika Reddy. The show will follow Aratrika’s journey as she fights tooth and nail to save her company from an impending financial ruin overnight.

    The show, inspired by Upendra Namburi’s book 8 Hours, is already making waves on social media platforms with its trailer. It is produced and written by Pradeep Uppalapati under Introupe Films banner and is directed by Praveen Sattaru. The cast includes actors such as Arun Adith, Vamsi Krishna, Roshni Prakash, Priya Banerjee, Abhijeeth Poondla, Shatru, Madhusudhan Rao, Jayaprakash, Pavithra Lokesh, Srikanth Iyengar, and Anirudh Balaji.

    Aha promoter Meghana Rao Jupally said, “Out with the old and in with new is what this partnership between aha and We Hub signifies. Through the aha X We Hub: Women In Focus initiative, we will be able change the light in which society sees women entrepreneurs and give these young women the platform to succeed in their own merit. With the same thought in mind, at aha we want to continue to tell stories that inspire young women and our future slate will be a testimony to that.”

    We Hub CEO Deepthi Ravula said, “The social conditioning of our society has always led many to believe that women cannot be good at business. However, that is far from the reality. Even today where we have various women at top positions of global conglomerates, many young aspiring women entrepreneurs are facing a tough time in getting funding for their idea. To overcome such obstacles, We Hub, India’s first state led incubator for women was conceptualised by the government of Telangana in 2018. To provide a conducive ecosystem we partner with like-minded and leading industry players such as aha to provide financial aids to the brilliant women entrepreneurs. We are excited to have formed this association with Aha and look forward to building a new start-up ecosystem for women entrepreneurs.”

  • Shreyas Talpade’s new OTT platform Nine Rãsã is here

    Shreyas Talpade’s new OTT platform Nine Rãsã is here

    KOLKATA: Another OTT platform enters the booming ecosystem with actor-producer Shreyas Talpade’s video streaming service Nine Rãsã. The new streamer stands out on the back of its content dedicated to different performing arts and theatre.

    Nine Rãsã offers content in multiple variations including plays, skits, storytelling, stand-up across genres. The platform is available in multiple languages, including Hindi, Marathi, Gujarati and English, and plans to regularly introduce other languages to match the preferences of every audience set.

     It already has 100+ hours of pre-created original content, exclusively for Nine Rãsã, which is ready to go live in a phase-wise manner. The team is also already geared up to initiate filming for an additional 120 hours of content.

    The name Nine Rãsã is inspired from Nav Ras, which means nine emotions. As human lives revolve around these emotions, Talpade thought to name the platform in sync with those emotions. Moreover, he also wanted to give an Indian touch to the name with a global appeal, according to reports.

    The idea stemmed from the will to help theatre artists and technicians when theatres were shut. The content curation started during lockdown itself, the actor said.

    “Theatre is one of the oldest and purest forms of entertainment. Amidst our busy lives and newer entertainment options available, theatre has taken a back-seat over the years, and that kept bothering me. In order to bring theatre back with a similar vigour and excitement, this time was the most suitable. Through Nine Rãsã, we got an opportunity to not only enrich the lives of our audience through superior, original content but also collaborate with the entire theatre community at large,” Talpade detailed.

    The platform will work under the subscription model at Rs 59 per month and Rs 599 per year. The associated cost is only for its premium plays while the remaining content can be availed free of cost.

  • Upstox urges us to take the first step towards investing

    Upstox urges us to take the first step towards investing

    NEW DELHI: Days after announcing its association with the 2021 edition of the Indian Premier League (IPL), Ratan Tata-backed brokerage firm Upstox has rolled out a new campaign, Start Karke Dekho, that aims to promote better financial participation in the country.

    By speaking to the fact that sometimes it’s all about just taking the first step, the campaign emphasises that with Upstox, investing is extremely simple and effortless, right from the get-go.

    It features a series of videos capturing insights from everyday situations. The campaign’s underlying objective is to create financial awareness and foster an investment culture across the country.

    The campaign includes commercials on television, OTT, digital, and social media platforms. While digital and OTT platforms are employed to reach out to target segments in metros and big cities, television dominates the media mix for tier-2, tier-3, and tier-4 towns.

    Upstox co-founder & CEO Ravi Kumar said, “The most important aspect of the campaign is that it gives first-time users confidence to start their investment journey. At Upstox, we want to refresh the way investing is done in India, just like IPL has reinvented cricket as a sport in India. We believe that our campaign Start Karke Dekho will create a significant impact on the millions of young people who want to manage their funds better.”

  • Zee TV’s Aparna Bhosle on changing the content game in television

    Zee TV’s Aparna Bhosle on changing the content game in television

    MUMBAI: Traditional television broadcast has long been a staple of entertainment. But as the fast-growing internet and over-the-top (OTT) video platforms make inroads into the consumer market, more and more people are beginning to cut the cord and move to a digital viewing experience. The rules of the content game have changed. Digitisation has lifted barriers and offered a multitude of opportunities to tell stories that were once impossible to tell and it has become more important than ever for broadcasters to up their game in terms of content quality.

    Indiantelevision.com’s Shikha Singh spoke to Zee TV business head Aparna Bhosle on how this transformation has impacted the audiences’ demands, the use of newer technologies, shooting techniques to meet the ever-growing need of viewers for quality entertainment and more.

    Edited Excerpts:

    On what has led to the growth of TV shows.

    Technology has evolved over the years and has certainly contributed significantly to our shows looking much better visually. We have more sophisticated cameras and lenses today, much better visual effects, and cutting-edge post-production software. But, at the end of the day, it is more about a maker's intent. Our audiences are far more exposed to global content than they ever were. Hence we, as makers, have started putting in a lot more effort into every small detail which makes the content look more aesthetic and visually appealing. It is not only about monetary investment but also investment in terms of time and thought. A lot more thought goes into production design which overall results in shows looking much better.

    On changes they have introduced to improve the look and feel of the shows.

    Shooting on Sony F5 is a standard in today's time. We even shoot on more sophisticated cameras such as Arri Alexa, Sony FX9. These are some cameras that have given great results even in low lighting conditions and the picture quality is top-notch. And with the advent of specialty equipment such as drones, Go-Pros, one can bring alive the scale of production values.

    Apart from that, more and more technicians are now experimenting not only with cameras but also lighting techniques. The days of flat lighting are long gone. Today's storytelling requires different shows to have different lighting. It is not just about having the latest technology at your disposal, it is more about how one leverages it to narrate a story more effectively. Technicians today love to experiment and create new looks for the show. They play with camera angles, lighting techniques which overall helps in achieving a new contemporary look. Sound, too, plays a very important role in storytelling. Today, our shows come with a Dolby digital 5.1 output which gives our viewers a high-quality sound experience while watching TV.

    On advantages of shooting in 4K.

    Shooting in 4K means more resolution, deeper colours, more creative options to work with during post-production. But the 4K files are heavy, which means more time to grab, hence for daily shows, it becomes time-consuming and not viable as a process. Shooting in 4K is possible in the case of certain events or promos that provide sufficient timelines between the dates of the shoot and on-air telecast.  

    On what kind of discussion goes on with production houses before creating any property.

    Detailed discussions between the channel and the production house right from the concept of a show, the narrative and the pace at which the storytelling should unfold, the key drama spikes, the characterisation, casting, core communication pitch, the production design, and the overall look and feel of the show are an integral part of the show’s making. As one moves closer to the show going on the floor, aspects such as set design, art direction, costume styling, camera treatment, and edit patterns get discussed.  

    Today, with the audience being far more exposed and discerning,  it is imperative for every broadcaster to display their A-game to hold and sustain audience interest.

    On how shows are made and changes introduced in the script.

    Just a few years ago, a tape used to be delivered from the editing studio to a channel’s office for transmission. Today, the same is achieved by a simple file transferring process. Content production is a dynamic process, and we are always eager to introduce new technology into our ecosystem. The journey from envisioning to execution is always a challenging one. As far as scripting is concerned, technology has given far more creative freedom to content creators as a lot of sequences that were earlier unthinkable in terms of execution have now become possible and even cost-effective.

    On how digitalisation has changed content production on TV.

    It has certainly lifted a lot of barriers. The camera quality is far better. Cameras can now shoot much better in low light conditions; they are lighter in weight, there is sophisticated equipment to shoot underwater, action sequences, etc. Our requirement for lights has considerably reduced. Shooting in uncontrolled environments, outdoors has become far easier. Footage transfer has become faster. The advancement in visual effects has empowered us to bring our viewers stories that were once impossible to tell.

    The post-production process has gone through a mammoth leap. The process of DI (digital intermediate, or digitising filmed content and manipulating the colour and other image characteristics), colour grading, sound effects, and background music were all very time-consuming and today can be achieved in a decent timeline. From a viewer's point of view, they are experiencing content with never-seen-before visual and audio quality and further advances in digitisation will only help us to up our ante.

  • Zee5 Global unveils fresh content line-up for April

    Zee5 Global unveils fresh content line-up for April

    KOLKATA: As we wind up the first quarter of the year, Zee5 Global has unveiled a fresh new line-up of content. Viewers can choose from a variety of Zee5 Originals, television shows, and non-fiction shows to enjoy their summer at home.

    Leading the April line-up is the much-awaited Zee5 Original Film Raat Baaki Hai starring Paoli Dam, Anup Soni, Rahul Dev, Dipannita Sharma and Akash Dahiya. Set to premiere on 16 April, the film is a remake of the popular play Ballygunge-1990, and has been directed by Avinash Das and produced by Samar Khan of Juggernaut Productions. The film revolves around a fateful meeting between two ex-lovers under strange circumstances: one of them is running away from the law for being a murder suspect.

    Zee5-ALTBalaji Original web series Mai Hero Boll Raha Hu starring Parth Samanth, Patralekha and late Asif Basra will drop on 20 April. Taking the viewers through Nawab’s rise as an underworld don in the late 1980s and 1990s, the intriguing drama documents how an amazing friendship and mentorship quickly turns sour when Nawab outperforms his mentor Lala. Next in line is His Story, a Zee5-ALTBalaji Original series starring Satyadeep Misra, Priyamani and Mrinal Dutt in lead roles. The Hindi series premierses on 25 April.

    Zee5 Tamil Original Film Mathil revolves around Laxmikanthan, a common man, who fights against a politician who usurps the wall of his dream house for an election campaign. Starring Mime Gopi and KS Ravikumar, Mathil releases on 14 April 2021 (Puthandu, the Tamil New Year); the trailer is already out. 

    Viewers can also enjoy a special Ramadan curation from 12 April onwards with a variety of delectable festive recipes from celebrity chefs Kunal Kapoor, Sakshi Batra and others. Furthermore, the platform will stream some of the most loved family movies, TV shows and Originals for audiences across markets. From Shabana Azmi’s Mee Raqsam to primetime legacy shows Razia Sultan, Jodha Akbar and popular originals including Daawat-e-Biryani, Jaadu Kadai and more.

    For Zee Tamil viewers, the platform is set to celebrate the grand success of Yaradi nee Mohini and Poove Poochudava crossing a landmark 1,000 episodes – the first ever shows to do so, with Vetri Vizha on 11 April.

    Zee Bangla viewers can enjoy a new fiction TV show Amader Ei Poth Jadi Na Sesh Hoy, where a rich girl Urmi decides to become a taxi driver, in an exciting journey of self-discovery and independence. Slated to be released on 12 April, the show stars Anwesha Hazra as Urmi. Zee Bangla will soon premiere Dance Bangla Dance Season 10, judged by Bollywood celebrity Govinda and popular Bengali superstar Jeet and Ankush. The exciting Sa Re Ga Ma Pa Bangla gears up to stream the grand finale on 18 April.

    Zee Punjabi viewers can celebrate Baisakhi with Neeru Bajwa and top Punjabi artists and TV stars in a special episode on 10 April, while in the popular Punjabi cooking show Swaad Aa Gaya, viewers can celebrate Baisakhi the whole week.

  • One day to go: Are marketers excited to cash in on the IPL 2021 craze?

    One day to go: Are marketers excited to cash in on the IPL 2021 craze?

    KOLKATA: As the country slowly descends into the second wave of the pandemic, a sudden sense of bleakness is on the rise among the populace. More and more people are trying to stay at home because of partial lockdowns, night curfews. Against this gloomy backdrop, the Indian Premier League (IPL 2021) is a cause for cheer. With just one day left, the tournament is exciting brand marketers as well.

    For IPL 2021, official broadcaster Star Sports has already onboarded 18 sponsors and 100 plus advertisers. According to media reports, the network has hiked ad rates for both TV and OTT this year looking at a cool Rs 3,200 crore in revenue. While the IPL has always been considered an expensive property, industry heads from advertising agencies and brands believe it should be looked at from a value proposition rather than a cost point of view.

    The insight emerged during a virtual roundtable IPL 2021: Brand marketers’ delight? hosted by Indiantelevision.com, and moderated by its founder, CEO and editor-in-chief Anil Wanvari. Mediacom national buying head Srinivas Rao, Initiative India EVP & head of south Priya Iyer, Byju’s marketing head Atit Mehta, Amplifi India (dentsu) group trading director Sujata Dwibedy took part in the engaging session.

    “IPL gives us a platform like no other. It is a long event that keeps the audience engaged, it gives us the highest mass viewership, it is not only a cricket event, but an entertainment package. It is one of the events which has a very high co-viewership – meaning it is for the entire household to watch,” Dwibedy said.

    The annual extravaganza also gives the highest ratings and no other GEC programme comes close, she added. Most importantly, IPL gives brands a spike in the top of mind awareness (TOMA) which is the immediate awareness a brand looks for. Hence, emerging categories lineup every year as it drives up awareness in a short span.

    Moreover, one of the key reasons IPL sees interest from brands is it has moved from catering to specific cohorts to multiple cohorts long back, Iyer explained. Starting as a metro phenomenon, it has travelled across tier-2 and tier-3 cities to reach deeper with regionalisation efforts from Star Sports. Regional feeds have helped brands foray further into the heartland.

    Globally, any sporting property is expensive. If a brand does not opt for the cash-rich league or a sporting event, it might go for multiple other options at a lower price. But if they choose a music reality show, ten other channels will have such shows but the IPL is a unique property on one channel, Mehta stated. If a brand plans well and looks at long term ROI, enough value can be created from a business angle.

    Echoing the sentiment, Mediacom’s Rao also agreed to Mehta emphasising the value proposition of IPL. “You just need to be there through various elements. If I look from an advertiser point of view, you would want to have all aspects being in place. If you are doing an association with a smaller property and smaller pockets, you don’t get to ride on a campaign through Virat Kohli,” he explained.

    It is a well-documented fact that viewership switches to the IPL when it’s taking place, resulting in a significant decline in other genres. Hence, it becomes difficult for seasonal brands to avoid the league. If they have to choose another genre, they will have to plan very carefully. So, despite being expensive, the tournament brings out value for those brands as well.

    While the 13th edition of the IPL was like a welcome deluge after a drought of live sports, there have been two power-packed international cricket series since then. However, panelists played down fears of over-saturation and contended that Indian audiences can never get tired of cricket. Moreover, any victory of Indian team tends to boost viewership further, Iyer added. Dwibedy also reminded that the IPL has a more mass consumer appeal compared to other cricket properties, which have a more loyal and slightly male-skewed fan base.

    This segued into a discussion on female oriented brands being scarce on the IPL advertisers list. According to Dwibedy, many food and beverage and FMCG brands are now coming on board which was not the trend a few years ago. For instance, Reckitt came on board for IPL 2020. But she acknowledged the fact that female targeted brands are mostly efficiency oriented. Along with that, the high price could act as a deterrent as these brands need to be present in other genres too.

    Iyer highlighted that women-led FMCG brands are present on the event but they may not fall in the top 20 categories, their participation might be different in nature compared to big categories. On the other hand, Rao noted that more FMCG brands spent money on IPL 2020 as consumer demand was not back to track and those brands wanted to bet big. Now with demand coming back, supply chain issues solved, they have taken a step back again.

    In terms of overall expectation, the viewership this time around will be higher as more people would need to stay at home during night curfews and weekend lockdowns, opined Rao.

    By contrast, Mehta stated: “My expectation from IPL 2021 is somewhat lower than 2020. The excitement isn't as high as it was last year. But, I think it should deliver as much as it delivered last year, though it could be some percentage points behind compared to last year.”

    For this season, open competition will build up the excitement and the first three days of the tournament being close to the weekend will add to it. If games are played in all fairness, enough buzz will be created around it, giving brands recall value. The first 10-15 matches will set the tone of the entire season, Iyer noted.

  • Get ready to groove to multilingual IPL anthem ‘India Ki Vibe Alag Hai’

    Get ready to groove to multilingual IPL anthem ‘India Ki Vibe Alag Hai’

    KOLKATA: With the clock rapidly winding down to IPL 2021, Disney+ Hotstar VIP has unveiled a new multilingual anthem, India Ki Vibe Alag Hai, to dial up fans’ excitement. Kick-starting the tournament this year with the uproar that brings diverse cultures of India together, the league will once again see fans cheering for their favourite teams. Capturing this inter-city rivalry and friendly banter, the anthem symbolises the many emotions of cricket fans – pride, heartbreak, happiness and celebration.

    Developed by one of India’s most loved and electrifying musicians, Nucleya, the upbeat anthem has the flavour of eight Indian languages and is sung by eight uber cool rappers – Dee MC, RAK, J19 Squad, Satyum, Vithika Sheru, Maharya, Gubbi, and Rawal – each representing their beloved city while displaying its unique local quirk.

    Understanding that dance is integral to how Indians express themselves, the video does justice to each team’s vibe by headlining a signature hook step to commemorate big moments from the matches.

    Whether it's Delhi dancing to Shikhar Dhawan’s ‘Gabru step’, or Mumbai taking on ‘arm rotations’ to represent Keiron Pollard’s victorious moves – there is a dance to celebrate every high point of this tournament. Fans can join in the ‘cradle move’ with Punjab’s super player Gayle, and Chennai can rejoice with Bravo’s ‘Champion dance’, Jofra Archer’s iconic ‘call me maybe’ dance is going to sweep away Rajasthan. Picking up the pace, Hyderabad will now be able to celebrate with Rashid Khan’s ‘finger rotation’ movement, Kolkata’s iconic ‘Arm Thrusting’ with Andre Russell and Bengaluru ‘blowing a kiss’ like Virat; fans across the country will not be able to resist dancing to the tune of this electrifying anthem while cheering for their favourite teams.

    Nucleya said, “For many years, the Indian Premier League has brought excitement and happiness to millions of Indians. The passion with which they support their teams in moments of victory or loss is simply amazing! This anthem is an ode to that very love and competitive spirit. ‘India Ki Vibe Alag Hai’ captures the quirks of each city but showcases the shared love of cricket among all fans.”

    Starting 9 April 2021, all live matches of Vivo IPL 2021 will be exclusively available to new and existing subscribers of Disney+ Hotstar VIP (Rs 399/- for 12 months) and Disney+ Hotstar Premium (Rs 1499/- for 12 months). Fans will be able to enjoy commentary in eight languages – English, Hindi, Tamil, Telugu, Kannada, Bangla, Malayalam and an exclusive feed-in Marathi.

  • Disney+ Hotstar promotes its entertainment offering amid IPL fever

    Disney+ Hotstar promotes its entertainment offering amid IPL fever

    KOLKATA: As India prepares for the launch of its most celebrated cricket phenomenon, Vivo IPL, Disney+ Hotstar VIP has rolled out an exciting new campaign – Entertainment Ka All-Rounder. Conceptualised by DDBMudra Group, these new films feature popular actors Ajay Devgn and Tamannaah Bhatia; each in a recognisable disguise, as they try to convince people to watch their soon-to-release titles on Disney+ Hotstar VIP rather than just focusing on live cricket action.

    Ajay Devgn stars as Sudarshan and Tamannaah Bhatia as Manickam, both are put in everyday office situations as they praise their work only to be informed of the platform’s expansive content offering. The quirky campaign signifies the fierce battle that will be fought between the biggest superstars – on & off the cricketing field as they try to win the viewers’ attention.

    Disney+ Hotstar EVP & chief marketing officer Sidharth Shakdher said, “Disney+ Hotstar is the default digital platform for sports in India today, and this year, when India comes to us for Vivo IPL 2021, we will give them a no-holds-barred entertainment experience – cricketainment in its truest form. Based on the insight that cricketainment is tantamount to having the best of both worlds, we wanted this campaign to reinforce that we are the only OTT brand that offers Vivo IPL 2021 and LIVE sports, along with the latest movies and original shows. And to drive home this message in a fun, memorable and entertaining way, we are launching our campaign ‘Entertainment Ka All-Rounder’ which breaks through the clutter by using never-seen-before avatars of Ajay Devgan and Tamannaah Bhatia.”

    Starting 9 April 2021, all live matches of Vivo IPL 2021 will be exclusively available to new and existing subscribers of Disney+ Hotstar VIP (Rs 399/- for 12 months) and Disney+ Hotstar Premium (Rs 1499/- for 12 months). Fans will be able to enjoy commentary in eight languages – English, Hindi, Tamil, Telugu, Kannada, Bangla, Malayalam and an exclusive feed in Marathi.

    As cricket fever takes over the country, Disney+ Hotstar VIP will soon be home to some of the most anticipated titles of the year including mega blockbuster films that will directly release on the platform (The Big Bull, Bhuj: The Pride of India), the best of global movies and shows (The Falcon and the Winter Soldier) dubbed in Hindi, Tamil and Telugu, upcoming exclusive Hotstar Specials shows in seven languages (Special Ops 1.5, Season 2 of Aarya) and much more; that promise a full year of quality entertainment. These ad-films have been rolled out in three languages – Hindi, Tamil and Telugu and are available on Disney+ Hotstar VIP’s digital platforms.

  • ‘Tenet’ to premiere on Amazon Prime Video on 31 March

    ‘Tenet’ to premiere on Amazon Prime Video on 31 March

    KOLKATA: Amazon Prime Video has got the long weekend locked and loaded with the premiere of Christopher Nolan's much anticipated sci-fi spy thriller Tenet on 31 March 2021. The film will be available for Indian audiences in multiple languages including English, Hindi, Tamil and Telugu.

    Armed with only one word, Tenet, and fighting for the survival of the entire world, John David Washington plays an international spy who journeys through a twilight world of international espionage on a mission that will unfold into something beyond real time. Filmed across seven countries, this intense thriller will see a time travelling protagonist risking his own life to stop the inevitable catastrophe that could be bigger than World War III and a nuclear holocaust.  Will he make it ‘back in time’ to save the world? Viewers will get the answer soon.

    Tenet will join thousands of TV shows and movies from Hollywood and Bollywood in the Prime Video catalogue. These include Indian-produced Amazon Original series Tandav, Mirzapur Season 1 & 2, Comicstaan Semma Comedy Pa, Breathe: Into The Shadows, Bandish Bandits, Paatal Lok, The Forgotten Army – Azaadi Ke Liye, Sons of the Soil: Jaipur Pink Panthers, Four More Shots Please, The Family Man, Made In Heaven, and Inside Edge.

    Prime Video’s extensive library also includes Indian films such as Coolie No. 1, Gulabo Sitabo, Durgamati, Chhalaang, Shakuntala Devi, Ponmagal Vandhal, French Biriyani, Law, Sufiyum Sujatayum, Penguin, Nishabdham, Maara, V, CU Soon, Soorarai Pottru, Bheema Sena Nala Maharaja, Drishyam 2, Halal Love Story, Middle Class Melodies, Putham Pudhu Kaalai, Unpaused among others; and award-winning and critically acclaimed global Amazon Originals like Borat Subsequent Moviefilm, Tom Clancy's Jack Ryan, The Boys, Hunters, Fleabag, and The Marvelous Mrs. Maisel.

    Prime members will be able to watch Tenet anywhere and anytime on the Prime Video app for smart TVs, mobile devices, Fire TV, Fire TV stick, Fire tablets, Apple TV, etc. In the Prime Video app, Prime members can download episodes on their mobile devices and tablets and watch anywhere offline at no additional cost.