Tag: OTT

  • Discovery extends David Zaslav’s employment contract

    Discovery extends David Zaslav’s employment contract

    MUMBAI:  When you swing a deal like he has done, you probably deserve to be rewarded. Discovery president & CEO David Zaslav played a key role in getting AT&T’s WarnerMedia to align itself with the network he leads, an announcement of which was made earlier this week. Well, his labour has yielded fruit as his employment contract has been extended to run through 31 December 2027 from its previous effective date of 2023.

    Of course, we all know that the merger of the two media firms will lead to the creation of a behemoth offering WarnerMedia’s premium entertainment, sports, and news assets and Discovery’s leading nonfiction and international entertainment and sports businesses. And it was announced that Zaslav will lead the proposed new company.

    Since joining it in 2007, Zaslav has steered Discovery to new heights starting with taking it public in 2008, stream rolling it into the Fortune500 in 2014, acquiring Scripps Networks Interactive, in a transaction which closed in 2018 and ramping up its direct-to-consumer efforts under discovery+. The definitive real-life subscription streaming service launched in the US in January 2021 with more than 55,000 episodes, and internationally, continues its rollout to more than 25 markets and accounts for 15 million subs already.

    The Discovery comprises nearly 20 per cent of ad-supported pay-TV viewership in the US and nearly seven billion monthly video views, making it the No 1 pay-TV portfolio in Uncle Sam, claims a press release. And its global distribution has surpassed three billion viewers.

    Before Discovery Zaslav had a distinguished career at NBCUniversal, where he was instrumental in developing and launching CNBC and also played a role in the creation of MSNBC.

  • “Advertisers have backed us up through good & difficult times”: Anuradha Gudur

    “Advertisers have backed us up through good & difficult times”: Anuradha Gudur

    Over the past 16 years, Zee Telugu and Zee Cinemalu, cluster head Anuradha Gudur, along with her team have successfully affirmed the position of their general entertainment channel (GEC) on the Telugu viewership charts. The University of Hyderabad postgraduate in arts with a major in mass communication/ media studies has spent even longer than that within Zee Entertainment Enterprises having joined it in 2005 as programming head. 

    At that time, Zee Telugu was the first entrant from the Zee stable to make a foray down south. And it quickly gained popularity by leveraging positively inclined innovative content featuring young and aspirational characters among the urban masses. There’s been no looking back since. Over the years, it got deeply ingrained into the 84-odd million Telugu speaking audiences’ culture and viewing options until it sprinted ahead of the rest to breast the tape at No 1 among viewers in Hyderabad, a position it maintains even as it is celebrating its sixteenth anniversary.

    Indiantelevision.com’s Nirmal Narayanan got into a conversation with Gudur – who also leads the four-year old Telugu movie channel Zee Cinemalu – on what has kept Zee Telugu and at the top her game, over the past 16 years and more so over the past 14 months of the Covid19 pandemic. Excerpts from the interview:

    On Zee Telugu’s 16-year journey.

    It’s been an exhilarating journey thus far. Our emphasis was always focused on content creation that is both compelling as well as entertaining for the audience. In return, we received unparalleled support and love from viewers, advertisers and our distribution partners alike. We could not have asked for any more!

    On the ups and downs and challenges it has faced.

    No journey was ever going to be simple and straightforward. Zee Telugu faced its fair share of turbulence but sailed through it all through teamwork and a positive attitude to achieve our goals. This mind set helped us to quickly understand, identify and rectify the problem areas. A special mention needs to be made regarding our advertisers and distribution partners who always had our back (stood steadfast with us) in good and (particularly during) difficult times.

    Zee Telugu was the first regional channel from the Zeel group to enter south India where the Telugu segment was already a well-established market even back then. Zee Telugu was the youngest GEC brand while other Telugu channel offerings with already established viewership enjoyed an ongoing engagement with Telugu speaking audiences. We had to carve out an audience for our channel leveraging differential and innovative content (non-fiction offerings like Aata, Sa Re Ga Ma Pa, etc). 

    We began by catering to younger demographics to capture their attention before eventually moving towards family oriented audio-visual content.  Over the years, Zee Telugu has established itself as a channel that is highly rooted in Telugu culture and family values while also showcasing progressive narratives through young aspirational characters. We are ranked numero uno in Hyderabad with a very strong presence across urban markets.

    On how Zee Telugu entertained audiences during the pandemic.

    During the first wave of the Covid19 pandemic in 2020, Zee Telugu consciously raised its creativity standard by a few notches in order to lighten up the mood and spirits of its ardent viewers leveraging entertaining and more compelling content. This included mobile shoots and the launch of a non-fiction show Lockdown Talks with Ravi alongside fiction shows such as Queen and Amrutham. Similarly, morning band shows like Omkaram and Sreekaram Subhakaram witnessed continuity of creation and being telecast in view of their relevance with the current times as also the Arogyame Mahayogam health awareness show. Our learning during the lockdown period was that audiences found immense joy in the apparently smaller things in life. We therefore wanted to make every moment count and ensure viewers were entertained and engaged through our daily offerings.

    Post lockdown in 2020, Zee Telugu launched 14 original fiction programs on one single day before anybody else in the market. We also had the distinction of being the only channel in the market to on-board brand ambassadors for our comeback campaign while promoting prime time and non-primetime shows. Since then, we have also launched Hitler Gari Pellam, Inti Guttu, Sa Re Ga Ma Pa – The Next Singing Icon, Big Celebrity Challenge – Season 5, Krishna Tulasi, Drama Juniors – The Next Superstar, Mithai Kottu Chitemma, Oohalu Gusagusalade and the celebrated flagship award show Zee Telugu Kutumbam Awards alongside other topical relatable events on occasions such as Dussehra, Ganesh Chaturthi, Sankranti, Holi, Mother’s Day and Women’s day. We made every moment count and worthwhile for the viewers.

    On the shows that helped Zee Telugu affirm its numero uno position in industry

    Zee Telugu has always played by its own strengths i.e. its differential and innovative content. It was the Aata dance reality show that provided Zee Telugu its identity and the path that led into the hearts of the regional audience. Thereafter, the Sa Re Ga Ma Pa singing reality show not only provided wholesome entertainment but also identified talented singers who have since established their eminence in industry today. Inspirational and innovative stories were first produced by Zee Telugu for the Telugu audiences. Fictional offerings such as Muddha Mandaram, Varudhini Parinayam America Ammayi and others give us the proverbial foothold in the Telugu television industry. Radhamma Kuthuru – the story of an independent girl won over the hearts of television audiences. 

    Trinayani – a one of its kind story adapted from the original Bangla TV show has proved to be a winner in Telugu as well. Need I even say anything more about Prema Entha Madhuram that is endowed with top-notch production values, a very heart-warming story and lovable characters that easily makes it one of the best offerings on Zee Telugu today. Despite the pandemic situation, we hosted Sa Re Ga Ma Pa – Grand Finale which was a live show conducted with the utmost and strict safety protocols being observed. It was undoubtedly one of the most talked-about shows on Telugu television back then and surprisingly, even today.

    On the type of content being fleshed out now.

    Zee Telugu is constantly redefining content to match up with the viewers’ dynamic appetite to accommodate the differential preferences while emphasising relatable concepts. Be it the Sa Re Ga Ma Pa Grand Finale-Live or the Women’s day special ‘Maguva Maguva Lokaniki Telusa Nee Viluva. By offering unique and light hearted storylines as in Hitler Gari Pellam,
    Mithai Kottu Chittemma, etc we continue to keep audiences entertained in these unprecedented and stressful times. An emphasis on positive content that is also entertaining for viewers is our key motto in the current pandemic scenario. Zee Telugu’s strength is
    storytelling and we want to continue playing the game to our strengths.

    On the channel’s ranking in the market

    We are a challenger brand. While we are ranked No 2 in overall numbers, Zee Telugu holds first ranking in its core primetime (daily between 20:00 and 23:00 hrs) and enjoys a 34.8 per cent share. Zee Telugu has maintained its position as the undisputed No 1 in Hyderabad for six consecutive years in running.

    On the impact of OTT, especially regional ones like Aha.

    OTT platforms are capitalizing on the existing scenario in order to establish themselves during the pandemic by playing a pivotal role in acquiring digital movie rights to migrate movies directly on to OTT platforms or effectively taking films away from movie theatres to OTT platforms in real quick time. 

    Regional OTTs held the edge especially, during the lockdown due to lack of availability of original content for TV. I’m sure all of them have gained viewership including Zee5. Television demands viewing by appointment and features content that is appealing to the entire family and not limited for a specific section of the audience. TV will always have its audience irrespective of the changing dynamics.

  • Streaming war intensifies, as Amazon eyes MGM studios

    Streaming war intensifies, as Amazon eyes MGM studios

    KOLKATA: US tech giant Amazon is in talks to acquire the “Bond studio” MGM to bolster its ambition in the streaming media, according to reports. The mega-deal is being orchestrated by Amazon Studios and Prime Video senior vice president Mike Hopkins, along with MGM board chairman Kevin Ulrich.

    Founded in 1924 MGM’s wide Hollywood library includes names like Bond, Hobbit, Rocky, and Pink Panther franchises as well as movies like The Silence of the Lambs, The Magnificent Seven, Four Weddings, and A Funeral along with a streaming service Epix.

    Although media is not a big part of e-commerce giant Amazon’s portfolio, it has gradually increased focus on the segment. Prime Video’s viewer base has surpassed 175 million, the company revealed recently. According to reports, MGM has been looking for prospective buyers. While the company wants to value itself at $9 billion, others are valuing it at $5 billion.

    At the end of 2020, there were already reports that MGM had tapped Morgan Stanley and LionTree to explore a sale. Even Apple and Comcast also reportedly spoke to the studio but they could not reach an agreement.

    The reports came close on the heels of Discovery-AT&T’s media assets merger deal to build a new streaming giant. In the last few years, the global media and entertainment industry has witnessed a number of consolidations as the streaming competition rises.

  • Radhe streams on pirated websites, Zee files complaint at Cyber Cell

    Radhe streams on pirated websites, Zee files complaint at Cyber Cell

    Mumbai: Hours after its release, the much-awaited movie Radhe got leaked on pirated websites, compelling the producers to take action. After appealing to the public to say no to piracy, Zee Entertainment Enterprises Ltd (ZEE) has now filed an official complaint at the Cyber Cell against the pirated version of the film.

    According to an official statement from Zee, a pirated version of the film is being circulated across messaging platforms, including WhatsApp and Telegram. The officials are now actively tracking down the phone numbers involved in this act of piracy, taking the required legal actions, it said on Sunday.

    ZEE has also appealed to the public at large, seeking their support in bringing an end to piracy, not just for the film Radhe, but for any kind of content. “Films create livelihood, employment and a source of income for millions of people working in the industry. They also contribute to the economy with the taxes paid to the government. People engaged in spreading the illegal version of the film are not just embracing piracy, but are also negatively impacting the growth of the industry and the livelihoods of people working round the clock,” said Zee as it appealed to all people to consume entertainment content only through official platforms.

    Actor Salman Khan also took to Twitter on Saturday night to warn people against watching pirated versions of the movie.

     

     

    The first-ever multi-platform release of its kind, Radhe: Your Most Wanted Bhai was released on 13 May on Zee5 with ZeePlex, theatres worldwide keeping the Covid protocols in mind, and across all leading DTH operators – Dish, D2H, Tata Sky, and Airtel Digital TV. The movie had garnered 4.2 million views across platforms on Day 1.

  • Hoichoi’s first independent property Tangra Blues debuts on the platform

    Hoichoi’s first independent property Tangra Blues debuts on the platform

    KOLKATA: Bengali OTT platform Hoichoi’s first independent property, Tangra Blues, premiered on the platform on Saturday a month after its theatrical release while simultaneously being available in multiplexes.

    Directed by National Award-winning director Supriyo Sen, along with National Award-winning cinematographer Ranjan Palit, and music director Nabarun Ghosh, the film is an underdog story of a band that refuses to die and rewrite its destiny through music. 

    Ahead of its World Premiere on Hoichoi, Tangra Blues had opened to an overwhelming response and rave reviews in theatres a month back on 15 April. The film is inspired by the lives and struggles of Sanjay Mandol & group, Kolkata’s most popular waste band group, who went on to become a runner-up in a popular talent reality show in the country.

    The film stars renowned actors Parambrata Chatterjee and Madhumita along with Saimul Alam, Oishani Dey, and Atmadeep Ghosh among others.

    Hoichoi revenue & strategy VP Soumya Mukherjee said, “With our huge bank of World Premiere movies and Original Shows, we are prepared to provide entertainment to our user base even at a time like this. Tangra Blues being our first independent property, we are excited for our users across the globe to enjoy it from the safety and comfort of their homes. At Hoichoi, we endeavour to bring great content and latest releases on our service for our users to experience.”

  • IPL suspension may hit Disney+ subscribers’ growth, ad revenue, says top exec

    IPL suspension may hit Disney+ subscribers’ growth, ad revenue, says top exec

    KOLKATA: When the Board of Cricket Council of India (BCCI)’s announced on 4 May, that it is indefinitely suspending the Indian Premier League (IPL) mid-way, the decision was backed by advertisers and broadcasters alike. The health and safety of players and staff was indeed paramount in  wake of the current Covid crisis in the country.

    But it also left media and advertising professionals guessing the impact that the suspension of one of the biggest cricket tournaments could have on the businesses, especially IPL’s official broadcaster – Star India.

    According to a top Disney executive, there could be an immediate effect on Disney+ subscriber addition guidance for the next two quarters. Despite lesser revenue with a low ARPU, Disney+Hotstar contributes significantly to the overall subscriber base of The Walt Disney Co’s biggest streaming bet since Disney’s entry in India last year merging with existing Hotstar service.

    While Disney+ paid subscribers have reached 103.6 million subscribers, Disney+Hotstar has nearly crossed around 34.5 million subscribers, which accounts for one-third of the overall base.

    The company spokespersons in the earnings call revealed that they expect “fewer net subscribers’ addition in the second half of the year given the Covid-related suspension of the IPL season and the decision to move the Star+ Latin America launch to the fourth quarter.” After the launch of Disney+Hotstar in India, the network had taken the tournament entirely behind the paywall for the first time.

    Other than millions of viewers who tune in to TV or OTT platforms to watch one of the biggest cricket spectacles, numerous brands also line up for quick reach and brand recall. Disney+Hotstar had roped in 14 sponsors for IPL 2021 and was expected to rake in higher ad revenue this year. But with the recent turn of events, IPL suspension could hit the advertising revenue too. “You could see a decrease in the ARPU and the subscribers in India if that plays out like we just said,” Christine McCarthy said during the earnings call.

    The 14th edition of the IPL was suspended after the bio-secure bubble was invaded by the Covid-19 and several players and team staff contracted the disease. The fate of the tournament now hangs in balance, as BCCI now faces the challenge of finding a suitable window to play the rest of the matches this year. BCCI president Sourav Ganguly has already made it clear that there is no option, but to play the remainder of the season outside India.

    “About half of the 60 IPL matches that were expected to be played this season have already taken place. So you’re looking at the back half, 30 games to be played. So sure, if they were able to successfully relocate the tournament, we would hopefully see an impact, especially on advertising,” McCarthy replied while asked if rescheduling of IPL would change the outlook for the second half of the financial year.

    With the second wave of Covid-19 ravaging the country, and a third wave likely, it remains to be seen how BCCI will navigate through the pandemic and schedule the remaining matches in a Cricket-packed year. The big-ticket events like ICC T20 World Cup are also scheduled for October-November 2021.

    “The big issue is going to be when in the quarter and if it overlaps into q4, or if it goes into the first fiscal quarter, which starts for us and the beginning of October. So it would have an impact on it, it just depends on when it would come in. Let’s hope they can relocate it,” McCarthy added further.

  • Amazon India launches free video streaming service – miniTV

    Amazon India launches free video streaming service – miniTV

    New Delhi: In a global first for Amazon, one of the country’s largest online store, Amazon.in on Saturday announced the launch of a free, ad-supported video streaming service, miniTV which is available within the Amazon shopping app.

    miniTV has professionally created and curated content across web series, comedy shows, tech news, food, beauty, fashion, and more, the company announced on its blog on Saturday.

    The list includes leading studios such as – TVF, Pocket Aces, and leading comedians – Ashish Chanchlani, Amit Bhadana, Round2Hell, Harsh Beniwal, Shruti Arjun Anand, Elvish Yadav, Prajakta Koli, Swagger Sharma, Aakash Gupta, and Nishant Tanwar. Viewers will be informed on the latest products and trends by tech expert Trakin Tech, fashion and beauty experts such as Sejal Kumar, Malvika Sitlani, Jovita George, Prerna Chhabra and ShivShakti. Food lovers can enjoy content from Kabita’s Kitchen, Cook with Nisha, and Gobble. In the coming months, miniTV plans to add many newer and exclusive videos.

    With this launch, Amazon has two video entertainment offerings – miniTV and Prime Video. miniTV is completely free and does not require a separate app. Prime Video requires a Prime subscription and offers a collection of award-winning Amazon Originals, latest movies, and TV shows, in English and 9 Indian languages. Viewers can access Prime Video on the app or stream it on their smart TVs.

    With the launch of miniTV, Amazon.in has stepped up its reach as a shopping app that offers customers a one-stop center to shop from millions of products, make payments and watch free entertainment videos.

    miniTV is available on Amazon’s shopping app for Android phones. It will also be extended to iOS app and mobile web over the coming months.

  • Salman Khan’s Radhe takes viewers by storm across all platforms

    Salman Khan’s Radhe takes viewers by storm across all platforms

    KOLKATA: Actor Salman Khan’s much awaited film Radhe has opened to a thunderous response from the audience. The movie proved to be yet another Eid blockbuster garnering over 4.2 million views across various platforms.

    In India, the film was released on Zee5 with Zee’s pay-per-view service ZeePlex, along with leading DTH operators. It was also released theatrically in international markets on 13 May.

    Right from fans cheering for the film in theatres overseas, to massive bookings on streaming platforms, the fans of the superstar watched the film as soon as it released making it the most-watched movie on the opening day itself.

    With theatre capacities running at 50 per cent in UAE, the film has collected $379,000 on its opening day, which is not only higher than Salman Khan’s last film Dabbang 3 (2019) but also a higher opening day collection than Godzilla vs. Kong. The collections are likely to go up given the festive weekend.

    Radhe’s emphatically demonstrates the success of a hybrid release and shows an effective model of releasing a film during these very tough times. This would be important not just to the stakeholders of Radhe but to the entire film industry at a time, when the country is reeling under the most severe wave of Covid-19. The release also reinforces the belief that multi-platform simultaneous release is the future of entertainment and will grow multi-fold in the years to come.

    “The film has won over audiences and through this unique and never-seen-before distribution strategy we could ensure the widest possible ‘opportunity to see’ this high-on-entertainment, quintessential Salman Khan movie at a place and time of audiences’ choice,” said Zee Studios CBO Shariq Patel. “With unprecedented circumstances comes the responsibility to make innovative choices that will pave the way for future business models and Zee is at the forefront of it.”

  • Republic TV expands its footprint in UK with DistroTV

    Republic TV expands its footprint in UK with DistroTV

    Mumbai : English news channel Republic TV is pivoting to digital, OTT and smart TV distribution with the latest addition of DistroTV to cater to the diaspora in the United Kingdom market.

    The channel along with its Hindi news channel R Bharat has now set its sights on the international markets. With a view to address the news consumption pattern across all demographics, the channels are taking a market wise approach and targeting new age distribution platforms including the burgeoning OTT and connected TV sets ecosystem.  It’s also looking to syndicate its content library across various new age platforms.  

    After content partnerships with all major OTT platforms Like Hotstar, Yupp TV, it has now added DistroTV in the UK and APAC markets.

    Commenting on the strategy, Republic Media Network, group CEO, Vikas Khanchandani  said, “Republic TV is a news media technology company and has been the front runner to make its streaming services available across smart phones and connected TVs with its partnerships with OTT, OEMs and Telco platforms both within India and globally. The pandemic has accelerated streaming TV consumption driven by news & sports.  It’s an opportune moment for us to pivot our strategy in the UK market as streaming is outpacing pay TV in UK.” 

    COO – India distribution head and international markets, Priya Mukherjee, COO said, the channel has reached a peak of 421K and maintains an average reach of around 200K in the last quarter during the pandemic. “Many platforms have approached us given the leadership position and the loyal audiences we built in the UK, in such a short time.  Our distribution capabilities, give us an opportunity, to approach each market differently and we are looking at all possible models that are best suited to our expansion plans, including a more, Direct to Consumer approach,” she added.

  • Disney+ paid subs hit 103.6 mn, Disney+Hotstar accounts for around $34.5 mn subs

    Disney+ paid subs hit 103.6 mn, Disney+Hotstar accounts for around $34.5 mn subs

    KOLKATA: With a higher-than-ever growth of streaming services in the last year, The Walt Disney Co.’s (Disney) direct-to-consumer venture Disney+ has also grown quickly to surpass 100 million subscribers.

    Although its overall subscriber addition in q2 has fallen short of the Wall Street expectations, Disney+ paid subscribers have reached 103.6 million subscribers. Disney+Hotstar currently has nearly 34.5 million subscribers.

    In the same quarter a year ago, Disney+ had 33.5 million subscribers. Although it has not been able to reach the expected 109 million subscriber base, the growth is indeed fast amid an array of big-ticket rivals. Along with the likes of Netflix, Amazon Prime Video, a bunch of new entrants HBO Max, Apple TV+ is also betting big on their streaming services.

    “Results at Disney+ were comparable to the prior-year quarter as an increase in subscribers was largely offset by higher programming and production, marketing, and technology costs. The increases in subscribers and costs reflected the ongoing expansion of Disney+ including launches in additional markets,” the earnings press release mentioned.

    Disney+ touched the milestone of 100 million subscribers in early March. It indicates the last month of the quarter has seen faster growth compared to the first two months, Disney CFO Christine McCarthy said in the earnings call.

    “Between q1-q2, Disney+Hotstar was the strongest contributor to net subscriber addition and made approximately a third of total Disney+ subscriber base as of the end of q2. However, ARPU at Disney+Hotstar was down significantly compared to Q1 due to lower ad revenue as a result of the timing of the IPL cricket matches and impact of Covid in India,” McCarthy added further.

    In the quarter, Disney+ reported an ARPU of $3.99 falling 29 per cent over the same quarter of last year. The decline in ARPU has been attributed to Disney+Hotstar as overall Disney+ ARPU excluding it was $5.61. However, the average monthly revenue per paid subscribe for Disney’s other streaming services ESPN+ and Hulu grew slightly.  

    Direct-to-Consumer revenues for the quarter increased 59 per cent to $4.0 billion and operating loss decreased from $0.8 billion to $0.3 billion, the company stated. The decrease in operating loss was due to improved results at Hulu, and to a lesser extent, at ESPN+, it added. Overall, the media conglomerate has around 159 million total subscribers across its streaming services as of the end of the q2.