Tag: OTT

  • Vidnet 2022: Industry experts to come together to evaluate the way ahead for the OTT sector

    Vidnet 2022: Industry experts to come together to evaluate the way ahead for the OTT sector

    The over-the-top (OTT) landscape is growing significantly in India and new paid features are increasing regularly. Time spent viewing content on OTT has surged and viewers are looking out for new choices & innovative content. Despite the changes and increase in prices, the viewers are still subscribing to different OTT platforms currently. We expect the scenario to boost further as the consumers are looking forward to the growth of OTT based content and streaming services in India.

    Indiantelevision.com has come up with an insightful two-day long VIDNET Summit to understand the changes in the OTT space and evaluate its way forward. The event will take place between 20-21 April 2022 at Sahara Star Hotel, Mumbai.

    The changing OTT ecosystem will certainly grow further as there will be new partnerships, new relationships and new opportunities, which will further emerge eventually. The idea behind this year’s VIDNET is to analyse the changing OTT ecosystem and find answers to some of the critical questions such as what is the way forward for the OTT platforms? Where do the opportunities lie? What are the challenges?

    VIDNET 2022 is India’s largest OTT streaming summit, which will bring together the industry experts on one platform. It is an ideal hotspot for technology service providers, OTT and video platforms, broadcasters, short video professionals, martech professionals, content creators, producers, studios, adtech professionals, venture capitalists and everyone with a keen interest in technology.

    The VIDNET 2022 summit will have speakers from film and OTT space. The speakers will include Filmmaker and CineMan Productions Ltd. & Oho Gujarati founder Abhishek Jain; Endemol Shine India chief executive officer Abhishek Rege; SYSKA Group head of marketing Amit Sethiya; Synamedia senior solutions consultant Arun Raghuraman; Zee Studios head-content Ashima Avasthi Chaudhuri; Lyca productions CEO Ashish Singh; Mediacom India chief product officer Averill Sequeira; ALTBalaji SVP – marketing, partnerships & revenue Divya Dixit and including other industry experts.

    The event will witness some really interesting panels giving deep insights of the industry and some proven tricks to grow in OTT space from the expert panelists.

    The first panel will see a discussion on one of the most important topics currently, “The Magic 100 Million. How Do We Get There?” moderated by Indian Television Dot Com founder, CEO & editor-in-chief Anil Wanvari. The panel will include Endemol Shine India CEO Abhishek Rege; International Media Acquisition Corp chairman & CEO Shibasish Sarkar and others.

    This is not it, there will be more than 12 panels on different topics such as “Demystifying the French OTT Landscape”, “Advertising On OTT – Connecting The New Brand Order” and so on. During the event, there will be deliberations, thought sharing, engagement and discussion of various other topics that are relevant in today’s scenario.

    VIDNET is one of its kinds of initiatives that will gather experts across the industry. It will allow you to meet and interact with industry experts. The summit will also help you to learn some tips and tactics from like-minded people. The attendees will get to hear about new tools and the key problem areas from the experts. The interesting sessions will make you learn from the experts by listening to their journey, experiences and how they overcome the challenges. Moreover, this is the biggest platform to learn beyond your field of interest.

  • ‘The Kashmir Files’ to have its OTT premiere on Zee5

    ‘The Kashmir Files’ to have its OTT premiere on Zee5

    Mumbai: After the super successful theatrical run both domestically and internationally, director Vivek Ranjan Agnihotri’s latest hard-hitting drama “The Kashmir Files” is going to have its world digital premiere on Zee5. The official date of its digital release is yet to be announced.

    The film recently crossed Rs 250-crore-mark at the box office and broke all records in the post-pandemic era. “Wth its digital release on Zee5, ‘The Kashmir Files’ will be accessible to the viewers of across 190+ countries in multiple languages like Hindi, Tamil, Telugu and Kannada,” said the streaming platform in a statement.

    The film is produced by Zee Studios and Tej Narayan Agarwal, Abhishek Agarwal, Pallavi Joshi and Vivek Ranjan Agnihotri, and it is written and directed by Vivek Agnihotri and features a stellar cast of actors including Mithun Chakraborty, Anupam Kher, Darshan Kumaar, Pallavi Joshi and Chinmay Mandlekar.

    Living up to its title, “The Kashmir Files” is a true story, based on video interviews of the first-generation victims of “Kashmir genocide” of Kashmiri Pandit community. The film garnered positive response from critics and fans alike and even struck an emotional chord with many including superstars like Aamir Khan and Akshaye Kumar among others.

    Commenting on the digital release of “The Kashmir Files,” Zee5 chief business officer Manish Kalra said, “At Zee5, we are building a platform that empowers its audiences as much as it entertains them. We are always looking for real, relatable stories to connect with the Indian audience. Over the last few years, we have accelerated and expanded our offerings while partnering with the best of talent and content creators to design a slate that makes us the platform of choice for entertainment seekers.”

    “’The Kashmir Files’ is not just a film but an emotion and a movement,” said director Vivek Ranjan Agnihotri. “I am glad that the theatrical release received such overwhelming response across the world and now with its World Digital Premiere on India’s largest homegrown video streaming platform – Zee5, the film will reach more people and will continue to strike a chord in millions.”

  • Amagi Planner boasts more personalisation and monetisation features

    Amagi Planner boasts more personalisation and monetisation features

    Mumbai: Amagi, a global player in cloud-based SaaS technology for broadcast and connected TV on Monday launched the advanced version of its content planning and scheduling platform – Amagi Planner. Introduced in 2021, the product makes planning and scheduling of channel programming seamless and cost-effective for digital-first companies.

    Amagi Planner enhancements include flexibility in ad break scheduling, pattern-based or repetitive scheduling, alerts, and notifications for overruns, and more such features.

    Advanced tagging allows OTT platforms and end-users to access titles with ease through a feature-rich search option while unearthing data on audience preferences for personalised content scheduling, according to the statement. “Amagi Planner also enables its users to build ‘collections’ – short duration titles grouped together – with features that can be added on the fly, such as order of assets, automatic shuffling and pinning of assets, and more,” it added.

    The advanced version of the platform makes ad monetisation easier for content owners by facilitating automatic scheduling of fillers and ad breaks. The easy-to-use UI, with its drag and drop functionalities, and its daily and weekly calendars, is a bonus for content owners looking for truly comprehensive scheduling software.  

    “Amagi’s solutions have always had a two-pronged approach. We want our customers to derive operational efficiency while delivering an elevated viewing experience to their customers, said Amagi co-founder KA Srinivasan. “Amagi Planner is the very epitome of this concept, smoothly blending in automation and AI/ML efficiency to deliver a seamless user experience while offering value adds in the form of viewership insights that will benefit the end-user. We hope to see our customers thrive, and their audiences delighted, with our feature-rich solutions.”

    Amagi provides a complete suite of solutions for content creation, distribution, and monetisation  to its global clients including ABS-CBN, A+E Networks UK, beIN Sports, CuriosityStream, Discovery Networks, Fox Networks, Fremantle, NBCUniversal, Tastemade, Tegna, Vice Media, USA Today, and Warner Media, among others. The company will be showcasing its products at the NAB Show 2022 in Las Vegas.

  • What to stream this weekend? Top 8 releases you should look out for

    What to stream this weekend? Top 8 releases you should look out for

    Mumbai: Weekend is here but the increasing temperature is not letting you out to have fun, right? Don’t worry! OTT platforms are all up to help you with a fresh content line up for this weekend.

    With OTT players sorting out your weekend with exciting new titles, you can actually have a good time at home with family and friends. Netflix, Amazon Prime Video and other OTT platforms have new shows and films that you can hook up to right away.

    What makes this weekend special is that platforms have something to offer from all genres including a Hindi thriller “Bachchan Pandey,” the international show “The Kardashians,” a criminal suspense drama “Mai” and many more.

    IndianTelevision.com has jotted down a list of fresh content to watch on different streaming platforms.

    Take a look!

    “The Kardashians” (Disney+ Hotstar)

    If you’re a Kardashian fan and want to peek into their life, “The Kardashians” will be a perfect watch for you this weekend. The show was released on 14 April and you can watch it out on Disney+ Hotstar. The high-profile entertainment series brings on screen some glimpse of the life of Kardhasian sisters- Kourtney, Kim, and Khloé Kardashian, their half-sisters- Kendall and Kylie Jenner, and their mother, Kris Jenner and some of their partners including Travis Barker, Scott Disick, and others. The Kardashians was released on 14 April.

    “Choose or Die” (Netflix)

    “Choose or Die” is a horror thriller starring Asa Butterfield, Iola Evans, Eddie Marsan, and Robert Englund. It is an overwhelming British movie directed by Toby Meakins.

    “Mai” (Netflix)

    “Mai” is one of the most awaited web-series on Netflix. Featuring the popular Indian television actress Sakshi Tawar, the series brings on screen the story of a mother who turns merciless to find her daughter’s killer. “Mai” brings a perfect amalgamation of various emotions for the Indian viewers.

    “Anatomy of a Scandal” (Netflix)

    This anthology drama miniseries developed by David E is a story of a parliamentary minister James Whitehouse is a happily married man with a loving family home, then a scandalous secret comes to light. “Anatomy of a Scandal” is full of drama and suspense to keep you entertained this weekend.

    “Bachchan Pandey” (Amazon Prime Video)

    If you’re a fan of Bollywood, “Bachchan Pandey” will be your perfect resort for this weekend. Starring Akshay Kumar and Kriti Sanon, this film released on 18 March on big screen and is now available on Amazon Prime Video too. It is a story of a budding director trying to research a merciless gangster to make a film on gangster life.

    “Not So Pretty” (HBO Max)

    “Not So Pretty” is a mini TV documentary now available on HBO Max. If you’re looking for a light entertainment option for the weekend, you should definitely watch it. It features an investigation into the trillion-dollar cosmetics, beauty, and personal care industry.

    “Heirs to the Land” (Netflix)

    If you’re a fan of Spanish TV shows you can watch “Heirs to the Land,” which reads as Los herederos de la tierra in Spanish. The series is based on a novel of the same name. It is a well shot Spanish period drama following in the vein of its prequel series, Cathedral of the Sea.

    “Outer Range” (Amazon Prime Video)

    Most awaited American thriller is now live for the audience on Amazon Prime Video. “Outer Range” presents a western family saga with hints of wry humor and supernatural mystery. The first season has a total of 8 episodes, two have released this week. Remaining six episodes will be released in coming weeks, with two each week.

  • OTT, broadband, and ARPU chase

    OTT, broadband, and ARPU chase

    Mumbai: The adoption of streaming in India has happened in stages driven by affordable handsets, cheap data, and most recently the pandemic. While the first two aspects set the stage for global streamers like Amazon Prime Video and Netflix to enter the country, the next few years saw both existing as well as new network and non-network players intensifying the scene.

    Despite Netflix’s admittedly ‘frustrated ambitions,’ India continues to be an attractive market for international OTT brands. NBC Universal’s hayu launched last December, AMC+ in March 2022, and the entry of HBO Max is on the cards. The ‘mainstreaming of streaming’ in India, however, depends in a big way on ‘Bharat’ which will power the next wave of OTT adoption through the ‘regional OTT-local ISP/wired broadband’ combine. And now is the time for it.

    What changed?

    The obvious increase in on-demand content consumption aside, what the pandemic changed at a more fundamental and universal level was that India seems to have reached the point of no return in the context of broadband adoption. Between 2016 and now, broadband has become a utility, and ‘2020’ is to be credited exactly for that.

    This also explains why despite the prepaid tariff hike in November 2021 that led to the gross loss in subscriptions, clean up of low paying, dormant users, and movement to postpaid resulted in higher ARPUs (average revenue per user) for telcos across. A look at the past 10 months of Telecom Regulatory Authority of India (Trai) data shows that wired broadband has grown consistently, while mobile and fixed broadband fluctuated.

    In fact, the sharp rise of 8.24 per cent last December was reminiscent of the increased demand for wired broadband fuelled by work from home, online education, e-commerce and other digital services, as well as online video during the pandemic.  The requirement for cheaper, faster and uninterrupted data, saw wired broadband subscriptions growing by 3.42 per cent post the second wave.

    Mutual advantage

    The shifting of broadband consumption from offices to homes, mobiles to CTVs and urban to rural is bound to create more regional prospects for VoD content providers, as well as smaller ISPs and MSOs that are struggling to maintain their individual existence. The OTT opportunity has contributed significantly to ensuring that players like OneOTT and ACT that thrive on a strong tier 2-3 play in addition to the metros are counted in the league of Reliance Jio, Bharti Airtel, and Vodafone Idea today.

    “We all know that wired broadband is more reliable in terms of speed and quality compared to wireless. But to wire, the whole country is Capex sensitive,” Microscan business head–ISP and director Playbox TV Samson Jesudas says. “The penetration of wired broadband is therefore just about 20 per cent in India. Hence we should appreciate big telcos who are investing huge amounts to wire up the whole country. At the same time, we should ensure the survival of other ISPs in the country.”

    Struggling on account of dropping ARPUs as a result of data prices going down, increased customer acquisition cost, high payback of over 12 months, as well as churn issues, ISPs are in greater need than ever to explore other value-added services as revenue options. In such a scenario, OTT can be the catalyst to promote wired broadband.

    “Today, all telcos and ISPs are bundling OTT content along with their broadband plans. Cable operators have upgraded themselves to ISPs or franchisees of ISPs. Logistically they are in best position to give quality and timely service to end subscribers,” observes Jesudas. “In fact, there has to be a major consolidation of these LCOs and ISPs by telcos and large ISPs,” Jesudas adds.

    In addition to tech and content, partnerships with ISPs are an integral part of ErosSTX’s OTT platform Eros Now’s B2B strategy.

    “Today, content makes up for over 82 per cent of internet consumption which also means more consumption of data and increased ARPUs for ISPs. In other words, ISPs have emerged as a medium for consumers to consume more data,” remarks Eros Now senior VP distribution and alliances Manpreet Bumrah. “We work together with ISPs on innovative modulation of engineered subscription plans with a win-all proposition for the entire ecosystem which includes OTT, ISPs and consumers.”

    Elaborating on the prospects for MSOs, Bumrah shares that there are over 750 million mobile internet consumers in the country today which establishes the fact that India is riding on the internet. However, only 25 million households have access to wired broadband. “With the cable connected to around 200 million houses, there is a huge opportunity for the entire digital media and entertainment ecosystem to grow at the household level,” he says. 

    According to Global Infocom Networks partner and director Harshal Dalal, local ISPs are moving ahead from being vanilla broadband service providers to becoming digital service providers today. “Along with OTT which is proving to be a major stepping stone, diversification is being carried out through other offerings such as insurance and travel & tourism,” he notes.

    Currently associated with over ten OTT platforms, the Global Infocom Networks has been providing quality and cost-effective solutions to ISPs. It aims to bring more awareness to them in terms of customising their offers and penetrating tier 2 and 3 cities in 2022.

    The promise of 100 million ‘TV Nevers’

    In a further boost to digital India, the recent budget promised great leaps in rural broadband connectivity through the government’s flagship programme – BharatNet. It aims to bring broadband to 361,000 villages across 16 states, including 1.37 lakh gram panchayats by 2025.  The new infra-sharing guidelines are also making it feasible for smaller MSO/ISPs to reach remote areas of the country. 

    Commenting on the possibility this creates, Bumrah says, “As internet bandwidth improves, the consumer experience will improve which will further accelerate the uptake of the internet in the country including by the 100 million ‘no TV households’.”

    According to the economic survey released on 31 January, 5.46 lakh km optical fiber cable (OFC) has been laid as of September 2021, a total of 1.73 lakh gram panchayats (GP) have been connected by OFC, and 1.59 lakh gram panchayats are service ready under BharatNet. Combined with the global push for affordable broadband led by the ITU, BharatNet has the potential to revolutionise the telecom sector much in the same way as Free Dish has transformed the broadcasting industry in recent years.

  • Watcho premieres new crime thriller ‘Happy’

    Watcho premieres new crime thriller ‘Happy’

    Mumbai: Streaming service platform Watcho has announced the premiere of a new crime thriller titled “Happy.” The eight-episode Hindi web series is currently live now on the platform.

    “Happy” follows the journey of a chef named Happy Singh who makes his living working as a chef at a girls’ hostel. The show revolves around Happy’s pursuit of happiness, who is known for his grumpy demeanor and extraordinary culinary skills.

    The thriller is written by Hitesh Bali, under the production of Percept Purple. It features Bhagwan Das Patel playing the titular character, alongside Deeksha Sahu – who essays the role of Gunjan, the parallel character. 

    “‘Happy’ is an unconventional crime thriller that comes with a blend of suspense and hard-hitting drama. The series has carefully crafted characters which makes the story delve into the theme of the class divide and how it reflects upon our society,” commented DishTV and Watcho’s corporate head of marketing Sukhpreet Singh. “As a promoter of entertainment, we have always strived to invent and deliver innovative content for our viewers. ‘Happy’ is yet another testimony to our path-breaking content that appeals to regional audiences,” he added.

  • Amazon adds Kannada OTT NammaFlix to Prime Video Channels

    Amazon adds Kannada OTT NammaFlix to Prime Video Channels

    Mumbai: Amazon Prime Video has announced the addition of Kannada video streaming service NammaFlix to Prime Video Channels. Available as an add-on subscription at an introductory price of Rs 299/year, NammaFlix is the tenth channel to launch on the platform. It offers a range of Kannada language content, from films and TV shows to short films across genres, it said.

    In the past few years, Prime Video has been building its library of Kannada content with blockbuster films like “KGF: Chapter 1,” “Roberrt,” “Yuvarathnaa,” and “Kotigobba 3.” The addition of NammaFlix will further increase the choice of Kannada content available to viewers in India.

    “At Prime Video we have worked hard to bring the best of local stories to consumers across the country, expanding the linguistic palette of the Indian video viewing customer. Over the years, we have seen an increasing appreciation for Kannada content, with viewers across the country loving Kannada films on our service,” said Amazon Prime Video India head of Prime Video Channels and Sports Chaitanya Divan.

    “We are now delighted to add NammaFlix to Prime Video Channels, so that customers who enjoy Kannada stories can watch more of what they love. We are certain that Prime Members across the country will value the easy access with add-on subscriptions to NammaFlix’s library that offers Kannada content across genres and formats,” he added.

    “Over the years, Kannada entertainment industry has evolved to offer path-breaking stories that have won the hearts of millions,” remarked NammaFlix CEO Vijay Prakash. “Through our collaboration with Prime Video Channels, we believe that consumers from across the length and breadth of the country will have easy access to discover and watch some of the most popular, local Kannada stories.”

    Besides NammaFlix, customers can also opt for add-on subscriptions of other channels like hayu, discovery+, Lionsgate Play, Docubay, Eros Now, MUBI, hoichoi, Manorama Max, and Shorts TV, available on Prime Video Channels.

  • Here’s how ALTBalaji disrupted AVOD world with new show ‘Lock Upp’

    Here’s how ALTBalaji disrupted AVOD world with new show ‘Lock Upp’

    Mumbai: Streaming platform ALTBalaji recently launched its first reality show “Lock Upp” through an advertising-based video on demand (AVOD) model. The AVOD system allows viewers to access the free original content. This strategic move by ALTBalaji is on its way to set a new benchmark in the Indian entertainment industry.

    The Kangana Ranaut-fronted show turned out to be a great success for the streaming service platform. On the subscription video-on-demand side (SVOD), ALTBalaji has witnessed 36 per cent quarter-on-quarter growth in FY21. In addition, the platform saw a 75 per cent increase in active subscriber base to 2.1 million from 1.2 million last year, compared to the same period the previous quarter in 2020. As a result, the platform has more than 35 million subscribers with nine million monthly active users, according to the streaming service. 

    With over 80 per cent of ALTBalaji’s audience under 35 years of age; an exciting library boasting 91+ original shows and many in the pipeline; a flourishing SVOD business; AVOD is the next step in building the business further.

    For the first time, a platform with no network support has attempted to build an AVOD business, as it garners a record number of views based on the strength of the path-breaking content that it delivers regularly. According to the platform, the goal is to reach out to an even wider audience base, penetrating further into the hinterlands.  

    Speaking on this success, ALTBalaji spokesperson said the introduction of AVOD will not only be an added layer of advertising revenue to existing revenue streams but will also help them drive further subscriber base via cross-sell and up-sell. “We are excited about providing a further simplified and seamless experience with thousands of hours of free content for mass India,” added the spokesperson.

    ALTBalaji has a history of creating ventures and opportunities that are very well received by the audience. Currently catering to an MAU base of 10+million, it has sold 2.9 million subscriptions in H1 alone. The platform sees an audience engagement metric of 83 minutes per day, with different genres catering to varied audiences. According to a recent report by global technology research powerhouse Omdia, AVOD streamers will flourish over the next three years and will hit revenues of almost $260 billion by 2025.

    ​​​​​​

  • ShemarooMe partners with Airtel Xstream to expand its reach

    ShemarooMe partners with Airtel Xstream to expand its reach

    Mumbai: OTT platform ShemarooMe has entered into a partnership with Bharti Airtel’s video streaming service Airtel Xstream Premium to strengthen its presence by tapping into the telecom giant’s over 300 million customer base across India.

    With this partnership, users will get access to ShemarooMe’s content library along with 14 other Indian and global OTTs with a single access login on Airtel Xstream Premium app, available on mobile and large screens (TV, tablet and PC) at Rs 149/month and Rs 1499/year, said the statement. 

    “We are delighted to partner with Airtel Xstream and expand our reach across the country,” said Shemaroo Entertainment CEO Hiren Gada. “The partnership with Airtel will not just enable us to reach out to a wider audience but also allow the users of Airtel Xstream to get access to ShemarooMe’s varied content repository. With this association, we have strengthened our longstanding relationship with Airtel and look forward to more such collaborations.”

    ShemarooMe has a network of over 50 partners across platforms such as e-commerce, banking & payment app, telecom, OEMs, media, and ISPs/broadband.

    “Through this partnership, Airtel customers will get access to ShemarooMe’s entire content library in addition to other OTTs, unlocking the exciting world of video entertainment for India’s growing tribe of digitally connected audiences,” remarked Airtel Digital CEO Adarsh Nair.

  • GroupM launches Finecast in India, brings ‘addressable TV advertising’ to Indian advertisers

    GroupM launches Finecast in India, brings ‘addressable TV advertising’ to Indian advertisers

    Mumbai: GroupM, the media investment group of WPP on Tuesday announced the launch of Finecast in India, a ‘first-to-market addressable TV service.’ It would enable advertisers to target households with relevant TV ads across multiple TV channels, pay-TV platforms and set-top boxes, a range of video on demand (VOD) services, over-the-top (OTT) providers, and game consoles.

    The evolving consumption habits of the audience have given rise to complexities in planning and reaching audiences on TV. Finecast attempts to solve this challenge by providing a single point of access to the whole addressable TV ecosystem, managing distribution and frequency holistically across broadcasters and screens to deliver relevant ads wherever they are viewing content, said the company in a statement.

    “Our key partnerships with best-in-class data providers facilitate intelligent segmentation of audiences by socioeconomics, life-stage and financial behaviours providing highly precise TV audience profiles. This enables Finecast to show different ads to different households who are watching the same TV program, thereby making their advertising more effective and driving cost efficiencies,” it further said.

    “As the largest media advertising company in the world, GroupM is able to create the scale of partnerships required to find relevant audiences in the fragmented TV landscape,” stated  GroupM South Asia CEO Prasanth Kumar. “With finecast, we have partnered the top content providers, broadcasters, platforms and data providers in India to build this market that will inevitably add more value to GroupM’s clients in India.”

    Finecast’s model includes partnerships across leading broadcasters who develop high-quality premium and brand-safe content, as well as distribution platforms with further partnerships to be announced later this year.

    “There is no better time to watch TV, as the ad experience is ore in line with audience content and behaviour preferences,” remarked GroupM president data, performance & digital products Atique Kazi. “We know TV still reigns supreme in India people are just changing the way they consume content. Finecast gives GroupM’s clients a holistic view of, and access to, their audience, regardless of where they are watching.”