Tag: OTT

  • CASBAA Convention Brings Together the Biggest Wave Makers in the Broadcast industry

    CASBAA Convention Brings Together the Biggest Wave Makers in the Broadcast industry

    MUMBAI: The annual CASBAA Convention kicked off today in its new home at the Intercontinental Hotel, Hong Kong. The two-day convention, with the theme ‘Making Waves’ brought together key industry players in the broadcast, cable and satellite industry to discuss and debate the hottest topics and latest developments in the industry today. With the introduction of OTT and digital broadcast services now an established fact, key themes of the day focused on creating quality and relevant content, as well as localization, agile distribution and protection of content.

     

    To kick-start the day, Hong Kong SAR Government chief secretary for administration Carrie Lam, gave an introductory speech where she underscored that the rule of law and freedom of expression were vital to the fundamental strength of the HK broadcast industry. She also highlighted that the HK SAR government believes that investing in creative talent is key to driving growth of the creative industries and so launched the Create Smart initiative which supports students in tertiary education focusing on TV or media studies.

     

    The AOL Digital Prophet David Shing, then looked at content consumption from the audience perspective, highlighting how humans were at the heart of everything and that “technology changes behavior not needs” when looking at the key developments in the digital landscape. Also in a world where people are creating and publishing their own content, it’s important to note that “creativity still rules over technology” as content is now competing with popular culture. China Media Capital Chairman Li Ruigang, commented how there was huge demand from China for premium content yet “while content is important, there is the need to build up a sustainable system to continue to be able to create more content”. Ruigang also discussed how key global partnerships such as Warner Bros, Dreamworks, and Legoland were central to CMC’s strategy of establishing a solid content ecosystem. He also took the opportunity to announce that his company is buying the China Soccer League to further advance the company’s content and distribution strategy.

     

    New content platforms in Asia were discussed when Janice Lee from PCCW gave more detail on the company’s new global Viu OTT platform, announced just yesterday. She mentioned how the company had to become extremely agile in turning around their content in multiple languages to stay competitive as well as beat illegal content, “Windowing has become very important, we get our content out in multiple languages in just eight hours. Historically this didn’t happen, which gave room for piracy.” Mike Hyun-dong Suh of CJ E&M discussed how partnerships were also key to distribution of content, citing a recent collaboration with Japanese app Naver as an example. He also illustrated how taking content offline through events was also important to engage fans. Greg Beitchman from CNN International discussed the need to have content that worked across all their screens and that this was meeting with success. “Digital touchpoints are enhancing our appeal rather than cannibalizing what we do on TV,” he commented. CNNI also commented on localization, highlighting how it had helped make them “more, not less, relevant.”

     

    Alon Shtruzman from Keshet Media, creator of Homeland and other key global formats, maintains that content is, as ever, ‘king’. His company is starting to look further afield for content and he believes ‘Asia is a goldmine for content’ though not without some heavy legwork in understanding what does and doesn’t work in the market.

     

    How to engage with fans with content was discussed by Victorious CEO Sam Rogoway,  who believed their creation of a community of superfans would “change the way fans interact and engage with content.” The inception of the ‘passion graph’ would bring together like-minded individuals that would help drive deeper engagement of content, even when there was no new content available. Distribution of content was discussed by SpaceX President and COO Gwynne Shotwell, who’s company is investigating the feasibility of launching 4,000 satellites into space with a view to connecting people in remote areas throughout the planet.

     

    SeaChange CEO Jay Samit took a hard line on the future of the pay TV business “the pay TV business as we know it is dead. The majority of content is not linear and we need to adapt quickly or die.” With content now being accessed increasingly online, it’s possible to work out who’s watching what at home and provide relevant content based on that. “Pay TV will be completely data driven,” he added. “With social analytics now shaping content offers, the bottom line is you will go out of business if you don’t know who your consumer is.”

     

    Piracy of content was next on the agenda with Mark Mulready of Irdeto showcasing just how difficult it is to distinguish legal from illegal content sites. The Police Intellectual Property Crime Unit example from the UK, where an infringing website list of illegal websites is published and flagged to advertising brands, was flagged a great initiative to disrupt pirate sites. “Through working with the advertising industry, we can remove the incoming revenue to these illegal sites,” commented Det. Chief Supt. David Clark of City of London Police. It was also agreed that it was everyone’s responsibility – whether channel or creator – to protect the value of content. Are Mathisen from Conax AS encouraged all content owners to embrace new technology to combat content theft.

     

    With piracy followed the issue if regulation where Ajit Pai from the US Federal Communications Commission and R.S. Sharma from the Telecom Regulatory Authority of India both agreeing that governments should take a less restrictive approach to regulation to allow new business models to take shape.

     

    A video note from UK actor and writer, James Corden, now host of the US The Late Late Show, concluded today’s session at the convention. Corden discussed how he saw his task was making a brilliant hour of TV every night. “All we really want to do is make a show that is different and feels fresh every night. If you think about it from the internet first then you will come unstuck.” He emphasized the importance of a great creative team and how they try to innovate with new features constantly to be as entertaining as possible. Finally when asked if he was tired doing 44 shows a year, he commented “It’s a luxury to be tired from doing something you love and always dreamt of.”

     

    Sponsors for the CASBAA Convention 2015 include: ABS, Accedo, Akamai, AMC, APT Satellite, AsiaSat, Asia Television Limited, Brightcove, Conax, ContentWise, CreateHK, Discovery Networks Asia-Pacific, Eutelsat, France 24, Ideal Group, InvestHK, Irdeto, ITV Choice, Kantar Media, Letv, Lightning, MEASAT, MediaExcel, One Championship, Patron Spirits, PCCW, PwC, RTL CBS Asia, Scripps Networks Interactive, SES, TIME NOW, The University of Chicago Booth School of Business, Time Warner, True Visions, Turner, TV5Monde and Victorious.

  • Viacom18 christens VOD platform as VOOT

    Viacom18 christens VOD platform as VOOT

    MUMBAI: The digital space in India is going through a revolution of sorts. Broadcasters as well as content companies are firming up their plans to provide content to consumers on the go. The latest to join the bandwagon is Viacom18 Digital Ventures, which has christened its new digital video-on-demand (VOD) platform as VOOT, going by the popular expression used by today’s digital generation to express happiness, enthusiasm and triumph.

     

    Besides being the singular and exclusive destination for Viacom 18 network’s content portfolio, VOOT will also have an aggressive original programming strategy.

     

    The brand identity for VOOT, which is expected to go live in the coming months, has been created by Brand Gym and Elephant Design.

     

    Over the past few months, Viacom18 Digital Ventures has been working with a set of strategic partners on the brand design and logo with the aim of keeping it distinctive, differentiated and in-sync with the brand mission to create a fun filled world of entertainment.

     

    In July, Viacom18 appointed IndiaCast Media Distribution group COO Gaurav Gandhi as the chief operating officer of Viacom18 Digital Ventures. The company also recently mandated Monika Shergill to drive content and programming strategy as content head for the digital business.

     

    Viacom 18 group CEO Sudhanshu Vats said, “As one of the fastest growing media companies in the country, for us at Viacom18, digital content creation, delivery and access are essential focus areas for driving growth. With VOOT, we set out to leverage an already digitally engaged audience with our content offerings. VOOT will not only be the singular and exclusive destination for Viacom18’s content portfolio, but will have an equally strong focus on original programming created especially for the platform. The brand mission of VOOT is to create a whole new world of entertainment, filled with happy discoveries and addictive content.”

     

    Gandhi added, The idea of creating this new brand VOOT comes from our desire to create a new, alternate and differentiated world of entertainment for audiences in the digital space. The core essence of the brand is ‘infectious fun’ and ‘happiness’, and this is something that not only flows through in our bright and colourful logo, but will also resonate in our content philosophy. Just like the expression VOOT, the entire philosophy and experience of the service promises to be joyous and celebratory in nature. The digital video market, both in terms of audiences and revenues, is set to explode over the coming years. VOOT will not only target to gain a sizeable share of this market over the years, but also lead the way and set new trends in original content creation in this space.”

     

    Working with technology, content and branding partners in India and across the globe, VOOT will deliver high quality content to consumers on a wide variety of connected devices over Wi-Fi, 4G, 3G and 2G networks.

  • YuppTV opens on Windows 10

    YuppTV opens on Windows 10

    MUMBAI: YuppTV is one of – the world’s leading over-the-top (OTT) content players for South Asian Content. YuppTV is proud to announce the launch of its app with 200+ Live linear cable networks, 10 days of Catch-up TV and 5,000 Bollywood movie titles on the new Windows 10 Platform. 

     

    The YuppTv app is free to download from the Win 10 store and will be available globally on PCs and Tablets with Windows 10.

     

     The YuppTv App on Win 10 has a simple interface and is user friendly, making it easy to navigate by all age groups. With this App, users of Windows on PCs and Tablets can access YuppTVs incredibly vast offering of South Asian Content.

     

     They can view 200+ channels in 13 South Asian languages available worldwide, as Live TV, 10 days of revolutionary Catch-up TV and unlimited movies in different genres. The technologically advanced App with multi-bit rate feeds enables it to work well on virtually any broadband connection. YuppTV app will soon be coming up with the Digital Living Network Alliance (DLNA) feature which will allow the user to push the feed to TV or other devices that support DLNA.

     

    Speaking about the availability of YuppTv App on the new Windows 10 platform, Mr Uday Reddy said “The YuppTv App now available on Windows 10 Platform, opens up a whole new segment of viewership, utilizing the latest new technology and features to deliver content to our viewers in important markets like India and US. In line with our mission, we continue to upgrade our technology and expand our distribution to give a world class viewing experience to our subscribers, on the device they want, anywhere in the world.”

  • ErosNow user base jumps 58% in six months to cross 30 million

    ErosNow user base jumps 58% in six months to cross 30 million

    MUMBAI: Eros International’s over-the-top (OTT) service ErosNow has now crossed 30 million registered users worldwide as of 30 September, 2015, which is a jump of almost 58 per cent from the figure of 19 million six months back on 31 March, 2015.

     

    The platform’s user base has been steadily increasing over the months. As of 31 December, 2015, ErosNow’s subscribers were at 14 million and touched 23.8 million as of 30 June, 2015, a growth of 25 per cent as compared to 31 March, 2015. 

     

    At last count on 31 July 2015, ErosNow had 26.5 million users. The 30 million registered users for ErosNow represents an approximately 26 per cent increase as compared to 30 June, 2015.

     

    As was previously reported by Indiantelevision.com, the company is eyeing over 100 million registered users with its aggressive content and marketing strategies

     

    The OTT platform’s strategy is to upsell premium subscriptions to the large base. In the future, the services also plans to expand to gaming, e-commerce and other synergistic domains to monetise the large base beyond entertainment.

     

    As was previously reported by this website, ErosNow is planning to launch as many as six new original shows in the near future starring actors like Bipasha Basu, Chitrangda Singh, Radhika Apte, Anil Kapoor, Nana Patekar and Ayushmann Khurrana amongst others.

     

    The company has also introduced its pricing plans for the Indian as well as international markets, which will be rolled out in the coming months.

  • nexGTv launches mobile TV entertainment packs in India

    nexGTv launches mobile TV entertainment packs in India

    MUMBAI: nexGTv has launched mobile TV entertainment packs for subscription driven video entertainment platform in the Over-The-Top (OTT) domain for the first time in India.

     

    It will offer multi-duration packs to expand portfolio, provide consumer choice and boost subscriber retention.

     

    The packs vary in subscription duration for covering three months, six months, and twelve months are priced Rs 349, Rs 699 and Rs 1199 respectively. The packs, containing download, subscription and activation-related information will enable consumers to start their subscriptions on the mobile platform within minutes.

     

    Digivive Services director and CEO GD Singh said, “Mobile VAS, especially TV-on-mobile is fast approaching an inflection point with consumers seeking empowerment and the ability to own their buying decision in terms of opting-in for product and service subscriptions. At the same time, convenience remains paramount for every consumer. Our entertainment packs meet both these needs and will help in not only smoothing and extending the customer’s experience and life cycle on nexGTv but also bring-to-life the entire mobile entertainment experience, which until now, was solely driven via telco partnerships.”

     

    Singh added, “As an OTT industry pioneer and market leader having served more than 20 million customers, we are expected by our customers to keep innovating and stay ahead of the curve. The industry is rapidly transitioning into an FMCG- avatar and our extended duration packs complement this development, as consumers can now not only buy entertainment off the shelf but, can even gift it to one another. With mass 4G around the corner and 3G & smart phones becoming almost default modes of connectivity across key markets, Mobile TV & video entertainment is permeating people’s lives like never before and we are on the cusp of massive growth in this area.”

     

    nexGTv operates on freemium model and offers multiple options to stay subscribed to its entertainment mix, which includes over 130 plus live TV channels, Hindi films, television shows as well as VOD content. 

     

    Apart from revitalizing consumer engagement, these newly-launched subscription packs will enable nexGTv to target current and upcoming consumer touch points across both retail and e-tail markets. It will undertake alliance partnerships with leading industry brands and will empower customers, enabling voluntary subscription opt-ins.

  • YuppTV launches in India; to raise $50 million for expansion

    YuppTV launches in India; to raise $50 million for expansion

    MUMBAI: The OTT (over-the-top) game in India just got more competitive. US-based YuppTV, an internet based TV streaming service provider has launched its service in India and is planning to raise $50 million to fund its expansion plans.

     

    At the launch of the service in Hyderabad, YuppTV founder and CEO Uday Reddy said that while the company had raised $11 million so far, an additional $50 million will be raised over the next three – four months.

     

    While last year, the company’s turnaround was $15-16 million, Reddy said that in the current financial year YuppTV had set a target of $20-30 million.

     

    Yupp TV will offer 200+ channels in 12 languages. Apart from the Live TV experience, it will also offer Catch-Up TV technology for the first time in India where viewers can watch TV content from the past seven days.

     

    Viewers will also have access to more than 5000 movies and hundreds of TV shows. As part of the Video-On-Demand (VOD) service, YuppTV has over 25,000 hours of video content in its catalogue. The company claims that it adds 2500 hours of content every day.

     

    Some of the unique features that the service will provide to enhance TV viewing experience are: (1) real time recommendations on most trending Live TV channels using advanced analytics, (2) Timeshift technology that enables broadcasters to provide viewers capability to pause and rewind live TV for upto two hours. If viewers are late for a TV show, they can watch the same from the beginning using this start over feature.

     

    YuppTV service is accessible on smart TVS, smart phones, tablets. The app can be downloaded on Android & iOS devices.

     

    Given the limited high speed Internet infrastructure in India, YuppTV will use adaptive bit rate technology to give viewers a buffer-less TV viewing experience.

     

    Reddy said, “There’s no other platform where you can watch linear TV, catch-up, videos, movie on demand and TV shows. We are breaking stereotypes, disrupting the market with OTT technology, providing easy access to unlimited content over public internet.”

     

    Also present at the launch were Telangana Information Technology Minister K.T. Rama Rao, cricket legend Brian Lara and actress Parineeti Chopra.

     

    Rao said, “It is a privilege to support YuppTV, a company whose 97 per cent employee base operates from Hyderabad made to Top 100 companies of North America, getting a Red Herring award in 2015. Launch of YuppTV OTT services is in line with our vision to foster growth of Digital India. Over the past few years technology has been changing lives and YuppTV service is one of those innovations fuelling this change.”

     

    Lara, who is the brand ambassador of YuppTV in Trinidad, added, “I feel excited to be part of YuppTV’s launch in India. With just one touch of entertainment, YuppTV is providing a phenomenal change in Trinidad with high quality internet TV service and I hope to see the same in India.”

     

    Chopra added, “I like to listen to music and have other entertainment whole day. When I am travelling abroad, YuppTV app is just a click away, providing me with Bollywood news and the latest feeds I want. Finally, I can look forward to experience the same now in India! Glad to have been part of this launch.”

  • ErosNow readies six original shows with big stars; to adopt tiered premium pricing model

    ErosNow readies six original shows with big stars; to adopt tiered premium pricing model

    MUMBAI: As digital players strengthen their content, pricing and marketing strategy in the country with the impending opportunity that will be provided by 4G players, Eros International’s over-the-top (OTT) platform ErosNow has readied as many as six original made-for-digital shows.

     

    The shows will be young, fresh and edgy, which will be a differentiator from traditional television programming. Additionally, being a major player in the Indian film industry, Eros has also roped in big actors namely Bipasha Basu, Chitrangda Singh, Radhika Apte, Anil Kapoor, Nana Patekar and Ayushmann Khurrana amongst others to star in the digital shows.

     

     

    PRICING MODEL

     

    In a highly-competitive market place, ErosNow’s strategy will be to garner a large user base and migrate users to pay platform by offering premium services. The OTT platform plans to monetise its 26.5 million users under a tiered premium pricing model: (1) Advertising revenue, (2) Transaction revenue: ‘Pay As You Go’ model, (3) International Premium single tier subscription service priced at $7.99 per month and $79.99 per year, and (4) Indian quasi-premium two-tiered subscription service priced at Rs 50 and Rs 100 per month.

     

    While internet penetration is still in its early stages in India, the country’s digital ad market is poised to reach $2.8 billion by 2020 and ErosNow is eyeing a chunk of this revenue. In India, ErosNow will offer two pricing models. While in the Rs 50 per month subscription package, users can have access to all new content ad free content with subtitles, the Rs 100 per month model content will additionally also offer portability and HDTV content.

     

    The ‘Pay As You Go’ pricing model will have weekly, monthly and series passes.

     

     

    ORIGINAL SHOWS

     

    Upping the ante on original content, the six new shows, which will soon be loaded on ErosNow are of the thriller and drama genres and range from eight – twelve episodes. Boasting of big names from the Indian film industry, the shows are likely to pull in audiences on the platform.

     

    The first show is a thriller titled The Clients starring Bipasha Basu and will have 12 episodes. The show is based in the posh ‘murky’ corridors of power in Delhi, amidst rich industrialists and powerful politicians, where a woman uses the power of her body, mind and soul to clean their mess…or does she have another agenda?

     

    The second thriller is titled Khel and stars Chitrangda Singh. The 10 episodes show gives an insider’s look at the world of Indian Premier League (IPL), and the various stake holders in it. It will offer a behind-the-scenes story of the IPL match-fixing, politics, controversies. Drugs, sex, big money & criminal syndicates all play a big part. The real games are played not on, but off the field…beyond the boundaries.

     

    The third drama titled Legacy has the tagline – ‘When Music Demands Blood’ and will star names like Anil Kapoor, Nana Patekar and Ayushmann Khurrana amongst others. The 10 episodes show focus on the music industry wherein a young man arrives from nowhere and takes the music industry by storm. But he has a secret hidden agenda – to destroy the country’s biggest music label by creating his own.

     

    The Radhika Apte starrer Lost, will be an eight episodes thriller, which will revolve around an eight year old girl who goes missing. Her NRI parents are forced to seek the help of a suspended female cop in their search for her. An ex-human trafficker is blackmailed to join the search or else risk his sinful past catching up with him.

     

    The fifth show is a drama called Showtime, which will take a look at the 1960s golden era of Bollywood and all that goes in front as well as behind the camera. The eight episodes drama will showcase legendary men and women of the era, their love stories, heartbreaks and more.

     

    The sixth show in the young drama genre is Sanjay Leela Bhansali’s Fairytale. Bhansali will revisit the most popular fairytales set in modern day India in the show spanning 12 episodes. Planned in the seasons format, each season of the show will recreate one fairytale with dazzling visuals in the form of a musical with a definite twist in the tale.

     

    As part of its content strategy for original programming, ErosNow will develop shows in the various genres like drama, fiction, reality and comedies. Additionally, the OTT platform is also eyeing remakes from hit international series.

     

    Targeting key markets like India, Australia, South East Asia, Middle East, Europe and America where there is demand for Indian content and stars from the Indian diaspora, ErosNow will take a 360 degree marketing approach utilising the medium of television, cinema, radio, print, outdoor, social media and advertising networks to promote its offerings. 

     

     

    ADVERTISING MODEL

     

    ErosNow will be moving away from the CPM rates and YouTube type inventory monetisation. The service will have selective premium advertisers and synergise partnerships with celebrities endorsing brands. Apart from having pre-rolls and other real estate on the player, ErosNow will have sponsorships rather than spots and offer higher ad premium based on levels of interactivity and user engagement. It will also look at in-film placements in movies and original series.

     

     

    PARTNERSHIPS

     

    Being platform agnostic, ErosNow will collaborate with telecom companies, cable and DTH platforms, original equipment manufacturers (OEMs) like TV, connected and personal devices as well as with others like broadband companies and the Indian Railways to be present across maximum platforms.

     

    ErosNow has inked marketing and distribution “carriage” with all major cable operators in India. It has also integrated with DTH players in India to capture digitisation trend. Moreover, the company has also inked cable partnerships in all major markets including US, Canada, Middle East & SE Asia.

     

    For OEMs, ErosNow has partnered with some television manufacturers so all major smart TVs will have the app and will offer cross-promotions worldwide. ErosNow content and apps will be featured on all connected devices worldwide.

     

    ErosNow has also inked carriage and cross-promotion deals on mobile handsets pre-loaded with the ErosNow app. In one such deal, Karbonn will soon be launching one million smart phones with the ErosNow app embedded in it.

     

    In a deal with the Indian Railways, the OTT platform is now also the exclusive content partner for entertainment rollout in thousands of railway stations in India with RailTel. What’s more, with Google poised to boost railway Wi-Fi rollout, this will receive a huge impetus.

     

    Additionally, ErosNow app is also offered in bundle deals with major broadband players in India.

     

    Internationally, distribution partnerships have been inked with cable companies as well as new platforms in the the US. Partnerships are also in place with major telecom providers in over 50 countries.

     

    OUTLOOK

     

    Apart from original programming, the content mix on ErosNow will also comprise movies, television and music. As was reported earlier by Indiantelevision.com, ErosNow has acquired the UK based company PingTune to enhance its music offering.

     

    Eros is also looking at carving a new window for movie premieres on ErosNow between the theatrical release and television airing. It may be recalled that Star India recently premiered Bajrangi Bhaijaan on television first and then put the movie exclusively on its OTT platform Hotstar.

     

    ErosNow is one of the pivotal pillars of Eros International’s growth and profitability plans. The company’s aim is to maximise the full potential of its direct to consumer business and aims to garner over 100 million registered users. ErosNow’s strategy is to upsell premium subscriptions to the large base. In the future, the services also plans to expand to gaming, e-commerce and other synergistic domains to monetise the large base beyond entertainment.

    With numerous OTT players like Star India’s Hotstar, Multi Screen Media’s Sony Liv, Zee Entertainment’s DittoTV, HooQ, BoxTV, Big Flix, Balaji Telefilms’ yet to launch OTT platform etc, looking to ride the OTT bus, ErosNow is gearing up to clinch the first-movers’ advantage with its aggressive plans in the space.

  • Eros acquires UK based PingTune to strengthen music offering on OTT

    Eros acquires UK based PingTune to strengthen music offering on OTT

    MUMBAI: Eros International has acquired the UK based music messaging company PingTune, which allows people to discover, share and listen to music through their app on iOS & Android.

     

    The PingTune acquisition provides Eros’ digital platform ErosNow with a first mover advantage in building a differentiated, one-of-a-kind music experience in India.

     

    The PingTune platform allows a deeper social connection between music, fans, and artists. It allows fans to discover, share and listen to music through their app. In addition, PingTune enables artists to create and own official profiles so that they can interact and deliver content directly to fans.

     

    “Music plays an incredibly important role in Bollywood films. We believe our acquisition of PingTune extends our already robust music offering, and is an excellent addition to the ErosNow platform, adding features and functionality that provide our users with a highly differentiated music experience. PingTune adds a deeper level of social connectivity by eliminating the boundary between artists and fans, and allowing users to connect with artists in a more meaningful and enjoyable way,” said Eros Digital CEO Rishika Lulla Singh.

     

    “Eros has always been at the forefront of Indian media and entertainment, adapting new technology to enable fans to experience content in new ways. Their online platform, ErosNow, is a great example of this. We are very excited to partner with Eros in this age of bite-sized content and mobile connectivity, where a content sharing experience for consumers is extremely valuable. Eros’ massive audience and existing relationships with artists will allow PingTune to achieve tremendous scale and visibility worldwide,” added PingTune founder and CEO Henry David Firth.

     

  • Will Mukesh Ambani’s Reliance Jio do what Bill Gates’ Windows did?

    Will Mukesh Ambani’s Reliance Jio do what Bill Gates’ Windows did?

    MUMBAI: Computer in its early days was only used by government organisations for various defence purposes. The size of the device kept getting smaller as generations passed by and now, deemed as a necessity, it is omnipresent in almost every house. But what opened the floodgates for computer in every house almost twenty years ago in 1995 was Bill Gates’ Windows 95.

    Cut to 2015 and the present scenario in India. The current fad, which might just be here to stay, are Over The Top (OTT) players. Media and entertainment content companies are bullish on the OTT scenario and multiple apps have mushroomed left, right and centre over the last few months. However, they haven’t yet managed to augment a revolution of sorts by their services, thanks to the poor infrastructure support in the country. The broadband or mobile internet bandwidth is, on the one hand, too slow to offer a good viewing experience and on the other, it is also very expensive.

    The country currently has more than 350 million internet users and the number is expected to reach 640 million by 2019, of which 528 millions are estimated to be wireless consumers as per a report by KPMG.

    The growth rate of smartphones and tablets is also very encouraging for the video on demand (VOD) ecosystem. The number of tablets in India is is expected to be more than 18 million by 2019, according to the US-based firm’s Visual Networking Index (VNI) global mobile data traffic forecast for 2014 to 2019.

    The report said that in India, the number of smartphones grew 54 per cent during 2014, reaching 140 million in number and the number of smartphones will grow 4.7-fold between 2014 and 2019, reaching 651 million in number.

     What Colors CEO Raj Nayak has to say is by far the most apt depiction of the Indian OTT ecosystem in the current scenario. “The only reason why digital has not yet taken off in  India is because of the bandwidth issue. If any service can resolve that issue, it will be a complete game changer. There will be a leapfrogging of content consumption in mobile devices be it smartphones or tablets,” he opines.

     

    And addressing that issue soon will be Mukesh Ambani’s ambitious project Reliance Jio.

    Reliance Jio is Ambani’s visionary mission of spreading internet to every nook and corner of the country. Industry watchers say that the organisation in entering the market with a ginormous corpus fund of approximately Rs 70,000 crore. Under the able leadership of cable industry veteran K Jayaraman as CEO of Reliance Jio, the company has now started to take the aerial route to fast forward proceedings. It is now connecting pole to pole through cable in order to spread deep and fast.

    Jio is also teaming up with multiple last mile owners (LMOs) to expedite execution. As was reported earlier by Indiantelevision.com, Reliance is planning to carry out Jio’s soft launch on the occasion of Dhirubhai Ambani’s birth anniversary on 28 December this year. 

    Speculations are also rife that Reliance Jio is planning to unleash its services with affordable pricing, which will no doubt disrupt the market. “The focus with Jio is not money but the vision that we have. The pricing and speed will surprise many,” said a source close to the development.

    The question on every one’s lips is: Will Reliance Jio resolve bandwidth issues in the country? Moreover, will Mukesh Ambani’s Jio do what Bill Gates’ Windows did?

    Indiantelevision.com spoke to multiple industry stakeholders to ascertain their expectations. Here’s what they had to say: 

    Spuul Global CEO Subin Subaiah says, “Give a consumer higher speed at lower costs, and it gives him a huge incentive to consume more content – especially video – online. We  are watching Reliance Jio’s launch with keen interest, which should lead to other service providers following suit – creating a market where data costs and speeds are not an  impediment to consumption.”

     

     

    Reliance Industries’ latest AGM grabbed Eros Now COO Karan Bedi’s attention. “Mr Ambani in their AGM announced that they are rolling out Reliance Jio in December and that’s  a very positive move. The statement made Airtel roll out their 4G services immediately and the service is good. Other telcos are also planning to unleash their services soon. So  overall it’s certainly a move towards the positive side,” he says.  

     

    ”Bandwidth has been an issue for OTT services and we are looking forward to the new launch of Reliance Jio. Hope it turns out to be a consumer friendly proposition. Any improved internet service will certainly help the ecosystem,” asserts Zee Digital Convergence Limited CEO and India web portal CEO Debashish Ghosh.

     

     

    #Fame CEO Saket Saurabh adds, “We are waiting for the launch. Let’s see how it goes. If the internet infrastructure develops, it will be good for the entire ecosystem.”  

     

     “From a consumer perspective, 4G would more be a network bandwidth problem solver and hence would immensely expand the experience of browsing and interacting with  mobile internet products. And from a digital and mobile player perspective, I expect 4G to significantly enhance the reach and innovation in the mobile video ecosystem. Today,  Indian online users watch approximately 40 per cent of YouTube videos on their mobile phones even when the experience is not the best and I am really looking forward  to Reliance Jio’s launch. Any new player disrupting the mobile ecosystem adds a new dimension to the environment. So from a consumer perspective, just as Monsoon Dhamaka  was a massive disruption to making mobile phone accessible to all, I expect 4G launch of Reliance to be also a dhamaka for the consumer and the mobile marketing,” opines Madhouse South Asia COO Milind Pathak.

     

     

    Ping Network CEO Rajashree Naik adds, “Even a marginal shift in internet speeds will have a significant impact in data consumption – for us in the video space, there is a relevant link between consumption and speeds. For everyone in the internet and content space, if the consumer experience is enhanced because of speeds much of our own    business metrics will change. So whether it is Jio or any other data options that will make it cheaper to consume and remove the buffering hurdle, will certainly be something to look forward to.”  

    Even as the stage is set for Reliance Jio’s disruptive entry into the Indian telecom market, rivals are gearing up to fire their respective salvos. While India is waking up to some interesting times ahead in the telecom space, what each one does to change the ecosystem, only time will tell.

  • IOC proposes Olympic OTT channel, plans to firm up by Dec

    IOC proposes Olympic OTT channel, plans to firm up by Dec

    NEW DELHI: An Olympic television channel is to commence telecast from next year as an OTT service.

     

    The International Olympic Committee (IOC) has said it will present Olympic sports 24 hours per day to make the Olympic Games more attractive for young people.

     

    According to IOC president Thomas Bach, the channel will show a mixture of live sports, stories about athletes and volunteers, news and background information.

     

    During the Olympic Games in London in 2012, the IOC had reached out to young people via mobile apps. Following the launch of the global channel in English, collaborations with domestic TV channels in the local language should be possible, Bach said.

     

    Bach told German media that the Olympic Channel is being set up in Madrid with around 120 employees and will show a mixture of live sports, back stories of athletes and volunteers, and background information.

     

    A meeting of the IOC’s Executive Board in Montreux, Switzerland, recommended that an all-year Olympics TV Channel be set up.

     

    The IOC has recommended that the proposal be put before the full IOC membership, which is meeting on 8 and 9 December in Monaco for approval.

     

    An IOC statement said it would be contacting “all the relevant stakeholders” over the next few months to gather their opinions and further develop the concept prior to making a decision in December.

     

    The aim of the plan is to appeal to some of the four billion viewers who watch the Olympics when the event takes place, and to help focus viewers on the less popular sports, which tend not to get coverage in between the main Olympics coverage.

     

    One report from the meeting recently of Olympic Games leaders and supporters in Switzerland was that the IOC would act as the moderator or facilitator of the channel, but its national sports federations, national committees as well as broadcasters and sponsors would participate.