Tag: OTT

  • Amazon India seasonal sale boosts Prime Video subscribers

    Amazon India seasonal sale boosts Prime Video subscribers

    Mumbai: Amazon’s bet seems to have paid off. In the past few weeks, it has been accumulating original content and striking content licensing deals. Amazon had been firming up its content strategy by tying up with several Bollywood production houses for original TV shows and films while it was gearing up for its Prime Video service launch in India. Among the few notable deals it has made were with Dharma Productions and T-Series. Amazon Prime Video, the paid subscription service of Amazon India, yesterday emerged as the highest selling product for the e-tailer.

    Amazon’s five-day festive season sale period ended on Wednesday, and one out every three units sold was membership of Prime Videos, Amazon India country manager, Amit Agarwal, told FE. The e-tailer moreover claims to have sold more than 5 million units over a period of five days. The paid subscribers of Amazon Prime will be default users of the video streaming service called Prime Videos.

    After the entry of global video over-the-top (OTT) player like Netflix in India early this year, Amazon is the second large player to announce the launch of its video streaming service in India. Amazon India is presently selling the membership at a 50 per cent discounted rate of Rs 499 for a year.

    “Despite a slump in the market, Amazon India has been growing at a rate of 150% over the the last three years. This sale was three times bigger and 30 times bigger than last Diwali,” said Agarwal. Mobile, fashion and lifestyle and Fast Moving Consumer Goods (FMCG) were the other top selling categories on the platform during the sale period.

    The e-tailers claim that mobile saw a five times jump in number of orders placed apart from television which grew by 25 times. While large appliances saw a seven times growth in terms of sale.

    According to Agarwal, the platform saw a five times growth in the number of new customers who came online to shop, compared to last year. Tier 2 and smaller towns contributed to 70% of the orders. Agarwal added that during the festive season sale period, Amazon continued to witness high traffic both on the website as well as on its mobile app. “80% of the traffic came through mobile. In fact, the app recorded seven time growth in direct traffic,” he explained.

    Amazon has also signed deals with Excel Entertainment to create original TV shows for the platform and with Vishesh Films for its film catalogue. Given the backdrop of competition in the OTT space, Amazon is also reportedly participating in the IPL tender with a keen interest to bid for the digital rights.

    As a result of the partnerships with T-Series, Amazon Prime members would soon enjoy a wide variety of some of the best Bollywood movies in the country, all within a few weeks of their theatrical release, said Amazon Video India director and country head Nitesh Kripalani.

    Amazon CEO Jeff Bezos had announced that the company would be investing an additional $3 billion in India, taking the total investment to more than $5 billion. It reportedly plans to invest around $300 million in producing original content for India. Amazon had launched its Prime subscription service in India in July.

  • Amazon India seasonal sale boosts Prime Video subscribers

    Amazon India seasonal sale boosts Prime Video subscribers

    Mumbai: Amazon’s bet seems to have paid off. In the past few weeks, it has been accumulating original content and striking content licensing deals. Amazon had been firming up its content strategy by tying up with several Bollywood production houses for original TV shows and films while it was gearing up for its Prime Video service launch in India. Among the few notable deals it has made were with Dharma Productions and T-Series. Amazon Prime Video, the paid subscription service of Amazon India, yesterday emerged as the highest selling product for the e-tailer.

    Amazon’s five-day festive season sale period ended on Wednesday, and one out every three units sold was membership of Prime Videos, Amazon India country manager, Amit Agarwal, told FE. The e-tailer moreover claims to have sold more than 5 million units over a period of five days. The paid subscribers of Amazon Prime will be default users of the video streaming service called Prime Videos.

    After the entry of global video over-the-top (OTT) player like Netflix in India early this year, Amazon is the second large player to announce the launch of its video streaming service in India. Amazon India is presently selling the membership at a 50 per cent discounted rate of Rs 499 for a year.

    “Despite a slump in the market, Amazon India has been growing at a rate of 150% over the the last three years. This sale was three times bigger and 30 times bigger than last Diwali,” said Agarwal. Mobile, fashion and lifestyle and Fast Moving Consumer Goods (FMCG) were the other top selling categories on the platform during the sale period.

    The e-tailers claim that mobile saw a five times jump in number of orders placed apart from television which grew by 25 times. While large appliances saw a seven times growth in terms of sale.

    According to Agarwal, the platform saw a five times growth in the number of new customers who came online to shop, compared to last year. Tier 2 and smaller towns contributed to 70% of the orders. Agarwal added that during the festive season sale period, Amazon continued to witness high traffic both on the website as well as on its mobile app. “80% of the traffic came through mobile. In fact, the app recorded seven time growth in direct traffic,” he explained.

    Amazon has also signed deals with Excel Entertainment to create original TV shows for the platform and with Vishesh Films for its film catalogue. Given the backdrop of competition in the OTT space, Amazon is also reportedly participating in the IPL tender with a keen interest to bid for the digital rights.

    As a result of the partnerships with T-Series, Amazon Prime members would soon enjoy a wide variety of some of the best Bollywood movies in the country, all within a few weeks of their theatrical release, said Amazon Video India director and country head Nitesh Kripalani.

    Amazon CEO Jeff Bezos had announced that the company would be investing an additional $3 billion in India, taking the total investment to more than $5 billion. It reportedly plans to invest around $300 million in producing original content for India. Amazon had launched its Prime subscription service in India in July.

  • MIPCOM: Keshet gives New Form to digital scripts

    MIPCOM: Keshet gives New Form to digital scripts

    MUMBAI: Global production and distribution powerhouse Keshet International (KI) and New Form, announced a partnership to distribute three of the latter’s millennial- and youth-targeted digital scripted series, launching them to buyers at MIPCOM. KI will seek out both linear TV and digital opportunities for the series internationally.

    KI will offer New Form’s comedy, sci-fi adventure and dark thriller series, all of which are available or soon to premiere in the US on Verizon’s go90 mobile OTT platform, as part of a 20-plus title MIPCOM slate that is Keshet’s largest, most distinctive and diverse ever.

    New Form produces content for mobile-friendly platforms and premium destinations hungry for high-quality content with great stories and value. In addition to go90, the destinations include Vimeo, Refinery29, Fullscreen, YouTube Red and CW’s The Seed.

    “New Form has been at the forefront of creating original premium digital content for new OTT players in the US,” said Keshet International digital & acquisitions SVP Sebastian Burkhardt.

    “With these three remarkable new series, we now have the unique opportunity to expand their reach beyond the booming US market to both linear TV networks – with reformatted 30- and 60-minutes versions – and OTT services throughout the rest of the world.”

    “Partnering with Keshet on the international distribution of three of our signature series is a significant step forward for our long-term strategy of creating, producing and distributing high-quality programs that have wide millennial appeal across multiple viewing platforms around the world,” said New Form business development SVP JC Cangilla.

    Two of the three New Form series appearing at MIPCOM have already premiered on go90 in the US: The high school comedy Mr. Student Body President – A charismatic student body president and his Machiavellian chief of staff give “high school politics” a new meaning as they battle for power over pep rallies, gossip, and grades, with all the ambition and fervor of hardened Washington operatives. Starring Jeremy Shada (Adventure Time, Parenthood, ParaNorman), Arden Rose (1.3 million YouTube subscribers) and Christina Moore (True Blood, That 70s Show, MADTV).

    The Streamy Award-nominated sci-fi adventure MISS 2059 – An intergalactic sci-fi adventure about a beauty queen on Earth who is mistakenly selected to represent humanity in a life-or-death Galactic tournament. Starring Anna Akana (1.4 million YouTube subscribers, Ant Man, The Fosters), Nikki Soohoo (The Lovely Bones, Stick It, Private Practice) and Hartley Sawyer (Geek & Sundry’s “Caper”, The Young and the Restless, The McCarthys).

    KI will also offer Cold, set to premiere in the US on go90 this month on October 13:

    Her mother brutally murdered… her father in prison for the horrific crime… 16-year-old Isla Wallis returns to her remote hometown to discover the truth about what really happened to her family. Now, alone and abandoned in the icy wilderness, Isla will be pushed to the edge of survival as she fights to expose the killer and save more than just her own life. Starring Annalise Basso (Captain Fantastic, New Girl, Ouija 1 & 2, Oculus, True Blood), Todd Lowe (Gilmore Girls, True Blood, Criminal Minds, NCIS), Jim True-Frost (The Wire, Boardwalk Empire, Hostages), and Marcus Johns (6.5 million Vine followers, Expelled, Rock of Ages)

    Additionally, Keshet will be adding a homegrown series, Aces to the list of digital offerings on their full MIPCOM slate. Created by Moti Adiv, Yoni Zicholtz and Jonathan Bar Ilan and produced by Keshet Broadcasting, Aces quickly became Israel’s number one digital series and subsequently migrated to Keshet’s linear channel. The show provides a hilarious fly-on-the-wall peek into the world of five poker buddies when they let loose during their Friday night card game.

  • MIPCOM: Keshet gives New Form to digital scripts

    MIPCOM: Keshet gives New Form to digital scripts

    MUMBAI: Global production and distribution powerhouse Keshet International (KI) and New Form, announced a partnership to distribute three of the latter’s millennial- and youth-targeted digital scripted series, launching them to buyers at MIPCOM. KI will seek out both linear TV and digital opportunities for the series internationally.

    KI will offer New Form’s comedy, sci-fi adventure and dark thriller series, all of which are available or soon to premiere in the US on Verizon’s go90 mobile OTT platform, as part of a 20-plus title MIPCOM slate that is Keshet’s largest, most distinctive and diverse ever.

    New Form produces content for mobile-friendly platforms and premium destinations hungry for high-quality content with great stories and value. In addition to go90, the destinations include Vimeo, Refinery29, Fullscreen, YouTube Red and CW’s The Seed.

    “New Form has been at the forefront of creating original premium digital content for new OTT players in the US,” said Keshet International digital & acquisitions SVP Sebastian Burkhardt.

    “With these three remarkable new series, we now have the unique opportunity to expand their reach beyond the booming US market to both linear TV networks – with reformatted 30- and 60-minutes versions – and OTT services throughout the rest of the world.”

    “Partnering with Keshet on the international distribution of three of our signature series is a significant step forward for our long-term strategy of creating, producing and distributing high-quality programs that have wide millennial appeal across multiple viewing platforms around the world,” said New Form business development SVP JC Cangilla.

    Two of the three New Form series appearing at MIPCOM have already premiered on go90 in the US: The high school comedy Mr. Student Body President – A charismatic student body president and his Machiavellian chief of staff give “high school politics” a new meaning as they battle for power over pep rallies, gossip, and grades, with all the ambition and fervor of hardened Washington operatives. Starring Jeremy Shada (Adventure Time, Parenthood, ParaNorman), Arden Rose (1.3 million YouTube subscribers) and Christina Moore (True Blood, That 70s Show, MADTV).

    The Streamy Award-nominated sci-fi adventure MISS 2059 – An intergalactic sci-fi adventure about a beauty queen on Earth who is mistakenly selected to represent humanity in a life-or-death Galactic tournament. Starring Anna Akana (1.4 million YouTube subscribers, Ant Man, The Fosters), Nikki Soohoo (The Lovely Bones, Stick It, Private Practice) and Hartley Sawyer (Geek & Sundry’s “Caper”, The Young and the Restless, The McCarthys).

    KI will also offer Cold, set to premiere in the US on go90 this month on October 13:

    Her mother brutally murdered… her father in prison for the horrific crime… 16-year-old Isla Wallis returns to her remote hometown to discover the truth about what really happened to her family. Now, alone and abandoned in the icy wilderness, Isla will be pushed to the edge of survival as she fights to expose the killer and save more than just her own life. Starring Annalise Basso (Captain Fantastic, New Girl, Ouija 1 & 2, Oculus, True Blood), Todd Lowe (Gilmore Girls, True Blood, Criminal Minds, NCIS), Jim True-Frost (The Wire, Boardwalk Empire, Hostages), and Marcus Johns (6.5 million Vine followers, Expelled, Rock of Ages)

    Additionally, Keshet will be adding a homegrown series, Aces to the list of digital offerings on their full MIPCOM slate. Created by Moti Adiv, Yoni Zicholtz and Jonathan Bar Ilan and produced by Keshet Broadcasting, Aces quickly became Israel’s number one digital series and subsequently migrated to Keshet’s linear channel. The show provides a hilarious fly-on-the-wall peek into the world of five poker buddies when they let loose during their Friday night card game.

  • YuppTV set to close Rs 100-crore plus funding

    YuppTV set to close Rs 100-crore plus funding

    MUMBAI: The OTT video space is slated to get hyper-competitive with a slew of broadcaster-led players and even deep-pocketed telcos haring into it. YuppTV, one of the early movers, has now decided to fortify its financial resources in a bid to face the onslaught.

    The company – led by Uday Reddy – says it is on the threshold of closing its second round of funding which will see it adding funds running into three digit crore to its kitty. Speaking to Hindu BusinessLine, Reddy said that the company has already pocketed $15 million in its Series A, and was about to close its next round of fund-raising.

    Reddy sees the market heading toward consolidation. “We are contemplating acquiring a firm to strengthen our leadership,” Reddy informed BusinessLine. YuppTV has also appointed the Telugu superstar Mahesh Babu as its brand ambassador.

    It offers a bouquet of services including 200 TV channels, seven-day catch-up TV, 100-plus TV shows, and 5,000 plus movies as a VOD service. Its subscription packages vary from Rs 5 a day to Rs 30 a week to Rs 99 a month.

    YuppTV is taking a major step with making Babu the ambassador. Babu is a big name of Tollywood, and it is sure that the collaboration will work great for the promotion of the channel.

    The web portal of YuppTV was established in 2006, offers more than 898 Indian TV Channels in 13 languages that include Kannada, Hindi, Telugu, Malayalam, Bengali, Marathi, Oriya, Gujarati, Punjabi, Sinhalese, Urdu and English. The best part of YuppTV is it allows access through 25 devices to six screens, Internet STBs, connected TVs, PCs, smart phones, smart BluRay players, gaming consoles and tablets.

  • YuppTV set to close Rs 100-crore plus funding

    YuppTV set to close Rs 100-crore plus funding

    MUMBAI: The OTT video space is slated to get hyper-competitive with a slew of broadcaster-led players and even deep-pocketed telcos haring into it. YuppTV, one of the early movers, has now decided to fortify its financial resources in a bid to face the onslaught.

    The company – led by Uday Reddy – says it is on the threshold of closing its second round of funding which will see it adding funds running into three digit crore to its kitty. Speaking to Hindu BusinessLine, Reddy said that the company has already pocketed $15 million in its Series A, and was about to close its next round of fund-raising.

    Reddy sees the market heading toward consolidation. “We are contemplating acquiring a firm to strengthen our leadership,” Reddy informed BusinessLine. YuppTV has also appointed the Telugu superstar Mahesh Babu as its brand ambassador.

    It offers a bouquet of services including 200 TV channels, seven-day catch-up TV, 100-plus TV shows, and 5,000 plus movies as a VOD service. Its subscription packages vary from Rs 5 a day to Rs 30 a week to Rs 99 a month.

    YuppTV is taking a major step with making Babu the ambassador. Babu is a big name of Tollywood, and it is sure that the collaboration will work great for the promotion of the channel.

    The web portal of YuppTV was established in 2006, offers more than 898 Indian TV Channels in 13 languages that include Kannada, Hindi, Telugu, Malayalam, Bengali, Marathi, Oriya, Gujarati, Punjabi, Sinhalese, Urdu and English. The best part of YuppTV is it allows access through 25 devices to six screens, Internet STBs, connected TVs, PCs, smart phones, smart BluRay players, gaming consoles and tablets.

  • Friend MTS announces major initiatives at IDOS 2016

    Friend MTS announces major initiatives at IDOS 2016

    GOA: Friend MTS (FMTS), a leading digital piracy containment technology and service provider, announced here at IDOS 2016 that India would be strategic to its plans over the coming years.

    Industry stalwarts from the broadcast and cable industry, spanning all segments of cable, OTT and DTH, at IDOS 2016 acknowledged the opportunity and challenges in a digital world, including that online and digital piracy is a growing menace that needs to be addressed and tackled sooner rather than later.

    The participation of FMTS at IDOS 2016 highlights this very fact as India goes digital and Indian content, its owners and creators not only surge ahead, but also grapple with digital downsides like online piracy.

    FMTS EVP Paul Hastings said, “We have engaged with almost all the stakeholders in India, ranging from broadcasters to DTH operators to OTT players to Films and Television Guild. There is recognition across the board that the next generation piracy containment service based on forensics-global identification- monitoring and takedown from FMTS will be a game changing offer to the Indian market”.

    Friends MTS’ South Asia partner Rahul Nehra added, “FMTS anti-piracy service offerings will help content owners realize substantially higher revenues and we will be working relentlessly with all stakeholders, including the government, film associations across regions and Indian Broadcasting Foundation to prepare, prevent and profit from this digital revolution.”

  • Friend MTS announces major initiatives at IDOS 2016

    Friend MTS announces major initiatives at IDOS 2016

    GOA: Friend MTS (FMTS), a leading digital piracy containment technology and service provider, announced here at IDOS 2016 that India would be strategic to its plans over the coming years.

    Industry stalwarts from the broadcast and cable industry, spanning all segments of cable, OTT and DTH, at IDOS 2016 acknowledged the opportunity and challenges in a digital world, including that online and digital piracy is a growing menace that needs to be addressed and tackled sooner rather than later.

    The participation of FMTS at IDOS 2016 highlights this very fact as India goes digital and Indian content, its owners and creators not only surge ahead, but also grapple with digital downsides like online piracy.

    FMTS EVP Paul Hastings said, “We have engaged with almost all the stakeholders in India, ranging from broadcasters to DTH operators to OTT players to Films and Television Guild. There is recognition across the board that the next generation piracy containment service based on forensics-global identification- monitoring and takedown from FMTS will be a game changing offer to the Indian market”.

    Friends MTS’ South Asia partner Rahul Nehra added, “FMTS anti-piracy service offerings will help content owners realize substantially higher revenues and we will be working relentlessly with all stakeholders, including the government, film associations across regions and Indian Broadcasting Foundation to prepare, prevent and profit from this digital revolution.”

  • IDOS 2016: OTT  advertising vs TV advertising

    IDOS 2016: OTT advertising vs TV advertising

    GOA: Is Online Video (read: OTT) advertising eating into TV’s share? That was the question posed  by the final session of IDOS 2016 held in Goa’s Leela Hotel. The obvious consensus answer from the panelists was a big “no” – and it does not take a genius to reach that conclusion.

    On the panel were IPG Media brands CEO Shashi Sinha, Sony Pictures Network India (SPNI) digital head Uday Sodhi, Starcom India Group CEO, Mallikarjun “Malli”  Das and Eros Now business head Zulfiqar ‘Zulfi’ Khan.

    “Digital advertising accounts for about eight to nine per cent of total ad spends,”  said Malli. “Most of this goes towards Google, Facebook. Two to three per cent is going towards digital video, and that too most of it is going towards You Tube.  It’s early days yet for the OTT players to have any revenues of significance.”

    “Google has played a pioneering role –  the educational and evangelizing approach that it along with YouTube took visiting advertisers and agencies to explain to them the efficacy of using it  platform,” said Zulfi. “The OTT industry is too nascent and new, and has a lot of work to do.”

    Sinha pointed out that the disparity in CPMs between television and online IP video is drastic. “Television is being sold on a cost per rating point (CPRP) basis in India today. In most countries, it is on a CPMs,” he said. “The CPMs even for TV are very low, and for online video, even lower. Airtime on television has become a commodity as there is plenty of inventory, but networks have large enough audiences to present to advertisers.”

    public://IMG_5444.jpg

    Added Malli: “Television also has a reliable currency – BARC – to measure what’s happening to their spends – the reach, the viewership. Which makes all of us in the media and advertising community secure. We can buy across a network and aggregate audience.”

    The panelists agreed even though the OTT players are providing very specific – in fact a surfeit of data, enough confidence has yet to be built in among the advertisers. “There’s fragmentation in the OTT community. There are too many platforms,” said Sinha. “And you can’t aggregate enough audiences of significance to allow us to take CPMs up here.”

    Sodhi agreed that OTT video platforms had managed to build an active audience of about 70 million. He said: “China’s tipping point for OTT to significantly impact TV ad spends came when the number of users crossed 200 million.  India has to grow. SonyLiv has around around 10 million. Good and stable bandwidth and right pricing  of data are the issues to be dealt with to expand the OTT user base,” Sodhi said.

    Malli believed that the audience of 70 million is large enough. “The Times of India has a seven and a half million readership and there is thousands of crores going into the paper.”

    Both Malli and Sinha stated that agencies have started presenting media plans which, include TV plus and online video. “That’s a great improvement over earlier. We are putting in money behind online video. But it’s left to the OTT- owner – the broadcaster – to show it as OTT ad spend or TV ad spend. However, to be fair, the sector will grow when FMCGs start putting in their faith behind digital online video,” revealed Sinha.

    Then what is holding the ecosystem back? “Most of the robust OTT platforms are backed by the broadcasters,” revealed Sinha. “The leadership is fearful their targeted revenue objectives from television might get impacted if they start shifting the focus more toward digital video advertising. This leadership has to take a hard call.”

    He pointed out that BARC – of which he is a technical committee member – is gearing up to measure online video consumption and become the second country in the world to do so.

    “We are ready to launch online video measurement  by March 2017. Relevant data is going to be provided by some of our partners in the ecosystem to allow us to provide effective measurement numbers. However, the signal has to come from the broadcast community,”  he quipped.

    Zulfi pointed out that Eros Now has around a  million subscribers – split between India and overseas – paying Rs 49 a month for its Bollywood movie service.

    However, his view that today snacking was the primary form of consumption of digital video, was countered by Sodhi, who stated  that the SonyLiv audience was sticking around for  around for 16-22 minutes per session.

    They all agreed that there is a bright future for digital video advertising. But, none wanted to hazard a guess as to when will it happen. “I have no clue when will the inflection point come,” Sinha said. “It is now.”

    Malli too said that he had no clue about it. “Although the stage is set, I can’t predict when a significant migration to digital will happen — in one, two or three years from now.”

    Sodhi revealed that almost 70 million users are being added to the digital video consumers pie every year. “Within two to two and a half years we will have 200 million users,” he predicted. “And that will be a number no one will want to ignore. The advertising tap will flow and flow then.”

  • IDOS 2016: OTT  advertising vs TV advertising

    IDOS 2016: OTT advertising vs TV advertising

    GOA: Is Online Video (read: OTT) advertising eating into TV’s share? That was the question posed  by the final session of IDOS 2016 held in Goa’s Leela Hotel. The obvious consensus answer from the panelists was a big “no” – and it does not take a genius to reach that conclusion.

    On the panel were IPG Media brands CEO Shashi Sinha, Sony Pictures Network India (SPNI) digital head Uday Sodhi, Starcom India Group CEO, Mallikarjun “Malli”  Das and Eros Now business head Zulfiqar ‘Zulfi’ Khan.

    “Digital advertising accounts for about eight to nine per cent of total ad spends,”  said Malli. “Most of this goes towards Google, Facebook. Two to three per cent is going towards digital video, and that too most of it is going towards You Tube.  It’s early days yet for the OTT players to have any revenues of significance.”

    “Google has played a pioneering role –  the educational and evangelizing approach that it along with YouTube took visiting advertisers and agencies to explain to them the efficacy of using it  platform,” said Zulfi. “The OTT industry is too nascent and new, and has a lot of work to do.”

    Sinha pointed out that the disparity in CPMs between television and online IP video is drastic. “Television is being sold on a cost per rating point (CPRP) basis in India today. In most countries, it is on a CPMs,” he said. “The CPMs even for TV are very low, and for online video, even lower. Airtime on television has become a commodity as there is plenty of inventory, but networks have large enough audiences to present to advertisers.”

    public://IMG_5444.jpg

    Added Malli: “Television also has a reliable currency – BARC – to measure what’s happening to their spends – the reach, the viewership. Which makes all of us in the media and advertising community secure. We can buy across a network and aggregate audience.”

    The panelists agreed even though the OTT players are providing very specific – in fact a surfeit of data, enough confidence has yet to be built in among the advertisers. “There’s fragmentation in the OTT community. There are too many platforms,” said Sinha. “And you can’t aggregate enough audiences of significance to allow us to take CPMs up here.”

    Sodhi agreed that OTT video platforms had managed to build an active audience of about 70 million. He said: “China’s tipping point for OTT to significantly impact TV ad spends came when the number of users crossed 200 million.  India has to grow. SonyLiv has around around 10 million. Good and stable bandwidth and right pricing  of data are the issues to be dealt with to expand the OTT user base,” Sodhi said.

    Malli believed that the audience of 70 million is large enough. “The Times of India has a seven and a half million readership and there is thousands of crores going into the paper.”

    Both Malli and Sinha stated that agencies have started presenting media plans which, include TV plus and online video. “That’s a great improvement over earlier. We are putting in money behind online video. But it’s left to the OTT- owner – the broadcaster – to show it as OTT ad spend or TV ad spend. However, to be fair, the sector will grow when FMCGs start putting in their faith behind digital online video,” revealed Sinha.

    Then what is holding the ecosystem back? “Most of the robust OTT platforms are backed by the broadcasters,” revealed Sinha. “The leadership is fearful their targeted revenue objectives from television might get impacted if they start shifting the focus more toward digital video advertising. This leadership has to take a hard call.”

    He pointed out that BARC – of which he is a technical committee member – is gearing up to measure online video consumption and become the second country in the world to do so.

    “We are ready to launch online video measurement  by March 2017. Relevant data is going to be provided by some of our partners in the ecosystem to allow us to provide effective measurement numbers. However, the signal has to come from the broadcast community,”  he quipped.

    Zulfi pointed out that Eros Now has around a  million subscribers – split between India and overseas – paying Rs 49 a month for its Bollywood movie service.

    However, his view that today snacking was the primary form of consumption of digital video, was countered by Sodhi, who stated  that the SonyLiv audience was sticking around for  around for 16-22 minutes per session.

    They all agreed that there is a bright future for digital video advertising. But, none wanted to hazard a guess as to when will it happen. “I have no clue when will the inflection point come,” Sinha said. “It is now.”

    Malli too said that he had no clue about it. “Although the stage is set, I can’t predict when a significant migration to digital will happen — in one, two or three years from now.”

    Sodhi revealed that almost 70 million users are being added to the digital video consumers pie every year. “Within two to two and a half years we will have 200 million users,” he predicted. “And that will be a number no one will want to ignore. The advertising tap will flow and flow then.”