Tag: OTT

  • With 350 astro experts & 500 hrs of programming, Dominiche SVoD launches on Airtel Digital TV

    MUMBAI: Airtel Digital TV, the DTH arm of India’s largest telecommunications provider, and Dominiche, India’s first MCN catering to the DTH & OTT ecosystem, has announced the launch of Astrovaani, a 24X7 ad-free, subscription-based video on demand (SVOD) astrology channel. This is the first time that Indian viewers will have access to on-demand, round the clock, cable content focused on astrology.

    The service is available to Airtel DTH users at an introductory price of Re 1 for first 15 days. After which subscribers can access the channel for a nominal Rs. 39 month. To activate the service, Airtel DTH subscribers can give a missed call to 9109121114.

    Astrovaani will showcase a variety of astrology techniques and practices including Tarot, Vastu, Feng Shui, Palmistry, Numerology, Healing, Face reading, Aura reading as well as Runes. Also, the programming will cover astrological accessories such as gems & precious stones, rudraksh, yantra, and lal kitaab, among other things. Predictions on Astrovaani will be made by prominent names in the field of astrology including the likes of Munisha Khatwani, Bejan Daruwala, Roop Lakhani, Neel Choksi, Swami Jaganath, Eeishaa Nisha, Ssanket Jayant Popat, Bhavesh Dave, Payal Agarwal, Pooja Shirasi, Amit Lamba, Shiv Prakash, Sharmila Mohanan, Smita Mehta, Hittesh Morjaria, Kashmira Elavia, Kirti Seth, Rasesh Shah, Smriti Panchal, Tamana C Bhatia, Biindu Khuraana, Dimple Luniya, Dr. Jyoti Jhangiani, Sarmistha, Neeta Singhal, Naqqiya Jarwalla, Dr. Prem Gupta, Sangeeta Jhangiani, Jyotsna Kapoor & many more.

    Airtel Digital TV CMO Sriram Sundresan said, “Indians have shown an appetite for content related to astrology and this service will offer them easy access to the latest related in the genre and will go a long way in answering their questions on the subject.”

    Dominiche MD Utpal Vaishnav said, “As part of our endeavor to constantly make unique and compelling content available to the DTH ecosystem, we have curated and produced the Astrovaani channel. The genre has the capability to drive a lot of viewership in India. The Astro genre also fills a significant void. Astrovaani features the best Indian astro experts, Dominiche has covered this genre most comprehensively by exclusively signing up over 350 top experts and creating over 500 hours of program content.”

  • YuppTV pockets ICC Champions’ exclusive digital rights, Canada & Europe to enjoy it live

    MUMBAI: To the delight of cricket enthusiasts on its platform, YuppTV, the world’s largest OTT player in South-Asian content, has bagged the exclusive digital rights for the upcoming ICC Champions Trophy 2017 for Canada and non-exclusive digital rights for Continental Europe. With the latest development, YuppTV users in Canada and Continental Europe, excluding Germany, Switzerland and Austria, will be able to catch the intense cricketing action live on YuppTV.

    YuppTV users can grab all the action, live from 1 – 18, June 2017.

    Commenting on the latest undertaking, Uday Reddy, Founder & CEO, YuppTV, said, “We are glad to bag the Digital Rights for the ICC Champions Trophy, 2017. It has been our constant endeavour to make it easier for users to access entertainment over the internet. Now, with the latest development, cricket enthusiasts will be able to catch the intense cricketing action LIVE on YuppTV. Since cricket enjoys a cult following across the globe, we look forward to receiving a positive response from our customers”

    The ICC Champions Trophy 2017 is going to witness eight top-ranking teams in the world to compete for the top spot. The 18 days long event is going to commence on June 1, promises to an action-packed cricketing extravaganza.

  • “We are targeting the 1.5 m Indians in mainland Europe” – bubbles Media CEO Arnold C. Kulbatzki

    Launched in August 2016, the satellite-to-OTT platform TV services of bobbles.tv is aimed at expats of Asian, Latin American and African origins based in Europe. Supported by MX1, Bobbles can also be enjoyed via OTT for online viewing, via connected TV or mobile devices. bobbles.tv is a product of Hamburg-based privately held bubbles Media GmbH, a new pay TV provider specialising in TV offerings for international target groups.

    With diverse experience in the media and telecom sectors spread over 20 years, Arnold C. Kulbatzki is the founding partner and CEO of bubbles Media GmbH. Prior to establishing bubbles media GmbH in January 2016, he was the CEO of a2b media (2004-2015), a management consulting firm with extensive expertise in customer experience management, digital transformation, paid content and OTT audio-video services. In an interaction with Indiantelevision.com, Kulbatzki spells out his company’s plans and explains why the services offered are unique. Excerpts from the interview:

    Can you please tell us about Bobbles TV?

    Bobbles delivers multiple packages of TV channels from around the globe. We aim to reach the 15 million people originating from Asia, Latin America and Africa, but currently living and working in Europe. The service can be received throughout Europe via satellite and online. Bobbles went live in August 2016 initially with programming offers for Chinese, Indonesian, Indian and Korean communities. Our most recent launch was our new package of India’s best and most popular TV channels.

    Why did you  launch a service for expats in Europe?

    I’ve travelled a lot during my career and I’m familiar with the feeling of being abroad, but wanting to know what’s going on at home. Moreover, my personal circle of friends includes many expats who’ve chosen to relocate to Europe. They’ve come from India, Korea, China and elsewhere. One thing they have in common is their desire to retain links with home, even to watch their favourite TV channels from their native countries.

    My Bobbles media partners and I imagined there must be a way to create a business built around delivering multiple packages of programming to the many people from all around the world who have chosen to call Europe home. When our research revealed there are over 15 million people originally from Asia, Latin America and Africa but living in Europe, we knew that these volumes meant such a service would truly delight a huge number of people. We also knew we had a great business opportunity.

    Can you please tell us about your new Indian package?

    We launched our bobbles.tv India package in early 2017 with 15 channels of entertainment in Hindi and English, including Bollywood blockbuster-packed B4U Movies, B4U Music, StarGOLD, Sony MAX and ZOOM. Viewers can also watch India’s most popular news services like NDTV 24×7, Times Now and Aaj Tak. Viacom18’s Colors, StarPlus, NDTV Good Times, NDTV Spice, Sony Entertainment Television (SET), Sony SAB, Life OK and  Rishtey Europe show general entertainment, comedy, drama, lifestyle, reality TV and made-for-TV movies.

    With 13 channels, Bobbles is Europe’s largest and lowest-priced satellite TV package. It‘s avaialble via ASTRA satellite for pan-European viewing. Additionally, 14 popular channels in Hindi and English can be received via OTT, available live and via seven-day catch-up with more channels on the way. No other broadcaster awywhere offers DTH and OTT services this way. Also, for many of our broadcaster patners, this is their first foray in Europe. So we know we are offering something truly unique to viewers.

    What’s the pricing for the packages?

    Subscribing is easy and affordable – this really sets us apart from competitors. It’s simply a flat monthly fee of €23.95 (1 USD= 0.90 Euro) on satellite and €12.95 online. What’s more, our viewers do not need a contract. With a potential audience of 1.5 million Indian expats living in mainland Europe, we are excited to deliver this pioneering and low-priced new service to this community.

    How many subscribers are you aiming to attract in year one?

    We haven’t set any specific subscriber or revenue targets. This is because we are launching the package of services in a roadmap of well-planned launches. It will take a certain amount of time. Only after a critical mass is reached for active and live services, we will be able to assess the overall figures for the business. Additionally, we don‘t critically need to set year-one targets, thanks to our operational efficiency and, in particular, the efficiency of our satellite-and-OTT distribution strategy.

    Are you well-funded? Who’s investing in the venture?

    We are privately-funded.

    What is your revenue model? Will it be purely subscription-based or are you also looking at advertising revenue?

    In addition to subscription revenue from consumers, there are additional monetisation opportunities going forward, including video-on-demand and B2B offerings for businesses for the worldwide hospitality sector, for example. As soon as our subscriber base reaches a critical mass, we can offer a great and a unique business opportunity for advertisers.

  • ALT Balaji & the Balaji Telefilms story, courtesy Sameer Nair

    MUMBAI: The ALT key on computer keyboards is quite a crucial one. As is recently launched OTT/SVOD service ALT Balaji for content producer Balaji Telefilms Ltd (BTL). CEO and broadcast veteran Sameer Nair is quite sanguine that the app is well on course to hit breakeven point as planned, but admits that  its TV content business will continue to be the “cash cow.”

    “Alt (Balaji) started with a plan of breaking even with a target of about four million subscribers who pay us between Rs 60-Rs90 per month by 2020,” Nair told CNBC TV18 yesterday after the company announced its financials for the period ending 31 March, 2017.

    Nair pointed out that card or rack rate for Alt Balaji OTT service is Rs 90 per month, but it was launched in April 2017 with an introductory first quarter offer of Rs 25.  However, the pricing for users internationally is at Rs 399.

    Mumbai-headquartered and Bombay Stock Exchange-listed BTL  is arguably Asia’s largest TV and film content production houses delivering Hindi and Indian language content across a variety of platforms. It is promoted by Hindi film actor Jeetendra Kapoor and his family comprising his wife Shobha Kapoor, daughter Ekta Kapoor and son Tusshar Kapoor.

    Nair is quite happy with the traction that ALT Balaji had got in the first five weeks since launch with downloads going past the three million mark from over 75 countries.

    “The reason we got subscribers so early in the game is because our strategy is different from the rest of the players where they (subscribers) have one month free (service), but we give five episodes free,” the seasoned media executive explained on the business news channel.

    Nair pointed out that that the company aimed at having two million paid ALT Balaji subscribers by end March 2018, with revenues  at Rs 700 million (Rs 70 crore).

    “Alt is investing Rs. Rs100-Rs125 crore (Rs.1,000 million-Rs. 1,250 million) a year and we have also got a lot of interest from strategic investors to come and partner with us,” he added.

    The company in its investor presentation said that the net realization per hour for its TV programmes increased 17 percent to Rs 2.89 million in FY-17 as compared to Rs 2.47 million in the previous fiscal.

    Nair is  confident about the the group’s television content business and expected it to remain a robust revenue stream. He pointed out that the business would grow in the range of 20-30 percent year-on-year helping the company to better its margins and added, “ARPUs are growing, which is a good thing for us. The TV business is going to remain a cash cow in the Balaji stable.”

    Nair disclosed that BTL had gone easy on film releases in FY 2017, but has begun pretty well in Q1FY18 with its offering `Half Girlfriend’, based on banker-turned-author Chetan Bhagat’s book of the same name, attracting viewers to the box office. “We had originally planned the film in a manner where we did a lot of re-sales on satellite, digital and theatrical rights. The film will make good money for distribution (people) and as well as for the company,” he explained.

    However, BTL is reviewing its exposure to movie production business, at the same time, as resources allocated to the business vertical may not be yielding the desired results.

    “We are taking a long hard look at it (the movie business) and, at the board meeting we decided …capital allocation will be towards television and Alt Balaji. The only reason why on a consolidated basis for a full year we are negative is because of the movie leak.”

    ALSO READ:

    Balaji Telefilms net realization for programs improves

  • Dekkho makes big-screen debut with Amazon fire TV stick

    MUMBAI: The online video streaming Dekkho has partnered with Amazon to make its big-screen debut and provide its content on Amazon Fire TV Stick.

    Dekkho will be one of the featured apps on the streaming device, allowing users to access its entire content library of movies and videos across genres such as music, food, fashion, travel, lifestyle and comedy on a preferred basis. In addition, Fire TV Stick users can access content from Dekkho offline as well.

    The Amazon Fire TV Stick is a plug-and-play device that connects to the television’s HDMI port and allows users to access digital video content from a host of providers. The device can be set up in just three, simple steps — plug the device in to the HDMI port on the TV; attach the USB cord to the power source; and connect to the wi-fi.

    Dekkho will provide a range of specially curated content for Fire TV, offering a television-like experience through a smart, digital medium. Unlike other paid apps, Dekkho’s Content on Fire TV will be available on a free-to-use basis, thus enabling greater exposure for content creators through a new channel while monetising their properties. Dekkho’s attempt to bring independent online content creators on the big screen and provide them exposure through Amazon’s strong distribution model is the first by any Indian player.

    Dekkho co-founder Tanay Desai said, “Dekkho currently enjoys a unique position in the Indian OTT entertainment market. In a bid to expand our content outreach to smart TVs and similar large-screen offerings, this strategic partnership with Amazon Fire TV Stick will help us increase exposure for content creators on our platform. Moreover, it offers Dekkho an extremely promising entry into a larger online entertainment market and the chance to reach out to maximum viewers between 18 to 30 years of age. The resulting increase in reach can also be leveraged to extend our presence on more big-screen apps in the future and allow our users to stream our massive content catalogue on any digital device of their choice, conveniently and seamlessly.”

  • Balaji Telefilms net realization for programs improves

    BENGALURU: The Ekta Kapoor led Balaji Telefilms Limited (Balaji Telefilms) had 8 shows on air at the end of the financial year 2017 (FY-17, current year, year ended 31 March 2017) on various channels in the country. The company in its investor presentation says that the net realization per hour for its programmes increased 17 percent to Rs 2.89 million in FY-17 as compared to Rs 2.47 million in the previous fiscal. In the fourth quarter of 2016, the company had had 11 shows on air, 3 of which went off air before the end of FY-16.

    The company created 960 hours of television programming in the current year, 4.2 percent lower than the 1,002 hours it had created in the previous year. Revenue from Balaji Telefilms from commissioned programmes segment increased 11.4 percent to Rs 2,899.11 million in FY-17 from Rs 2,602.18 million in the previous year. The segment reported 11.2 percent lower operating profit of Rs 395.92 million in FY-17 as compared to the Rs 445.81 million in FY-16.

    The segment’s soaps such like Kumkum Bhagya on various channels of the Zee Entertainment Enterprises Network Limited (Zeel) and Naagin 2 (The Network 18/Viacom 18 Network) have consistently been in Broadcast Audience Research Council of India (BARC) weekly top five programmes lists across the Hindi GEC urban and rural markets in India.

    Balaji Telefilms other major segment – Films revenue more than quadrupled (went up 4.62 times) in FY-17 to Rs 1,263.30 million in the current year as compared to Rs 224.90 million in the previous year. The segment reported a higher operating loss at Rs 249.01 million in FY-17 as compared to an operating loss of Rs 134.35 million in fiscal 2016. The company says that piracy of its movies released in FY17 led to loss of revenues against marketing and productions costs already incurred which has severely affected its profitability in this period. It estimates loss of revenue on account of piracy at approximately Rs 360 million.

    The company’s consolidated Total Income from Operations (TIO) increased 43.4 percent to Rs 4,389.44 million in the current year as compared to Rs 3,060.18 million in FY-16. The company reported to a higher net loss of Rs 297.35 million in fiscal 2017 as compared to a net loss of Rs 35.80 million in the previous year. Balaji Telefilms reported an Operating loss (EBIDTA) of Rs 181 million for FY-17 as compared to an operating profit of Rs 53 million in FY-17.

    Balaji Telefilms consolidated total expenses for FY-17 increased 54.3 percent to Rs 4,581.23 million from Rs 2,969.65 million in the previous year. Cost of production/acquisition and telecast fees increased 2.7 percent to Rs 3,147.26 million from Rs 3,064.98 million in the previous year. Employee Benefits Expense in FY-17 increased 40.8 percent to Rs 283.43 million from Rs 201.36 million in FY-16. The company’s finance costs in FY-17 was Rs 0.36 million as compared to Rs 0.09 million in the previous year. Other expenses in FY-17 increased 2.3 percent to Rs 413.44 million from Rs 404.01 million in FY-16.

    Balaji Telefilms says that it will transition from a B2B business to a Digital B2C business. It plans to build a digital B2C business through own and curated content. The company has launched its OTT platform ALT Balaji in April 2017. Balaji Telefilms says that ALT Balaji will soon have 32 new shows and 250 hours of original exclusive content in Hindi, Telugu, Tamil, Gujarati and Punjabi.

  • Republic TV claims ‘stunning’ debut on Hotstar

    MUMBAI: New kid on the news block Republic TV has claimed it made a “stunning debut on Hotstar” crossing “a million viewers” within a day of its launch.

    In an official joint statement of Republic TV and Hotstar, the news channel announced it has “created leadership in the most coveted news audience in the country, the urban viewers”.

    Republic’s reach on Hotstar’s OTT platform exceeded that of the top English news channels on television, including Times Now, India Today TV, CNN News18 and NDTV 24×7 amongst both the urban M15+ audience as well as viewers in the top 60 cities in India, according to the statement put out by Republic TV, helmed by Arnab Goswami and funded, amongst others, by entrepreneur-turned-politician Rajeev Chandrashekhar, a vice-chairman of the BJP-led National Democratic Alliance (NDA) that rules India.

    Claiming that it is a “dramatic announcement given the viewership benchmarks are from a single digital platform”, the Republic TV-Hotstar statement said the new news channel’s viewership figures exceeded that of “traditional news channels significantly”.

    According to the claims, Republic TV’s viewership percentage was 208 per cent of Times Now, 229 per cent of India Today, 311 per cent of CNN News18 and 254 per cent of NDTV 24X7. It further claimed that the comparisons are vis-a-vis TV figures that BARC India would collect within all-India 1mn+ towns, including mega-cities, for 22 April 2017.

    Indiantelevision.com is not in a position to independently verify the viewership figures submitted by Republic TV and Hotstar. BARC India, the country’s present audience measurement currency, has not yet come out with data relating to Republic TV and other Indian news channels for the period under consideration till the time of writing this report.

    Commenting on the matter, the official statement quoted Hotstar CEO Ajit Mohan as saying, “This is an exciting start and is a testimony to the impactful launch of Republic and the strength of the Hotstar platform, which has become the de facto destination for young, digital India.”

    Republic TV CEO Vikas Khanchandani said in the statement, “Republic will be the largest and most impactful news platform. We are excited to partner with Hotstar and bring in an entirely new audience to the Republic community. We are also thrilled to have taken a leadership position on debut itself. ”

  • YuppTV launches ‘Mini Theatre’ to premiere movies for expats

    MUMBAI: YuppTV, an OTT leader in the South-Asian content, announced the launch of its new platform, Mini Theatre. YuppTV makes new movies available on the Mini Theatre platform on the first day or the following weekend of theatrical release, even in geographies where the movie is not available outside of India. The movies shall be made available on YuppTV platform only on Samsung, Apple, Roku, LG, Sony TV Devices/interfaces.

    Commenting on the latest development, Uday Reddy, Founder and CEO of YuppTV said, “At YuppTV, we have a great opportunity of bringing best quality South-Asian content to our users across the Globe. Launching Mini Theatre is another step in the same direction. The release of various Indian movies is often limited only to very few selected geographies across the world and sometimes limited only to the Indian subcontinent. Hence, users end up missing out on these high-quality and entertaining movies missing a worldwide release. Following the launch of Mini Theatre, our users outside of India will have the opportunity to access new Indian movie releases, just like they used to, back at home in India. Furthermore, filmmakers may now showcase their movies to a global audience, notwithstanding exorbitant investment for an overseas release. Since the launch is slated to benefit every stakeholder in the ecosystem, we look forward to receiving a huge response from both, expat audiences and filmmakers.”

    YuppTV is further exercising complete piracy control of the movies showcased in the Mini Theatre. Users need to accept the piracy agreement conditions before they start watching the movie. The movie shall be made available on a pay-per-view basis with a 6-hour viewing window. Furthermore, the movies are secured with DRM, Invisible user based/Forensic watermarking and encryption and users are authenticated by mobile and location verification. Under the Invisible or Forensic Watermarking, each user who will get the stream to watch the movie will have unique identification in the invisible mode. It is an imperceptible & non-removable unique identifier that is embedded in the video, enabling YuppTV to trace any content breach. The pirate, if in case found guilty of breaching the privacy guidelines, will be charged with a heavy penalty.

  • OTT: Millionlights to provide skill-based progs on Asianet Mobile TV +

    MUMBAI: Millionlights, an education content provider which uses technology to create a better future for millions across India through skill development, has announced a partnership with Asianet, the leading Multi-Channel Video Provider, in Kerala to launch Millionlights on Asianet Satellite Communication’s OTT platform, Asianet Mobile TV +.

    “Our partnership with Asianet’s OTT services further strengthens our capability to reach the millions of users who do not have access to the best educational content. We have collaborated with Asianet to provide access to all their users and help drive employability and skill courses through their mobile OTT platform,” says Akshat Shrivastava, CEO and Founder of Millionlights.

    “Our association with Millionlights will not only result in educational content reaching everyone, but will be a major step in using OTT as a distribution channel to deliver premium content.” Says S Satish Kumar, business head of Asianet Mobile TV +, the OTT division of Asianet Satellite communications.

    The Millionlights Educational channel will now be available on the OTT platform and also in the about to be launched Video on Demand (VOD) service of Asianet OTT. The channel will showcase Live lectures, Faculty interviews, Tech reviews, Education news and Career guidance to name a few.

    This is a premium service and the service provider will charge the user a small fee to get access to the content
    The content is sourced from leading OEM’s and Universities, with Microsoft being the primary technical content partner. Courseware from Microsoft relating to the newer age courses that enhance the skills of learners are going to be showcased on the channel.

    The Channel will also have premium content related to skill sets required by the industry and aligned to creating a employable workforce.

  • Industry needs to understand on-ground changes in distribution, not question flux in data, says Partho Dasgupta

    ‘Works at something sometimes somewhere’. That’s the description of the work profile on the Facebook page of Partho Dasgupta, chief executive of Broadcast Audience Research Council of India or BARC India. And, that probably also gives a hint to all about the personality of the man, who sits on a hot seat balancing the delicate (and, may be, at times challenging, some would say) interests of various stakeholders of the organization, including the government.

    When Dasgupta is not busy absorbing the data collated and crunched by his team at BARC India, he is, probably, strategizing along with his core team about the initiatives to be rolled out in a complex and diversified market like India or reading about branding and getting an insight into Indian media through books like ‘Behind a Billion Screens: What Television Tells Us About Modern India’.

    And, when he does get some family time, he would love nothing better than to travel along with his family and follow the F1 races around the world (speed helps me breathe, he says on his FB page) with a single malt whiskey – the older it is the better, his friends chuckle.

    A media industry veteran,  Dasgupta’s stints at various organizations also do give a glimpse at his various areas of interests, which include organizations like the Times of India Group, Future Group, BARC India and also an entrepreneurial jab at a start-up that he mentored. Though he’s a hard taskmaster, as claimed by some of his past and present colleagues, he is also looked up to as a ‘yaroon ka yaar’ or a true friend who’s always around when you need him most.

    On the occasion of BARC India’s second anniversary, Indiantelevision.com engages Dasgupta on a wide range of subjects in an interview. Excerpts:

    How would you describe the journey till now — challenging or a process of evolution?

    Any change is challenging and it’s true for us as well. From the time BARC India started reporting TV viewership, it has been a process of evolution for the industry, including us. The industry evolved when they understood fidelity of BARC India data, which was a true representative of actual viewership behavior. With support of industry, we have grown in both size and experience over the last two years. We have hired the right talent who have successfully reduced client queries and helped in a smooth transition for adopting the data.

    Apart from addressing data needs of our clients, we also made an effort to reach out to the public at large, and sensitize them about BARC India data. We have made headline viewership data available to all through our mobile app and social media platforms. While we have achieved some of the things we had set out for, there is still a lot we aspire to do.

    Going forward, how do you see BARC making progress? What are the timelines and signposts?

    This year we will see our panel expanding from 20,000 to 30,000 reporting homes. Combined with the newly added homes, we will also be seeding some new homes as part of our regular churn policy. We will also stop reporting on all analogue homes across the country with the exception of Tamil Nadu state from 1 July 2017. With the current digitization mandate for TN, hopefully the state’s analogue reporting will also stop soon.  All this may lead to some interim flux, but in the long term will improve robustness of our viewership data. We are also trying to innovate panel expansion by tying up directly with key DTH and digital cable operators to enable return path data (RPD).       

    This year is also crucial for us as we will launch something that hasn’t been attempted in the country as yet — a third party digital viewership measurement. We have set the ball rolling by announcing the umbrella brand EKAM under which our digital products will be offered. We are hoping to roll out the first EKAM product this year.

    Apart from ensuring a stable weekly data service, we have launched THiNK (a monthly insights newsletter), Alpha Club (a report on viewership trends of NCCS A1, A2, A3 of 6 mega cities), and kids genre special report for the benefit of our subscribers. Earlier this year, we successfully rolled out our new universe estimate. We have also set up an independent disciplinary committee to check attempts at panel infiltration. Very soon industry will also be able to access designated independent consultancy firms who would provide strategic consultancy services.

    Unlike some other global audience measurement currencies, BARC India’s impressions method seems a tad complex. How is it explained to clients, data users and the regulator and the government?

    The terminology and methodology for data outputs is in keeping with global standards. BARC India Media Workstation (BMW) software used by subscribers for viewership data is easy to operate and is being used across 27+ countries. We also engage with our clients to understand their needs and that helps us align our services accordingly. We have a strong training team, which trains and provides support to every subscriber, new and existing.

    In fact, last year we launched a BMW certification programme for our subscribers  to enable them to test their knowledge of the software. The results have been very encouraging. We also meet the regulator and government from time to time to update them about the developments.

    While it is endorsed by the industry, BARC India still faces some criticism from certain quarters and smaller TV players about security and its biases towards the biggies who are funding it. Your reactions.

    While we are a joint industry company (JIC), we have never functioned like a monopoly and so we always welcome feedback from subscribers. As far as funding goes, we got the funding without any substantial equity investment from any shareholder. Our operations are built upon a unique debt funded model. So, it would be incorrect to say that “biggies” funded BARC India. We have a common pricing philosophy for all broadcasters, irrespective of whether it is a small or big broadcaster. For transparency, we have also placed it (the subscription methodology) on our website.

    Talking of security, BARC India didn’t hold back any punches while taking action against those involved in panel infiltration and it included some of the big names as well. Yes, there are some issues which our subscribers face. But that is more to do with understanding the data. Our team is working day in and day out to help them. This is normal for any new system and for all measurement companies around the world.    

    Did BARC India and its top management foresee some of the problems and controversies that have beset the organization in recent times? Like the court cases arising out of chastising some users of paid/subscribedBARC data for alleged attempts at data manipulation?

    If acting against defaulters who try to infiltrate our panel homes leads to controversy, we would happily get into it. That’s because we are answerable to our subscribers and it is our responsibility to ensure that the data we release holds value. Panel infiltration is a legacy issue, but BARC India has decided to take it head on. With advertising expenditure on TV in an upward trend, it is very important for us to ensure infiltration activities are rooted out.

    While the defaulters have been crying foul, we have received tremendous support from the industry. Our intent is to always produce a currency which is fair, transparent and representative.

    Was the formation of the disciplinary council, which seems a revamp of the ethics committee, a result of such cases mentioned above?

    The independent six-member disciplinary council, under the leadership of Justice Mukul Mudgal, will further strengthen transparency and credibility of our measurement system. As it is an independent body, cases of infiltration or any such issue can be heard by the committee. This will ensure that both the subscribers and BARCIndia get a fair hearing in matters like these.

    We have our on-ground vigilance team, which keeps a track of any malpractice. The disciplinary council will independently examine vigilance team reports and where culpability is clearly established, it will be empowered to order punitive action appropriate to the level of an offence. This has again been done in keeping with our philosophy of transparency.

    Rolling out digital measurement was announced by you in a Hong Kong conference almost two years back. What has held back the rollout so far?

    Third party digital viewership measurement has never been attempted in India. In fact, some of the products we are launching are a global first. Also, we are a JIC, which takes a 360 degree feedback from all its stakeholders. We had to first understand the industry needs and then design services accordingly. That apart, consumption pattern in India is very different from what exists globally. This only makes the task more challenging. We wanted to come out with a product that is robust and meets everyone’s needs.

    It is important to understand that nowhere in the world have these kind of services been launched in less than at least four to five years. They are still evolving. In fact, we are being extremely ambitious when we say 18-24 months roll out of all products, which will start in a phased manner from 2017 onwards.

    Did the digital measurement rollout get entangled in lack of consensus amongst various stakeholders and plain industry politics?

    Frankly, I do not feel that there has been any unjustifiable delay. We have a digital technical committee, just like for TV. We went to several countries to understand digital measurement in those markets. Also, we had to set up a new digital team from scratch. We have invested a lot of time in understanding the needs of the industry and setting up a team which could give us the best product. We always wanted to come up with a product, which is as strong as our TV measurement. As regards consensus, I guess we are the only JIC in a major country, which has digital publishers, platforms and broadcasters on the same table, taking consensus decisions.

    What lessons have you and the organization learnt in these two years of operation in a complex, but diversified and a big market like India?

    Learning has been a continuous process and we still learn every single day from the market. What we have understood is that nothing here is permanent. Someone might be happy with the data released this week and the same person might be upset the next week as he might feel the data isn’t in his favour. I, frankly, don’t blame them. Our subscribers have been used to seeing data with hardly any variation, for years. Now, when we capture data from more number of panel homes, use better and advanced technology to monitor and measure data, the data is bound to faithfully fluctuate, which arises out of normal human behavior. This does not mean our data is not accurate, but it shows that we are capturing what India is watching.

    To give an example, in months when Indian kids are busy preparing for exams or are giving exams, kids’ genre (ratings) is bound to fall. This picks up again from March onwards when the vacation season kicks in. Our data captures such nuances and changes. Not just this, take, for instance, total TV viewership in the country. Instances of heat waves and power cuts across the country from March onwards leads to a drop in TV viewership — when compared to the October-December period. This has been a trend for long and this education is an ongoing task for us.  

    Personally you have held a view that TV is far from dead despite digital’s impressive march. What gives you so much of conviction?

    Look at advertising expenditures. Yes, digital is growing, but TV remains the most important medium for advertisers to get eyeballs. Talking of statistics, while more people are moving to digital, TV with 64 per cent penetration contributes to almost 45 per cent of ad revenue. Not just this, print, even today, contributes to 30 per cent of ad revenue and this happens only in India. With penetration of TV increasing in the next few years, its contribution to ad revenue will only go up and so, while digital is a significant contributor, it is still a small base and thus would take a while for any such tectonic shift to happen in India.

    India is an under-marketed country with the ad:GDP ratio of 0.38 per cent, while the global averages are 0.7 per cent. Countries like China and Brazil have 0.46 per cent and 1.02 per cent, respectively. Good measurement being one of the drivers, I feel advertising spends will increase in India substantially and all mediums will grow, led by TV and digital.

    How much of growth in TV viewership do you foresee in the short to medium term of one to three years? What will fuel this growth — rise of multi-TV homes in rural areas or simple one-TV homes coming under the measurement radar and, thus, increasing the total number of TV HHs in India?

    As of 2016, India boasts of 183 million TV households, a 19 per cent growth from 2015. Sixteen years ago, one-third of Indian households had TV, but today close to two-thirds of households own TV. These figures will only go up in the coming years, led by rural. Of the 183 million TV households, rural contributes to 99 million homes, but its TV penetration remains at 52 per cent. This leaves huge headroom for growth.

    Multi-TV homes in the country today stands at 3.4 per cent of total TV homes. Increase in TV homes will also be driven by this.

    Our Broadcast India 2016 survey shows a drop of 19 per cent in NCCS D/E. This means that people are moving up the affluence chain. The relative share of NCCS `A’ homes has also come down due to the rise of nuclear families. This has led to growth in NCCS `B’ and `C’ homes, and, thus, increase in TV homes. Such phenomena of nuclear families will increase in the future, leading to further growth in NCCS `B’ and `C’ as well as TV homes. Hence, overall, we still feel there is big headroom for TV growth still.

    BARC India was supposed to have been in talks with DTH operators for return path data (RPD) to boost data generation. What’s the status of that proposal?

    Yes, we are in talks with a number of DTH and MSOs. We should be making some announcement on this front soon. These are complex solutions and some of them will be world firsts.

    What are some other initiatives being planned by BARC in the short term to bring more robustness in its data generation?

    Expansion of panel size will help build higher degree of accuracy in our data. The RPD initiative is also aimed at the same objective. Annual universe updates will allow us to map changes on the ground, and that will reflect in accuracy of the data as well.

    Will the technology and the methodology used be future proof?

    Yes. In fact, the reason we chose to use unique audio watermarking technology in the first place was to ensure that it is future-ready. BARC India system captures data about TV content consumed through any form of distribution — terrestrial, DTH, analogue cable, digital cable and digital.

    Would BARC look at STB-embedded software rather than a separate meter to counter attempts at hacking and manipulations? Sign-ins could be like in Netflix where profiles sign in and tracking/recommendations happen based on profile of user.

    Our tie-ups with DTH operators and MSOs for RPD are an attempt to do this. This will not only increase the number of sample panel homes, but will also make infiltration efforts ineffective. We will innovate more with our meter technology to make it as much hack-proof as possible.

    With the movement towards handset consumption of video growing, what tech is BARC looking at monitoring such trends? When would the rollout happen and who’d fund it?

    EKAM Pulse, the first digital product will be rolled out by this year. EKAM Pulse will allow granular level ad campaign measurement. It will measure reach of ad campaigns at multiple levels of an ad campaign. Some of the metrics it will provide are unique reach, frequency, on-target percentage and demography by geography. The other digital products will be rolled out in a phased manner in the next 18-24 months. All these products will be funded byBARC India.

    Do you see BARC working with clients just as the former TAM is with Tata Sky to offer them viewing solutions?

    Yes.

    With AI coming in, how do you see that being put to viewership enhancement/tracking/recommendation and how do you see BARC reacting/using it, if at all?

    We have already deployed AI at two levels. One at the panel level, which is then extrapolated to know TV viewing habits of TV universe and the other that helps us track any aberration in the viewing pattern of our panel. We use technology in a big way and are looking to move all our applications to the big data environment and accessible through cloud to make us future ready.

    Is BARC contemplating measurement of radio listenership?

    Not as of now. The radio industry should be able to support the cost of measurement to make it viable for any player.

    What would be your message to the industry, players, the regulator and the government on the occasion of BARC India’s second anniversary?

    The industry has been very supportive in the last two years and we hope that it would continue to offer its support. In fact, I would like to take this opportunity to thank all our stakeholders and subscribers.

    One point that I would like to raise is that factors like analogue switch offs in Phase IV (of digitization), TRAI order(s) and seasonal swings will continue to impact TV viewership. However, we would like the industry to understand these on-ground changes before questioning the flux in data. While the MIB mandate is to increase the panel size by 10k each year, till our fourth year of operation, we are aiming at multi-fold increase. We would like the industry to come together and support us to achieve this target.

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