Tag: OTT

  • Higher production values of OTT content won’t put pressure on TV biz: Punit Goenka

    Higher production values of OTT content won’t put pressure on TV biz: Punit Goenka

    MUMBAI:  With the growth of OTT market, all the big four broadcasters in India have ramped up their investment in digital ventures. To woo the online viewers, OTT platforms are producing high cost shows especially when it comes to originals. While there have been concerns that higher production values of OTT content might affect the content cost of TV business, Zee Entertainment MD and CEO Punit Goenka does not foresee such a scenario in his case.

    Starting from Amazon Prime’s Inside Edge to Netflix’s Sacred Games, ZEEL’s digital venture ZEE5’s Karenjit Kaur, the star cast, and content quality clearly indicates the high budget of the shows, though the exact numbers have never been revealed.

    Speaking in an earnings call, Punit Goenka said,“In terms of quality, I think it’s comparable to what television quality is because we use the same equipment. It will not put pressure on the television part because the sheer volume of television content that is being produced and the economies of scale that is being achieved there versus what we are producing for digital, the delta is far apart.” But he agreed that the content being made for digital platforms is of higher production value because of outdoor shoots and bigger stars.

    Zee crates 500 hours of original content every week for broadcast while that is a mere 800 hours for the whole year on digital. “There is no per hour concept there, it is all story and concept-based content cost,” he added.

    After creating a buzz in the Indian market thanks to its regional content, ZEE5 is expected to be launched globally soon. Commenting on that, Goenka said the global rollout will be completed in a phased manner. By the end of this fiscal year (FY 19), it will be available globally.

    Goenka is very hopeful of Zee5’s international success.”If ZEE5 does cannibalise our existing subscription revenue in international markets I will be very happy with that because that’s a direct ownership of the customer that the company gets rather having it through a distributor. So that’s a good problem if it happens that way and that is one of the parts of our strategy of going global with ZEE5,” he said.

    With the technological disruptors, the entertainment industry is always in a flux. 10 years ago, the entry of DTH players changed the industry. Then the increasing internet consumption with the entry of Jio bought another disruption. Now, as Jio with its FTHH connection eyes at  50 to 100 million households, there could be some structural changes especially affecting the broadcasters. However, that possibility does not concern Goenka.

    “My view has always been, even when DTH came 10-11 years ago, that all technologies will coexist in a country of our size. So, cable will also coexist, DTH will coexist and even ZEE5 will work. So, it’s all going to be different services at different price points. For a content company like us, it doesn’t really matter because at the end all three are pipes. So, as long as my content is relevant, I will still get my value from consumer payout,” he said confidently.

    However, with a realistic view, he expects ZEE5 to break even in next five years in stark contrast to several players who expect to break even within two-three years. According to him not only ZEE5 but the industry is still now in investment mode and there isn’t a chance to breakeven in the first three years.

    Almost every OTT player has already struck deals with telecom players, but ZEE5 has not yet signed any telecom deal in India or overseas. Till the time it isn’t getting the right value of its content, there won’t be any such negotiation.

  • Spuul’s Bhojpuri bet for growth

    Spuul’s Bhojpuri bet for growth

    MUMBAI: Every over the top (OTT) platform is raging about India’s diverse market and untapped opportunity. While others are testing the water with Tamil, Telugu, Bengali and Marathi apart from the regular fanfare of English and Hind shows, Singapore based Spuul is going the Bhojpuri way as well.

    The platform already had some Bhojpuri content but about six to seven months ago, it felt the need to renew its attention towards this deprived market since rural audiences are warming up to video content now.

    Spuul content head Girish Dwibhashyam also thinks that as a high number of people from Bihar migrate to other parts of the country, Bhojpuri content has a market across the country as well as within the state. Cheaper data, affordable handsets have made the digital video space class agnostic. “Consumption from the hinterland has multiplied in the last one and half years. Bhojpuri has assured viewership not only in Bihar but also across India,” he says.

    Currently, the platform is only focusing on Bhojpuri movies starring popular actors like Dinesh Lal Yadav. Dwibhashyam claims that the movies they have are the most popular ones of recent past produced by renowned production houses. Aashik Aawara, Nirahua Chalal Sasural 2, Sangram, Rakhtbhoomi, Action Raaja, Nehle Pe Dehla, Muqabala, Jaanam are some of the most popular Bhojpuri movies streaming on Spuul. As the platform has a huge diaspora audience too, it might add catch-up content in certain markets. Initially, the platform has seen a lot of traction from tier II, tier III cities.

    “Right now our ultimate goal is to be a place where Bhojpuri speaking audience can come and watch videos, not only movies but also other kinds of content going forward. But at least when it comes to movies we want to be top for Bhojpuri speaking audience for the content in the language they speak,” he comments on the objective of revamping Bhojpuri library.

    When it comes to content curation, the team focuses both on external analysis and internal data. The popularity of stars, the popularity of the movie, box office collection are among the major factors which act as a catalyst for adding a movie to the catalogue.

    “Couple of years back we had Bhojpuri movies. We have some consumption numbers on the actors who have done well on our platforms. We keep improvising and regularly track which movies are being consumed in what way.  When we started out with the catalogue of Bhojpuri movies six-seven months back, first we did a lot of observation to which stars are doing well, which movies, what type of movies are doing well. Then accordingly, we have added new movies,” he adds.

    It has competition because ZEE5 and ALTBalaji are both foraying into this market as well. Moreover, content king YouTube has hundreds of viral Bhojpuri videos which get good traction. Hence, to cope with the upping competition in this market Spuul needs to update its library continuously.

    But Dwibhashyam believes the growing Bhojpuri market has scope for multiple players. In addition to that, differentiating content will also play a key role. According to him, the Bhojpuri OTT market has not reached that stage where competition will start affecting the players.

    For promoting its new catalogue, Spuul is primarily emphasising on digital marketing only. It has done a large number of digital ads targeting certain geographies and native speakers along with consumer PR. Other than digital, he claims Spuul has been mentioned in local newspapers recently which helped it to create a buzz in the local market.

    Dwibhashyam thinks it is in the right direction based on the promising initial response. In a bid to gain a stronger foothold across the country, the OTT platform will soon announce an important development for Bengali content too.

  • Netflix to release new Indian original film ‘Brij Mohan Amar Rahe’ next week

    Netflix to release new Indian original film ‘Brij Mohan Amar Rahe’ next week

    MUMBAI: Netflix is all set to release a new Indian original film Brij Mohan Amar Rahe on 3 August. This is the first Netflix original from Yoodlee Films. The OTT platform has also released the trailer of the upcoming film.

    The film stars Arjun Mathur, Nidhi Singh, Sheetal Thakur, Manav Vij, Sunny Hinduja, Vijayant Kohli and Yogendra Tikku. The story revolves around the life of 36-year-old Brij Mohan, a hosiery shop owner in a busy Delhi market.

    “We are very proud to have films of the calibre of Brij Mohan Amar Rahe on the service, where millions of film-lovers around the world can discover these strong, captivating stories. We are also thrilled to get our first collaboration with Saregama off the ground, marking another milestone in our commitment towards forging solid relationships with Indian content creators,” Netflix international originals and acquisition director Swati Shetty commented.

    “Netflix is the premium VOD player and it is especially gratifying that the very first two films in our slate have found a home on this platform. It encourages us to continue to make fearless films that will reach out to audiences both domestic and international,” Saregama VP TV & Films Siddharth Anand Kumar said.

    Netflix CEO Reed Hastings recently said advantages are tremendous in India for internet viewing. Its first original film in India Love per Square Foot also did well. The platform is enriching its Indian original bouquet since the beginning of this year.

  • Sony seeks partners for streaming service Crackle

    Sony seeks partners for streaming service Crackle

    MUMBAI: For getting stronger foothold in the over-the-top (OTT) market, Sony Pictures Television is looking to take a partner in Crackle, its ad supported streaming service. The aim is to make the platform more competitive in the congested market.

    “Crackle is a tremendously valuable asset for us, and with premium AVOD [advertising video-on-demand] getting more and more traction as advertisers seek high value online advertising opportunities, we feel there is room for greater growth for our OTT business,” Sony Pictures Television chairman Mike Hopkins wrote in an e-mail addressed to staffs.

    To identify potential partners, Sony has engaged investment bank Moelis & Co. Sony is looking for partners like another ad-supported VOD provider or another media and entertainment company with a large content library and TV networks for, or a telecom business with high-scale direct-to-consumer reach.

    Sony claims Crackle apps which are available in 20 countries have been downloaded more than 100 million times to date. The company acquired web-video startup called Grouper for $65 million six years back, which later became Crackle.

    “With the right partner – one that could bring additional content or users or leverage existing assets for advertising and promotion — we feel we can expand Crackle’s audience and significantly increase revenue,” Hopkins added.

  • Netflix shares sink after it misses Q2 subscriber growth expectations

    Netflix shares sink after it misses Q2 subscriber growth expectations

    MUMBAI: Making some analysts’ prediction true, Netflix could not live up to its second-quarter earnings expectations. The streaming video giant added 5.15 million subscribers worldwide compared to the expectation of 6.2 million new subscribers. Following the result, the company’s stock fell down 14 per cent.

    In the domestic market of the US, the company added 670,000 subscribers while in international market it signed up 4.47 million subscribers. For domestic market Wall Street analysts expected 1.23 million net adds and 5.11 million overseas for the period. Now, the fear has risen that the company’s rapid growth is slowing down. Despite missing the expectation in terms of subscriber growth, it beat earnings expectations of $0.79 per share by reporting $0.85 EPS for the quarter.

    “Investors are devastated by Netflix’s Q2 projection that went down in dramatic flames. Now future projections are suspect and that decimates valuation,” private equity firm Patriarch’s CEO Eric Schiffer said as quoted by Reuters.

    “We had a strong but not stellar Q2,” Netflix said in a quarterly letter to shareholders. “This Q2, we over-forecasted global net additions… as acquisition growth was slightly lower than we projected,” the company added. Netflix CEO Reed Hastings said median viewing hours was growing but without sharing any specifics.

    Though Netflix is leading the market globally, competitors including Amazon, Hulu, and Apple are also gaining foothold in the market making things tougher for the company. The deal between AT&T and Times Warner is also an indication of increased competition for the platform. Even in India, from where Netflix targets to add a huge number of subscribers, its international rival Amazon and players like Hotstar, Voot, ALTBalaji have strong foothold in the market.

    “We’ve seen this movie of Q2 [subscriber net adds] shortfall before, about two years ago in 2016 — and we never did find the explanation to that, other than there’s some lumpiness in the business,” Netflix CEO Reed Hastings said adding that the company continued to perform after that also.

  • ZEE5 unveils exclusive never before offers with their biggest show Karenjit Kaur going live

    ZEE5 unveils exclusive never before offers with their biggest show Karenjit Kaur going live

    MUMBAI: ZEE5, India’s largest and most comprehensive digital entertainment platform for language content, is all set to make this week even more exciting for you! On the day that the platform launches their biggest show – Karenjit Kaur – the untold story of Sunny Leone – since its launch, ZEE5 has rolled out a limited time period offer for subscribers – monthly subscription at Rs 99 for 2 months where you save Rs.99 and annual subscription at Rs 499 for 1 year where you save Rs.500

    The OTT platform from the ZEE store works on a subscription based model, where subscribers can choose between monthly, 3 months’, 6months’ or annual subscription.

    ZEE5 India buisness head Manish Agarwal commented, “It is a very special day for us – not only are we launching our most-awaited original web-series, but we are also rolling out this limited time period exciting offer. We believe this will give our audience one more definite reason for clicking the download button. Given our extensive regional language portfolio – a combination of our originals and syndicated content – we have received a lot of interest from across the country in the past six months. And, as we continue to improve on the content as well as path-breaking technology that the platform offers, we believe this will be one more reason for viewers to explore our platform. The next few months will see our team rolling out more interesting developments via the platform itself to ensure the viewers never have a day without entertainment with us around.” ZEE5 has also extended a special gift to all the earlier users of the ZEE5 Premium club  via 1 month & 3 months pack completely free of cost as a gesture of appreciation!

    ZEE5 has an extensive repertoire of content spanning television series – both from our own bouquet of channels as well as international shows in Turkish, Korean, Japanese, Pakistani, Spanish and English languages; cinema – old classics to latest blockbusters; chartbusting music from around the world; the range of multi-lingual original content in languages such as Hindi, Bengali, Marathi, Telugu, Tamil and Malayalam.

    The offer will be valid till 15th August only. So, download now to avail the exciting offer and enjoy over 1,00,000+ hours of curated content across the language of your choice.

    With over 3500 films, 500+ TV shows, 4000+ music videos, 35+ theatre plays and 90+ LIVE TV Channels across 12 languages, ZEE5 truly presents a blend of unrivalled content offering for its viewers across the nation and worldwide. With ZEE5, the global content of Zindagi as a brand, which was widely appreciated across the country, has also been brought back for its loyal viewers.

    ZEE5 has partnered with the best in the business to bring viewers a seamless viewing experience. Some of the partners include Axinom for Content Management System, Think Design that created the design language of UI/UX, Tatas that breathed life in the design and bought it to alive in the form of Web and App. The platform’s CDN is managed by Akamai, Tata CDN and AWS Cloudfront. A unique feature in this adaptive experience is that Conviva, one of the leading players globally, directs viewers to one of the best CDN service provider based on the quality of their service in your location at that moment ensuring the viewers never have to compromise on video quality. ZEE5’s servers are hosted on Microsoft Azure and AWS cloud thereby ensuring scalability and reliability of the service.

    Availability: The ZEE5 App can be downloaded from Google Play Store http://bit.ly/zee5 and iOS App Store http://bit.ly/zee5ios. Also available at www.zee5.com, as a Progressive Web App (PWA), and on Apple TV and Amazon Fire TV Stick. ZEE5 also supports Chromecast.

    Pricing: Freemium pricing model with both free and paid premium content (including Originals) to cater to a mix of audiences. Viewers who subscribe to the ZEE5 subscription pack will get access to the entire library of content at a special offer price of INR 99 per month.

  • YuppTV to offer select content in Dolby Audio

    YuppTV to offer select content in Dolby Audio

    MUMBAI: YuppTV, the provider of South Asian OTT content has announced that select movie titles will be available in Dolby Audio. This will enable the company to deliver an advanced surround sound experience to its users across the globe.

    A YuppTV subscriber can enjoy select movies in Dolby Audio across smart TVs, media players through the YuppTV App by connecting their smart TV with a Dolby Audio enabled home theatre or a soundbar.

    YuppTV founder and CEO Uday Reddy said, “At YuppTV, it has been our constant pursuit to provide our users with the best entertainment solutions. We are glad to work with Dolby to provide our users with dynamic, rich, theatre-like sound quality, right at their homes, providing them with high-quality surround sound and enhancing their overall viewing experience.”

    Dolby Laboratories MD Pankaj Kedia said, “We are excited to work with YuppTV to bring our immersive audio technology onto the YuppTV platform and offer an advanced, surround sound experience to their viewers. We are confident that YuppTV users will enjoy their favourite content in Dolby Audio.”

  • F1 TV to launch on Amazon Prime

    F1 TV to launch on Amazon Prime

    MUMBAI: Formula 1 (F1) recently launched its over the top (OTT) platform F1 TV and is now planning to hop on Amazon Prime. With the deal, F1 TV is expected to grow by more than 100 million subscribers, according to Digiday.

    The OTT service was launched in the month of May with two service models F1 TV Pro (Live) and F1 TV Access (non-live) at two different price points. F1 TV Pro is priced at of $70-$150 annually, and monthly rates ranging from $8-12.

    Formula 1 head of global sponsorship and commercial partnerships Murray Barnett was quoted as saying, “It makes sense for us to be on there (Amazon Prime) because it’s an open platform and we’re already in discussions with them about distribution in the future. In the US we have an agreement with ESPN that allows us to exploit our own OTT service separately so we’ll definitely be on Amazon Prime (there).”

    The service would be made available to Prime subscribers in countries where the local broadcaster has given up its exclusive rights under new or renegotiated deals. Formula 1 must negotiate the freedom to launch its OTT service in each media-rights deal it agrees, as broadcasters who agree to the F1 TV launch in their territory lose some exclusivity.

    Barnett sees F1 TV as a stand-alone revenue source exclusive of their relationship with the TV partners. “We want to be one of the smarter channels on the Amazon Prime platform,” he added.

  • More group stage streamers for FIFA 2018 WC than entire 2014

    More group stage streamers for FIFA 2018 WC than entire 2014

    MUMBAI: The streamers are on the rise and what better way to get everyone online at the same time than sports. The FIFA world cup 2018 in Russia saw more online viewers glued in the group stage itself than the entire 2014 world cup.

    The rise in mobile data consumption and emergence of OTT platforms can be regarded as major reasons behind the enormous increase of online viewers.

    According to a study released by cloud delivery platform Akamai, viewers of the first round of Russia 2018 streamed 65 per cent more data compared to the whole season of Rio World Cup.

    Sony bets big on 2018 FIFA World Cup

    The study revealed that the highest number of concurrent streams peaked at 9.7 million on 27 June during Mexico-Sweden and South Korea-Germany matches. In the entire Rio tournament, the record viewing peak hit five million during concurrent streams only.

    According to another report quoted by Forbes during the first week of the World Cup, 393 million plays of matches were successfully streamed via 59 million unique video streaming apps.  On the other hand, Akamai reports that while the peak bandwidth in Brazil was 6.99 Tbps, it was 23.8 Tbps in the first round in Russia.

  • ConnecTechAsia Successful in Bridging the Digital Divide for Governments, Cities and Enterprises with Showcase of Latest Tech and Trends

    ConnecTechAsia Successful in Bridging the Digital Divide for Governments, Cities and Enterprises with Showcase of Latest Tech and Trends

    SINGAPORE: ConnecTechAsia, the inaugural mega technology event comprising BroadcastAsia, CommunicAsia and the new NXTAsia wrapped up last week after an exciting three days of exhibitions and a summit covering the latest innovations in cloud, blockchain, AI, VR/AR, IoT, robotics, 5G, IP broadcasting, OTT and smart cities, among others.

    Under the new brand, ConnecTechAsia this year drew close to 40,000 attendees from 96 countries/regions, and 1,800 exhibitors from 52 countries/regions. Emerging technologies and digital disruption were hot topics, amid the convergence of the Telecoms, Media and Technology (TMT) industries in an evolving business landscape.

    “We are pleased to hold the first edition of ConnecTechAsia, which has a renewed format for a more immersive experience with insightful sessions and displays for our attendees that reflect the latest industry trends and technologies that are impacting governments, cities and businesses. We hope that the many partnerships and friendships forged will serve as a foundation for an even more diverse ecosystem and empower Asia as it evolves digitally,” said Victor Wong, Event Director for ConnecTechAsia, UBM.

    Gateway to Asia –  a fast growing, digital powerhouse

    The Asia-Pacific region today accounts for 44 per cent of global GDP1 and its shift towards digital is powering the region towards a new era of economic growth and redefining the region’s social landscape.

    Echoing this, Paul Marriott, Senior Vice President of Digital Core Solutions, SAP and ConnecTechAsia Summit speaker said, “Asia is an exciting region with its rapid digitalisation and growth. Enabling enterprises in their journey towards digital evolution to be at the frontier of their respective industries is
    a core focus for us at SAP. ConnecTechAsia has been a great platform for us to build key relationships with governments and global businesses to foster greater collaboration and innovation.”

    Using ConnecTechAsia as a gateway to the region, the exhibition saw several Asian launches. PepperStack Global, with the support of the Victorian Government of Australia, launched their new NeatStreets Around Me and Micro-compensation feature-sets into the Southeast Asian markets, which allow the public to serve as “human sensors” and report on safety-related matters using their mobile devices, enhancing the uptime and efficiency of public utilities.

    Forsway, a Swedish technology provider, announced the launch of the new Odin F-50 hybrid satellite router to the Asian market, which combines mobile networks with satellites to enable operators to provide highly affordable broadband internet to consumers in regions lacking reliable internet access.

    AsiaSat, a leading satellite operator in Asia, also announced its collaboration with KBZ to provide OTT satellite video service in Myanmar, enabling audiences across the country to enjoy video content and TV programmes wherever they are, be it in rural areas or while on-the-go on trains or planes.