Tag: OTT video

  • Viu launches its New Thriller Series ‘Unafraid’ this December

    Viu launches its New Thriller Series ‘Unafraid’ this December

    MUMBAI: Viu, the leading pan-regional OTT video service, today announced the launch of its eagerly-awaitedViu Original titled “Unafraid.” Viu Originals are known for setting trends in digital entertainment globally, this is the second crime thriller to be released by Viu this quarter after 13 Mussoorie.

    Written and conceptualized by Vikram Bhatt and produced by Lone Ranger Production, 'Unafraid' will be available on Viu. Directed by Sujit Mondal, the first 10 episodes will be available to binge watch now. Unafraid is a thriller story of an everyday Indian woman who rises above the prejudices and challenges she faces at home and her workplace to take on a criminal who is terrorizing the city.

    Vishal Maheshwari, Country Head, Viu India said, "After launching 25+ Originals acrossmarkets in India, we are all set to release the much-awaited series Unafraid this year. The beauty of collaborating with a production house like Lone Ranger is that the quality and content of the series is never compromised. We are positive that this series will also garner a phenomenal response similar to the other series made in association with Vikram Bhatt.”

    Speaking on the announcement, Vikram Bhatt said, "Introducing cutting-edge content is the right way to entertain and capture the attention of young and digital-first viewers, who are craving captivating homegrown content. I am delighted that the audiences will get to watch an intriguing series like 'Unafraid'. Continuing my long-standing partnership with Viu India, the show will showcase my protagonist on the show breaking the boundaries of her narrowly-confined existence."

    Currently, Viu has over 20 million monthly active users across emerging markets. Viu has developed thousands of hours of compelling original content across Asia, collaborating with the rising local talent.By providing this demographic with a format that optimizes for creativity, Viu is reaching out to millennials with content that they love in a digital format native to them. Viu launched more than 25 Originals this year in India, includingSpotlight 2, It happened in Hong Kong, Kaushiki, and Truth or Tamanna, among others.

    All of this content can be accessed at https://www.viu.com or by downloading the Android app from Google Play or the iOS app from the Apple App Store. For more information and updates, follow us on Facebook, Twitter or log on to www.viu.com.

  • Guest Column: How 2018 could become a landmark year for OTT entertainment in India

    Guest Column: How 2018 could become a landmark year for OTT entertainment in India

    Art imitates life–this oft-repeated saying is particularly suited for the global entertainment landscape at present. The growing penetration of technology in our lives has led to widespread transformation in the way that we consume entertainment and has led to the establishment of over-the-top or OTT entertainment as a distinctive segment in its own right. The last couple of years, in particular, have seen rapid development in both OTT technologies as well as their end-user adoption.

    India, as the fastest growing large economy in the world, has been at the forefront of this tech-led renaissance. A recent KPMG report highlighted how OTT video content consumption in India has exploded, accounting for nearly half of the overall data usage within the country. This dominance is expected to grow to 75 per cent by the year 2020, as data tariffs fall and smartphones become more affordable. With the OTT entertainment landscape registering massive growth in 2017, could 2018 become a landmark year for this high-potential space? The following trends indicate that this could indeed be the case:

    The rise of regional content

    With Indian viewers consuming more online content, OTT has moved beyond metropolitan and tier-1 cities. The increased internet penetration across the country means that more and more consumers from rural and semi-urban geographies are consuming online content. This is driving the demand for entertainment that these users can relate to, that speaks to them in a language that they are familiar with.

    Regional content, as a result, is on the rise; studies indicate that 45 per cent of OTT users in India access content in regional languages. Hindi-based content remains popular, but with leading OTT players actively looking to tap into nascent regional markets across the country, regional content is expected to assume an important role in the overall OTT landscape.

    Cross-platform OTT viewing will grow

    The linear and scheduled content delivery model that traditional TV follows does not suit the evolved entertainment sensibilities and preferences of the new-age, digital-first consumers. They want their choice of entertainment delivered to them at the touch of the button, to be consumed on a device of their choice, at the time that they want to. This is driving the growing adoption of OTT entertainment in India.

    But 5-inch smartphone screens can hardly deliver the immersive experience that television enables, which is why some leading OTT platforms are also focussing on enabling a seamless, holistic, and completely native viewing experience across multiple platforms. The increased penetration of smart TVs is marrying the flexibility of OTT content with the richness of wide-screen entertainment. This will allow viewers across the county to get the best of both worlds, and will further entrench OTT’s proposition as the dominant entertainment paradigm in India.

    More AR/VR-based content to drive immersive entertainment

    There is perhaps no other medium which can deliver the immersion and engagement that virtual reality and augmented reality do. But despite the proliferation of cutting-edge VR-based devices such as Oculus Rift, Microsoft HoloLens, Vive, and PlayStation VR in the market, there is a significant lack of content that can be delivered through it. Most VR/AR solutions are, as a result, restricted to gaming at present. This is set to change in the near future; as more and more content developers and OTT platforms develop the capabilities to deliver content that is tailored for enabling an immersive, engaging, and highly interactive video entertainment experience. This will lead to the evolution in the way the entertainment is delivered and consumed and could end up transforming the global OTT landscape.

    l High demand of OTT video advertising

    Cutting-edge tech such as precision segmentation, interactivity, data, and analytics enable OTT video platforms to deliver superior ad performances in an immersive and engaging environment. This technological differentiation will drive the popularity of OTT video ads amongst digital marketers in 2018. Recent industry reports corroborate this sentiment. It is expected that OTT video advertisements will continue to play a major role in driving the overall digital advertising landscape, helping it reach revenues to the tune of Rs 15,000 crore by 2020.

    Live events streaming

    Recent technological advancements have redefined the live entertainment landscape by making it possible to deliver immersive, seamless, and glitch-free online streaming experiences in real-time. Popular sports tournaments are now being streamed live across the world by leading OTT platforms, while other prominent live events such as music concerts are also finding enhanced viewership through the OTT medium. With more and more users looking to catch their preferred live entertainment on the move, we can expect collaborations between IP owners, OTT players, and traditional broadcasters to enable live streaming of major events in 2018.

    public://ABHESH_1.jpgThe author is the chief operating officer at nexGTV. The views expressed are personal and Indiantelevision.com need not necessarily subscribe to them.
  • Demand for telco OTT video & broadband; Netflix, Viu long way to go: MPA

    Demand for telco OTT video & broadband; Netflix, Viu long way to go: MPA

    MUMBAI: Media Partners Asia (MPA) yesterday launched the Asia Video Consumer Panel, a research report offering detailed insights into how consumers engage, use and interact with video content in emerging and mature markets, focusing on TV and digital video platforms, including key regional and local OTT video operators.

    MPA, a leading independent consulting and research provider focused on Asia media & telecoms, offers a range of customized services to help drive business development, strategy & planning, M&A, new products & services and research.

    The panel covers six Asian markets – Hong Kong, Indonesia, Malaysia, Philippines, Singapore and Thailand – with a 1,000 user panel size in each market, taking in millennial and older demos as well as skewing towards mobile in emerging markets such as Indonesia, Malaysia, Philippines and Thailand.

    Commenting on the report’s key findings, MPA vice president Aravind Venugopal said: The importance of bundling with telecom and IP-based pay-TV operators to drive online video adoption is becoming critical, as illustrated by our survey. As we are still very much in the first innings of the SVOD online video cycle in most Asian markets, the journey for most platforms from building awareness to generating trial users, and then to finally converting them to regular users, is long and arduous.

    In four of the markets surveyed – Hong Kong, Singapore, Malaysia and Philippines – local players have taken the lead when it comes to building awareness and conversion, led by incumbent pay-TV and free TV operators, a number of which are reliant on local and Asian content, and in certain cases, sports. Global and pan regional SVOD services focused on providing international content, are fighting to take the lead, though conversion has been low in general. In terms of both awareness and conversion, Netflix and iflix both lead in selected markets with Viu also robust across most markets.

    Some of the key highlights of the panel include:

    Telco and pay-TV integration. The importance of bundling and OTT integration deals with telecom and pay-TV operators to drive adoption has emerged as key with most survey respondents indicating that they opted for OTT services via their telco or pay-TV operator. Netflix was an exception, with a high proportion of subscribers indicating that they opted for a direct sign up.

    NPS in negative territory. Net Promoter Scores or NPS, which range from -100 to 100 and measure the willingness of customers to recommend a company’s products or services to others, were largely negative in most markets. The exception was Netflix, which received a positive score in four of the six surveyed markets, and also leads the NPS rankings in four of the six markets surveyed. Users in Indonesia, Singapore and Hong Kong tended to award negative NPS to almost all SVOD-based OTT video service providers. Users in Thailand, Malaysia and Philippines appeared to be more positive about OTT video service providers.

    Key features. Feature sets that were most often highlighted as being essential to users was the ability to stream online video to TV, followed by the ability to download. These are also reflective of the type of content contained in the services, as well as the type and quality of broadband infrastructure available.

    Content. The importance of day and date content, particularly Hollywood movies, was reflected in the survey with the genre coming out on top of the list of ‘must have’ genres for a premium SVOD service. This was closely followed by new Korean dramas, new Chinese dramas and new Hollywood series. Sports is also increasingly important.

    UI /UX and lack of localization. A significant proportion of users indicated that they were unable to locate/find shows in the services – indicating either a lack of content, or limitations of the UI/UX – this, significantly, was highlighted as an issue even for Netflix. A numbers of respondents also indicated that the poor dubbing/subtitling of shows was a concern.

    Pay-TV consumption. In two emerging Asian markets (Thailand, Indonesia) and in Hong Kong, the consumption of pay-TV is trending lower, with streaming/on-demand services accounting for a vast majority of content needs. In some instance (i.e. Hong Kong), the incumbent pay-TV operator (i.e. Now TV) is driving the legal consumption of streaming video services.

    Piracy. There remains increasing prevalence of pirated STBs. On average, 5-10% of the surveyed base admitted to using a pirate STB to access pay-TV services.

    Payment mechanisms. In the Philippines, Thailand and Malaysia, the frequent topping up of prepaid credit balances is commonplace; on average, respondents topped up their services over three times a month. This provides insight on how much consumers are willing to pay for SVOD services and potentially supports the case for sachet pricing.

    The Panel, conducted in partnership with BDRC Continental, covers six Asian markets (with a total sample size of 6,000 individuals), cutting across a broad range of demographics. The full findings from the second phase of this survey will be released in April 2017, providing readers with updated views, new data and additional metrics.

  • Demand for telco OTT video & broadband; Netflix, Viu long way to go: MPA

    Demand for telco OTT video & broadband; Netflix, Viu long way to go: MPA

    MUMBAI: Media Partners Asia (MPA) yesterday launched the Asia Video Consumer Panel, a research report offering detailed insights into how consumers engage, use and interact with video content in emerging and mature markets, focusing on TV and digital video platforms, including key regional and local OTT video operators.

    MPA, a leading independent consulting and research provider focused on Asia media & telecoms, offers a range of customized services to help drive business development, strategy & planning, M&A, new products & services and research.

    The panel covers six Asian markets – Hong Kong, Indonesia, Malaysia, Philippines, Singapore and Thailand – with a 1,000 user panel size in each market, taking in millennial and older demos as well as skewing towards mobile in emerging markets such as Indonesia, Malaysia, Philippines and Thailand.

    Commenting on the report’s key findings, MPA vice president Aravind Venugopal said: The importance of bundling with telecom and IP-based pay-TV operators to drive online video adoption is becoming critical, as illustrated by our survey. As we are still very much in the first innings of the SVOD online video cycle in most Asian markets, the journey for most platforms from building awareness to generating trial users, and then to finally converting them to regular users, is long and arduous.

    In four of the markets surveyed – Hong Kong, Singapore, Malaysia and Philippines – local players have taken the lead when it comes to building awareness and conversion, led by incumbent pay-TV and free TV operators, a number of which are reliant on local and Asian content, and in certain cases, sports. Global and pan regional SVOD services focused on providing international content, are fighting to take the lead, though conversion has been low in general. In terms of both awareness and conversion, Netflix and iflix both lead in selected markets with Viu also robust across most markets.

    Some of the key highlights of the panel include:

    Telco and pay-TV integration. The importance of bundling and OTT integration deals with telecom and pay-TV operators to drive adoption has emerged as key with most survey respondents indicating that they opted for OTT services via their telco or pay-TV operator. Netflix was an exception, with a high proportion of subscribers indicating that they opted for a direct sign up.

    NPS in negative territory. Net Promoter Scores or NPS, which range from -100 to 100 and measure the willingness of customers to recommend a company’s products or services to others, were largely negative in most markets. The exception was Netflix, which received a positive score in four of the six surveyed markets, and also leads the NPS rankings in four of the six markets surveyed. Users in Indonesia, Singapore and Hong Kong tended to award negative NPS to almost all SVOD-based OTT video service providers. Users in Thailand, Malaysia and Philippines appeared to be more positive about OTT video service providers.

    Key features. Feature sets that were most often highlighted as being essential to users was the ability to stream online video to TV, followed by the ability to download. These are also reflective of the type of content contained in the services, as well as the type and quality of broadband infrastructure available.

    Content. The importance of day and date content, particularly Hollywood movies, was reflected in the survey with the genre coming out on top of the list of ‘must have’ genres for a premium SVOD service. This was closely followed by new Korean dramas, new Chinese dramas and new Hollywood series. Sports is also increasingly important.

    UI /UX and lack of localization. A significant proportion of users indicated that they were unable to locate/find shows in the services – indicating either a lack of content, or limitations of the UI/UX – this, significantly, was highlighted as an issue even for Netflix. A numbers of respondents also indicated that the poor dubbing/subtitling of shows was a concern.

    Pay-TV consumption. In two emerging Asian markets (Thailand, Indonesia) and in Hong Kong, the consumption of pay-TV is trending lower, with streaming/on-demand services accounting for a vast majority of content needs. In some instance (i.e. Hong Kong), the incumbent pay-TV operator (i.e. Now TV) is driving the legal consumption of streaming video services.

    Piracy. There remains increasing prevalence of pirated STBs. On average, 5-10% of the surveyed base admitted to using a pirate STB to access pay-TV services.

    Payment mechanisms. In the Philippines, Thailand and Malaysia, the frequent topping up of prepaid credit balances is commonplace; on average, respondents topped up their services over three times a month. This provides insight on how much consumers are willing to pay for SVOD services and potentially supports the case for sachet pricing.

    The Panel, conducted in partnership with BDRC Continental, covers six Asian markets (with a total sample size of 6,000 individuals), cutting across a broad range of demographics. The full findings from the second phase of this survey will be released in April 2017, providing readers with updated views, new data and additional metrics.

  • nexGTv bags global digital rights of Odia GEC MBC TV

    nexGTv bags global digital rights of Odia GEC MBC TV

    MUMBAI: nexGTv, India’s largest subscription-led video entertainment app, has acquired the worldwide digital rights to MBC TV, an Odia General Entertainment Channel. The move is a part of nexGTv’s long-term strategic partnership with SelectNext Digital, and underlines its commitment to curate and deliver the best regional entertainment content to its users across the globe.

    SelectNext Digital Media is an emerging digital content aggregation and syndication company. It started operations in 2016 and, within a short span of time, has acquired exclusive rights for more than 17k audio songs and 5k videos across various genres. SelectNext Digital has a huge content repository of Indian as well as International content which targets young audiences.

    Speaking on the announcement, nexGTv, COO Abhesh Verma said, “nexGTv, today, has firmly established its position as one of the leading players in the Indian OTT video/mobile TV industry. This leadership position has been achieved due to our focus on enabling the most relevant entertainment solutions for our users. We are delighted to add MBC TV to our platform, and are confident that Odia-speaking users around the world will appreciate the greater selection diversity available to them as a result of the addition.”

    MBC TV will be made available as a part of the paid packages on nexGTv, and can be viewed seamlessly on its web and mobile platforms. The content can either be accessed through www.nexgtv.com, or through the nexGTv mobile app which is available on both Android and iOS platforms.

  • nexGTv bags global digital rights of Odia GEC MBC TV

    nexGTv bags global digital rights of Odia GEC MBC TV

    MUMBAI: nexGTv, India’s largest subscription-led video entertainment app, has acquired the worldwide digital rights to MBC TV, an Odia General Entertainment Channel. The move is a part of nexGTv’s long-term strategic partnership with SelectNext Digital, and underlines its commitment to curate and deliver the best regional entertainment content to its users across the globe.

    SelectNext Digital Media is an emerging digital content aggregation and syndication company. It started operations in 2016 and, within a short span of time, has acquired exclusive rights for more than 17k audio songs and 5k videos across various genres. SelectNext Digital has a huge content repository of Indian as well as International content which targets young audiences.

    Speaking on the announcement, nexGTv, COO Abhesh Verma said, “nexGTv, today, has firmly established its position as one of the leading players in the Indian OTT video/mobile TV industry. This leadership position has been achieved due to our focus on enabling the most relevant entertainment solutions for our users. We are delighted to add MBC TV to our platform, and are confident that Odia-speaking users around the world will appreciate the greater selection diversity available to them as a result of the addition.”

    MBC TV will be made available as a part of the paid packages on nexGTv, and can be viewed seamlessly on its web and mobile platforms. The content can either be accessed through www.nexgtv.com, or through the nexGTv mobile app which is available on both Android and iOS platforms.