Tag: OTT series

  • Why Abundantia’s Vikram Malhotra is looking to raise Rs 250 crore in 2025

    Why Abundantia’s Vikram Malhotra is looking to raise Rs 250 crore in 2025

    MUMBAI: It’s had an abundant share of hits. Now Abundantia Entertainment is gearing up to ramp up its slate further and is in the market to raise a nice little treasure chest of money to fund its future film and series projects. 

    Speaking to moneycontrol.com, its CEO Vikram Malhotra said that he was looking to raise Rs 200-250 crore in the first half of 2025, only one third of the investment of Rs 750 crore he has lined up for movies and series  for the company going forward.

    Abundantia has been behind some critically acclaimed  and commercially  successful films like Baby, Airlift, Toilet – Ek Prem Katha, Shakuntala Devi, Sherni, Chhorii, Jalsa, Ram Setu, Sukhee and Sarfira. Its series  Breathe which ran into three seasons and  Hush Hush which brought yesteryear super stars Juhi Chawla and Ayesha Jhulka onto streaming have got him hungry to do more. 

    “Out of the 23 titles in development actively at Abundantia right now, the next three years should see an output of 18 of them, starting with six releases in 2025,” he told Moneycontrol. “So far, we’ve had a tremendous five years in terms of creative and financial success and now the plan is to take it to the next level with the infusion of additional capital that allows us to exploit the opportunities that exist in the market.”

    Among the titles which are under developed or are on the production floor include: Amazon Prime Video’s Bhoomi Pednekar-starring Suresh Triveni-directed Daldal, the sequel to  the 2021 released Chhorii, and the Anil Kapoor-starring Suresh Triveni-directed Subedaar.  Many a talent have also been signed up by Abundantia, reveals Malhotra. Among them: Hansal Mehta (the director of the successful Scam series ) who is working on a multi season series, Gullak director Palash Vaswani who’s working on a film, Bhav Dhulia (the director behind Drishyam and Paan Singh Tomar)  who’s got a film project as well as Mayank Sharma (he directed Breathe’s three seasons) for a film. 

    Malhotra has been restructuring Abundantia and has built two verticals within it: psych for horror and paranormal stories and Filters for the young adult segment and is actively developing content under these.  

    A creative studio  called Opening Image has been launched with Suresh Triveni. The idea: focus on creating and developing differentiated content across mediums and aims at being an ecosystem for young writers and directors to flourish under Triveni’s guidance.

    This is not the first fund raise Malhotra’s attempting. He initially secured funding from Dalip Pathak’s Callista Capital and Ashok Wadhwa’s RW Media, who he later bought out. 

    Going by his track record (and despite the mixed response from movie goers that  the film industry has been receiving), Malhotra and his Abundantia should get the fund raise  through and  right – in the first take itself.

  • “The three of us principally believe there is no limit of growth, it’s a matter of choice”: Chrome Pictures founders

    “The three of us principally believe there is no limit of growth, it’s a matter of choice”: Chrome Pictures founders

    Mumbai: Cinema has been entertaining and educating the masses through various mediums, including films, TVCs, ad films, TV serials, and web series on OTT platforms. Creating, experimenting and evolving with ‘Lights, Camera and Action’, a production house – Chrome Pictures has come a long way in the world of advertising and filmmaking.

    On 20 January 2024, Chrome Pictures celebrated a remarkable milestone, marking its 20-year anniversary as a prominent force in the realm of visual storytelling. The film production company, founded in 2004 by the dynamic trio of Amit Sharma, Aleya Sen, and Hemant Bhandari has emerged as one of the premier production houses of the country, consistently upholding a legacy of excellence, innovation, and creativity on a global scale.

    Renowned for its diverse portfolio, the company has directed and produced compelling and heartwarming TVCs for an array of leading brands in collavoration with top ad agencies of India. The accolades garnered and awards won at renowned platforms include the Cannes Film Festival, Spikes Asia, Adfest, NYA, D&AD, DPA, amongst others. In the recent times, Chrome Pictures won 33 film awards for their debut feature film ‘Badhaai Ho’ including the prestigious National Award for the “Best Popular Film Providing Wholesome Entertainment”.

    To know more about the production company and its two decade journey, Indian Television caught up with Chrome Pictures founders Amit Sharma, Aleya Sen and Hemant Bhandari.

    Edited Excerpts:

    On the founders of Chrome Pictures coming together to establish the company in 2004

    Amit Sharma, Aleya Sen and Hemant Bhandari started Chrome Pictures at the young age of 24. Amit and Hemant are childhood friends, while Aleya and Amit met on sets of Pradeep Sarkar. It was their dream to start a production house together.

    On some memorable moments along with the challenges that Chrome Pictures faced during its 20-year journey in the industry

    20 years is a long time and we’ve faced multiple challenges along the way. But we’ve always seen every challenge as an opportunity to get better at our game.

    One of our biggest challenges was our first breakthrough. The first year we only got 10-15 sec ads. We made Hanes commercials with our own money. It won many national and International awards. That’s when we got our first recognition in the advertising industry. Making our own place in Bollywood, with landmark films like Badhaai Ho and recently Trial Period is equally challenging. Covid was another time of challenge for all production houses. We were one of the first to start online shoots, with a zeal to reinvent ourselves. We are a company of 70 and everyone was retained. We landed, bagging 46 awards, including Cannes Lions Awards for Dove #StopTheBeautyTest and the Facebook Pooja Didi Ad, shot during COVID.

    On Chrome Pictures distinguishing itself in terms of its creative and innovative approach within both the cinema and advertising industries

    We love exploring and experimenting with new talent, technology, genre, formats etc. It’s safe to say that the creative aspect of films – be it ad or feature, triumphs everything else for us. We believe that storytelling is not limited to any format and, hence, from Chrome’s very inception, we’ve looked forward to every project with equal amount of excitement. Long format was a natural progression. We like to stay updated with the ever growing and changing market.

    On the genres or thematic areas that Chrome Pictures is looking to delve into as it further establishes itself in the Bollywood film industry

    We are unified by our diversity. We’ve never restricted ourselves to specific genres while making feature films. We treat content as our hero. Selection of a particular script is an individual director’s choice. Like, I might go from exploring romance in one project to drama in the next. Similarly, Amit might go from doing a sports biography, Maidaan, to a thriller. However our forte is emotional and realistic storytelling.

    On whether AI is having any discernible impact on Chrome Pictures’ production process and if so, is the company integrating artificial intelligence into its creative workflows

    Evolution is constant. Just about 12 years back, Fuji and Kodak Stock suddenly switched to digital cameras. From Beta tapes, we switched to drives and then cloud. So AI is inevitable. At Chrome, we strive to stay flexible and relevant to changing times. It’s important to upgrade oneself in an industry that welcomes new technology readily. Having said that, AI will certainly have an adverse impact in terms of replacing manual work to digitised ones.

    On the company’s future plans & aspirations

    In the last 20 years, we have explored our strengths in more than one way. Currently with eight young and talented in-house directors, six producers and an experienced production and post team, we intend on producing more feature films, OTT films and web series.

    Our advertising team is well-established and we encourage new talents. We have a digital wing, Minikin DG Works. We have a well-equipped post-production studio setup called “Planet Chrome”. Last year we launched our content lab called “Crimsen Tales”.

    The three of us principally believe there is no limit of growth, it’s a matter of choice.

  • MX Player joins Tata Play Binge as its 17th OTT platform

    MX Player joins Tata Play Binge as its 17th OTT platform

    Mumbai: Tata Play Binge and MX Player have collaborated to entertain India and Bharat together. Following this partnership, MX Player will join the band of the 16 existing popular OTT platforms on Binge like Disney+ Hotstar, ZEE5, SonyLIV, Voot Select, hoichoi, Planet Marathi, NammaFlix, Chaupal, SunNxt, Hungama Play, Eros Now, ShemarooMe, Voot Kids, CuriosityStream, EPIC ON, and DocuBay. Content from all these platforms is available to the viewers of Tata Play Binge through a single subscription and a single user interface. Viewers can also enjoy free content on Tata Play Binge.

    With the latest addition, viewers will have access to an additional 5000+ films and 800+ shows in Hindi, Tamil, Telugu, and other languages from MX Player, further strengthening its commitment to offer viewers the best of entertainment. 

    MX Player will unlock a differentiated content library on Tata Play Binge consisting of MX Originals, Bollywood and Hollywood movies, South Indian dubbed movies, Korean dramas and more.

    Subscribers of Tata Play Binge who have MX Player as part of their package will get to enjoy an ad-free content viewing experience without any interruptions. Tata Play Binge can be accessed through large-screen connected devices—Tata Play Binge+, an Android set-top box, and the Tata Play edition of the Amazon FireTV stick, along with the Tata Play Binge mobile app and the website.

    Commenting on the addition of a new partner app, Tata Play chief commercial and content officer Pallavi Puri said, “We now proudly host 17 coveted OTT apps under one roof and aim to create a unique and robust platform for all things entertainment through Tata Play Binge. Teaming up with MX Player and adding its rich content library to our OTT aggregation platform will bring great value to our viewers; and together, we hope to expand the viewership base of each other.”

    Speaking of this collaboration, MX Player business head-SVoD Abhishek Joshi said, “At MX Player we are committed to creating an immersive digital entertainment ecosystem that provides our users with content that is universally appealing and engaging. Our partnership with Tata Play Binge gives us an opportunity to make our content widely accessible and available, further strengthening our existing user base. We are delighted to partner with them in their endeavour to bring the best of entertainment and unleash the power of an enriching content viewing experience for all viewers.”