Tag: OTS

  • English Movies genre tops the chart with 1.2 % OTS

    English Movies genre tops the chart with 1.2 % OTS

    MUMBAI: The English movies genre emerged as the top gainer in Chrome’s opportunity to see (OTS) analysis for six metros. The space marked an increase of 1.2 per cent. Movies Now emerged as the most benefited channel with 47.4 percent OTS in week 28.

    Next up, the English news genre which recorded an increase of 0.9 per cent in six metros with Lok Sabha TV leading the genre with 92.2 per cent OTS.

    On the other hand, Music in the Hindi Speaking Market (HSM) booked the third spot in the list of top gainers with a 0.7 per cent increase in OTS. 9XM led the tally with 90.6 per cent OTS.

    Last but not the least, English entertainment in the six metros observed a growth of 0.6 per cent. Star World emerged as the chart topper with 44.7 per cent OTS.

    Meanwhile, witnessing a drop of 0.1 per cent, the Hindi GEC genre in HSM topped the loser category with DD National scoring 97.4 per cent OTS.

    On the other hand, with a drop of 0.1 per cent, the Hindi movies genre in an identical market was in the second spot with Max emerging as the most affectedC channel with 91.8 per cent OTS.

  • English Movies genre tops the chart with 1.2 % OTS

    English Movies genre tops the chart with 1.2 % OTS

    MUMBAI: The English movies genre emerged as the top gainer in Chrome’s opportunity to see (OTS) analysis for six metros. The space marked an increase of 1.2 per cent. Movies Now emerged as the most benefited channel with 47.4 percent OTS in week 28.

    Next up, the English news genre which recorded an increase of 0.9 per cent in six metros with Lok Sabha TV leading the genre with 92.2 per cent OTS.

    On the other hand, Music in the Hindi Speaking Market (HSM) booked the third spot in the list of top gainers with a 0.7 per cent increase in OTS. 9XM led the tally with 90.6 per cent OTS.

    Last but not the least, English entertainment in the six metros observed a growth of 0.6 per cent. Star World emerged as the chart topper with 44.7 per cent OTS.

    Meanwhile, witnessing a drop of 0.1 per cent, the Hindi GEC genre in HSM topped the loser category with DD National scoring 97.4 per cent OTS.

    On the other hand, with a drop of 0.1 per cent, the Hindi movies genre in an identical market was in the second spot with Max emerging as the most affectedC channel with 91.8 per cent OTS.

  • Crome week 20: Movies Now leads the loser’s list

    Crome week 20: Movies Now leads the loser’s list

    MUMBAI: According to the week 20 of Chrome’s Opportunity to see (OTS) data, English Movies topped the loser’s list with 3. 5 per cent OTS in six metros; Movies Now witnessed a drop of 50.9 per cent OTS. English News followed the list with a drop of 1.5 per cent OTS; Lok Sabha TV saw lowest drop with 92.4 per cent OTS in six metros. 

    Hindi News was next on the loser’s list with a drop of 1.1 per cent OTS in Hindi Speaking Market (HSM); Hindi News in the genre saw a drop of 96.0 per cent OTS. 

  • Crome week 20: Movies Now leads the loser’s list

    Crome week 20: Movies Now leads the loser’s list

    MUMBAI: According to the week 20 of Chrome’s Opportunity to see (OTS) data, English Movies topped the loser’s list with 3. 5 per cent OTS in six metros; Movies Now witnessed a drop of 50.9 per cent OTS. English News followed the list with a drop of 1.5 per cent OTS; Lok Sabha TV saw lowest drop with 92.4 per cent OTS in six metros. 

    Hindi News was next on the loser’s list with a drop of 1.1 per cent OTS in Hindi Speaking Market (HSM); Hindi News in the genre saw a drop of 96.0 per cent OTS. 

  • English entertainment scores 3.4 percent OTS in Chrome week 9

    English entertainment scores 3.4 percent OTS in Chrome week 9

    MUMBAI: The English entertainment genre emerged as a gainer in Chrome’s opportunity to see (OTS) analysis for the six metros. The sector registered an increase of 3.4 per cent and saw Comedy Central as the leader with 49.9 per cent OTS in week 9.

    Infotainment was the next in the tally, and witnessed an increase of 2.3 per cent OTS on all India basis and History TV 18 emerged as the most benefitted channel with 82.0 per cent OTS.

    Music genre in the Hindi speaking market (HSM) recorded 1.9 per cent OTS while Sony Mix registered highest with 85.1 per cent OTS in the section.

    Next in the section was Hindi Movies which registered 0.8 per cent OTS and Max with 88.9 per cent OTS became the most benefitted channel.

    Meanwhile witnessing a drop of 1.0 per cent Hindi general entertainment channels (GEC) topped the loser category with DD National scoring 94.6 per cent OTS.  With a fall of 0.3 per cent Youth genre booked a second spot with Channel V as the most affected channel with 83.6 per cent OTS.

    In six metros, business news saw a drop of 0.3 per cent with CNBC Awaaz registering 82.2 per cent OTS.  Last but not the least, English news registered 0.19 per cent OTS in six metros with Loksabha TV scoring 91.6 per cent

  • English entertainment scores 3.4 percent OTS in Chrome week 9

    English entertainment scores 3.4 percent OTS in Chrome week 9

    MUMBAI: The English entertainment genre emerged as a gainer in Chrome’s opportunity to see (OTS) analysis for the six metros. The sector registered an increase of 3.4 per cent and saw Comedy Central as the leader with 49.9 per cent OTS in week 9.

    Infotainment was the next in the tally, and witnessed an increase of 2.3 per cent OTS on all India basis and History TV 18 emerged as the most benefitted channel with 82.0 per cent OTS.

    Music genre in the Hindi speaking market (HSM) recorded 1.9 per cent OTS while Sony Mix registered highest with 85.1 per cent OTS in the section.

    Next in the section was Hindi Movies which registered 0.8 per cent OTS and Max with 88.9 per cent OTS became the most benefitted channel.

    Meanwhile witnessing a drop of 1.0 per cent Hindi general entertainment channels (GEC) topped the loser category with DD National scoring 94.6 per cent OTS.  With a fall of 0.3 per cent Youth genre booked a second spot with Channel V as the most affected channel with 83.6 per cent OTS.

    In six metros, business news saw a drop of 0.3 per cent with CNBC Awaaz registering 82.2 per cent OTS.  Last but not the least, English news registered 0.19 per cent OTS in six metros with Loksabha TV scoring 91.6 per cent

  • &TV way of entertainment completes one glorious year

    &TV way of entertainment completes one glorious year

    MUMBAI: The &TV way of entertainment has completed one year in the most competitive of all television genres – Hindi General Entertainment Channels (HGEC). Despite having a HGEC, Zee TV media Mogul Dr Subhash Chandra’s media and entertainment conglomerate Essel Group lead by MD Punit Goenka decided to launch one more and that’s how the &TV came being.
    Rajesh Iyer was roped in as the business head and he got the perfect combination of programming, distribution and marketing in place to give the channel a perfect ignition. The launch stage was ready and Shah Rukh Khan was the gear-up factor to the ignition. The Fauzi was back on television and a new channel was on air. Sab Se Shaana Kaun generated the much needed buzz. 

    From the shows like India Poochega… Sab Se Shaana Kaun ,which was produced by Big Synergy, to Deal or No Deal and The Voice produced by Endemol, the channel has left no stone unturned in making its one year journey glorious.  

    Produced by Edit II Production, Bhabhi Ji Ghar Par Hai, was another stepping stone for the channel. This high rated show has created the trend and made other channels to follow the vibes. 

    In crime thriller space, Contiloe Entertainment’s Agent Raghav was another successful show for the channel which has also won the 14th Indian Telly Awards 2015 for the ‘best thriller programme.’

    “&TV launched as the sixteenth Hindi GEC channel in one of the most competitive and high-stake television genres in India, which was a big risk in itself. The channel had one of the best take-offs a Hindi GEC could have, with an average OTS of 72 per cent (which means 72 per cent of Hindi Speaking Population had access to the channel at launch across all forms of linear TV). To cite an example for comparison, EPIC channel, another competitor in the HGEC genre, had an OTS of 42 per cent during its week of launch. The credit for the channel’s high availability and viewership goes to the distribution team, but must also be shared with the content team. With high interest content like India Poochhega…Sabse Shaana Kaun? at the time of the launch and its highest rated show Gangaa, along with airing mass entertainers like Chennai Express, Entertainment and Agneepath, &TV has struck the perfect balance between off and on-air strategies, resulting in stickiness as well as reach” explains Chrome DM CEO and founder Pankaj Krishna.

    Hefty investment in order to get out quality content was the way forward for &TV from it’s very beginning. “The channel forayed to thriller with Agent Raghav , produced by Contiloe Entertainment with an investment of between Rs 20 – 25 lakhs per episode. The top viewed shows Begusarai and Gangaa were created at a cost of Rs 8 – 9 lakhs per episode, whereas the Nivedita Basu’s upcoming show Meri Awaaz Hi Paihchaan Hai will easily make the channel dish out over Rs 10 lakh per episode. 

    On the other hand, Bhabhi Ji Ghar Par Hai, didn’t start off very expensive but now the show is doing really good hence the production cost has gone up to 15 lakh per episodes. Whereas its show historical show Razia Sultan was created at the cost of 15 lakhs per episodes.  The biggest spend was IPSSK where excluding host over Rs 40 lakhs per episode was spent. So quality was always a priority and the network backed the priority with necessary investments. The channel should be proud of where it stands today” asserts a media observer on condition of anonymity.    

    The ad rate card of the channel has seen a 25 per cent hike over the last year and advertisers’ traction has also been evolving thick and fast as per media planners’ insights.

    Industry reaction on the channel’s voyage so far 

    Dentsu Aegis Network chairman and CEO South Asia Ashish Bhasin: “It has done better than what was expected. I do feel it has more scope to grow as time goes by. Ultimately, its ability to sustain good content on a continuous basis will work for the channel. The content was well connected with the consumer and that’s one of the reasons why the channel is running successfully. Another, it was also well distributed as a new channel, right from the beginning”

    Industry expert and Purple Canvas founder Gaurav Seth: “&TV made a very promising start a year ago, with a fresh slate of content and differentiated offerings catering to every section of the GEC audience. Shows like Gangaa and Bhabhiji were especially entertaining and made extremely well. They have not however been able to crack the weekend primetime band which is critical to any GEC’s success and that, along with a couple of new weekday primetime hits should be on their wishlist for the coming year. But it’s been a reasonably successful launch year overall, considering the highly competitive space it has entered.”

    Big Snyergy co-founder and director Anita Kaul Basu: “India Poochega Sabse Shaana Kaun? was our first show with Zee, though we had worked together with Zee in past before satellite. Rajesh Iyer is a great guy to work with. He is very sorted and precise when it comes to content and programming. Then there was Sunanda with whom we have worked before at the time of India’s Got Talent when she was in Colors. &TV  took a little time to decide about what they wanted to do but when it happened it happened very fast. It was great working with the team. For a new channel and a GEC channel of that scale it takes time, but &TV in one year has made a mark. The channel brought a big international format to India Who’s Asking? which Zee Network  has never done before. Hence, The  channel has a great lineup of shows and will soon make great impact in the industry.” 

    The House of Originals director Nivedia Basu: “I have a very good experience of working with them, in fact when we came with the idea they were so open minded and they have given me as a first timer to do things according to the way I want. They helped me get all these actors on board for the Meri Awaaz Hi Pechan Hai. Many say that they want to work with the top three broadcasters, but I think & TV soon will be among the top five broadcasters”
    The journey travelled so far certainly signifies that there is a long way to go, meanwhile the air is all filled with the perfume of promise that reminds one of the Robert Frost quote, “I have miles to go and promises to keep before I sleep.”

    Viewership data from week 41, 2015 to week 7, 2016 period

    Source : BARC

           

    TG : 4+ HSM

           

    Period : Wk 41 – Wk 07’2016

           

    Analysis : Impressions (000s) (Weighted Average for the above mentioned period)

  • &TV way of entertainment completes one glorious year

    &TV way of entertainment completes one glorious year

    MUMBAI: The &TV way of entertainment has completed one year in the most competitive of all television genres – Hindi General Entertainment Channels (HGEC). Despite having a HGEC, Zee TV media Mogul Dr Subhash Chandra’s media and entertainment conglomerate Essel Group lead by MD Punit Goenka decided to launch one more and that’s how the &TV came being.
    Rajesh Iyer was roped in as the business head and he got the perfect combination of programming, distribution and marketing in place to give the channel a perfect ignition. The launch stage was ready and Shah Rukh Khan was the gear-up factor to the ignition. The Fauzi was back on television and a new channel was on air. Sab Se Shaana Kaun generated the much needed buzz. 

    From the shows like India Poochega… Sab Se Shaana Kaun ,which was produced by Big Synergy, to Deal or No Deal and The Voice produced by Endemol, the channel has left no stone unturned in making its one year journey glorious.  

    Produced by Edit II Production, Bhabhi Ji Ghar Par Hai, was another stepping stone for the channel. This high rated show has created the trend and made other channels to follow the vibes. 

    In crime thriller space, Contiloe Entertainment’s Agent Raghav was another successful show for the channel which has also won the 14th Indian Telly Awards 2015 for the ‘best thriller programme.’

    “&TV launched as the sixteenth Hindi GEC channel in one of the most competitive and high-stake television genres in India, which was a big risk in itself. The channel had one of the best take-offs a Hindi GEC could have, with an average OTS of 72 per cent (which means 72 per cent of Hindi Speaking Population had access to the channel at launch across all forms of linear TV). To cite an example for comparison, EPIC channel, another competitor in the HGEC genre, had an OTS of 42 per cent during its week of launch. The credit for the channel’s high availability and viewership goes to the distribution team, but must also be shared with the content team. With high interest content like India Poochhega…Sabse Shaana Kaun? at the time of the launch and its highest rated show Gangaa, along with airing mass entertainers like Chennai Express, Entertainment and Agneepath, &TV has struck the perfect balance between off and on-air strategies, resulting in stickiness as well as reach” explains Chrome DM CEO and founder Pankaj Krishna.

    Hefty investment in order to get out quality content was the way forward for &TV from it’s very beginning. “The channel forayed to thriller with Agent Raghav , produced by Contiloe Entertainment with an investment of between Rs 20 – 25 lakhs per episode. The top viewed shows Begusarai and Gangaa were created at a cost of Rs 8 – 9 lakhs per episode, whereas the Nivedita Basu’s upcoming show Meri Awaaz Hi Paihchaan Hai will easily make the channel dish out over Rs 10 lakh per episode. 

    On the other hand, Bhabhi Ji Ghar Par Hai, didn’t start off very expensive but now the show is doing really good hence the production cost has gone up to 15 lakh per episodes. Whereas its show historical show Razia Sultan was created at the cost of 15 lakhs per episodes.  The biggest spend was IPSSK where excluding host over Rs 40 lakhs per episode was spent. So quality was always a priority and the network backed the priority with necessary investments. The channel should be proud of where it stands today” asserts a media observer on condition of anonymity.    

    The ad rate card of the channel has seen a 25 per cent hike over the last year and advertisers’ traction has also been evolving thick and fast as per media planners’ insights.

    Industry reaction on the channel’s voyage so far 

    Dentsu Aegis Network chairman and CEO South Asia Ashish Bhasin: “It has done better than what was expected. I do feel it has more scope to grow as time goes by. Ultimately, its ability to sustain good content on a continuous basis will work for the channel. The content was well connected with the consumer and that’s one of the reasons why the channel is running successfully. Another, it was also well distributed as a new channel, right from the beginning”

    Industry expert and Purple Canvas founder Gaurav Seth: “&TV made a very promising start a year ago, with a fresh slate of content and differentiated offerings catering to every section of the GEC audience. Shows like Gangaa and Bhabhiji were especially entertaining and made extremely well. They have not however been able to crack the weekend primetime band which is critical to any GEC’s success and that, along with a couple of new weekday primetime hits should be on their wishlist for the coming year. But it’s been a reasonably successful launch year overall, considering the highly competitive space it has entered.”

    Big Snyergy co-founder and director Anita Kaul Basu: “India Poochega Sabse Shaana Kaun? was our first show with Zee, though we had worked together with Zee in past before satellite. Rajesh Iyer is a great guy to work with. He is very sorted and precise when it comes to content and programming. Then there was Sunanda with whom we have worked before at the time of India’s Got Talent when she was in Colors. &TV  took a little time to decide about what they wanted to do but when it happened it happened very fast. It was great working with the team. For a new channel and a GEC channel of that scale it takes time, but &TV in one year has made a mark. The channel brought a big international format to India Who’s Asking? which Zee Network  has never done before. Hence, The  channel has a great lineup of shows and will soon make great impact in the industry.” 

    The House of Originals director Nivedia Basu: “I have a very good experience of working with them, in fact when we came with the idea they were so open minded and they have given me as a first timer to do things according to the way I want. They helped me get all these actors on board for the Meri Awaaz Hi Pechan Hai. Many say that they want to work with the top three broadcasters, but I think & TV soon will be among the top five broadcasters”
    The journey travelled so far certainly signifies that there is a long way to go, meanwhile the air is all filled with the perfume of promise that reminds one of the Robert Frost quote, “I have miles to go and promises to keep before I sleep.”

    Viewership data from week 41, 2015 to week 7, 2016 period

    Source : BARC

           

    TG : 4+ HSM

           

    Period : Wk 41 – Wk 07’2016

           

    Analysis : Impressions (000s) (Weighted Average for the above mentioned period)

  • Chrome week 3: Sports genre tops chart with 3.7% OTS

    Chrome week 3: Sports genre tops chart with 3.7% OTS

    MUMBAI: The sports channels’ genre emerged as the gainer in Chrome’s opportunity to see (OTS) analysis across India by registering an increase of 3.7 per cent. DD Sports was the leader with 75.8 per cent OTS in week 3.

     

    Next up, the kids genre with 3.7 per cent gain in the same market took the second spot in the list of top gainers. Nickelodeon led the tally with 72 per cent OTS.

     

    The religious channels’ genre in Hindi Speaking Market (HSM) too noted a growth of 3.3 per cent with Aastha emerging as the chart topper with 91.1 per cent OTS.

     

    Last but not the least, music channels in an identical market observed a 2.8 per cent rise with 9XM in the number one slot with 81.8 per cent OTS.

     

    Meanwhile, witnessing a drop of 0.5 per cent, the English News channels’ genre in the six metros topped the loser category with Lok Sabha TV scoring 91.4 per cent OTS.

     

    On the other hand, with a drop of 0.1 per cent, the English movies genre in six metros was in the second spot with Movies Now emerging as the most affected channel with 57.9 per cent OTS.

  • Chrome week 3: Sports genre tops chart with 3.7% OTS

    Chrome week 3: Sports genre tops chart with 3.7% OTS

    MUMBAI: The sports channels’ genre emerged as the gainer in Chrome’s opportunity to see (OTS) analysis across India by registering an increase of 3.7 per cent. DD Sports was the leader with 75.8 per cent OTS in week 3.

     

    Next up, the kids genre with 3.7 per cent gain in the same market took the second spot in the list of top gainers. Nickelodeon led the tally with 72 per cent OTS.

     

    The religious channels’ genre in Hindi Speaking Market (HSM) too noted a growth of 3.3 per cent with Aastha emerging as the chart topper with 91.1 per cent OTS.

     

    Last but not the least, music channels in an identical market observed a 2.8 per cent rise with 9XM in the number one slot with 81.8 per cent OTS.

     

    Meanwhile, witnessing a drop of 0.5 per cent, the English News channels’ genre in the six metros topped the loser category with Lok Sabha TV scoring 91.4 per cent OTS.

     

    On the other hand, with a drop of 0.1 per cent, the English movies genre in six metros was in the second spot with Movies Now emerging as the most affected channel with 57.9 per cent OTS.