Tag: original series

  • Voot Select set to stream ‘Apharan 2’ on 18 March

    Voot Select set to stream ‘Apharan 2’ on 18 March

    Mumbai: OTT service platform Voot Select is set to stream the second season of “Apharan 2” on 18 March.

    Produced by Ekta R Kapoor and Jio Studios, the show features a stellar cast Arunoday Singh, Nidhi Singh, Snehil Dixit Mehra, Saanand Verma and Sukhmani Sadana and spans across 11 episodes. The show is directed by Santosh Singh, and it is written by Siddharth Sengupta, Umesh Padalkar, Anahata Menon.

    “Apharan is a cult series that was a runaway success,” said Viacom18 Digital Ventures head SVOD and international business Ferzad Palia. “We couldn’t be happier than to bring the second edition exclusively to Voot Select members and play home to this popular franchise. Apharan Season 2 marks the start of a heavy line up of top-quality Originals with probably the most robust slate that India will witness in 2022.”

    A special screening was held for the launch of the show attended by industry honchos on Wednesday. The star-studded affair was attended by Ekta R Kapoor along with the entire cast of the show.

    “This is my first collaboration with Jio Studios and Voot Select and I am thrilled to associate with them for an unconventional show like Apharan,” said Kapoor. “After the overwhelming response received from the audience for the first season, it only made sense for us to take them by surprise with Season 2 by steering away from the mainstream action-thriller genre.  With never-seen-before plot twists, the sequel is sure to make many jaws drop. Be ready – Kyunki Sabka Katega Dobara!”

    Set against the backdrop of India and Serbia, “Apharan 2” follows the story of a cop Rudra who sets out on a journey to kidnap an intelligent criminal Bikram Bahadur Shah who wants to eliminate India from the world map. The trailer of the show on YouTube crossed 35 million views over 12 days, according to the streaming platform.

    “The Apharan 2 trailer has risen viewers’ curiosity for the sequel, but the wait is not too long now,” said actor Arunoday Singh. “Playing the character of Rudra Srivastava has been an unforgettable experience for me. The entire cast has kept every minute detail in mind while getting into the skin of our respective characters. We embodied their physical as well as emotional traits. All I can say is that it will leave you at the edge of your seat. Hoping that you guys like it.”

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  • Voot Select to stream original series ‘Halo’ from 24 March

    Voot Select to stream original series ‘Halo’ from 24 March

    Mumbai: OTT service platform Voot Select will be exclusively streaming Paramount+ original series “Halo” from 24 March.

    Based on the popular sci-fi video game series, “Halo” is set in a 26th-century universe dramatising a conflict between humanity and an alien threat known as ‘the covenant.’

    The upcoming nine episodic series features Pablo Schreiber of “Orange is the New Black” fame as the ‘Master Chief,’ alongside Natashca McElhone, Olive Gray, Yerin Ha, Bentley Kalu, Kate Kenndey, Charlie Murphy and Danny Sapani. Also joining the cast as original characters are Ryan McParland, Burn Gorman, and Fiona O’Shaughnessy. Veteran Bollywood actor Shabana Azmi will also appear in a crucial supporting role in the series.

    “Halo defined the beginning of gaming culture in India and has a cult following across the world,” said Viacom18 head – SVOD and international business Ferzad Palia. “With Shabana Azmi helming a key role in the series, the show is even more special for Indian audiences. Having a series based around this legendary title will be looked upon eagerly by not only gamers but also sci-fi fanatics as well. We are delighted to be streaming this series and am certain that the outstanding production scale and enthralling storyline will surpass expectations establishing Halo amongst the best series of 2022.”

    “Working on this project has been a dream come true,” said Shabana Azmi. “The show deals in artificial intelligence, which is a completely new genre for me, hence it gave me the opportunity to learn and evolve. I thoroughly enjoyed working on set with stellar actors such as Natascha McElhone, Pablo Schreiber and Jen Taylor. The visuals in the series are stunning and I cannot wait for the release to see how it will be received by audiences across the globe.”

    “Halo” is produced by Showtime in association with 343 Industries, along with Steven Spielberg’s Amblin Television. The series is executive produced by Steven Kane, alongside Steven Spielberg, Darryl Frank and Justin Falvey for Amblin Television in association with 343 Industries, director Otto Bathurst and Toby Leslie for One Big Picture, and Kyle Killen and Scott Pennington for Chapter Eleven. Kiki Wolfkill, Frank O’Connor and Bonnie Ross serve as executive producers for 343 Industries. 

    The series is distributed internationally by Paramount Global Content Distribution.

  • SWA Awards 2020: Article 15, Soni & Gully Boy win big

    SWA Awards 2020: Article 15, Soni & Gully Boy win big

    MUMBAI: The first ever SWA Awards 2020, organized by the Screenwriters Association, to felicitate screenwriters and lyricists was held yesterday and was a thundering success. Hosted by actors Varun Badola and Rajeshwari Sachdeva, the event focused mainly on the writers – with the jury members who are eminent screenwriters, directors and show creators themselves announcing the winners among almost 90 nominees in 15 categories in feature films, tv shows, web series and lyrics.

    The evening exuded a lot of charm and a celebratory tone with several performers – writer, producer and director aatish kapadia doing a comedy sketch on how the world generally behaves with writers, writer and stand-up comic varun grover taking potshots at the Hindi film and television industry on the bizarre writing inputs and notes that screenwriters often receive; poets and lyricists Shellee and Hussain Haidry doing a lyrical jugalbandi on the hardships and joys of being a writer and mentalist Akshay Laxman weaving his illusionary magic on audience members. The evening concluded with a soulful performance of two songs by singer Rekha Bhardwaj and screenwriter, filmmaker and composer Vishal Bhardwaj.

    The first ever SWA Awards 2020 was held online and the buzz was palpable as the jury panels announced the awards in various categories.

    TV Shows:

    The jury comprising of Anand Mahendroo, Ajai Sinha, Kamlesh Pandey, Liliput Faruqui, Manjul Sinha, Purnendu Shekhar and Sanjay Upadhyay announced the winners in the TV shows categories:

    1. TV Comedy- Best Story: Nitin Keswani for Taarak Mehta Ka Ooltah Chashmah

    2. TV Comedy- Best Dialogues: Bhavna Vyas for Baavle Utaavle

    3. TV Comedy- Best Screenplay: Aatish Kapadia for Bhakharwadi

    4. TV Drama- Best Story: No Award

    5. TV Drama- Best Dialogues: Preeti Mamgain for Mere Dad Ki Dulhan

    6. TV Drama- Best Screenplay: Kartick Sitaraman for Mere Dad Ki Dulhan

    Orginal Series:

    The jury comprising of Ruchi Narain, Suhail Tatari and Weksha Bhagat for original drama; Juhi Shekhar, Reshu Nath & Shiv Subrahmanyam for Original Comedy; and Anuraadha Tewari, Anuya Jakatdar and Ketki Pandit for original series Adaptation announced the winners in the original series categories:

    7. Series- Best Original Drama: Richie Mehta & Sanyuktha Chawla Shaikh for Delhi Crime

    8. Series-Best Original Comedy: Devika Bhagat & Ishita Moitra for Four More Shots Please!

    9. Series- Best Adaptation: Dhruv Narang, Nihit Bhave, Pooja Tolani and Varun Grover for Sacred Games – Season2

    Lyrics:

    The jury comprising of Amit Khanna, Ila Arun, Kausar Munir, Mayur Puri & Panchhi Jalonvi announced the winners in the lyrics categories:

    10. TV/OTT- Best Lyrics: Zama Habib for the song Ek Chup Tum, Ek Chup Main from the show Ishaaron Ishaaron Mein

    11. Feature Films-Best Lyrics: Manoj Muntashir for the song Teri Mitti from the film Kesari

    Feature Films:

    The jury comprising of Apurva Asrani, Ashwiny Iyer TIwari and Leena Yadav announced the winner in the Best Gender Sensitive Script category:

    12. Best Gender Sensitive Script: Ivan Ayr & Kislay for Soni

    The jury comprising of Ashok Mishra, Atul Tiwari, Juhi Chaturvedi, Saket Chaudhary, Urmi Juvekar, Vijay Krishna Acharya and Vinay Shukla announced the winners in the Feature Films categories:

    13. Feature Films- Best Debut Writer: Ivan Ayr & Kislay for Soni

    14. Feature Films- Best Dialogues: Vijay Maurya for Gully Boy

    15. Feature Films- Best Story: Anubhav Sinha & Gaurav Solanki for Article 15

    16. Feature Films- Best Screenplay: Anubhav Sinha & Gaurav Solanki for Article 15

    Several members from the board of Screenwriters Association spoke at the occasion – Robin Bhatt, president; Sunil Salgia, Gen Secretary; and EC members Satyam Tripathy, Shellee, Manisha Korde, Ketki Pandit and Anum Rajabali.

    The event can be viewed on Screenwriters Association’s YouTube Channel at https://youtu.be/A0-EWP4vPSk and on their Facebook Page.

  • Screenwriters Association announces nominees for Web Series category of  SWA Awards 2020

    Screenwriters Association announces nominees for Web Series category of SWA Awards 2020

    MUMBAI: Screenwriters Association (SWA), the Indian guild of screenwriters and lyricists has announced the 13 nominees for the original series category of SWA Awards 2020. These series were nominated over three sub-categories: best original series – original comedy, best original series – original drama and best original series – adaptation.

    Nominees for Best Series – Original Drama are:

    1.            Richie Mehta and Sanyuktha Chawla Shaikh for Delhi Crime

    2.            Suman Kumar, Sumit Arora, Raj and DK for The Family Man

    3.            Abhishek Yadav, Saurabh Khanna and Sandeep Jain for Kota Factory

    4.            Abhishek Sengupta, Biswa Kalyan Rath and Hussain Haidry for Lakhon Mein Ek Season 2

    5.            Alankrita Shrivastav, Zoya Akhtar and Reema Kagti for Made in Heaven

    Nominees for Best Series – Original Comedy are:

    1.            Maitreyee Upadhyay, Nayana Shyam and Preksha Khanna for Adulting Season 2

    2.            Devika Bhagat and Ishita Moitra for Four More Shots Please!

    3.            Ashish Manchanda, Chirag Ratna Singh and Shreyasi Sharma for Girls’ Hostel

    4.            Akarsh Khurana and Sumeet Vyas for Tripling Season 2

    5.            Ajaydeep Singh and Manish Kumar for Virgin Bhasskar

    Nominees for Series – Adaptation are:

    1.            Asad Hussain (Dialogue), Deepa Mehta, Patrick Graham, Suhani Kanwar and Urmi Juvekar for Leila

    2.            Dhruv Narang, Nihit Bhave, Pooja Tolani, Varun Grover for Sacred Games Season 2

    3.            Marston Bloom, Sumit Arora, Tanuja Chaturvedi (Hindi dialogue) for Selection Day

     SWA general secretary Sunil Salgia said, “It’s a new world, a combination of TV and Film. It gives scope for the writer to explore the world around the characters a bit more, to explore the minds of the characters, to weave a web of new ideas, and this is where a writer can be innovative and experimental. The writers have shown promise in this genre and I foresee a tough competition amongst them on this platform.”

    The 13 nominees were selected from 43 entries received by the SWA Awards committee from Hindi language web series released in 2019. Three jury panels, each comprising three eminent screenwriters, assessed entries in their respective sub-category. The final winners will be announced in an online awards ceremony on 27 September 2020.

    Please read more coverage on SWA  

    SWA Web Awards spokesperson and screenwriter  Manisha Korde said, “Writing for web-series is complicated owing to its unique structure; which is like man-animal hybrids of Greek mythology. Web series need intensity of the cinemas, expanse of the TV shows and brisk span attention to ads. This youngest medium, barely a few years old, poses greater challenges than its seniors. It's a tough field out there. All the nominations are equally good and it will be interesting to see who wins the first SWA screenwriting award for web!”

    SWA is holding the first ever SWA Awards on the occasion of its diamond jubilee year in 2020. Since they are judged by knowledgeable screenwriters and lyricists, these awards promise to become the most coveted validation for writers in India, much like the awards of other prestigious international writers’ guilds and literary organisations.

    The nominees spoke to SWA, reacting to the announcement:

    Nominees for Best Series – Original Drama

    Sanyuktha Chawla Shaikh: This is my first every nomination and I can’t imagine it being more befitting than this. To be valued by the members of SWA is a prize in itself. I thank each one of you for finding my work worthy of being shortlisted in this category.

    Raj & DK: So excited to be nominated for the SWA awards! It's a great initiative by the association to introduce the awards this year. This is a shot in the arm for original content creators and lends authenticity to the writing awards. Really looking forward!

    Suman Kumar: Thank you SWA for nominating The Family Man in the first ever SWA Awards. It feels great that my writer colleagues recognise our work. Big thanks to all the fans of the Family Man.

    Sumit Arora: I am extremely happy to know that I have been nominated for the first ever SWA awards. There has been some excellent work in the web space off late and it’s a privilege to be nominated amongst all these brilliant minds who have created that work.

    Abhishek Yadav: Really glad that SWA has taken the initiative to organise awards entirely focused on the craft of screenwriting. It’s also special because Kota Factory has been shortlisted as one of the five nominees. Really thankful to the jury, SWA, team Kota Factory and the audience. Cheers!

    Sandeep Jain: When I received the email regarding nomination for SWA Awards 2020, I was working on something and suddenly for a moment everything stopped and I felt extremely grateful. I still remember the day when I got my SWA card to register my first short film script. And now I’m very happy to receive a nomination from the same body. I feel this is a great initiative because this is the most respected body for us writers and acknowledgement from them means a lot to us.

    Abhishek Sengupta: To be nominated by a jury comprised of stalwarts who have mastered the craft of writing, is an honour that can be rarely matched. I would like to thank SWA for this honour and commend them on the first screenwriting awards to recognise the importance of the art of writing.

    Biswa Kalyan Rath: Very excited about finally having an SWA awards. It has been long overdue and writers deserve much more. Hoping that this will have a great impact on the community as a whole.

    Hussain Haidry: I am glad to know that SWA has initiated these awards, and it is quite assuring that it will have as objective as possible an approach in appreciating people working for Indian cinema. I am honoured to know that I am nominated in the first ever SWA awards, that too as a screenwriter.

    Alankrita Shrivastav: I am honoured and incredibly thrilled that we have been nominated for the first ever SWA Awards for writing Made in Heaven. It is a very special show and working on it has been the most collaborative and fulfilling experience. And to now be recognised by one’s fellow writers feels wonderful. I hope that in the years to come, this culture of encouraging and appreciating our contemporaries continues.

    Nominees for Best Series – Original Comedy

    Maitreyee Upadhyay: Entering the Screenwriters Association is like Aladdin entering the cave of wonders. It is daunting. The walls of SWA are filled with names that make me shake in my tiny shoes. And instantly I feel like an impostor, a street-rat, like Aladdin. To think that our words have been nominated for an award by this building, well, it’s like the word goddess is asking me to keep meeting the blank page.

    Nayana Shyam: I’m so grateful and honoured to have been nominated for this award. It means so much more to me because of how special this show is to me and my fellow writers.

    Preksha Khanna: SWA Awards will help give due recognition to one of the most important, and often side-lined parts of the entertainment industry – the writers. I am deeply honoured to be nominated in the first edition of the SWA awards and hope that this tradition continues in the years to come.

    Devika Bhagat: These awards mean so much more as they are judged by our peers – fellow screenwriters. Peer recognition is something I strive for. Writing Four More Shots Please! was an amazing and creatively fulfilling experience. Getting this nomination and sharing it with my co-writer and friend, Ishita Moitra, is the icing on the cake. I hope to continue to do good writing in the future and live up to the expectations of my peers.

    Ishita Moitra: To be acknowledged for your work by your own peers is possibly the highest accolade of all. SWA has always been a beacon of hope and strength for us screenwriters. The Association stands for justice, impartiality, equality, free and fair liberal thought. So, when they choose to celebrate and honour excellence in screenwriting, it sure means something.

    Ashish Manchanda: Existence is painful, the world is going downhill and the society will blow up in its own face one day. Content is a better escape from all that than drugs and alcohol. Good content helps one feel belonged and relate with and find solace in other people's problems and at times forget about their problems. And to craft good content it takes dedicated creators who painstakingly go through endless loops of creation and destruction. Kudos to team SWA for recognising and rewarding such talent in the creative team. Thank you for including team Girls' Hostel.

    Chirag Ratna Singh: I am very grateful, flattered and honestly a little surprised to be nominated for the first ever SWA awards! Considering the competition, it is indeed a great honour to be recognised by people who genuinely understand and appreciate the craft of writing. Here's hoping this tradition continues. Thank you!

    Akarsh Khurana: Being nominated by your own peers and the fraternity you belong to is the best feeling ever. I’m so glad that SWA has taken this initiative. Particularly now that we are valuing content more, and writers are coming back to the fore. Also, being nominated for Tripling is just the icing on the cake. I loved writing both seasons of this with my friend and co-writer, Sumeet Vyas. It gave us a chance to be personal, and funny, and most importantly, free to create.

    Ajaydeep Singh: SWA Awards will not only uplift the morale of our writers but also, I am sure this award will be one of the most prestigious ones in the forthcoming years. We were in need of an honest and unbiased jury and SWA has stepped in at the right time. I am deeply honored and thankful to the jury for nominating my show Virgin Bhasskar.

    Manish Kumar: It's my immense pleasure to be nominated and that too for my first show. The power of words is often felt than seen. This award just reassures me that people truly appreciate the beauty of imagination. This is my first project, my first labour of love and to see it nominated, has filled my heart to its brim and my cup runneth over. I hope in future many more are inspired by this honour and we build a tribe that is creative, impactful and authentic.

    Nominees for Best  Series – Adaptation

    Asad Hussain: There are days when writing is like a river in full flow. And then there are days when it feels like a burden, a rock that refuses to budge. It is discipline and rigour as well as inspiration and intuition. All these shades of emotion are familiar to writers, which is why it feels truly special to be nominated for this honour by a group of fellow writers. Thank you for considering my work for this award, and for providing recognition for the role of writers in the industry.

    Patrick Graham: I've been a proud SWA member since 2011 and I'm really thrilled that such an awesome organisation has begun their own awards function. Writing is the foundation to any good series or film and it's important that writers receive the recognition, credit and fees that they deserve for their work – SWAs fight for these things tirelessly. I'm very grateful to receive this nomination and I'm excited to see how the quality of writing within our industry is getting stronger with every passing year.

    Suhani Kanwar: Never before has there been such an urgent hunt for stories and content in the industry. Never before have we screenwriters had so many formats or platforms to choose from. But with all this opportunity, there’s also a pressing need for us writers to really think about what we want to say, why we are saying it, whose stories we want to tell, and how to tell them well. An awards event like the first ever SWA Awards, focused purely on celebrating good writing, is welcome, perfectly timed, and something I’ll look forward to not just this year but every year from here on.

    Urmi Juvekar: I am absolutely delighted with this nomination. There is no better encouragement for a writer than being appreciated by one’s fellow writers.

    Dhruv Narang: SWA Awards are a great initiative, filling a big vacuum for authentic, craft-oriented honours. It is very humbling to be nominated by an organisation so sincerely committed to advancing the cause of screenwriting.

    Nihit Bhave: I’m honoured and excited about being nominated for the first ever SWA Awards. It’s just the kind of boost a writer needs, especially during lockdown when we’re all struggling to create. I would also like to applaud SWA for their initiative towards recognising writing talent and putting their members front and centre. The association has, for long, protected and nurtured us and this is another great way of putting their might behind writers.

    Pooja Tolani: The SWA Awards is great news and a long time coming. It will be a great boost and encouragement for screenwriters to have their craft acknowledged by peers and seniors who know first-hand, just how much goes into writing. Also, we as an industry do need to acknowledge more (and more often), the invisible craft of screenwriting and its fundamental relevance in the filmmaking process – and the awards are a big step in that direction. I’m thrilled to be nominated for the first edition.

    Varun Grover: I am thrilled to be nominated for the first ever SWA Awards in two categories. It's an award for the community by the peers and that makes it extra special. I had decided not to attend any regular film awards because of the way they treat writers and technicians – and it's a great step forward that SWA decided to start awards where writers are in the front and center.

    Marston Bloom: It is always humbling to be acknowledged by one’s peers and that feeling is more pronounced when it comes from a community of writers like the SWA with such a vivid tradition of storytelling excellence. Thanks to the reach of OTT platforms the whole world can now see the incredible quality and ambition of Indian screenwriting and I’m delighted that Selection Day played a small part in this moment.

    Tanuja Chaturvedi: What truly makes this honour so unique is your work is appreciated, evaluated and valued by your peers and betters. To get this nomination, the first time SWA is instituting these awards, is the cherry on my cake. My congratulations to my fellow nominees!

  • MX Player set to launch 5 new original series

    MX Player set to launch 5 new original series

    MUMBAI: MX Player, the local video player and entertainment platform with 70 million daily active users, has announced the launch of its first five MX Original Series that will go live starting 20 February. 

    Streaming premium content for free, this ad-supported video on demand platform hosts a large repository of over 1,00,000 hours of licensed content from leading content creators and partner platforms such as ALTBalaji, TVF, Arre and SonyLIV amongst others. MX Player integrates all forms of entertainment on one app – top grade offline video playing capabilities, online streaming and music streaming powered by Gaana, as offerings for its viewers. 

    MX Player CEO Karan Bedi said, “Our vision is to build a platform that caters to every entertainment need of the discerning viewer starting from playing a video in any format, to watching stories across every genre and even listening to music for every mood! As more people move towards consuming content online, we want to create digital-first stories that appeal not only to the urban audiences but also much beyond. We have collaborated with some of the best talent in the industry to create our slate of MX Originals that will bring us a step closer to becoming the go-to destination for entertainment in India.”

    Driving synergies with this vision is the new brand ideology wherein MX Player defines ‘Everytainment’ – a promise to deliver entertainment for every mood. Elaborating on the same, Bedi said, “Everytainmnet is the core of our product and combines not just all forms of entertainment but also caters to content for every season, every reason, every occasion and most importantly, every mood. So whether you're happy, sad, mellow, active or excited, we have a story, a song or a moment for you. We showcase films, web series, sports and news, and with our original programming, we are exploring various new genres spanning satire, drama, comedy, chat shows, historical sagas, biopics, big ticket reality shows and more across multiple languages. The new music tab on our platform will allow viewers to stream music, powered by Gaana on the same app and has made us the one stop shop for all things entertainment. ”

    The five new MX Original Series will appeal to different audiences across varied geographies. Be it Aafat which is about five women who are breaking stereotypes while struggling to get married in Delhi’s arranged marketplace; Hey Prabhu that traces the story of a twitter god who has to navigate the offline troubles of life; ImMature, A TVF creation that is a coming-of-age story about the many first adventures of three young boys in school; Lots of Love (in Tamil and Telugu) which is a story of four friends and how a trip changes their lives or Famously Filmfare.

    The product has been built from scratch with a simple and intuitive interface and offers sub-one-second latency to its viewers, which translates to instant streaming. By using massive scale datasets, MX Player has created a recommendation and personalisation engine. Additionally, MX Player is leading the way in video tech by building better compression algorithms to optimize streaming on the top of global compression standards like H-265.To further enhance the user experience, the app comes with features like adjusting volume and screen brightness on the go while streaming, vertical trailers for special shows and offline playback feature which allows users to download content and view without an internet connection. The app is built keeping low-to-high end devices in mind and works well for fluctuating networks.

  • Netflix crosses 40 million subscribers base in Q3

    Netflix crosses 40 million subscribers base in Q3

    MUMBAI: Netflix has announced its third-quarter results. The OTT platform that has added 1.3 million US subscribers-11 per cent higher than the prior year Q3, now has a total US base of 31.09 million subscribers.

    Internationally, net additions were significantly up from the prior year at 1.4 million new members, driven by the company’s expansion to the Nordics and the Netherlands. In addition, there was a surge in low-quality free trials in September in Latin America that temporarily boosted the total member number.

    Together Netflix’ total global base is just over 40 million, a 25 per cent increase year-over-year.

    Netflix expects Q4 net additions to be approximately equal to Q4 of the prior year.

    Revenue-wise the streamer continues to show thinnish margins thanks to the amount that it spends on content acquisition, bringing in $32 million of profit on $1.106 billion revenue. In Q4 it expects to expand its contribution margin about 400 basis points year-over-year to about 23 per cent.

    “That means that sequentially our target contribution margin is slightly down Q3 to Q4,” the company said in its earnings statement. “As a reminder, we shifted our contribution margin target a few months ago from ‘100 basis points of quarterly sequential improvement’ to ‘400 basis points Q over prior year Q’, so we are right on target with our articulated margin growth strategy. Our $7.99 price is working very well for us for both membership growth and contribution margin growth.”

    When it comes to its content strategy, the original series get most of the headlines, but the company said that a bigger percentage of overall Netflix viewing is generated by its exclusive complete season-after series. During the quarter, it launched new seasons of The New Girl, The Walking Dead, Scandal, Breaking Bad, Revolution and Pretty Little Liars.

    However, original content remains a top priority, it said. “Over the next few years we aspire to support creation of some of the most compelling and remarkable content ever produced. Coupled with the flexibility of our internet viewing and power of our personal recommendations we will keep changing television for the better.”

    Orange is the New Black has been a tremendous success for the company and will end the year as its most watched original series ever and, “as with each of our other previously launched originals, enjoys an audience comparable with successful shows on cable and broadcast TV. We have seen sustained social media buzz in the months after its debut and it is also one of the most critically well received TV shows of 2013,” it added.

    In addition to Orange is the New Black, during Q3 Netflix launched the new Ricky Gervais series Derek and broadened its original content offering with the acquisition of stand-up comedy specials from Russell Peters and Aziz Ansari, premiering exclusively on Netflix in October and November, respectively. It also rolled out a second set of episodes of Mako Mermaids, our original series directed at the teen audience, and will soon expand into original documentaries, a category that does well on the Netflix service.

    “This quarter we will premiere our inaugural second season of a Netflix original series with the return of Lilyhammer starring Steven Van Zandt,” the company said. “We will also be launching our first animated original series with Dreamworks Animation, Turbo F.A.S.T.”