Tag: Opportunity to See

  • Which TV content grabs south India’s eyeballs?

    Which TV content grabs south India’s eyeballs?

    MUMBAI: When we talk about the television industry, everyone is aware that the Hindi-speaking market is vast. However, a significant part of the industry is concentrated in another part of India — the southern market. Its a highly influential market for advertisers.

    A recent newsletter released by the television ratings body Broadcast Audience Research Council (BARC) India ‘South Special Edition’ seeks to answer all the questions as to how the southern India is different from HSM w.r.t. important audience metrics? How southern states differ from each other in terms of programme theme preferences.

    Avg. Time Spent (ATS) vs Opportunity to See (OTS) and performance of product categories? How does the popular Hindi content dubbed in southern languages perform? And, most importantly, what the southern market watches on its television sets?

    As per the BARC study, south India has a lower share in the movies genre as compared to GEC. On the other hand, its share in GEC and news channels is higher than HSM. Also, within the regions, the relative ranking for most genres remains constant across HSM and South.

    public://barc3.jpg

    Surprisingly, programme themes and channel genres do not show the same trends across HSM and South. Serials, which are the staple of GEC channels (which saw the highest share in terms of channel genre), sees a drop in share for South as compared to the share for channel genre.

    Similarly, while movie channels are viewed lesser than HSM, in South, the trend is reversed when it comes to film-based programs i.e. South has a higher share compared to HSM.

    public://barc4.jpg

    The study also shows that South Indian viewership seems to begin earlier in the day than HSM and also end up earlier. South has a higher viewership than HSM only during  early morning hours (05:00-08:00).

    public://barc1.jpg

    Tile the gap between HSM and South reduces marginally during 18:00-21:00  hrs. South seems to have an earlier prime¬ time than HSM. It is clear that South and HSM do not have the same viewership trends.

    public://barc2.jpg

    BARC studies showed that the Southern Market shows the highest inclination towards film-based content followed by serials driven by AP/Telangana and Kerala, respectively. Kerala watches less movies as compared to other markets.

    public://barc5.jpg

    On the other hand, AP/Telangana watches less serials and more of news than other southern markets. In most of the markets, the most watched TV content is film-based followed by serials. Content based on music and tourism is the least popular in southern markets.

    How different are southern states in terms of rural and urban?

    The urban and rural viewership is comparable throughout the day with both seeing a peak during the prime-time. However, as opposed to the rest of the day, during prime-time hours, it is mainly the rural markets which seem to be driving the viewership and not urban markets.

    public://barc8.jpg

    When we look at states within urban and rural markets,  while rural markets have similar viewership trends across states, it is not the same case with urban markets. In urban markets, the viewership among markets differs between prime time hours and non-prime time hours. During non-prime time hours, AP/Telangana has a maximum viewership. After AP/Telangana, the maximum viewership alternates between TN/Pondicherry and Karnataka markets with Kerala having the lowest viewership for most day parts.

    public://barc9.jpg

    However, during prime time hours, this order is completely changed. Urban Karnataka has the maximum viewership post 21:00 hrs and this lead continues into late night  hours as well.

    What is interesting is that even among the rural markets, Karnataka displays similar behaviour with respect to prime time viewership. During late night  hours, Kerala, which is a relatively smaller market, sees the highest viewership.

    public://barc10.jpg

    Conversely, TN/Pondicherry, which is one of the bigger markets during non-primetime hours, shows the least viewership during prime time hours in both rural and urban markets.

    How is Hindi content dubbed in south languages performing?

    Popular content from Hindi GECs is now being dubbed and shown on southern GECs. This phenomenon is seen across all southern states with the exception of Karnataka. Shows from leading channels such as Star Plus (Diya Aur Baati Hum. Siya Ke Ram. etc.), Colors (Naagin. Sasural Simar Ka, Balika Vadhu, etc.), Zee TV (Gangaa, Kumkum Bhagya, Ek Mutthi Aasman, etc.) and Sony (CID, Bade Achhe Lagte Hai, etc.), have been dubbed.

    Interestingly, in AP/Telangana market, none of the channels sees an increase in viewership for Hindi dubbed content. In the other two markets, viz. Kerala and TN/Pondicherry, Hindi dubbed content sees a mixed response with some channels seeing a higher viewership than the original content in regional language.

    In the Kerala market, the highest spike is seen by Asianet Plus. Similarly, in TN/Pondicherry market, maximum growth is seen by Polimer, where the viewership for Hindi dubbed content is more than double that of the original content. This is on the back of several popular shows.

    public://barc11.jpg

     

  • Which TV content grabs south India’s eyeballs?

    Which TV content grabs south India’s eyeballs?

    MUMBAI: When we talk about the television industry, everyone is aware that the Hindi-speaking market is vast. However, a significant part of the industry is concentrated in another part of India — the southern market. Its a highly influential market for advertisers.

    A recent newsletter released by the television ratings body Broadcast Audience Research Council (BARC) India ‘South Special Edition’ seeks to answer all the questions as to how the southern India is different from HSM w.r.t. important audience metrics? How southern states differ from each other in terms of programme theme preferences.

    Avg. Time Spent (ATS) vs Opportunity to See (OTS) and performance of product categories? How does the popular Hindi content dubbed in southern languages perform? And, most importantly, what the southern market watches on its television sets?

    As per the BARC study, south India has a lower share in the movies genre as compared to GEC. On the other hand, its share in GEC and news channels is higher than HSM. Also, within the regions, the relative ranking for most genres remains constant across HSM and South.

    public://barc3.jpg

    Surprisingly, programme themes and channel genres do not show the same trends across HSM and South. Serials, which are the staple of GEC channels (which saw the highest share in terms of channel genre), sees a drop in share for South as compared to the share for channel genre.

    Similarly, while movie channels are viewed lesser than HSM, in South, the trend is reversed when it comes to film-based programs i.e. South has a higher share compared to HSM.

    public://barc4.jpg

    The study also shows that South Indian viewership seems to begin earlier in the day than HSM and also end up earlier. South has a higher viewership than HSM only during  early morning hours (05:00-08:00).

    public://barc1.jpg

    Tile the gap between HSM and South reduces marginally during 18:00-21:00  hrs. South seems to have an earlier prime¬ time than HSM. It is clear that South and HSM do not have the same viewership trends.

    public://barc2.jpg

    BARC studies showed that the Southern Market shows the highest inclination towards film-based content followed by serials driven by AP/Telangana and Kerala, respectively. Kerala watches less movies as compared to other markets.

    public://barc5.jpg

    On the other hand, AP/Telangana watches less serials and more of news than other southern markets. In most of the markets, the most watched TV content is film-based followed by serials. Content based on music and tourism is the least popular in southern markets.

    How different are southern states in terms of rural and urban?

    The urban and rural viewership is comparable throughout the day with both seeing a peak during the prime-time. However, as opposed to the rest of the day, during prime-time hours, it is mainly the rural markets which seem to be driving the viewership and not urban markets.

    public://barc8.jpg

    When we look at states within urban and rural markets,  while rural markets have similar viewership trends across states, it is not the same case with urban markets. In urban markets, the viewership among markets differs between prime time hours and non-prime time hours. During non-prime time hours, AP/Telangana has a maximum viewership. After AP/Telangana, the maximum viewership alternates between TN/Pondicherry and Karnataka markets with Kerala having the lowest viewership for most day parts.

    public://barc9.jpg

    However, during prime time hours, this order is completely changed. Urban Karnataka has the maximum viewership post 21:00 hrs and this lead continues into late night  hours as well.

    What is interesting is that even among the rural markets, Karnataka displays similar behaviour with respect to prime time viewership. During late night  hours, Kerala, which is a relatively smaller market, sees the highest viewership.

    public://barc10.jpg

    Conversely, TN/Pondicherry, which is one of the bigger markets during non-primetime hours, shows the least viewership during prime time hours in both rural and urban markets.

    How is Hindi content dubbed in south languages performing?

    Popular content from Hindi GECs is now being dubbed and shown on southern GECs. This phenomenon is seen across all southern states with the exception of Karnataka. Shows from leading channels such as Star Plus (Diya Aur Baati Hum. Siya Ke Ram. etc.), Colors (Naagin. Sasural Simar Ka, Balika Vadhu, etc.), Zee TV (Gangaa, Kumkum Bhagya, Ek Mutthi Aasman, etc.) and Sony (CID, Bade Achhe Lagte Hai, etc.), have been dubbed.

    Interestingly, in AP/Telangana market, none of the channels sees an increase in viewership for Hindi dubbed content. In the other two markets, viz. Kerala and TN/Pondicherry, Hindi dubbed content sees a mixed response with some channels seeing a higher viewership than the original content in regional language.

    In the Kerala market, the highest spike is seen by Asianet Plus. Similarly, in TN/Pondicherry market, maximum growth is seen by Polimer, where the viewership for Hindi dubbed content is more than double that of the original content. This is on the back of several popular shows.

    public://barc11.jpg

     

  • Chrome Data: English entertainment channel genre sees growth in OTS

    Chrome Data: English entertainment channel genre sees growth in OTS

    MUMBAI: Week 12 of opportunity to see (OTS) collated by Chrome Data Analytics & Media, saw a spike in the English Entertainment channels genre in the eight metros. With a 11.3 per cent growth, the genre was led by Comedy Central with 54.7 per cent OTS. 

     

    This was followed by the English movie space, which grew by 4.9 per cent in the eight metros. Movies Now topped the category with 67.1 per cent OTS.

     

    English News channels in the eight metros too saw a hike and noted 2.6 per cent with Times Now leading the chart with 76.7 per cent OTS.

     

    Last but not the least; Infotainment channels saw a growth of two per cent in all India with Discovery topping the chart with 82.8 per cent OTS.

     

    Talking about the losers this week, Business News channels in the eight metros and Hindi News channels in the Hindi Speaking Market (HSM) saw a dip in their OTS. While Business News channels dropped by one per cent OTS, the Hindi news channels dropped by 0.4 per cent OTS.

     

    In the Business News channel space, Zee Business topped the chart with 81.3 per cent OTS, while ABP News topped in the Hindi news channels with 95.9 per cent OTS.

     

  • Chrome Data: Insignificant gain in week seven

    Chrome Data: Insignificant gain in week seven

    MUMBAI: In week seven of opportunity to see (OTS) collated by Chrome Data Analytics & Media, the only gainer were Hindi general entertainment channels (GECs) in the Hindi speaking market (HSM). 

     

    The genre saw an insignificant jump of 0.1 per cent with DD National topping the chart with 96.7 per cent OTS.

     

    As for the losers, the eight metros saw the maximum fall. English Entertainment channels in the eight metros led the way with 2.7 per cent fall. Comedy Central with 55.1 OTS topped the genre.

     

    Kids channels across the country witnessed a drop of one per cent with Cartoon Network continuing its reign in the genre with 80.2 per cent OTS.

     

    English Movies and English News both saw a drop of 1.8 per cent in the eight metros. Movies Now with 65.5 per cent OTS and Times Now with 77.3 per cent OTS topped their respective genres.

  • Chrome Data: English News channels gain in week 6

    Chrome Data: English News channels gain in week 6

    MUMBAI: In week six of opportunity to see (OTS) collated by Chrome Data Analytics & Media, English News channels in the eight metros gained the maximum.

    With 1.9 per cent growth, the genre saw Times Now retaining its supremacy with 78 per cent OTS.

    Infotainment channels across India gained 0.8 per cent with Discovery topping the genre with 83.8 per cent OTS.

    Next in line were English movies in eight metros with 0.4 per cent jump and Hindi movies in the Hindi speaking market (HSM) with 0.2 per cent. Movies Now with 66 per cent OTS and Zee Cinema with 94.7 per cent OTS topped in their respective genre.

    As for the losers, Religious channels in the HSM saw the maximum drop of 3.3 per cent. Aastha with 97.1 per cent OTS continued its reign in the genre.

    Kids channels across India and Hindi News channels in the HSM saw a drop of 0.8 per cent and 0.1 per cent respectively. Cartoon Network with 80.7 per cent OTS and ABP News with 95.5 per cent OTS gained the maximum in their respective genres.

  • Chrome Data: Only Religious channels gain in week 5

    Chrome Data: Only Religious channels gain in week 5

    MUMBAI: Week 5 of 2015 saw more fall than rise in the opportunity to see (OTS) collated by Chrome Data Analytics & Media.

     

    The only genre to see a rise was Religious in the Hindi Speaking Market (HSM). In the category, which saw a marginal jump of 0.6 per cent, Aastha channel continued its supremacy with 97.1 per cent OTS.

     

    As for the losers, the maximum drop was witnessed by English Movies channels in the eight metros. It fell by 4.4 per cent. Movies Now with 66.4 per cent OTS topped the chart in the genre.

     

    Business News in the eight metros saw a drop of 3.4 per cent followed by English News with 2.3 per cent drop.

     

    CNBC Awaaz with 81.4 per cent OTS and Times Now with 78.1 per cent OTS topped their respective genres.

     

    In the eight metros, English Entertainment channels too saw a drop of 1.4 per cent. However, Comedy Central with 56.6 per cent OTS remained on top.

  • Chrome Data: Sports channels witness maximum growth

    Chrome Data: Sports channels witness maximum growth

    MUMBAI: Sports channels across India saw the highest jump of 1.7 per cent when it comes to opportunity to see (OTS) collated by Chrome Data Analytics & Media.

     

    DD Sports with 74.4 per cent OTS led the charge in the category.

     

    English Entertainment channels in the eight metros and Infotainment channels across India witnessed 0.5 per cent jump. In their respective categories, Comedy Central with 60 per cent OTS and Discovery with 84.9 per cent OTS topped the charts.

     

    In the Hindi speaking marketing (HSM), Hindi Movie channels saw a 0.4 per cent hike. Zee Cinema with 95.3 per cent OTS gained the most in the genre.

     

    As for the losers, Hindi GECs in the HSM and English News in the eight metros saw a marginal drop of 0.4 per cent.

     

    Star Plus with 97 per cent OTS and Times Now with 79.8 per cent OTS reigned their respective genres.

  • Chrome Data: Channels see marginal jump in week 3

    Chrome Data: Channels see marginal jump in week 3

    MUMBAI: The opportunity to see (OTS) collated by Chrome Data Analytics & Media didn’t see a major hike in the third week of the year.

     

    Across India, kids channels saw a minor jump of 0.3 per cent followed by Hindi News in the Hindi speaking market (HSM) with 0.2 per cent.

     

    Cartoon Network with 80.9 per cent OTS and ABP News with 94.7 per cent OTS gained the most in their respective genres.

     

    As for the losers, Hindi News in the HSM witnessed the loss of 1.3 per cent. Max, with 95.8 per cent OTS, ruled the genre. 

     

    English Entertainment and English Movies in the eight metros saw a drop of 1.2 per cent and 0.6 per cent, respectively. 

     

    Comedy Central, with 60 per cent OTS and Romedy Now with 69 per cent OTS, gained the most in their categories.

     

    In the HSM, Religious channels too saw a drop 0.6 per cent. Aastha with 96.9 per cent OTS continued its reign in the genre.

  • Sony tops week 1 of OTS chart

    Sony tops week 1 of OTS chart

    MUMBAI: The first week of 2015 didn’t see much hike, when it comes to opportunity to see (OTS) collated by Chrome Data Analytics and Media.

    Hindi GECs in the Hindi speaking market (HSM) witnessed a marginal jump of 1.1 per cent. Sony with 96.9 per cent OTS topped the charts.

    Sports across India jumped 0.6 per cent followed by Music in the HSM with 0.2 per cent. DD Sports with 74 per cent OTS and MTV with 90.7 per cent OTS gained the most in the respective genres.

    As for the top losers, English News in the eight metros saw a steep fall of 6.9 per cent. Times Now with 79 per cent OTS continued its reign in the genre.

    English Movies with 3 per cent fall followed suit in the eight metros. Romedy Now with 66.7 per cent OTS laughed its way up in the category.

    Infotainment channels across India and Business News in the eight metros saw a drop of 2.8 per cent and 2.4 per cent, respectively. Discovery with 85.4 per cent OTS and Zee Business with 81.1 per cent OTS gained in the respective genres.

     

  • Chrome Data: English News gains the most in week 52

    Chrome Data: English News gains the most in week 52

    MUMBAI: The English News in the eight metros gained the most when it comes to opportunity to see (OTS) collated by Chrome Data Analytics & Media for the week 52.

    The channels in the category jumped by 1.5 per cent with Times Now continuing its supremacy in the genre with 80.8 per cent OTS.

    Hindi News and Hindi GECs saw a 0.6 per cent and 0.2 per cent rise, respectively, in the Hindi speaking market (HSM). ABP News with 95.8 per cent OTS and Star Plus with 97 per cent OTS ruled their respective genres.

    Across India, Infotainment channels too saw a rise of 0.2 per cent. Discovery reigned the genre with 85.2 per cent OTS.

    As for top losers, English Entertainment channels in the eight metros saw the steepest fall with 4.3 per cent OTS. Comedy Central with 61.4 per cent OTS toppled AXN in the genre.

    English Movies too fell by 0.9 per cent in the eight metros. Movies Now topped the charts with 68.2 per cent OTS.

    In the HSM, Religious channels and Music channels fell by 0.6 per cent and 0.5 per cent, respectively. Aastha with 95.8 per cent OTS and MTV with 90.2 per cent OTS gained in their respective genres.