Tag: OMG: Oh My God

  • ‘All Is Well’: Not really

    ‘All Is Well’: Not really

    MUMBAI: Some films one just goes to watch without expectations. 

    Same is the case with All Is Well despite being directed by Umesh Shukla, who earlier gave us OMG: Oh My God. This is because, if the script does not add up to much and the credits list actors who are not known to carry a film on their own shoulders, no director can work miracles. 

    The film promises to be at least a visual delight as it takes off in Bangkok but that is just a bait. It soon moves rock stock and barrel into the hinterlands of North India, probably Haryana or is it Punjab? Well, the language and the attires seem to be those of Punjabi / Sikh and so is the ambience. Soon, it stops mattering for, if the makers don’t know, how could we?

    Abhishek Bachchan is a writer and composer of music who has been trying to get a break to cut an album in Bangkok. May be, Bangkok is where new talent in Hindi music are launched!?! Tiku Talsania seems to be the man who holds a monopoly in launching new talent. However, he does not invest; an aspirant has to finance his own album. That is where Abhishek falls short for he has no money. 

    Back home, Abhishek has parents, mother Supriya Pathak and father Rishi Kapoor. This is one messed up family suffering from total lack of communication despite being a family of three. Rishi has inherited a bakery from his father, which has a customer base of around four people. He is badly off, has no ambitions and gives vent to his frustration on his son and wife thus estranging Abhishek, who he asks to leave. Abhishek’s passion is his guitar and his music, which Rishi dislikes. 

    Abhishek has to raise money so that Tiku can launch him and that is when he gets a communication from his father’s lawyer that Abhishek needs to come to India and sign an agreement to sell off the bakery premises since his grandfather left it in the joint name with his father. Abhishek wants nothing of it but his friend convinces him that this probably is the money he was looking for his album. 

    Abhishek also has an admirer in Asin who loves him and wants to marry him. She is in a hurry to convince Abhishek because her father has already found a suitor for her back home. Both are on their way to India and end up taking the same flight. They also end up using the same cab (clichés never went out of fashion). Asin is glued to Abhishek, at times by her own devise, at others, by the writer’s plotting. 

    When Abhishek reaches home, he learns that he has been really fooled into coming by a goon, Mohammed Zeeshan Ayub, to whom Rishi owes a lot of money. The goon wants the bakery premises in lieu of his money. Soon, Abhishek also learns that there is not a single person in his town to whom Rishi does not owe money! The bickering between father and son resumes after a ten year break. Supriya has been conveniently put out of scene consigned as an Alzheimer affected patient, who is left to be a mute spectator to father and son’s verbal duals.

    Here on, the makers seem to decide to take it as it comes with no particular sequence of events as father and son play hide and seek with Mohammed and his bunch of buffoons who pass off as his toughies. In between the mess, they realise that they actually love and care for each other. For whatever corny reason, Rishi had divorced Supriya so Abhishek decides to get them married again. Abhishek has also paid up Mohamed’s dues by selling his songs to another singer against his principles and wishes. 

    That done; it is now Rishi and company’s turn to get Abhishek and Asin together. For convenience sake, Asin’s suitor has decided to marry her cousin. 

    All Is Well is a poorly conceived, half-baked script. Substance is at premium here. The director is totally at sea doing a patch up job giving the film a last century B grade feel and the set designs making it only worse. Even regional films or limited budget small films have more finesse. Editing could have been better. The film has various singers giving voice to Abhishek or his none lip-sync number, which sounds rather odd. The only hummable song is Baaton ko teri…composed by Himmesh Reshamiya (the film has four composers besides having borrowed a number from Anand Milind’s score from Qayamat Se Qayamat Tak).

    Performances are generally bad. Even Rishi does not bother to act. Abhishek and Asin both suffer from poorly etched characters. Supriya manages to look blank forgetting to act; Alzheimer makes a patient forget things, you know. 

    Talking of expectations, All Is Well is a let-down even for one with no expectations.

    Producers: Bhushan Kumar, Kishan Kumar, Shyam Bajaj, Varun Bajaj

    Director: Umesh Shukla

    Cast: Rishi Kapoor, Supriya Pathak,  Abhishek Bachchan, Asin, Mohammed Zeeshan Ayub and Sonakshi Sinha in an item number

  • Sunny Leone fails to grab eyeballs at box office

    Sunny Leone fails to grab eyeballs at box office

    MUMBAI: It is sex over sermon and Sunny Leone scores over legendary actors Paresh Rawal, Naseeruddin Shah and Annu Kapoor as her first double role film, Ek Paheli Leela, scores over talent packed Dharam Sankat Mein.

     

    Not that Ek Paheli Leela is great shakes. It remained on the lower side on Friday and failed to add to its opening day figures on Saturday. The film ended its first weekend with figures of Rs 11.2 crore mainly on the strength of its performance at single screens.

     

    Dharam Sankat Mein lacked in the pre-release promotion and suffered on this count. The film had a poor opening despite stalwarts like Rawal, Shah and Malik in the cast. The comparison to Rawal’s trendsetting OMG: Oh My God was inevitable and Dharam Sanakat Mein fell short by miles besides the fact that quite a few films on the similar theme have followed OMG. The film gets a poor opening and barely manages to cross the Rs 1 crore-mark on its opening day and hardly improves on Saturday. The film has had a weekend of Rs 5.1 crore.

     

    Barefoot To Goa stays out of contention as far as box office is concerned. Such group funded idealistic films need a commercial approach.

     

    Detective Byomkesh Bakshi, another small film after Dum Laga Ke Haisha from Yash Raj Films, remains average. An indulgent film based on the WW2 era Bengali fictional character, the film falls prey to its mediocre content. It manages to collect Rs 19.97 crore for the first week. The film has added Rs 3.27 for its second weekend to take its two week tally to Rs 23.14 crore.

     

    Barkhaa is a lost cause. The film fails to cross Rs 1 crore mark even after two weeks.

     

    Dum Laga Ke Haisha has collected Rs 35 lakh in its sixth week to take its six week tally to Rs 30.32 crore.

     

    NH10 added Rs 30 lakh in its fourth week to take its four-week total to Rs 30.5 crore.

     

    Far from the days when English films released in India eons after their premiere release in the West, that too at one Metro at a time, Fast & Furious 7, released at multiple screens across India and opened to a bumper response.

     

    The fact that the brand equity had been built over the years helped as did the ensemble star cast. The film collected better than many Hindi super star films in its first week with figures of about Rs 70 crore.

     

    Vidhu Vinod Chopra’s foray into Hollywood cinema with Broken Horses, a rehash of his 1989 Hindi film Parinda, comes a cropper. The film has gone almost unnoticed in Indian cinemas.

  • Shemaroo IPO opens on 16 September

    Shemaroo IPO opens on 16 September

    BENGALURU: India integrated media content house Shemaroo Entertainment Limited’s 100 per cent Book Built Initial Public Offer (IPO) opens tomorrow. The company has activities across content acquisition, value addition to content and content distribution. The issue sized Rs 120 crore closes on 18 September 2014. The promoters of the Company are Raman Maroo and Atul Maru.

    The face value of each share is Rs 10 in the price band of between Rs 155 to Rs 170. A 10 per cent discount is offered to retail investors. The minimum number of shares per lot is 85 and in multiples of 85 thereafter. The maximum bid for retail customers is Rs 2 lakh. The equity shares will be listed on the National Stock Exchange (NSE) and the Bombay Stock Exchange (BSE).

    Note : 100,00,000 = 100 lakh = 10 million = 1 crore.

    The total size of the issue is between 71 and 77 lakh shares. The break up is: Qualified Institutional Bidders (QIB) including Anchor Investors who may be allocated 60 per cent of the QIB portion is 50 per cent of the issue, non-institutional investors 15 per cent and retail investors 35 per cent of the issue size.  The objects of the Offer are to fund, working capital requirements and expenditure for general corporate purposes and achieve the benefits of listing the Equity Shares on the BSE and the NSE and to carry out the sale of 22,555,124 Equity Shares by the Selling Shareholders. 

    Data by Karvy Stockbrokers of the company over a five year period in an IPO note says that the company’s Earnings per share (EPS) has gone up by 20.4 times from Rs.0.69 (PAT Rs 1.26 crore) in FY-2010 to Rs 14.08 (PAT Rs 27.95 crore) in FY-2014. Shemaroo’s revenue has gone up 2.6 times from Rs 103.57 crore in FY-2010 to Rs 264.68 crore in FY-2014. Its net worth has gone up 2.2 times from Rs 79.27 crore in FY-2010 to Rs 177.45 crore in FY-2014. The figures released by Karvy Stockbroking indicate a PE ratio of between 11 (Price Rs 155 per share) and 12 (Price Rs 170) based on an EPS of Rs 14.08 in FY-2014.

    A Shemaroo press release says:

    Shemaroo’s Content Library consists of more than 2,900 titles spanning new Hindi films like Queen, Bhaag Milkha Bhaag, Dedh Ishqiya, The Dirty Picture, Kahaani, OMG: Oh My God!, Black, Ishqiya, Ajab Prem Ki Ghazab Kahani, Omkara, Dil Toh Baccha Hai, Bheja Fry 2, amongst others. Hindi films classics like Zanjeer, Beta, Dil, Disco Dancer, Mughal-e-Azam, Amar Akbar Anthony, Namak Halaal, Kaalia, Madhumati etc., titles in various other regional languages like Marathi, Gujarati, Punjabi, Bengali among others as well as non-film content.

    Shemaroo is one of the largest independent content aggregators in Bollywood. Currently, the Company distributes content over which it has either complete ownership rights or limited ownership rights.

    The Company distributes its content through various mediums such as (i) television such as satellite,

    terrestrial and cable television; (ii)New Media platforms consisting of mobile, internet, direct to home (“DTH”) and other applications; (iii) home entertainment; and (iv) other media.

    Shemaroo’s recent initiatives include tying up as an official channel partner for Google Inc.’s You Tube where it is managing 32channels. It is also moving beyond providing just content, to providing content management solutions to partners including Reliance Communications Re 1 WAP store and Airtel digital television in connection with an interactive devotional service, namely “iDarshan”.

    Shemaroo’s key strengths include an established brand name; vast, diverse and growing Content Library; diversified distribution platforms; de-risked business model; experienced directors and management team; and strong relationships in the industry. Shemaroo’s overall strategy is structured around its Content Library and its successful exploitation to ensure that it can be monetized through diversified platforms on a worldwide basis and designed to address predictability, scalability and sustainability, ultimately resulting in profitability.”

     

  • Zee hopes for a miracle with ‘Neeli Chhatri Wale’

    Zee hopes for a miracle with ‘Neeli Chhatri Wale’

    MUMBAI: From theatre to film and now the small screen, the story of a common man coming face-to-face with God one day has come full circle.

     

    Zee TV’s next weekend fiction show ‘Neeli Chhatri Wale’ is about a man who has the privilege of meeting and befriending God.

     

    Produced by Ashwini Dhir, the show which tells a story of Bhagwan Das played by Yashpal Sharma, will start from 30 August and air on Saturday and Sunday at 8 pm. Bhagwan Das, a middle-aged, middle class man based out of Kanpur is constantly torn between his personal and professional life. One day, a smartly dressed man carrying a blue umbrella emerges, a man who embodies Lord Shiva.

     

    What is noticeable is that the shows, ‘Bh se Bhade’ and ‘Gangs of Hasseepur’ aired on the same slot haven’t done well for the channel. Currently, the channel telecasts special programming and movies on weekends.

     

    “Yes, we agree that earlier shows haven’t worked and ‘Bh se Bhade’ wasn’t a good effort from our side. However, the current programme looks very promising and should be able to catch people’s attention,” says a highly placed source from Zee TV.

     

    The light-hearted drama can be compared to Akshay Kumar – Paresh Rawal starring ‘OMG, Oh My God’ where Kumar essayed the role of Lord Krishna.

     

    The show has already got presenting partner in Karbonn and promos have broken on television along with digital promotion on social media. To create buzz before it launches, the channel sent out cupcakes to journalists as well.

     

    On the marketing front, the channel is leaving no stone unturned to promote exploratory relationship between man and God as friend. Making it a complete family unifier, the marketing word is based on the philosophy that ‘God lies within us’ all we have to do is listen to our inner voice.

     

    The concept of the show is being promoted using a media mix of print, radio and a comprehensive television plan comprising a bouquet of channels spread across genres.

     

    A three phase digital campaign has been planned to engage with its digital audience. The first part of the digital campaign started with #MyInnerVoice which the channel claims was very well received by consumers.

     

    All the marketing initiatives will aim at making God accessible to one and all by spreading the message of ‘Listen to your #InnerVoice’.

     

    Through the series, the channel aims to revamp its weekend slot. However, media planners are a little apprehensive. “Earlier too the slot with fiction shows hasn’t worked well for the channel and with competition showing Yo Yo Honey Singh, it looks like a tough battle to win. Zee should continue to air movies or special programmes,” says a planner.

     

    Having said that, another planner doesn’t want to strike the new show out and feels that movies and plays on the same theme have worked well and if told properly, the series might be able to grab eyeballs.

  • Akshay Kumar & Ashvini Yardi to release Fugly on 16 May 2014

    Akshay Kumar & Ashvini Yardi to release Fugly on 16 May 2014

    NEW DELHI: After the success of their first venture OMG: Oh My God!, actor Akshay Kumar and Ashvini Yardi are all set to release Fugly, a coming-of-age drama set in the by lanes of Delhi.

     

    The film’s release date has just been announced as 16 May 2014.

     

    Produced by the Grazing Goat Pictures and directed by Kabir Sadanand, Fugly is shot extensively in Delhi and the breathtaking locations of Leh. It is the story of four friends – Dev, Devi, Gaurav and Aditya and how this carefree bunch, at the threshold of their lives, get caught in a Fugly incident, which sucks them slowly into the big bad world of corruption, politics and the real society in the capital.

     

    The central characters are played by an ensemble of some of the freshest faces to emerge from India: Anil Kapoor’s nephew Mohit Marwah, Olympic medalist Boxer Vijender Singh, grand niece of Sayed Jaffery Kiara Advani and Slumdog Millionaire actor Arti Lamba will make their Bollywood debuts in the film. The film also sees the fondly remembered Anjali, from the 1998 blockbuster, Kuch Kuch Hota Hai, Sana Saeed, in a special song and Jimmy Shergill who returns to the big screen after Bullet Raja.

     

    With Fugly, Akshay and Ashvini have followed up the huge success of their first film venture, OMG: Oh My God, and their regional successes, the critically acclaimed Marathi film 72 Miles Ek Pravas, and the Punjabi comic-caper ‘Bhaji in Problem’.

     

    Spearheading investment into quality, subject-driven film-making, Grazing Goat Pictures is taking Hindi and regional cinema to new heights with a range of innovative and fresh projects.

  • Bhushan Kumar’s T-series signs a power packed four film deal

    Bhushan Kumar’s T-series signs a power packed four film deal

    MUMBAI: After Aashiqui 2‘s Rs 130 crore mega success worldwide, T-Series producer Bhushan Kumar is now eyeing to cash it on a star studded slate of films. It is reported that T-Series has gone on to sign a four film deal roping in OMG Oh My God director Umesh Shukla.

    With preparations on board, T-Series reports that the first movie will star Abhishek Bachchan in the lead, however the search for the film‘s leading lady is still on. Obviously seeking a big budget release, producer Bhushan Kumar is currently in talks with several big names to lock on the actress.

    Clearing all speculations, Bhushan clarified, "Yes we have signed a four film deal with director Umesh Shukla and the first being an Abhishek-Bachchan starrer. He is an extremely talented director and as a producer I have full faith in his ability to helm the film. We are very excited to have him onboard. We are yet to sign the female lead."

  • 1920…… does well in dull pre-Diwali week

    1920…… does well in dull pre-Diwali week

    MUMBAI: Vikram Bhatt’s 1920 – Evil Returns, the sequel to his earlier offering 1920, has done excellent business in its first week despite a dull period before Diwali. The film collected Rs 186 million.

    Ashok Tyagi directed Its Rocking – Dard-E-Disco, with Bappi Lahiri as an added attraction, did very poorly.

    UTV Motion Pictures and Anurag Kashyap Films Pvt Ltd’s Luv Shuv Tey Chicken Khurana collected Rs 65 million.

    Prakash Jha’s Chakravyuh showed a major drop ending its second week with Rs 12 million.

    Karan Johar’s Student Of The Year remained steady in its third week with collections of Rs 36 million.

    Sridevi’s comeback movie English Vinglish can now definitely be defined as a hit having collected Rs 10.5 million in its fifth week taking its tally to Rs 368.5 million.

    Paresh Rawal starrer OMG Oh My God! collected a moderate Rs nine million in its sixth week to take its total collection to Rs 765.5 million.

    Barfi! collected about Rs one million in its eighth week to take its total to Rs 1.09 billion.

  • OMG Oh My God!: Rawal takes the show home

    OMG Oh My God!: Rawal takes the show home

    Mumbai: Is there a God? are you God loving or God fearing? There have been some great character artistes in the Hindi film industry like Jayant, Iftekhar, Rehman, K N Singh, Balraj Sahni to name a few. But there were few films made for these character artistes to carry on their shoulder save for an odd Do Bigha Zameen. OMG Oh My God! is one such film in modern times resting entirely on the shoulders of a character artiste, Paresh Rawal, that too in days when even superstars draw a blank at the box office more often than not!

    Making a fictional film involving religious beliefs is a dicey idea considering how vested interests may interpret it to their benefit. (There are reports of some protests in Punjab and cancellation of screening in couple of towns in the state.)

    On that count, Oh My God is in league with the acclaimed Pakistani film, Khuda Ke Liye. Here too, the film‘s theme deals with the interpretation and enforcement of religion as it suits the God‘s self-proclaimed agents, the Godmen, Pandits, pastors or maulvees. The film is an adaptation of Gujarati play Kanji Viruddh Kanji, later made in Hindi as Krishna Vs Kanhaiya.

    Rawal is a Gujarati trader selling icons and images of gods as antiques. That is to say, cash in on people‘s blind faith. He would build a convincing background story for the items he sold and with that palm off a simple clay idol worth Rs 250 for thousands depending on how vulnerable a customer is. Rawal is a nonbeliever and laughs off the worshipers. It is Gokulashtami and Rawal‘s young son has mounted the Govinda pyramid to break the matki. The occasion is presided over by a saffron clad Pandit, Govind Namdeo. Rawal orders his son to come down from the pyramid, grabs the microphone and announces that a miracle has happened and that Lord Krishna has ordained his devotees to feed him butter and milk. The crowd disperses and the Pandit is left red-faced cursing Rawal.

    As if on cue, there is a mild earthquake and the only place affected is Rawal‘s antique shop in Chor Bazaar which has caved in. The insurance company refuses to settle the claim as the shop is not insured against the Act of God which is how an earthquake is defined in their jargon. Now Rawal is a worried man. His shop is destroyed; his house is mortgaged and how can he accept it as an Act of God when according to him God does not exist?

    Rawal decides to take on God in a court of law and claim his losses from God. This act of his is called a sacrilege by the religious leaders; a gang of three headed by Mithun Chakraborty very much in the fashion of a Mafia hierarchy. Chakraborty has all the attributes of a gay while the other two being Govind Namdeo, a full time hog gorging on food and, Poonam Jhawar who always has a manicurist in the tow keeping her prim and proper! They take on the challenge from Rawal since their existence and exploitation of the believers depends on God‘s existence.

    Rawal is branded as insane, his wife and kids leave him and no lawyer is willing to touch his case. That is when he traces down Om Puri, a Muslim lawyer who lost his both legs when he took up his own community in a legal battle. He guides Rawal to fight his own case in the court. As the sharp and cunning Rawal takes on the might of the god men he turns from an insane to a crusader and a celebrity.

    What makes OMG Oh My God! utterly watchable is this court battle against the might of people‘s faith and the self-appointed agents of God. Rawal‘s chief benefactor, however, in his fight against God is God incarnate in the guise of dashing, bike riding and keychain twirling Akshay Kumar who introduces himself as Krishan Vasudev Yadav! The myths are shattered and the god men destroyed to the watchers‘ delight. This also makes the film‘s second half gripping.

    OMG Oh My God! is a one man show all the way. It is Rawal who gets in to the skin of the character. His expressions say a lot even when he is not vocal. Akshay Kumar‘s is a cameo role and he is well restrained and almost convincing as the modern day avtar of how God could be. Puri as usual is good. Chakraborty who lets his three fingers do most of the talking is excellent as is Namdeo as the pompous Pandit. Lubna Salim, Tisca Chopra, Yusuf Hussain, Murli Sharma and Mahesh Manjrekar justify their casting. The first half offers a Govinda song with Prabhu Deva and Sonakshi Sinha for a distraction. Dialogue being the backbone of the film, has been very well penned. Production values are patchy. Direction is passable; an eye for details is missing.

    OMG Oh My God! has opened to fair opening response but with a whole lot of praise to get better over the weekend and a bonus holiday on Tuesday.

    Kamaal Dhamaal Malamaal: No maal in this fare

    Kamaal Dhamaal Malamaal is a group comedy where a one line story is an excuse to make a film and a bunch of character artistes known as comedians are let loose on the screen. But as has been the case with previous such films, the outcome is pathetic.

    In a small Catholic town, Om Puri and Paresh Rawal, two bum chums have parted over a lottery ticket. Since then, both families are enemies. While Rawal has three bullies as sons and all the monies he won from the lottery he was supposed to share with Om Puri to back him, Puri has a good for nothing son, Shreyas Talpade, and three daughters or are there two? While Puri works at the local church, Talpade generally idles around dreaming of winning a lottery as short cut to becoming a millionaire. He is such a coward that he is called bakri by the villagers. As it happens in most love stories, Talpade is in love with Rawal‘s daughter, Madhurima, and hence a regular punching bag for her three tough brothers. There are various other characters like Neeraj Vora, a coffin maker, Razzak Khan who runs a restaurant, Asrani, the priest at the church, Shakti Kapoor etc who complete the quorum for a comedy film!

    Then enters Nana Patekar who has come to the village for a purpose but he can beat up Rawal‘s three sons singlehandedly and hence Talpade uses him as his protector. At home, he introduces Nana as his long lost older brother who had left home in a huff long ago. The film ambles on aimlessly without generating any interest or comic situations. The jokes and gags are generally PJs.

    With there is nothing much to say about performances, the film is one shoddy product from Priyadarshan.

    Kamaal Dhamaal Malamaal is total loss of invested maal.