Tag: NOVA

  • How PVR is revolutionizing community movie-viewing in India

    How PVR is revolutionizing community movie-viewing in India

    MUMBAI: India is often the land of contradictions. For everything that is true about India, its opposite is also equally true. It’s no wonder then that despite producing the highest number of movies in the world, India’s screen density remains one of the lowest in the world. 

    As per FICCI Frames Report 2018, India only has 9,600 cinema screens compared to over 40,000 in both China and the US. This despite the fact that in the year 2017, India produced over 1807 films, more than the combined output of China (944) and the US (789), put together. To put it in perspective, India has an abysmal screen density of 8 per million in comparison with 117 per million in the US.

    This anomaly was first noticed by Ajay Bijli, CMD PVR Ltd, more than two decades ago when he forayed into the cinema business with the opening of the first PVR Cinema in Delhi in 1997. Today, PVR commands 821 screens, at 172 properties, in 70 cities (including India and Sri Lanka). On Monday, PVR also launched its first 12-Screen Superplex at Vegas Mall, Dwarka, New Delhi.

    Unveiling the property, PVR Cinemas CEO Gautam Dutta said, “In FY 19-20 we have been successful in crossing the 800-screen milestone and are now looking forward to expanding further. With this we are bringing the city’s first LUXE; designed to offer an unparalleled experience.”

    From four to 821 screens: PVR journey so far

    PVR Cinemas launched India's first Multiplex Cinema PVR Anupam, a four-screen cinema, at Saket, New Delhi, in 1997. In 2004, PVR launched India’s then-largest multiplex cinema PVR Bangalore, with eleven screens. This was also PVR’s first property outside the Delhi NCR region.

    Two years later, PVR was listed on the Bombay Stock Exchange and in 2008 it achieved the target of 100 screens in India. All this while, PVR also invested in enhancing the movie-viewing experience and in 2011, it launched PVR’s Director’s Cut, a 7-star movie viewing experience.

    Around 2012, PVR went into an acquisition overdrive and bought Cinemax that helped the multiplex chain cross 200 screens. In 2016, PVR acquired DT Cinemas from DLF for Rs 433 crore, adding 32 more screens operating under DT Cinemas to its portfolio. Just two years later, it acquired SPI Cinemas, a leading cinema player in South India with 76 screens operating under brand names like – Satyam Cinemas, Escape, Palazzo, The Cinema and S2. The deal, worth Rs 850 crore, helped PVR Cinemas cross 700-screen milestone and established it as a dominant player in South India.

    Speaking on the acquisition, PVR CEO Gautam Dutta said: “It was a natural course of progression for PVR to strengthen its standing in different regions of the country. South is an extremely important market and SPI Cinemas had a magnanimous hold over the region. The acquisition proved to be a profitable investment, with PVR being able to consolidate its position in the country and also in reaping the benefits of making a well-established entry into the region.”

    With the addition of 12 Screen Superplex, PVR now commands 821 screens in India, including a 9-screen property in Sri Lanka.

    Digitising the movie screen

    From opening India’s first multiplex in 1997 to launching India’s biggest multiplex in 2004, PVR has maintained its leading position by constantly investing in new technologies to enhance movie-viewing experience. The multiplex chain has been at the forefront of scaling up premium cinema formats to offer a mix of “exhibition” and “hospitality” experience with deep audience engagement.

    PVR has now various movie viewing premium screens in its portfolio like – Gold Class, Directors Cut, Imax (both in 2D and 3D), 4DX (launched in 2015 in partnership with CinemaCon), PVR PXL, (home-grown large screen format), PlayHouse (Kid’s Auditorium), PVR Onyx (India’s first LED screen cinema), and PVR Utsav (catering specifically to Tier-II and Tier-III cities).

    In 2018, out of the total 73 new screens opened by PVR Cinemas, 20 were premium screens (Gold Class, IMAX, 4DX, PXL, Playhouse).

    At present, PVR operates 4 screens of Director’s Cut, 37 screens of Gold Class, 9 of IMAX, 16 of 4DX, 08 of P[XL], 12 of Playhouse and 1 of PVR Onyx across the country.

    Apart from these, PVR is also investing in a host of new cutting-edge technologies. PVR Cinemas and CJ 4DPLEX, the world’s leading cinema technology company; signed a deal at CinemaCon 2019 to open 10 ScreenX theatres in India by 2021. Screen X is the world’s first multi-projection immersive cinematic platform which provides moviegoers a 270 degrees viewing experience by expanding the scene onto the side walls.

    In October, PVR unveiled India’s first D-BOX motion seats across five screens in Mumbai. It is also managing PVR Audit-Air-Ium: a clean air theatre format.

    Strategy for Tier-II, Tier-III cities: PVR Utsav

    India’s screen count remains low primarily due to lack of cinema penetration in tier II, tier III and tier IV cities. This presents a large untapped potential for multiplex chains and belatedly businesses are shedding their exhibitions in entering smaller Indian cities with premium movie viewing formats.

    UFO Moviez has launched NOVA and opened properties in smaller cities in Punjab, Maharashtra, Andra, MP and Chattisgarh. Ajay Devgn’s NY Cinemas is eyeing 250 screens in the next 4-5 years with a primary focus on smaller cities. PVR has responded with PVR Utsav.

    Dutta describes PVR Utsav as the “culturally and socially sensitive arm of PVR whose main objective is to provide hygienic, safe and secure cinematic experience to the aspirational audiences in tier II and tier III cities across the country. We are planning to enter into markets for the very first time such as Jaipur, Ajmer, Ambala, Patna, Bhubaneshwar and other cities.”

    Future Course

    The domestic theatrical market grossed Rs 102 billion in 2018. In addition, there are substantial earnings from F&B revenues which are estimated at around Rs 20 billion by FICCI Frames report. This growth in movie business means that PVR’s financials are in a strong position and its profits are increasing y-o-y.

    Last month, PVR reported 35 per cent year-on-year growth in its consolidated net profit at Rs 47.67 crore for the second quarter ended September 30, 2019. Its consolidated revenue jumped by 37 per cent to Rs 979.40 crore as compared to Rs 714.65 crore in the year-ago period. PVR’s surging revenue and profits will give the company plenty of room to expand and invest in newer movie-exhibition formats.

    There is also a huge untapped potential for expansion in smaller Indian cities and foreign markets as well. The overseas theatricals market for Indian films has grown to $30 billion in 2018.

    PVR has just launched its 9-screen property in Sri Lanka and will add a 7-screen in Colombo soon. However, its domestic rival Carnival Cinemas has made significant inroads in foreign markets. In July 2018, it signed the largest overseas acquisition deal for any Indian multiplex. The company entered into a definitive agreement with Elan Group to acquire Novo Cinemas, which operates 104 screens in the UAE and Bahrain.

    While for PVR, the next natural target would be to touch the milestone of 1000 screens, its nearest rival, INOX, is determined to close the gap with PVR. INOX already has over 600 screens in India and boasts of maximum new signings (around 900). INOX is a key challenger to PVR in metro cities and PVR’s expansion plans in smaller cities will face stiff competition from players like UFO Moviez and Devgn’s NY Cinema.

    While expansion is key, PVR has to tread carefully and be mindful of its huge debt burden. As of September 30, 2019, the company's debt increased to Rs 1,282.52 crore from Rs 1,247.17 crore in March.

    The company, however, is optimistic about its future, and rightly so. Dutta says the future growth looks very exciting.

    “We are on course to achieve the annual target of opening more than 100 screens in the coming months. The expansion will not only happen in Tier I cities but in Tier II and Tier III cities as well. We plan to introduce new concepts in India which the Indian movie-going audience hasn’t heard of. Apart from the opening of cinemas in new cities, with our enhanced offerings, we wish to increase the market size in the developed cities as well,” he added.

  • Q1-16-Televison, Consumer Products, New Media drive up DreamWorks Animation numbers

    Q1-16-Televison, Consumer Products, New Media drive up DreamWorks Animation numbers

    BENGALURU: DreamWorks Animation SKG Inc., (DWA) reported 14.4 percent year-over-year (y-o-y) growth in revenue for the quarter ended 31 March 2016 (Q-16, current quarter) The company reported revenue of $190.44 million in Q1-16 as compared to $106.17 million in the corresponding year ago quarter. Further, it reported net income attributable to DWA of $13.84 million in the current quarter as compared to a loss of $54.78 million in Q1-15. The growth in revenue was driven by performance in the Television Series and Specials, Consumer Products and New Media segments.

    “I am happy to report another strong quarter of financial results, which I believe reflect continued execution on our strategy of transitioning DreamWorks Animation into a global family entertainment company,” said DWA CEO Jeffrey Katzenberg, “I’m excited to be passing the baton to Comcast, as I know they will continue to build on the foundation we’ve established over the past 22 years.”

    On April 28, 2016 NBCUniversal, a division of Comcast Corporation, announced the acquisition of DreamWorks Animation. The transaction is expected to close by the end of 2016, subject to receipt of regulatory approvals in the U.S. and abroad, as well as the satisfaction of other customary closing conditions. Following the completion of the transaction, DreamWorks Animation CEO and co-founder Jeffrey Katzenberg will become chairman of DreamWorks New Media, which will be comprised of the company’s ownership interests in Awesomeness TV and NOVA.  Katzenberg will also serve as a consultant to NBCUniversal.

    Note: Beginning in the quarter ended 31 March 2016, DWA says that it has changed the method by which intellectual property costs are charged to the Consumer Products segment to provide better comparability to peers and to be similar to the method used in the Television Series and Specials segment while minimizing segment volatility. As a result, the Consumer Products segment no longer bears amortization of capitalized production costs for the use of Film and TV segment intellectual property. Instead, the Consumer Products segment is charged a royalty fee which will compensate the originating segment for the use of intellectual property. There is no change to DWA’s consolidated financials, as DWA’s ultimate revenues and the amortization of capitalized production costs remain unchanged. This methodology impacts segment reporting only. All prior-year period figures have been updated to reflect this new methodology, says the compny.

    Segment numbers
    Feature Films segment

    Feature Films segment’s revenues for Q1-16 declined 26.7 percent to $94.3 million, compared to $128.7 million in Q1-15. Revenues in the  current quarter were favourably impacted by the worldwide pay television distribution of How to Train Your Dragon 2 and Mr. Peabody and Sherman, higher home entertainment sales and recoveries of $6.3 million from previously established home entertainment reserves related to sales through DWA’s former primary theatrical distributor. Segment gross profit for Q1-16 of $26.1 million was 31.5 percent lower compared to $38.1 million in the prior-year period.

    Television Series and Specials segment

    Revenues for Q1-16 from the Television Series and Specials segment more than tripled (3.14 times) to $57.0 million, compared to $18.1 million during the corresponding prior-year period. DWA says that the increase in revenues was attributable to a significantly higher number of episodes delivered under its episodic content licensing arrangements. Segment gross profit in the current quarter increased six-fold to $21.1 million from $3.5 million in Q1-15. The increase was primarily driven by higher revenues and lower marketing expenses, says DWA.

    Consumer Products segment

    Revenues from DWA’s Consumer Products segment increased 50 percent y-o-y in Q1-16 to $21.4 million, compared to $14.3 million in the same period last year. DWA says that the increase was primarily due to revenues earned from location-based entertainment initiatives during the current quarter. Revenue for both the current and prior year quarters also included contributions from merchandise licensing arrangements. Segment gross profit increased 60 percent y-o-y to $15.0 million in the current quarter from $9.4 million in the prior-year period.

    New Media segment

    Revenues from DWA’s New Media segment more than tripled  (3.3 times) in Q1-16 to $15.2 million compared to $4.6 million during Q1-15. This increase was primarily attributable to revenue generated from licensing and distribution of content and to a lesser extent, brand sponsorship and talent management arrangements says DWA. Segment gross profit for Q1-16 also more than tripled (3.1 times) to $6.5 million from $2.1 million in the prior-year period, primarily due to higher revenues.

  • Q1-16-Televison, Consumer Products, New Media drive up DreamWorks Animation numbers

    Q1-16-Televison, Consumer Products, New Media drive up DreamWorks Animation numbers

    BENGALURU: DreamWorks Animation SKG Inc., (DWA) reported 14.4 percent year-over-year (y-o-y) growth in revenue for the quarter ended 31 March 2016 (Q-16, current quarter) The company reported revenue of $190.44 million in Q1-16 as compared to $106.17 million in the corresponding year ago quarter. Further, it reported net income attributable to DWA of $13.84 million in the current quarter as compared to a loss of $54.78 million in Q1-15. The growth in revenue was driven by performance in the Television Series and Specials, Consumer Products and New Media segments.

    “I am happy to report another strong quarter of financial results, which I believe reflect continued execution on our strategy of transitioning DreamWorks Animation into a global family entertainment company,” said DWA CEO Jeffrey Katzenberg, “I’m excited to be passing the baton to Comcast, as I know they will continue to build on the foundation we’ve established over the past 22 years.”

    On April 28, 2016 NBCUniversal, a division of Comcast Corporation, announced the acquisition of DreamWorks Animation. The transaction is expected to close by the end of 2016, subject to receipt of regulatory approvals in the U.S. and abroad, as well as the satisfaction of other customary closing conditions. Following the completion of the transaction, DreamWorks Animation CEO and co-founder Jeffrey Katzenberg will become chairman of DreamWorks New Media, which will be comprised of the company’s ownership interests in Awesomeness TV and NOVA.  Katzenberg will also serve as a consultant to NBCUniversal.

    Note: Beginning in the quarter ended 31 March 2016, DWA says that it has changed the method by which intellectual property costs are charged to the Consumer Products segment to provide better comparability to peers and to be similar to the method used in the Television Series and Specials segment while minimizing segment volatility. As a result, the Consumer Products segment no longer bears amortization of capitalized production costs for the use of Film and TV segment intellectual property. Instead, the Consumer Products segment is charged a royalty fee which will compensate the originating segment for the use of intellectual property. There is no change to DWA’s consolidated financials, as DWA’s ultimate revenues and the amortization of capitalized production costs remain unchanged. This methodology impacts segment reporting only. All prior-year period figures have been updated to reflect this new methodology, says the compny.

    Segment numbers
    Feature Films segment

    Feature Films segment’s revenues for Q1-16 declined 26.7 percent to $94.3 million, compared to $128.7 million in Q1-15. Revenues in the  current quarter were favourably impacted by the worldwide pay television distribution of How to Train Your Dragon 2 and Mr. Peabody and Sherman, higher home entertainment sales and recoveries of $6.3 million from previously established home entertainment reserves related to sales through DWA’s former primary theatrical distributor. Segment gross profit for Q1-16 of $26.1 million was 31.5 percent lower compared to $38.1 million in the prior-year period.

    Television Series and Specials segment

    Revenues for Q1-16 from the Television Series and Specials segment more than tripled (3.14 times) to $57.0 million, compared to $18.1 million during the corresponding prior-year period. DWA says that the increase in revenues was attributable to a significantly higher number of episodes delivered under its episodic content licensing arrangements. Segment gross profit in the current quarter increased six-fold to $21.1 million from $3.5 million in Q1-15. The increase was primarily driven by higher revenues and lower marketing expenses, says DWA.

    Consumer Products segment

    Revenues from DWA’s Consumer Products segment increased 50 percent y-o-y in Q1-16 to $21.4 million, compared to $14.3 million in the same period last year. DWA says that the increase was primarily due to revenues earned from location-based entertainment initiatives during the current quarter. Revenue for both the current and prior year quarters also included contributions from merchandise licensing arrangements. Segment gross profit increased 60 percent y-o-y to $15.0 million in the current quarter from $9.4 million in the prior-year period.

    New Media segment

    Revenues from DWA’s New Media segment more than tripled  (3.3 times) in Q1-16 to $15.2 million compared to $4.6 million during Q1-15. This increase was primarily attributable to revenue generated from licensing and distribution of content and to a lesser extent, brand sponsorship and talent management arrangements says DWA. Segment gross profit for Q1-16 also more than tripled (3.1 times) to $6.5 million from $2.1 million in the prior-year period, primarily due to higher revenues.

  • NBCUniversal announces Dreamworks Animation acquisition

    NBCUniversal announces Dreamworks Animation acquisition

    MUMKBAI: NBCUniversal announced the acquisition of DreamWorks Animation (NASDAQ: DWA).
     One of the world’s most admired family brands, DreamWorks Animation creates animated feature films, television series and specials, live entertainment and related consumer products. The studio will become part of the Universal Filmed Entertainment Group, which includes Universal Pictures, Fandango, and NBCUniversal Brand Development.

    “DreamWorks Animation is a great addition to NBCUniversal,” said Steve Burke, CEO of NBCUniversal. “Jeffrey Katzenberg and the DreamWorks organization have created a dynamic film brand and a deep library of intellectual property. DreamWorks will help us grow our film, television, theme parks and consumer products businesses for years to come. We have enjoyed extraordinary success over the last six years in animation with the emergence of Illumination Entertainment and its brilliant team at Illumination Mac Guff studio. The prospects for our future together are tremendous. We are fortunate to have Illumination founder Chris Meledandri to help guide the growth of the DreamWorks Animation business in the future.”

    Under the terms of the agreement, DreamWorks Animation has an equity value of approximately $3.8 billion. DreamWorks Animation stockholders will receive $41 in cash for each share of DreamWorks Animation common stock. The agreement has been approved by the boards of directors of DreamWorks Animation and Comcast, and the controlling shareholder of DreamWorks Animation has approved the agreement by written consent.

    The transaction is expected to close by the end of 2016, subject to receipt of antitrust approvals in the U.S. and abroad, as well as the satisfaction of other customary closing conditions.

    Following the completion of the transaction, DreamWorks Animation CEO and co-founder Jeffrey Katzenberg will become Chairman of DreamWorks New Media, which will be comprised of the company’s ownership interests in Awesomeness TV and NOVA. Katzenberg will also serve as a consultant to NBCUniversal.

    “Having spent the past two decades working together with our team to build DreamWorks Animation into one of the world’s most beloved brands, I am proud to say that NBCUniversalis the perfect home for our company; a home that will embrace the legacy of our storytelling and grow our businesses to their fullest potential,” said Katzenberg. “This agreement not only delivers significant value for our shareholders, but also supports NBCUniversal’s growing family entertainment business. As for my role, I am incredibly excited to continue exploring the potential of AwesomenessTV, NOVA and other new media opportunities, and can’t wait to get started.”

    The acquisition gives NBCUniversal broader reach to a host of new audiences in the highly competitive kids and family entertainment space, in both TV and film. It includes popular DreamWorks Animation film franchise properties, such as Shrek, Madagascar, Kung Fu Panda and How to Train Your Dragon. It also includes a thriving TV operation that is a significant supplier of family programming, with hundreds of hours of original, animated content distributed across linear and SVOD platforms in more than 130 countries. Additionally, DreamWorks Classics, a large library of classic characters, including Where’s Waldo, and Rudolph the Red-Nosed Reindeer, will become part of the NBCUniversal portfolio, along with a successful consumer products business.

    Comcast was advised by Davis Polk & Wardwell LLP on legal matters. DreamWorks Animation was advised on financial matters by Centerview Partners and on legal matters byCravath, Swaine & Moore LLP. DreamWorks Animation’s Board of Directors was advised on legal matters by Munger Tolles & Olson LLP.

  • NBCUniversal announces Dreamworks Animation acquisition

    NBCUniversal announces Dreamworks Animation acquisition

    MUMKBAI: NBCUniversal announced the acquisition of DreamWorks Animation (NASDAQ: DWA).
     One of the world’s most admired family brands, DreamWorks Animation creates animated feature films, television series and specials, live entertainment and related consumer products. The studio will become part of the Universal Filmed Entertainment Group, which includes Universal Pictures, Fandango, and NBCUniversal Brand Development.

    “DreamWorks Animation is a great addition to NBCUniversal,” said Steve Burke, CEO of NBCUniversal. “Jeffrey Katzenberg and the DreamWorks organization have created a dynamic film brand and a deep library of intellectual property. DreamWorks will help us grow our film, television, theme parks and consumer products businesses for years to come. We have enjoyed extraordinary success over the last six years in animation with the emergence of Illumination Entertainment and its brilliant team at Illumination Mac Guff studio. The prospects for our future together are tremendous. We are fortunate to have Illumination founder Chris Meledandri to help guide the growth of the DreamWorks Animation business in the future.”

    Under the terms of the agreement, DreamWorks Animation has an equity value of approximately $3.8 billion. DreamWorks Animation stockholders will receive $41 in cash for each share of DreamWorks Animation common stock. The agreement has been approved by the boards of directors of DreamWorks Animation and Comcast, and the controlling shareholder of DreamWorks Animation has approved the agreement by written consent.

    The transaction is expected to close by the end of 2016, subject to receipt of antitrust approvals in the U.S. and abroad, as well as the satisfaction of other customary closing conditions.

    Following the completion of the transaction, DreamWorks Animation CEO and co-founder Jeffrey Katzenberg will become Chairman of DreamWorks New Media, which will be comprised of the company’s ownership interests in Awesomeness TV and NOVA. Katzenberg will also serve as a consultant to NBCUniversal.

    “Having spent the past two decades working together with our team to build DreamWorks Animation into one of the world’s most beloved brands, I am proud to say that NBCUniversalis the perfect home for our company; a home that will embrace the legacy of our storytelling and grow our businesses to their fullest potential,” said Katzenberg. “This agreement not only delivers significant value for our shareholders, but also supports NBCUniversal’s growing family entertainment business. As for my role, I am incredibly excited to continue exploring the potential of AwesomenessTV, NOVA and other new media opportunities, and can’t wait to get started.”

    The acquisition gives NBCUniversal broader reach to a host of new audiences in the highly competitive kids and family entertainment space, in both TV and film. It includes popular DreamWorks Animation film franchise properties, such as Shrek, Madagascar, Kung Fu Panda and How to Train Your Dragon. It also includes a thriving TV operation that is a significant supplier of family programming, with hundreds of hours of original, animated content distributed across linear and SVOD platforms in more than 130 countries. Additionally, DreamWorks Classics, a large library of classic characters, including Where’s Waldo, and Rudolph the Red-Nosed Reindeer, will become part of the NBCUniversal portfolio, along with a successful consumer products business.

    Comcast was advised by Davis Polk & Wardwell LLP on legal matters. DreamWorks Animation was advised on financial matters by Centerview Partners and on legal matters byCravath, Swaine & Moore LLP. DreamWorks Animation’s Board of Directors was advised on legal matters by Munger Tolles & Olson LLP.