Tag: Nitya Mehra

  • JioCinema partners with The International Academy of Television Arts & Sciences

    JioCinema partners with The International Academy of Television Arts & Sciences

    Mumbai: JioCinema, the Indian streaming platform of Viacom18, hosted the Semi-Final Round of Judging for the 52nd International Emmy Awards in Mumbai. The event featured an esteemed panel of industry luminaries, including Tisca Chopra, Ranvir Shorey, Bhavani Iyer, Nitya Mehra, Ranjeet Thakur, Rahul V. Chitella, Suparn Verma, Kirti Kulhari, Sonali Kulkarni, Sameer Saxena, Abhinay Deo, Divya Dutta, Sandhya Mridul, and Oni Sen.

    Commenting on being part of the jury, actor Ranvir Shorey said, “The association with the academy is going to be one of the biggest feathers in my cap. As an actor constantly on the lookout for compelling stories, it’s incredibly rewarding to see deserving content and talent being recognized, no matter their scale. Being part of the esteemed jury panel for the International Emmy® Awards 2024 is an honour, and I’m thrilled to contribute to an association that bridges the gap between local and global storytelling, giving diverse voices a platform to shine.”

    Actor Tisca Chopra added, “As a first-time jury member at the International Emmy® Awards, I am truly honoured to be part of this incredible journey. It’s a privilege to witness the creativity and dedication of such talented individuals and to celebrate their outstanding work. It’s great to see platforms like JioCinema supporting the industry on local and global.”

    Actor Sonali Kulkarni said, “I’m honoured to be a part of the jury for this year’s International Emmy® Awards. As someone rooted in regional cinema, Hindi commercial cinema and international films – I’m proud to see content from across the globe gaining deserved recognition on this prestigious stage. I look forward to contributing to this celebration of excellence and seeing more content shining worldwide.”

    The Semi-Final round of Judging is a key part of the Academy’s annual event which aims to recognize excellence in television produced outside the United States. With categories ranging from Arts Programming to Drama Series, and from Non-Scripted Entertainment to Kids programming, the competition is fierce and celebrated.

     

     

  • BVLGARI’s timeless collections blend with the bold narratives of Made In Heaven season 2

    BVLGARI’s timeless collections blend with the bold narratives of Made In Heaven season 2

    Mumbai: When it comes to visual media, fashion plays a vital role in enabling each character to construct, sculpt and express their identities in a way that supports the narrated story. Prime Video’s Made In Heaven created a close association with accessorising and clothing, but in a way that seamlessly suited the characters’ personalities. Sobhita Dhulipala and Kalki Koechlin’s stunning appearances in the show resonate with BVLGARI’s collections, symbolising empowerment and self-expression. BVLGARI unveils a mesmerising narrative of love, empowerment, and transformation through its iconic SERPENTI and OCTO FINISSIMO collections. These collections symbolise the fusion of enduring love, personal strength, and unwavering togetherness.

    The bold personas of Made In Heaven season 2, Sobhita Dhulipala and Kalki Koechlin perfectly mirror the essence of BVLGARI’s new creations. The iconic SERPENTI series embodies their journey of metamorphosis and self-renewal, while the OCTO FINISSIMO collection reflects their fearless self-expression and empowerment.

     

     

    The collaboration of BVLGARI and Made In Heaven season 2 creates a synergy that celebrates individuality and empowerment, echoing the brand’s philosophy. BVLGARI continues to create timeless pieces that encapsulate the ever-evolving nature of relationships and personal narratives, showcasing the enduring beauty of love and self-discovery.

    Made In Heaven season 2 is produced by Excel Media and Entertainment and Tiger Baby, created and directed by Reema Kagti and Zoya Akhtar along with Nitya Mehra, Alankrita Shrivastava, and Neeraj Ghaywan. Starring Sobhita Dhulipala and Arjun Mathur in lead roles, the series also stars Jim Sarbh, Kalki Koechlin, Shashank Arora, Shivani Raghuvanshi, Vijay Raaz with the new addition of Mona Singh, Ishwak Singh and Trinetra Haldar. The seven-episode series is streaming now on Prime Video in India and across 240 countries and territories worldwide. 

  • Baar Baar Dekho…Akhir Kyon?

    Baar Baar Dekho…Akhir Kyon?

    MUMBAI: Baar Baar Dekho, the debut directorial venture of Nitya Mehra, is a love story that spans over three decades. The makers seem to have found the basic idea from the Hollywood film, Groundhog Day (1995). Here, the idea has been used for a couple about to marry.

    Sidharth Malhotra and Katrina Kaif are born in England around the same time and their parents also decide to move back to India almost at the same time. Katrina and Sidharth meet at school and become close pals at eight. Love blossoms as they grow.

    Sidharth is a gifted mathematician while Katrina’s calling is modern art. Their love is boundless and both families are agreeable. It is time to get them to commit to each other and an engagement ceremony takes place. Sidharth is however not sure he wants to get married at that point in time. His first love is mathematics and he wants to prove himself as a math genius all over the world. At the time he was committing to Katrina, his research paper to Cambridge has been appreciated and he is invited to join the faculty.

    While Sidharth is a middleclass man who believes in making it big on his own, his would-be father-in-law, Ram Kapoor, gifts him a car and a plush flat. This puts him off further. He has an argument with Katrina to the extent that he offends her. To escape things happening around him, he hits the bottle.

    His future travel with wife Katrina is what most of this film is about. Sidharth’s life revolves round his job with little or no time for the family. His mind is so taken up by research, he is unable to connect well with his children when he meets them after gaps. Katrina expresses her displeasure with what is happening to her family life. And, to Sidharth’s discomfort, Kapoor moves in with the family to provide support to Katrina.

    Sidharth’s time with his family is like a long lost relative coming back after ages. On one occasion, he is called when his mother dies. There, he realizes that his divorced wife Katrina has remarried!

    Baar Baar Dekho is a kind of long-winding sermon to men and women planning marriage, and life thereafter. There is just about everything that is going wrong with the film. It starts with the scripting which jumps from one point to another failing to keep the audience informed.
    Sidharth’s ‘amnesia’ is least convincing. The film is beyond the director’s control soon after it takes off. The futuristic approach with communication, be it cell phone or computer, serves no purpose; even the makeup of the aged phase of the actors looks amateur.

    The film has some good songs playing in the background but don’t register as one is trying to figure out the events in the story. The popular number, Kala chashma…., is left for the end titles by which time the viewer has lost the will to stay back. Editing is sorely missing. The only thing that works for the film is the visuals. It is a beautifully shot film.
    Baar Baar Dekho is a grossly disappointing film.

    Producers: Karan Johar, Ritesh Sidhwani, Farhan Akhtar

    Director: Nitya Mehra

    Cast: Sidharth Malhotra, Katrina Kaif, Sarika, Ram Kapoor

  • Baar Baar Dekho…Akhir Kyon?

    Baar Baar Dekho…Akhir Kyon?

    MUMBAI: Baar Baar Dekho, the debut directorial venture of Nitya Mehra, is a love story that spans over three decades. The makers seem to have found the basic idea from the Hollywood film, Groundhog Day (1995). Here, the idea has been used for a couple about to marry.

    Sidharth Malhotra and Katrina Kaif are born in England around the same time and their parents also decide to move back to India almost at the same time. Katrina and Sidharth meet at school and become close pals at eight. Love blossoms as they grow.

    Sidharth is a gifted mathematician while Katrina’s calling is modern art. Their love is boundless and both families are agreeable. It is time to get them to commit to each other and an engagement ceremony takes place. Sidharth is however not sure he wants to get married at that point in time. His first love is mathematics and he wants to prove himself as a math genius all over the world. At the time he was committing to Katrina, his research paper to Cambridge has been appreciated and he is invited to join the faculty.

    While Sidharth is a middleclass man who believes in making it big on his own, his would-be father-in-law, Ram Kapoor, gifts him a car and a plush flat. This puts him off further. He has an argument with Katrina to the extent that he offends her. To escape things happening around him, he hits the bottle.

    His future travel with wife Katrina is what most of this film is about. Sidharth’s life revolves round his job with little or no time for the family. His mind is so taken up by research, he is unable to connect well with his children when he meets them after gaps. Katrina expresses her displeasure with what is happening to her family life. And, to Sidharth’s discomfort, Kapoor moves in with the family to provide support to Katrina.

    Sidharth’s time with his family is like a long lost relative coming back after ages. On one occasion, he is called when his mother dies. There, he realizes that his divorced wife Katrina has remarried!

    Baar Baar Dekho is a kind of long-winding sermon to men and women planning marriage, and life thereafter. There is just about everything that is going wrong with the film. It starts with the scripting which jumps from one point to another failing to keep the audience informed.
    Sidharth’s ‘amnesia’ is least convincing. The film is beyond the director’s control soon after it takes off. The futuristic approach with communication, be it cell phone or computer, serves no purpose; even the makeup of the aged phase of the actors looks amateur.

    The film has some good songs playing in the background but don’t register as one is trying to figure out the events in the story. The popular number, Kala chashma…., is left for the end titles by which time the viewer has lost the will to stay back. Editing is sorely missing. The only thing that works for the film is the visuals. It is a beautifully shot film.
    Baar Baar Dekho is a grossly disappointing film.

    Producers: Karan Johar, Ritesh Sidhwani, Farhan Akhtar

    Director: Nitya Mehra

    Cast: Sidharth Malhotra, Katrina Kaif, Sarika, Ram Kapoor

  • Will Anil Kapoors 24 be a game changer?

    Will Anil Kapoors 24 be a game changer?

    MUMBAI: Indian viewers are set to witness high octane action drama unraveling on their TV screens soon. The adaptation of the hit American series 24 unveiled its first look last evening. The Indian adaptation of the American thriller is being co-produced by Anil Kapoor Film Company and Ramesh Deo Productions with Delly Belly director Abhinay Deo helming the series.

     

    “The amount of content we have shot is humongous and is equivalent to seven feature films,” gushed Deo at the launch of the 24 trailer. As creative director and co-producer of the series, he feels that the series will definitely be well received by the audience which has been adapted keeping in mind the Indian sentiments, also giving it a tinge of soap operas. “We could do this as we had the leeway to modify and adapt as per the Indian setting,” Deo added.

     

    A fresh young crew of 200 people in production and post production were brought on board to navigate this real time series. On normal days, just two cameras were used while on days packed with action sequences five cameras were put into use with VFX being provided by Prime Focus. “We have shot a scene with a brush falling in a bathtub and we placed an underwater camera to capture the scene from below as well,” says co-producer Apurba Sengupta emphasising on the efforts they took to make it look realistic. Red Scarlet X cameras are being used, and everything is shot in HD format in about 100 locations in Mumbai. The two standing set-ups are – ATU (Anti Terrorism Unit) office and the Tulip Star hotel.

    A great ensemble cast has been roped in to set your pulses racing with high octane action

     

    Looking at the production aspects, the pre production team needed at least  eight to nine months to bring all creative heads to spot perfect locations in the financial capital to shoot. Apart from a thorough recce of locations, the team had to decide on costumes, colour schemes as well as finalise the cast.

     

    For an episode the team shot for almost eight to ten days, that meant that the end product was seven minutes of content produced per day which the team is very proud of as usually on an average only two and a half minutes of content is created.

    India is a diverse country so we had a lot of meat in it and yes it includes politics too says Abhinay Deo giving a sneak peak into the story

     

    Up until now, 16 episodes have been shot while the remaining eight will conclude in December. Out of the 24 episodes approximately 16 are shot by Deo and the rest will be done by Rensil D’Silva, who is also co-writing the adaptation, and Nitya Mehra, who was the AD for Life of Pi. “The level of drama needed for Indian audiences is more so we had to mix emotions,” says D’Silva. He also mentioned that scripting was a daunting task as they had to re-work it several times to get it absolutely perfect.

     

    With an edge of the seat thriller being shot with the best of cameras and a great ensemble cast; it would be natural to believe that the production cost is way beyond the average but Sengupta says the difference isn’t that farfetched either. “It’s promotion for them too. So if they give it to me at a particular price then next year someone else will approach them for it,” D’Silva explains on how the production deals pan out. Industry sources however feel that a show of this level cannot be shot at such a low budget and estimated it to be at a cost of a minimum of Rs 50 lakhs per episode.
    The Anil Kapoor starrer 24 is set to thrill the audiences with never before seen action

     

    Although only one season is on the cards right now, Colors CEO Raj Nayak is optimistic of seeing all eight seasons being made. Rumors are afloat that the story draws parallels with the Gandhi family but the claims were rubbished by the producers.  “India is a diverse country so we had a lot of meat in it and yes it includes politics too,” says Deo.

     

    The cast includes Anil Kapoor, Tisca Chopra, Mandira Bedi, Neil Bhoopalam and cameos by Anupam Kher and Shabana Azmi. The trailer showed Anil Kapoor caught in the middle of making time for his family and on the hunt of the to-be PM’s assassin.  It isn’t like the usual series that Indian audiences are used to watching with real time storytelling and split screens to show different people. “I have got a lot of people telling me that they want this to succeed because it will be a success for the industry,” says Nayak.

     

    The channel is yet to announce the launch date and the time slot for 24. “I signed the deal on 24 October which also happened to be Dassera last year,” said a beaming Nayak.

     

    It is the first time such a series is being produced in India on such a large scale. “It opens up a world of fiction like never seen before,” says Colors weekend programming head Manisha Sharma.

     

    But the bigger question here is that will such a show work with the Indian audiences who are tamed to watching saas-bahu serials? Media planners are positive about it. “I would be surprised if the show does not do well in India because if the content is treated keeping Indian sentiments in place then it is a sure shot winner,” says Madison COO Karthik Laxminarayanan.

     

    “The show is coming after a certain phase of digitisation so it will be interesting to see the ratings that it will get from digital homes. However, it should do well here as well,” says ZenithOptimedia Group CEO Satyajit Sen.

     

    The industry feels that the show will definitely be a game changer for the channel and the genre as well, but it is up to the audience to give their verdict.