Tag: Nitin Burman

  • Balaji sets the stage for new stories with launch of Balaji Studio

    Balaji sets the stage for new stories with launch of Balaji Studio

    MUMBAI: When Ektaa R Kapoor says she’s rewriting the rules of entertainment, she means it, quite literally. Balaji Telefilms ltd has announced the launch of Balaji Studio, a bold new creative vertical set to become the next-generation content engine for India’s fast-evolving TV and digital ecosystem.

    But this isn’t just another production wing. Balaji Studio is imagined as an open, collaborative playground for storytellers, a space where creative freedom meets industry structure, and where emerging voices can transform their wildest ideas into mainstream magic.

    As content consumption explodes across platforms and audiences chase new formats and fresher perspectives, Balaji Studio aims to build bridges between the traditional and the experimental, uniting the best of both worlds. It promises to be a future-ready hub that supports creative innovation while ensuring commercial scalability.

    “Balaji Studio is more than a new business vertical, it’s our declaration that the future of Indian entertainment is open to all who dare to dream big and disrupt the norm,” said Balaji Telefilms Ltd founder and joint managing director Ektaa R Kapoor. “We’re tearing up the rulebook and building a home for bold creatives, talent and original voices who will shape the next era of storytelling.”

    In a landscape where attention spans are shrinking and creativity is the new currency, Balaji Studio aims to give creators the backing they need from state-of-the-art production infrastructure to strategic collaborations with technology platforms, brands, and industry stakeholders. The goal is to help content travel further and faster while keeping audiences emotionally invested.

    Adding to this Balaji Telefilms ltd chief revenue officer Nitin Burman said, “Balaji Studio marks a pivotal step in our evolution, it’s where creativity meets commerce. We’re building a space that not only nurtures great ideas but also gives them the scalability and audience reach they deserve.”

    Balaji Studio’s mandate is both creative and cultural to empower storytellers at every stage, from industry veterans to first-time creators. It envisions a space where risk-taking is celebrated, where collaborations thrive, and where content reflects the dynamism of an audience that consumes across languages, screens, and genres.

    With this move, Balaji Telefilms is not just expanding its portfolio, it’s cementing its position as a cultural incubator in India’s entertainment ecosystem. From daily soaps that defined a generation to digital originals that push boundaries, the company’s next act is clearly about scale, substance, and storytelling that resonates across time and technology.

    As Kapoor puts it, Balaji Studio is less about following trends and more about creating them, a modern creative home built for an India that’s hungry for stories, and for storytellers ready to rewrite how they’re told.

  • Balaji Telefilms stirs up drama with food and family

    Balaji Telefilms stirs up drama with food and family

    MUMBAI: Get ready to spice up your screen time! Balaji Telefilms is back with its latest Youtube original, Saas Bahu Aur Swaad, premiering October 7, blending family drama with the irresistible aroma of home-cooked nostalgia.

    Set in the vibrant city of Agra, the series follows Indu Rastogi, a devoted homemaker whose cooking keeps the family together, even if her efforts often go unnoticed. Enter Riya, the spirited new bahu with dreams of carving her own identity. What starts as a clash of values soon turns into unexpected companionship when Riya discovers Indu’s hidden culinary talent. Together, they navigate a world where age-old traditions meet modern aspirations, served with laughter, warmth, and plenty of relatable family moments.

    Starring Chahat Pandey and Abhishek Malik in lead roles, the show also features Shaktee Singh, Mahi Sharma, Seema Singh, Kushal Shah, and Shreya Acharya. It promises a perfect festive-season watch that is light-hearted yet emotional, nostalgic yet fresh.

    Balaji Telefilms Digital group chief revenue officer Nitin Burman said, “This series celebrates women, families, and the everyday magic that happens around the dining table. Audiences will join the Rastogi family for a story filled with warmth, humour, and flavour.”

    Chahat Pandey added, “Riya’s journey celebrates every woman who dares to dream big. The mix of humour, heartfelt moments, and food makes the show so relatable, and I can’t wait for viewers to laugh, cry, and cheer along with us.”

    Abhishek Malik, playing Karan, reflected, “Karan represents the modern Indian son and husband, balancing tradition and progress. The show is full of laughter, food, and genuine emotion, and I hope it sparks empathy and a few surprises for viewers.”

    With its unique blend of heartfelt storytelling, humour, and the comfort of home-cooked nostalgia, Saas Bahu Aur Swaad is set to become a must-watch for families everywhere. Episodes stream every Tuesday and Thursday, exclusively on the Balaji Telefilms Youtube Channel.

  • Balaji rings in ‘Kutingg’: A family-first app with kadak stories

    Balaji rings in ‘Kutingg’: A family-first app with kadak stories

    MUMBAI: Talk about a ‘family kutingg’! Balaji telefilms is striking a new chord in digital entertainment with the launch of its latest family-first app, kutingg.

    Unveiled on 8 September and set to go live on 11 September, the platform promises gripping fiction, spirited non-fiction, and snackable entertainment designed for India’s mobile-first audience. Positioned as a digital destination for every member of the household, kutingg is packed with kadak stories told with authenticity and flair.

    Speaking on the launch of Kutingg, Balaji Telefilms group CEO and group CFO Sanjay Dwivedi said, “At Balaji, our journey has always been about anticipating how stories are experienced and staying ahead of audience expectations. Today’s audiences want stories that are sharper, shorter, and more personal and Kutingg is our answer to that. This is not just another entertainment app; it is a family-first destination that offers Kadak stories across fiction and non-fiction, from snackable content to immersive limited series, and even vertical formats for a new-age viewing experience. With Kutingg, we want to give audiences more than just shows. We want to deliver moments that bring families together, stories that spark conversations, and entertainment that truly stays with them.”

    The content line-up reads like a buffet of entertainment. Daily drama lovers can tune into Pyaar Kii Raahein or Saas, Bahu aur Swaad, while weekend binge-watchers get Cheerleader. There’s also a ‘superstar library’ featuring Bose and Mentalhood, and a host of chat shows from Morning Mantra to Bollywood Gapshap. Vertical video formats sit comfortably alongside long-form narratives, keeping pace with how Indians scroll, stream, and snack on stories today.

    “This is not just another entertainment app, it is a family-first destination that offers sharper, shorter, and more personal stories,” said Balaji telefilms group chief revenue officer Nitin Burman. He added that kutingg is designed as an ecosystem where content, creators, and brands can thrive together. “Our vision is to make kutingg not only India’s preferred family-first destination but also a hub for innovation in both content and commerce.”

  • Kutingg flips the script with India’s first all-vertical short story platform

    Kutingg flips the script with India’s first all-vertical short story platform

    MUMBAI: If you’re watching stories the same way you scroll through reels, Kutingg just got your angle right, literally. In a move that redefines how stories are told and watched, Kutingg, the latest brainchild from Balaji Telefilms Ltd, has launched as one of India’s first platforms dedicated entirely to short-form vertical content. Designed for thumb-scrolling, on-the-go viewers, Kutingg ditches the traditional widescreen for a full-screen, mobile-only experience crafted to keep pace with India’s screen-happy youth.

    From romantic flings and campus crushes to suspenseful thrillers and slice-of-life dramas, Kutingg’s storytelling comes fast, fierce, and formatted for the vertical world. The platform’s lineup of originals aims to deliver emotionally charged narratives in snackable episodes ideal for lunch breaks, commute scrolls, or late-night binge dips.

    Commenting on the launch Balaji Telefilms Ltd Group chief revenue officer (CRO) Nitin Burman said, “We’ve always been at the forefront of innovation, and with ‘Kutingg’, we’re introducing a new storytelling format that offers an intimate and engaging viewer experience. This mobile-first, vertical format is designed to meet the evolving viewing habits of today’s audience. Kutingg breaks traditional screen boundaries and represents the future of content snackable, striking, and personal. Our vision with Kutingg is to redefine how stories are consumed, offering an immersive, flexible viewing experience that aligns with the fast-paced, on-the-go lifestyles of young India. We’re proud to be pioneers in leading this change.”

    With vertical viewing now second nature to most mobile users, the platform isn’t just keeping up, it’s setting the pace. Burman added that Kutingg will also serve as a dynamic canvas for emerging storytellers to play with form, angles, and narrative flow in ways the traditional 16:9 simply doesn’t allow.

    Kutingg is not just a content initiative, it’s a cultural cue shift. With this vertical leap, Balaji’s Altt is once again placing itself ahead of the curve, showing that the future of storytelling might just be told one swipe at a time.

  • Balaji Telefilms hires Arha Media executive Nitin Burman

    Balaji Telefilms hires Arha Media executive Nitin Burman

    MUMBAI: It’s an aha moment for Nitin Burman. The senior executive has joined Balaji Telefilms as group chief revenue officer effective 11 November 2024. Nitin’s last posting was with Arha Media – which runs the OTT platform Aha. His position there: senior president & head – non-subscription revenue.

    With over 13 years of experience,  he was responsible for Arha’s revenue and creative brand solutions teams and generated revenues through brand solutions, brand studio, AVOD, syndication, You Tube channel and impact properties.

    Prior to that, Nitin worked in telecom and banking industries for almost a decade across multiple functions and geographies. Among the companies he worked for include Airtel and Jio. In the past, he has also worked with Radio Mirchi as director – impact properties and brand solutions for Maharashtra, where he was responsible for revenues in digital, TV properties, concerts, events and activations. 

    Nitin is an electronics engineer with a master’s in business administration from Dauphine University Paris and UBS Chandigarh, Punjab University.  
     

  • IBS 2024: Unravelling the CTV puzzle

    IBS 2024: Unravelling the CTV puzzle

    Mumbai: The second edition of the Indian Brand Summit 2024, held in Mumbai, witnessed insightful discussions on how addressable advertising is transforming personalised marketing, the role of data in driving success, and the evolving landscape of OTT platforms and sports marketing. The event also explored the complexities of CTV and highlighted the rise of local brands to national prominence.

    One of the key sessions, titled “Unravelling the CTV Puzzle,” explored the rapid transformation of content consumption and the rise of connected TV (CTV). Chaired by Indian Television.com group founder, chairman & editor-in-chief Anil NM Wanvari, the panel featured Sujay Ray, L’Oréal India’s head – digital & media professional products division, Ashutosh Sinha, NDTV’s VP – distribution, and Nitin Burman, aha’s head – revenue and monetisation.

    Sujay Ray spoke about the significant technological shift over the last few years, marked by two waves—pre and post Jio, and pre and post COVID. “The first wave saw consumption move from linear and analog formats to digital,” Ray explained. The second wave further emphasized personalized content consumption, starting on smaller screens and gradually moving to larger ones. Ray added that legacy platforms have adapted to these changes, becoming more consumer-centric: “Legacy platforms have pivoted themselves, remaining cognizant of consumers’ evolving choices.”

    Nitin Burman highlighted how affordability and accessibility have driven CTV adoption, with smart TVs becoming more affordable, now available for as low as ₹7,000. He noted that this shift has made CTVs more accessible to both urban and rural markets. “People are switching from handheld devices to bigger connected TV screens for a more immersive experience,” Burman said, adding that this has led to higher revenue for platforms as audiences are willing to pay for better content and viewing experiences.

    Ashutosh Sinha pointed out how connected TV offers new opportunities to reach audiences and make previously unavailable content accessible. “Connected TV allows us to offer content that wasn’t available in traditional formats, expanding our reach to new audiences,” he remarked.

    The session shed light on how CTV is reshaping the media landscape, driven by technological advancements, shifting consumer preferences, and increasing affordability. As content consumption continues to evolve, connected TV is positioned to play a central role in the future of media.
     

  • South India Film Festival set to illuminate the cinema landscape with its inaugural edition

    South India Film Festival set to illuminate the cinema landscape with its inaugural edition

    Mumbai: The inaugural South India Film Festival (SIFF), poised to be a beacon of creativity and innovation in the cinematic world, is all set to grace Hyderabad on 22 March 2024. With a fervent dedication to fostering emerging talents and uncovering the next wave of cinematic visionaries, SIFF promises an electrifying extravaganza celebrating the richness of South Indian cinema.

    VP of revenue & monetisation Nitin Burman expressed, “SIFF is not just a festival; it’s a platform for the future of Telugu cinema. We are committed to providing a dynamic stage for budding talents, offering them unparalleled opportunities to showcase their creativity and connect with industry leaders. Additionally, we would like to extend our heartfelt gratitude to all the partners who have supported us in our efforts, without whom this endeavour would not have been possible.”

    As a platform for emerging talents, SIFF is dedicated to becoming synonymous with opportunities for the next generation of content creators. “Our goal,” said Mr Burman, “is to discover and nurture the future directors who will steer Telugu cinema to national acclaim. SIFF will serve as the launchpad for their careers, propelling them onto the global stage.”

    In addition to being a springboard for emerging talent, SIFF offers exclusive insights from industry leaders, providing invaluable knowledge and guidance to aspiring filmmakers. Through panel discussions and Q&A sessions, attendees will gain unparalleled access to the inner workings of the Telugu cinema industry.

    “We are thrilled to offer a gala evening extravaganza,” added Mr Burman, “where attendees will be treated to a high-energy celebration of South Indian cinema. From captivating screenings to star-studded events, SIFF promises an immersive experience like no other.”

    Arha Media & Broadcasting Pvt Ltd CEO Ravikant Sabnavis said, “The South India Film Festival celebrates South Indian Cinema, serving as a platform dedicated to nurturing creativity and showcasing the diverse talent within the Telugu film industry. Our collaborative initiative with People Media Factory underscores our commitment to deliver unique and riveting content to our audience. This Festival is the beginning of a legacy that we are crafting for future content creators. Join us on Friday, 22 March 2024, to witness this momentous occasion.”

    With its unwavering commitment to nurturing talent, providing industry insights, and delivering unforgettable entertainment, the inaugural South India Film Festival is poised to make an indelible mark on the cinematic landscape. Join us on 22 March for a celebration of creativity, innovation, and the vibrant spirit of South Indian cinema.

    For more information and ticket bookings, please visit: https://in.bookmyshow.com/events/south-india-film-festival/ET00377474

  • Unlocking the untapped potential: India’s regional markets outshine Europe: Nitin Burman, aha

    Unlocking the untapped potential: India’s regional markets outshine Europe: Nitin Burman, aha

    Mumbai: Picture the ever-evolving digital terrain of regional content, marked by innovation, unwavering dedication, and that ever-enticing element of unpredictability. aha, the acclaimed 100% regional entertainment platform, has set sail on an extraordinary voyage, redefining the conventions of the AVOD (Advertising Video on Demand) platform in a truly revolutionary manner.

    Launched in 2020, aha is an Indian video-on-demand streaming service that provides 100% local entertainment.  It started out with a 100% Telugu OTT and witnessed great success across the world with its extensive content slate that includes original programming of web series and movies, with a new release every Friday. Fulfilling its promise of 100% Local entertainment, aha has launched aha Tamil in 2022. aha is a joint venture by My Home Group and Allu Aravind (Geetha Arts).

    Let’s fast forward to the present, where aha has undergone a remarkable transformation, going from zero revenue to a staggering 50 crores in just two years, boldly defying conventional norms and expectations. This incredible journey extends far beyond the digital realm, venturing into on-ground IPs where aha breathes life into its captivating shows and births lucrative IPs. Notably, the uproarious comedy tours spanning six cities and sponsored movie screening events have struck a chord with audiences nationwide. With ambitions as vast as the horizon, aha is now setting its sights on new horizons by entering the realms of music, talent hunts, and film festivals, further enriching its array of offerings.

    But this journey wouldn’t be complete without acknowledging the importance of brand collaborations and sponsorships. High-profile annual deals, such as the ongoing partnership with Sprite under the captivating “screentime campaign,” have redefined the digital landscape and expanded the horizons of last-mile consumer engagement and brand recognition. Prominent brands like Realme, choosing aha as their launch platform for new handsets, have notably driven increased sales. It’s worth mentioning that Andhra Pradesh and Telangana now rank among the top contributors to Realme’s market share.

    Nitin Burman holds the position of Vice President – Head of Non-Subscription Business at Arha Media and Broadcasting Pvt Ltd (aha), a prominent OTT platform in India. He is responsible for overseeing strategy and business operations at aha, and he has been a valuable part of the team for almost 3 years. In his current role, NB is tasked with formulating strategies to drive revenue from all sources other than subscriptions. NB has successfully launched this vertical from ZERO and is now contributing to close to 30% of overall company’s revenue.

    With an accomplished track record spanning more than 12 years across diverse sectors and geographies including Media & Entertainment, Telecom, and Banking, NB excels in steering business objectives through effective P&L management, creating new avenues for revenue and fostering high-performing teams.

    Indiantelevisio.com in an email interaction with Nitin Burman – Vice President, Head – Non-Subscription Revenue, aha on their strategy to move to a hybrid platform, and achieving a tremendous growth and much more…

    Edited excerpts

    On aha’s transition from a subscription model to a hybrid platform is a significant shift

    The first big hurdle was to change the mindsets. Everyone internally was tuned to run this app ad-free, and we did that for a year successfully. After one year of operations, we started the Non-Subs revenue and within the first 8 months, we contributed significant revenue that resulted in rethinking the strategy of app operations. Every start-up wants to hit break even at the earliest and with Non-Subs contribution, we could now see that goal closer.

    On achieving revenue growth from zero to 50 crores in just two years

    We as a brand were completely unknown. We had a very clear vision of reaching out to all clients and agencies who are advertising in the AP&TG area and introducing them to the world of aha. We had set up our direct sales team in all major cities – Delhi, Mumbai, Bangalore, Hyderabad & Chennai. The entire team from top to bottom had just one task covering maximum ground and ensuring that aha was established as the choice platform for all advertisers who want to advertise to Telugu audience.

    On the rise of global streaming giants and aha positioning itself to cater to the preferences of regional audiences

    We are very clear in our positioning. We want to be a one-stop entertainment digital platform for the Telugu audience and want to be present in every Telugu household. We have been working on that by having a very robust content lineup. We are not just releasing movies on our platform but are also releasing fiction series & daily episodic series. We have the strongest line-up of OTT-exclusive non-fiction shows and have also started live news on our platforms. We are targeting consumers who want high-quality standards by providing our content in 4k with Dolby audio and an ad-free experience through our gold plan and are also simultaneously reaching out to budget consumers by giving them access to our entire library with limited ads at entry-level price points.

    On the insights into the challenges and opportunities in managing brand collaborations and sponsorships

    We have our in-house creative team which takes the brand briefs from our sales team and writes integrations along with our content team to create seamless brand integrations. We have done integrations in our fiction shows, aha original movies and non-fiction shows. Apart from this, we have also now started creating white-label products like brand films and music videos based on brand requirements. We have created a rap music video for ITC Bingo with our Indian idol singers & roll ride. We created a Ganesha song for a retail brand – Tenali Double Horse. With Sprite we created a campaign – Sprite screentime where we wanted to establish Sprite as the go-to beverage while watching content on aha.

    On the expansion into on-ground IPs and unique events and the long-term potential of these initiatives in terms of audience engagement and revenue generation

    It serves 2 purposes for

    It helps us to take the aha brand to the audiences and create much deeper engagement, and

    It helps us to generate revenue and cut our existing marketing expenses as the brand helps to fund our on-ground IPs.

    We rolled out this vertical 3 months back and launched aha comedy nights – a 6 city standup comedy tour where we started in Hyderabad with Zakir Khan and then took 2 Telugu comedians to 4 cities of AP & TG and will be ending the tour on 27th Oct with Atul Khatri. We have had a tremendous response in the first 5 cities and have engaged with close to 10k audiences. We have also done aha screen time where we screened our movies for the audiences in a cool evening outing avatar. Our upcoming events range from talent hunts to film festivals to music concerts.

    On the AVOD model playing a significant role in aha’s growth

    We started AVOD inventory last year on mobile and web for Telugu. Now, we have added inventory on both Telugu and Tamil – mobile and web and CTV.

    We are running AVOD at an average fill rate of 85%+ on both banner and video inventory for Non-Skip Ads.

    We have seen CTRs of 3x times the industry average.

    We have been able to operate at a particular CPM benchmark and have been able to maintain that as we have a limited inventory with the best engagements.

    We are rated number 2 on comScore after YouTube and number 1 across all OTTs.

    On the expansion in the south, any plans to come to the Hindi market

    As of now no plans to be in the Hindi market. The regional markets in India are big and can be self-sustaining as in terms of audiences it is bigger than many European countries. We are now in 2 languages and are currently evaluating options for 3rd language.

    On the vision of aha in the next 3 years

    I would love to see aha as the biggest regional OTT across multiple regional languages and maybe expand to one of the foreign languages.

  • Aha plans to expand in Tamil market; observes potential business opportunities in Avod model

    Aha plans to expand in Tamil market; observes potential business opportunities in Avod model

    Mumbai: Launched in 2020, video-on-demand streaming service Aha, which provides 100 percent Telugu content, has created its own space in the minds of audiences. Aha, which was dependent on the subscription video on demand (SVOD) model for revenue, has decided to go ‘hybrid’. Subscribers will now decide if they want to watch more ads or in limited numbers.

    After establishing its dominance in Telugu (regional) content, the company is ready to galore opportunities and expand to the Tamil market. In Telugu alone, the company has been able to create more than 1,000 hours of programming on the platform.

    Opportunities in AVOD model

    The advertising-based video on demand is a fast growing market where subscribers access free content. Moreover, the platform leverages advertising revenues to support the service. Speaking in this context during a round table virtual conference recently, Aha senior vice president, content & non-subscription revenue business Vaasudev Koppineni said, “The next big opportunity for growth comes from these AVOD consumers, which is 10x or more than what the paying subscription market is, so it also opens gateways to a great opportunity for a platform to run into profitability as well.”

    The two major focuses that Aha keeps in mind are that they don’t want their audience to have any bad experiences while watching the content, and they don’t want to bombard their customers with 10 or 20 different ads in a short period of time.

    Aha is giving the consumer the choice to select whether to go for an ad-free plan or to go for an ad-based plan. Aha’s vice president and head of non-subscription revenue, Nitin Burman said that they understand that there will be a certain set of users who are ready to pay a premium and get an ad-free experience on their content.

    Adding further, Nitin said, “We also want to come up with live commerce. There, by watching content, you will be able to buy a specific item. We will have that technology where you can click on those shows and directly buy them from an e-commerce partner. We will be offering all those to our consumers as well as to the advertisers to reach out to engage with the consumers.”

    The company has 10 million monthly active subscribers and an overall of 30 million downloads of the company’s app. They also have two million YouTube subscribers as well.

    Focus on advertisers  

    Aha currently has 50 advertisers, including FMCG players like Sprite, Dabar, ITC, HUL, etc., and technology players like Instagram, Zepto, Swiggy including others. Some advertisers such as Sprite, MTR Masala, and Himalaya are integrating advertising into shows.The company anticipates an ad revenue contribution of 15-20 per cent.

    Nitin explained how it will work from an advertisers’ point of view and how regional ads are working for them: “Advertisers also want to reach out to the regional audiences,” he said.

    He expressed that the buying capacity and the market are not just located in the top eight cities but also beyond that. “That’s where the focus has shifted from just going to the urban audience but also to the regional platforms to reach out to these regional audiences,” he said.

    Nitin further added, “This itself has given us the confidence to go on a hybrid future model. Today, what has happened is that after the success of two years and getting two million plus paid users, it has opened eyes for a lot of competitions to actually start targeting Telugu and Tamil audiences as well on all their platforms.”

    Future of OTT

    Nitin believes that the future of OTT in India is definitely a hybrid because, at the end of the day, every business has to break even and has to profit to become profitable as well. “Clearly, the future is hybrid. And with 5G coming, the consumer base is going to increase in this market. So to reach out to that consumer base, the wallet is limited to what they are spending right now. So to get that share, each player is going to come up with a hybrid model where they will want to reach out to premium users as well as to entry-level users with both offerings,” said Nitin.

    Vaasudev added, “You have to give the consumer the convenience in the room who wants to continue to watch content that somebody wants to add to the experience. They should pay for an upgraded experience. If somebody wants to watch the content with a premium, you should be able to go and give it to them in the way they want to, and if there is a consumer who doesn’t want to pay that premium, but wants to consume content with ads, then you should technically go ahead and do that. So, I think it is all about the convenience of the consumer.”