Tag: Nikkhil Advani

  • ‘Vedaa, Samvidhan Ka Rakshak’ to premiere on Zee5 on 10 Oct

    ‘Vedaa, Samvidhan Ka Rakshak’ to premiere on Zee5 on 10 Oct

    Mumbai: Zee5 has announced the digital premiere of ‘Vedaa, Samvidhan Ka Rakshak’ on 10 October. Directed by Nikkhil Advani and produced by Zee Studios, Emmay Entertainment, and JA Entertainment, this action drama features John Abraham, Sharvari, Abhishek Banerjee, Tamannaah Bhatia, and Ashish Vidyarthi. Inspired by real-life events, ‘Vedaa’ follows the journey of a Dalit girl and addresses caste-based injustices and crimes.

    The story centers on Major Abhimanyu Kanwar (John Abraham), a court-martialed army officer, whose path intersects with Vedaa (Sharvari), a determined Dalit woman seeking justice. Together, they confront societal challenges and oppressive forces, including the village chief (Abhishek Banerjee), who aims to silence them. As they uncover painful truths and fight for redemption, the film presents a narrative of courage and the pursuit of justice.

    Directed by Nikkhil Advani, ‘Vedaa, Samvidhan Ka Rakshak’ masterfully combines intense action with a poignant social message.

    Zee5 India CBO Manish Kalra stated, “At Zee5, we believe that cinema can inspire change and ‘Vedaa,’ embodies this spirit by shedding light on pressing social issues through its powerful narrative and creative storytelling. We are proud to present this film that entertains and sparks meaningful conversations about justice and resilience. The film aligns perfectly with our thought of connecting, collaborating, and communicating with our viewers through impactful and transformative stories. With ‘Vedaa’’, we are strengthening Zee5’s commitment of delivering quality content that not only resonates with diverse audience segments but also drives positive change in society.”

    Zee Studios CBO Umesh Kr Bansal said, “With Vedaa’ now releasing on Zee5, we’re excited that this powerful story of resilience will reach an even wider audience. It reflects our commitment to impactful storytelling, and we believe its compelling narrative and strong performances will deeply resonate with viewers.”

    Emmay Entertainment producer Madhu Bhojwani shared, “We are excited to bring Vedaa, to an even larger audience with its digital premiere.  When we started the journey to make this film, it was driven by the need to tell a story that inspires and empowers, and we can’t wait for more people to join the conversation through its digital release.”

    Director Nikkhil Advani said, “I believe ‘Vedaa,’ not only entertains but also sheds light on important issues. From the very beginning, our aim with this film was to tell a story that sparks meaningful conversations, and we look forward to more viewers experiencing its message now through the film’s release on Zee5”.

    Abraham said, “I’m proud to be part of a film that not only entertains but also empowers. Vedaa, inspires women to embrace their strength and also encourages all of us to support and uplift one another. The film is very important and relevant in today’s day and age which is a powerful reminder that when women thrive, we all thrive. I can’t wait for audiences of Zee5 to experience this transformative message in Vedaa.”

    Sharvari expressed, “I’m excited for the digital release of ‘Vedaa,’ on Zee5! Playing Vedaa Berwa has been an enriching experience for me. She is someone who seeked equality and justice. I felt her fire to stand up and fight for what is right. Its very overwhelming to receive so much love and appreciation for Vedaa, and it means the world to me to be part of a film that makes you think. Through boxing and martial arts training, Vedaa discovers her strength and voice in the film. I can’t wait for audiences to witness her inspiring journey!”

  • Prime Video drops trailer for Jitendra Kumar and Shriya Pilgaonkar’s ‘Dry Day’

    Prime Video drops trailer for Jitendra Kumar and Shriya Pilgaonkar’s ‘Dry Day’

    Mumbai: Prime Video, India’s most loved entertainment destination, unveiled the trailer of the Amazon Original movie Dry Day today.  It is a powerful and emotional story that delves into the complexities of addiction, love, and the extent of a man’s sacrifices for his family. Directed by Saurabh Shukla, and produced by Monisha Advani, Madhu Bhojwani, and  Nikkhil Advani,  under the banner of Emmay Entertainment, the comedy-drama features Jitendra Kumar, Shriya Pilgaonkar, and Annu Kapoor in pivotal roles.

    The film is set to premiere exclusively on Prime Video in India and across more than 240 countries and territories worldwide on 22 December. Dry Day is the latest addition to the Prime membership. Prime members in India enjoy savings, convenience, and entertainment, all in a single membership for just Rs 1499/ year. Dry Day is a story of an imperfect hero who challenges societal conventions, rebelling against norms out of love for his unborn child. The trailer of this comedy-drama intricately explores the societal impact of alcoholism, presenting a thought-provoking narrative rooted in social relevance.

     

     

    Speaking about the film, Director Saurabh Shukla said, “The movie is a social satire presented with a hilarious tragic-comedy of errors with lots of drama and emotions. Dry Day gives an important and relevant message about alcoholism and I consider myself fortunate to have had the opportunity to craft this film, aiming to entertain and enlighten the audiences. It brings me immense joy to partner with streaming service Prime Video, Emmay Entertainment, and a talented bunch of actors, collectively breathing life into a compelling and beautiful narrative.”

    “Dry Day is a captivating blend of comedy and drama, offering a rollercoaster of emotions,” shared actor Jitendra Kumar. “It was an exhilarating experience playing the character of Gannu in the movie. Getting into the skin of this intriguing character was like adding a new skill to my toolbox. The character’s struggle to defy all odds in pursuit of trust adds depth to the narrative of the film. I’m excited for audiences to witness this unique journey on screen. The film’s fusion of heartwarming moments and compelling storytelling is something I can’t wait for people to experience and appreciate.”

    Playing the role of Nirmala, actor Shriya Pilgaonkar shared, “The experience of working on Dry Day has been wonderful and enriching in so many ways. It’s a film that will entertain you and emotionally strike a chord as well. I enjoyed building that relationship between Nirmala and Gannu. The story of our film is all about the transformative power of love and it will also draw your attention to certain important societal issues. I’m so grateful to have got the opportunity to collaborate with Saurabh Sir and the wonderful team at Emmay Entertainment.  The writing is fantastic and I was most excited to film my first Holi song! “

  • StudioNext, Emmay Entertainment to co-produce web series ‘Freedom at Midnight’ for Sonyliv

    StudioNext, Emmay Entertainment to co-produce web series ‘Freedom at Midnight’ for Sonyliv

    Mumbai: StudioNext and Emmay Entertainment have joined hands to co-produce the web series titled Freedom at Midnight. The show will exclusively stream on Sonyliv.

    The show based on the book by Dominique Lapierre and Larry Collins, Freedom at Midnight is an epic political thriller/drama that highlights several incidents from the year of India’s independence and interconnected stories about crucial events and personalities who played a significant role in writing the country’s history as we know today.

    With Nikkhil Advani as the show runner, the story has been penned by Abhinandan Gupta, Adwitiya Kareng Das and Gundeep Kaur.

    “Our goal has been to bring to light untold stories from contemporary history. From 1947 to present day, India experienced many watershed moments that are significant in shaping our futures,” said head of Sonyliv, Sony Entertainment Television and StudioNext Danish Khan. “One such story of the country’s struggle for independence is ‘Freedom at Midnight.’ We are delighted that StudioNext and Emmay Entertainment are collaborating on this intriguing series, cannot wait get started on this one with Nikhil and his talented team.”

    “The year 1947 has been etched in India’s history as the year that shaped its fate. A riveting, emotional tale of an incident that altered the course of the nation, Freedom at Midnight is an attempt to bring to Indians the whole truth about the events that led us to our freedom – the courage, and the hope instilled in people by the personages who gave us the new India,” said producer and showrunner Nikkhil Advani.

    He further said, “This is a story every Indian should know, and I feel honoured to be able to tell it along with my partners, Monisha and Madhu, and the team of writers, along with StudioNext. It is even more special for Emmay Entertainment that we get to bring this story to SonyLIV after our successful stint with Rocket Boys. The platform has been at the forefront of narrating the stories of the homeland, and I look forward to associating with them on this project too.”

  • T-Series forays into streaming with A-list directors

    T-Series forays into streaming with A-list directors

    Mumbai: Indian music label and film studio T-Series has announced its foray into the world of streaming with A-list directors in India.

    The company’s OTT platform will create content across genres in partnership with renowned filmmakers including Aanand L. Rai (“Atrangi Re”), Anubhav Sinha (“Article 15”), Nikkhil Advani (“Mumbai Diaries 26/11”), Hansal Mehta  (“Scam 1992: The Harshad Mehta Story”), Sanjay Gupta (“Mumbai Saga”), Bejoy Nambiar (“Solo”), Suparn S. Varma (“The Family Man”), Mikhil Musale (“Made In China”) and Soumendra Padhi (“Jamtara: Sabka Number Ayega”).

    “With this expansion, we aim at offering original and exclusive binge-worthy content tailored for our viewers across the globe. It will also help us in tapping new markets. We are thrilled to be diversifying and becoming a creative hub for producing music, films, and web shows,” said T-Series chairman and MD Bhushan Kumar. “With the recent budget announcement by our finance minister, there is great progress in the pipeline with the introduction of 5G. It has been projected that rural India will be connected via optic fibres by the year 2025. The easy and cost-effective availability of the internet will provide a great boost to the world of OTT [streaming] and content creators all over, expanding their audience exponentially.”

  • Content Hub 2021 : Insatiable demand opens up vast opportunities for content creators

    Content Hub 2021 : Insatiable demand opens up vast opportunities for content creators

    New Delhi: The pandemic may have stalled theatrical releases of big budget movies, but people will throng cinema halls once the pandemic situation eases out, opined leading film, TV and OTT producers as they gathered to discuss the entertainment industry’s evolution at the fifth edition of the Content Hub 2021.

    The three-day mega event being organised by Indiantelevision.com began on Wednesday with a virtual panel discussion on ‘The challenges & opportunities before India’s content creators’.

    The panel consisting of Endemol Shine India, CEO, Abhishek Rege, Contiloe Pictures, chairman-MD, Abhimanyu Singh, Emmay Entertainment, director and screenwriter, film producer Nikkhil Advani and film director, writer-producer, Siddharth P Malhotra engaged in a detailed conversation with Indiantelevision.com Group, CEO and editor-in-chief Anil Wanvari.

    According to Emmay Entertainment, co-producer, Nikkhil Advani, who recently collaborated with Disney+ Hotstar for his latest web-series – ‘The Empire’, Indians consume content differently from other countries.

    “So, even if lockdown has helped build an OTT audience for films, the theatrical business will resume in full swing, once the pandemic situation eases out,” the filmmaker exuded confidence. “People will rush to theatres whenever they open, because they cannot continue sitting in their homes. Going to malls, cinema halls is what a typical weekend looks like for most Indians.”

    As people remained confined to their homes for most part of the year, they turned to TV and OTT platforms for entertainment. The demand for content skyrocketed, and it opened a vast array of opportunities for content creators to tell stories across platforms, the panelists highlighted.

    “There were challenges no doubt. But, in terms of content and production, the last year has been one of the best years for our company. We got the green light for several projects,” added Advani.

    Director-producer Siddharth P Malhotra agreed, citing the recent box-office success of Tamil movie Master, starring South Indian actor Thalapathy Vijay. According to the panelists, despite the rise of OTT, the star-phenomenon will continue driving audiences’ interest in movies.

    “The star system is here to stay. A star can have several flops at the box-office, but he/she will remain a star, because they command that money at the box-office. It’s just that, now we will have that system in OTT as well. Stars and directors are quoting huge prices, and OTT platforms are willing to pay, because that’s what the script demands,” said Malhotra.

    However, it is the script which has emerged as the real hero, asserted Contiloe Pictures chairman-MD, Abhimanyu Singh, who recently produced the second season of popular web-series, the State of Siege: Temple Attack.

    “There was a tremendous amount of uncertainty last year. But, we have pretty much adapted to the changes. We are now moving into a new regime of production, where the main challenge is to figure out how to fulfil this huge demand for content,” said Singh, “There is a large audience, which is still not happy with the kind of TV shows or films being made. This is the audience that OTT needs to serve.”

    But what are the factors which determine which story is good for OTT or Television or theatres, Wanvari asked the panelists.

    “Script is the real hero now,” contended Endemol Shine India, CEO, Abhishek Rege. “We are content creators. No matter which format we choose, it is important that the content is of high quality and is received well by the audiences. Our focus is on getting more stories, and it is the story which decides which format it is best suited for, depending on the budget and audience perspective.”

    The panelists also echoed concerns over the dearth of talent, both on-screen and off-screen, which has emerged as a serious challenge during the last few years. “We have abundant talent in the country. The need is to nurture it. That’s why it’s time that production companies create an ecosystem within their set-ups to train new talent,” said director-producer Siddharth P Malhotra.

    With the business dynamics undergoing a change, and new financial models coming up, the panelists also believe that the subscription model is here to stay, and people will prefer to pay if they want high-quality content. 

    The fifth edition of Content Hub 2021- ‘TV, Film, Digital Video, and Beyond’ is being organised by Indiantelevision.com from 28-30 July, 2021. The three-day summit is co-presented by IN10 Media Network and ZEE5, and co-powered by Applause Entertainment and Tipping Point, the digital content unit of Viacom18 Studios. PTC Network is the supporting partner.

    Centred on the theme – ‘The New Dynamic’, the three-day event will witness insightful sessions with industry stakeholders deliberating on how the new forces are transforming the way content is created and stories are told. It will also delve upon the impact of these changes on the business models for the world of films, TV and OTT.

    For more details, visit: https://www.thecontenthub.in/

  • Life is more imaginative than fiction in a story like POW, says writer-director Gideon Raff

    Life is more imaginative than fiction in a story like POW, says writer-director Gideon Raff

    MUMBAI: Sometimes, coming back home after 17 years is not always a happy ending. “Prisoners of War” is the story of three Israeli soldiers, who were held captive for that many years following their kidnapping while on a secret mission with their unit.

    The man behind penning down a beautiful story full of emotions, Israeli film and television director, screenwriter and producer Gideon Raff was in India to visit the sets of “POW- Bandi Yuddh Ke” which is the Indian adaptation of its Israeli version “Hatufim”. It was also made into ‘Homeland’,a runaway global hit, courtesy US cable network Showtime.

    “POW- Bandi Yuddh Ke” will be aired from 7 November at 10.30pm on Star Plus.

    “I love the set of POW, it is very much similar to the Israeli version, Nikkhil Advani has done a great job,” says Raff in an interview with indiantelevision.com.  Talking about the Indian adaptation, Raff informs that he met the entire cast of the show and loved the way Nikkhil has directed the story.

    Commenting on the production cost of the original “Hatufim” (US$ 200,000), Raff says, “ It doesn’t matter how expensive the show is. Nothing can be better if connects with the audience because something is real about it.” Raff has not seen any Indian series so far, but he is eagerly waiting for the Indian version and, with “POW- Bandi Yuddh Ke”, he looks forward to watch more Indian content.

    Excerpts:

    How did you come up with the idea of “Prisoners of War”?

    Israel is a very small country, and we all go to the army for the sake of training. The real stories of prisoners of war being brought back home always fascinated me. We learned that the government pays a high price to bring them back but we don’t hear about them once they are back. I started researching about the reasons.

    When they came back, they go through a very tough journey and many of them have symptoms of Post Commencement Stress Disorder (PCSD), many of them can’t get a job, and many of them get divorced. There is a high percentage of emotional and physical diseases among the PoWs. I found that it’s worth telling the story of people coming back, and that coming back is the first episode and not the last one.

    I researched and met many prisoners of war and spoke to their kids, sisters, wives, parents and doctors, and found that it’s a story that has to be told.  I realized that there is a world of drama there that hasn’t been tapped into. And, it is a fact when they come back, it’s not a happy ending.

    Israel is known for its air force and military. Everybody needs to serve in the forces for a fixed period. Has this created a general demand for stories that speak of the lives of soldiers?

    When I started my show, I thought it’s a story of soldiers, but it’s not. It’s a story of the people of Israel, and now it’s a story of Indians. It’s not a military show in that sense.

    public://POW.jpg

    You were also drafted into the Israeli army. Please share your experience while you were there. Do your experiences reflect in the story?

    Yes, it does. I can pinpoint what are my experiences. But, the fact is that I am an Israeli, the fact is that I was in army for three years all of that is a part of my story-telling. Also, the part that I am vegan is a part of storytelling and I am gay is a part too. But, there are significant lessons from the years in the army — definitely.

    How do you think the story will be received in India? Are you happy with the little changes that have been made in the storyline and setting?

    I think Star (Star Plus) is very brave to take a story like this and Nikhil (Nikhil Advani ) is very brave in the way he told the story. You can only do the best as an artiste, and then it’s in the hands of the audience. I think and hope that whatever happened in the Israeli version as they recognized the reality and truth about human conditions and really wanted to see more. I hope the same happens in India as well. I support the changes that have been made.

    How different was it to collaborate with the Indian broadcaster as compared to the US?

    I was more hands-on in the US version, and in the Indian version, I am more of a fan and spectator. They kept me in the loop and told me stuff, they loved to hear my ideas.

    How are shows such as Hatufim adapted for different territories? Which was an easier adaptation?

    The Indian version is an adaptation of “Prisoners of War”, and is very close to the Israeli version in terms of storyline, plot, emotions and the journey that characters go through. In the American version, we took the interrogation, the investigation part into the heart of the show because that was a bit easy for Americans to digest.

    Why is it important to have a real-life stories such as those of prisoners and then create fiction around it? Couldn’t there be pure work of fiction?

    Life is more imaginative than fiction in a story like POW and people have lived this. Hence, there is a responsibility to tell a story which is incredible. It is based on real life and real facts, and then fictionalised and pushed to make little bit dramatic.

     

  • Life is more imaginative than fiction in a story like POW, says writer-director Gideon Raff

    Life is more imaginative than fiction in a story like POW, says writer-director Gideon Raff

    MUMBAI: Sometimes, coming back home after 17 years is not always a happy ending. “Prisoners of War” is the story of three Israeli soldiers, who were held captive for that many years following their kidnapping while on a secret mission with their unit.

    The man behind penning down a beautiful story full of emotions, Israeli film and television director, screenwriter and producer Gideon Raff was in India to visit the sets of “POW- Bandi Yuddh Ke” which is the Indian adaptation of its Israeli version “Hatufim”. It was also made into ‘Homeland’,a runaway global hit, courtesy US cable network Showtime.

    “POW- Bandi Yuddh Ke” will be aired from 7 November at 10.30pm on Star Plus.

    “I love the set of POW, it is very much similar to the Israeli version, Nikkhil Advani has done a great job,” says Raff in an interview with indiantelevision.com.  Talking about the Indian adaptation, Raff informs that he met the entire cast of the show and loved the way Nikkhil has directed the story.

    Commenting on the production cost of the original “Hatufim” (US$ 200,000), Raff says, “ It doesn’t matter how expensive the show is. Nothing can be better if connects with the audience because something is real about it.” Raff has not seen any Indian series so far, but he is eagerly waiting for the Indian version and, with “POW- Bandi Yuddh Ke”, he looks forward to watch more Indian content.

    Excerpts:

    How did you come up with the idea of “Prisoners of War”?

    Israel is a very small country, and we all go to the army for the sake of training. The real stories of prisoners of war being brought back home always fascinated me. We learned that the government pays a high price to bring them back but we don’t hear about them once they are back. I started researching about the reasons.

    When they came back, they go through a very tough journey and many of them have symptoms of Post Commencement Stress Disorder (PCSD), many of them can’t get a job, and many of them get divorced. There is a high percentage of emotional and physical diseases among the PoWs. I found that it’s worth telling the story of people coming back, and that coming back is the first episode and not the last one.

    I researched and met many prisoners of war and spoke to their kids, sisters, wives, parents and doctors, and found that it’s a story that has to be told.  I realized that there is a world of drama there that hasn’t been tapped into. And, it is a fact when they come back, it’s not a happy ending.

    Israel is known for its air force and military. Everybody needs to serve in the forces for a fixed period. Has this created a general demand for stories that speak of the lives of soldiers?

    When I started my show, I thought it’s a story of soldiers, but it’s not. It’s a story of the people of Israel, and now it’s a story of Indians. It’s not a military show in that sense.

    public://POW.jpg

    You were also drafted into the Israeli army. Please share your experience while you were there. Do your experiences reflect in the story?

    Yes, it does. I can pinpoint what are my experiences. But, the fact is that I am an Israeli, the fact is that I was in army for three years all of that is a part of my story-telling. Also, the part that I am vegan is a part of storytelling and I am gay is a part too. But, there are significant lessons from the years in the army — definitely.

    How do you think the story will be received in India? Are you happy with the little changes that have been made in the storyline and setting?

    I think Star (Star Plus) is very brave to take a story like this and Nikhil (Nikhil Advani ) is very brave in the way he told the story. You can only do the best as an artiste, and then it’s in the hands of the audience. I think and hope that whatever happened in the Israeli version as they recognized the reality and truth about human conditions and really wanted to see more. I hope the same happens in India as well. I support the changes that have been made.

    How different was it to collaborate with the Indian broadcaster as compared to the US?

    I was more hands-on in the US version, and in the Indian version, I am more of a fan and spectator. They kept me in the loop and told me stuff, they loved to hear my ideas.

    How are shows such as Hatufim adapted for different territories? Which was an easier adaptation?

    The Indian version is an adaptation of “Prisoners of War”, and is very close to the Israeli version in terms of storyline, plot, emotions and the journey that characters go through. In the American version, we took the interrogation, the investigation part into the heart of the show because that was a bit easy for Americans to digest.

    Why is it important to have a real-life stories such as those of prisoners and then create fiction around it? Couldn’t there be pure work of fiction?

    Life is more imaginative than fiction in a story like POW and people have lived this. Hence, there is a responsibility to tell a story which is incredible. It is based on real life and real facts, and then fictionalised and pushed to make little bit dramatic.

     

  • Star India’s Gaurav Banerjee’s take on ‘P.O.W. – Bandi Yuddh Ke’

    Star India’s Gaurav Banerjee’s take on ‘P.O.W. – Bandi Yuddh Ke’

    MUMBAI: It has been labeled as the pioneer of saas bahu sagas. But, the leadership trio — Uday Shankar-Sanjay Gupta-Gaurav Banerjee — at the Twenty First Century Corp-owned Hindi GEC Star Plus — has over the past few years been working at breaking down this myth. The mantra has been create differentiated content with the help of real, relevant Indian stories and series. And, Star Plus’ latest effort, the Nikhil Advani-directed Israeli-show Hatufim Khatufim adaptation, P.O.W.- Yudh Ke Bandhi, is once again a reflection of that philosophy.

    ‘P.O.W. – Bandi Yuddh Ke’ is very Indian though it is adapted from leading Israeli format licensing house Keshet International’s successful 2010 series; it was also made into the runaway global hit ‘Homeland’, courtesy US cable network Showtime.

    The Indian version works as a large-scale high-octane family drama with a thriller backdrop. The story takes us through the journey of the lives of the two couples Harleen–Sartaj, Nazneen-Imaan and the aftermath of the return of the war heroes after 17 years, over 126 episodes.

    Two Indian PoWs Sartaj and Imaan — declared missing in action (MIA) after the Kargil war ends in 1999 — are rescued from the Indo-Pakistan border after escaping from captivity. They work to overcome the trauma of torture and captivity while settling back into their interrupted family lives.

    An ensemble cast of discerning actors like Purab Kohli, Sandhya Mridul, Amrita Puri, Satyadeep Mishra and Manish Chaudhari have teamed up for the project with Nikkhil Advani. While Purab plays a naib subedar in the Indian army, Mishra will be seen as an air force officer. And, the editor from the channel’s side is Saugata Mukherjee.

    Banerjee and his team chose the Israeli version created by Gideon Raff, which focuses on the emotional upheaval that the two soldiers and families face on their being locked away for 17 years and on their return to their homeland. The US adaptation worked more in the space of a thriller, and questioned whether the protagonist is a terrorist or not.

    Nikkhil Advani, whose company Emmay Entertainment is producing ‘P.O.W. – Bandi Yuddh Ke’, has been quoted in the media as saying: “I realised the real prisoners of war are the soldiers’ wives and families. The wives haven’t been able to move on with their lives…they have this sense of guilt that’s holding them back. They think, ‘What if he comes back?’…The story has a lot of emotions. Homeland is a little cold for Indians. Indians inherently love emotion.”

    Indiantelevision.com had an interaction with Star India deputy chief creative officer Gaurav Banerjee yesterday and he had his own take on the show. Said he: “P.O.W is a deeply emotional story. But, we have thriller dimensions as well. I think for us the difference is that this an Asian story but it was set up in Israel. We found a very strong Indian context in it and also the story in itself is very different. It’s s an art — a challenging art — writing a fresh story and adapting a great story in the current context and in an Indian milieu. We have worked hard on the story over two years.”

    Banerjee admitted that a decision on the time slot and exact launch date for the show has yet to be taken. But, sources expect the airdate to be late October, late prime and that it will run from Monday to Saturday.

    ‘P.O.W. – Bandi Yuddh Ke’ has been under development for two years. And, both Advani and the channel consulted army experts to help maintain accuracy in the writing and while shooting. Filming started earlier this year in locales in Punjab and Mumbai. In all, 36 episodes of the show have been canned. “We have used a proper balance of real-life locations, special effects and VFX,” said Banerjee.

    The channel has roped in two brands Tiago and Patanjali Kesh Kanti as co- powered by sponsors. One can expect some amount of brand integration of the two in the show as is the practice on television these days.

    Highlighted Banerjee: “It’s a big Diwali launch for us and you can expect us to be little ambitious about this. Since, it’s a finite series, we started with the trailer. It will be followed by more glimpses of the characters as we go along. The music has played a very good role in grafting the story and that is important as we set up the marketing of the show. Also we want all kinds of media to be a part of it but moreover we believe in the story.”

    Banerjee is hopeful that Indian viewers will celebrate P.O.W with Star Plus. He stated: “Star Plus is known for great stories. One of the big things for us is to be the platform where viewers gets the best stories, concepts and content. Sixteen years ago, we started with ‘Kaun Banega Crorepati’, which was the first format we adapted from the US and, last year, we did the show ‘Sumit Sambhal Lega’ which was also an adaptation of the big Hollywood iconic show Everybody Loves Raymond. We always want to be the platform for India’s best stories. Therefore, our goal is to bring original stories and also some great stories from the world to the larger Indian audience.”

    Says a media observer: “What could work in Star Plus’ favour is the timing of ‘P.O.W –Yudh Ke Bandhe.’ Indo-Pak relations are at near boiling point following the massacre of Indian soldiers in Uri by Pakistan-backed terrorists, and the incidents and debate thereafter has captured the minds and hearts of Indians. Emotions are running high as most in India want a resolution of the decades-long conflict between the two nations. The story could well strike an emotional cord with Indians who want to see some action from India’s side.”

    Banerjee laughed off the insinuation that show was fortuitous in its timing. “You would like us to believe that,” he said.

    But, in his heart of hearts, he probably knows that the airdate for ‘P.O.W. – Bandi Yuddh Ke’ could not have been timed better, and Star Plus may well have cottoned on to a winner.

  • Star India’s Gaurav Banerjee’s take on ‘P.O.W. – Bandi Yuddh Ke’

    Star India’s Gaurav Banerjee’s take on ‘P.O.W. – Bandi Yuddh Ke’

    MUMBAI: It has been labeled as the pioneer of saas bahu sagas. But, the leadership trio — Uday Shankar-Sanjay Gupta-Gaurav Banerjee — at the Twenty First Century Corp-owned Hindi GEC Star Plus — has over the past few years been working at breaking down this myth. The mantra has been create differentiated content with the help of real, relevant Indian stories and series. And, Star Plus’ latest effort, the Nikhil Advani-directed Israeli-show Hatufim Khatufim adaptation, P.O.W.- Yudh Ke Bandhi, is once again a reflection of that philosophy.

    ‘P.O.W. – Bandi Yuddh Ke’ is very Indian though it is adapted from leading Israeli format licensing house Keshet International’s successful 2010 series; it was also made into the runaway global hit ‘Homeland’, courtesy US cable network Showtime.

    The Indian version works as a large-scale high-octane family drama with a thriller backdrop. The story takes us through the journey of the lives of the two couples Harleen–Sartaj, Nazneen-Imaan and the aftermath of the return of the war heroes after 17 years, over 126 episodes.

    Two Indian PoWs Sartaj and Imaan — declared missing in action (MIA) after the Kargil war ends in 1999 — are rescued from the Indo-Pakistan border after escaping from captivity. They work to overcome the trauma of torture and captivity while settling back into their interrupted family lives.

    An ensemble cast of discerning actors like Purab Kohli, Sandhya Mridul, Amrita Puri, Satyadeep Mishra and Manish Chaudhari have teamed up for the project with Nikkhil Advani. While Purab plays a naib subedar in the Indian army, Mishra will be seen as an air force officer. And, the editor from the channel’s side is Saugata Mukherjee.

    Banerjee and his team chose the Israeli version created by Gideon Raff, which focuses on the emotional upheaval that the two soldiers and families face on their being locked away for 17 years and on their return to their homeland. The US adaptation worked more in the space of a thriller, and questioned whether the protagonist is a terrorist or not.

    Nikkhil Advani, whose company Emmay Entertainment is producing ‘P.O.W. – Bandi Yuddh Ke’, has been quoted in the media as saying: “I realised the real prisoners of war are the soldiers’ wives and families. The wives haven’t been able to move on with their lives…they have this sense of guilt that’s holding them back. They think, ‘What if he comes back?’…The story has a lot of emotions. Homeland is a little cold for Indians. Indians inherently love emotion.”

    Indiantelevision.com had an interaction with Star India deputy chief creative officer Gaurav Banerjee yesterday and he had his own take on the show. Said he: “P.O.W is a deeply emotional story. But, we have thriller dimensions as well. I think for us the difference is that this an Asian story but it was set up in Israel. We found a very strong Indian context in it and also the story in itself is very different. It’s s an art — a challenging art — writing a fresh story and adapting a great story in the current context and in an Indian milieu. We have worked hard on the story over two years.”

    Banerjee admitted that a decision on the time slot and exact launch date for the show has yet to be taken. But, sources expect the airdate to be late October, late prime and that it will run from Monday to Saturday.

    ‘P.O.W. – Bandi Yuddh Ke’ has been under development for two years. And, both Advani and the channel consulted army experts to help maintain accuracy in the writing and while shooting. Filming started earlier this year in locales in Punjab and Mumbai. In all, 36 episodes of the show have been canned. “We have used a proper balance of real-life locations, special effects and VFX,” said Banerjee.

    The channel has roped in two brands Tiago and Patanjali Kesh Kanti as co- powered by sponsors. One can expect some amount of brand integration of the two in the show as is the practice on television these days.

    Highlighted Banerjee: “It’s a big Diwali launch for us and you can expect us to be little ambitious about this. Since, it’s a finite series, we started with the trailer. It will be followed by more glimpses of the characters as we go along. The music has played a very good role in grafting the story and that is important as we set up the marketing of the show. Also we want all kinds of media to be a part of it but moreover we believe in the story.”

    Banerjee is hopeful that Indian viewers will celebrate P.O.W with Star Plus. He stated: “Star Plus is known for great stories. One of the big things for us is to be the platform where viewers gets the best stories, concepts and content. Sixteen years ago, we started with ‘Kaun Banega Crorepati’, which was the first format we adapted from the US and, last year, we did the show ‘Sumit Sambhal Lega’ which was also an adaptation of the big Hollywood iconic show Everybody Loves Raymond. We always want to be the platform for India’s best stories. Therefore, our goal is to bring original stories and also some great stories from the world to the larger Indian audience.”

    Says a media observer: “What could work in Star Plus’ favour is the timing of ‘P.O.W –Yudh Ke Bandhe.’ Indo-Pak relations are at near boiling point following the massacre of Indian soldiers in Uri by Pakistan-backed terrorists, and the incidents and debate thereafter has captured the minds and hearts of Indians. Emotions are running high as most in India want a resolution of the decades-long conflict between the two nations. The story could well strike an emotional cord with Indians who want to see some action from India’s side.”

    Banerjee laughed off the insinuation that show was fortuitous in its timing. “You would like us to believe that,” he said.

    But, in his heart of hearts, he probably knows that the airdate for ‘P.O.W. – Bandi Yuddh Ke’ could not have been timed better, and Star Plus may well have cottoned on to a winner.

  • Star Plus brings ‘Prisoners of War’ to India, renowned director to direct

    Star Plus brings ‘Prisoners of War’ to India, renowned director to direct

    MUMBAI: Star India's Hindi General Entertainment Channel (HGEC) Star Plus has signed a series license deal with Keshet International (KI) for its award -winning drama format, Prisoners of War

    The Indian adaptation will be produced by Emmay Entertainment (Producer of films such as Airlift, Katti Batti, Hero, D-Day), and directed by the popular Bollywood director Nikkhil Advani.

    Keshet International managing director distribution, Keren Shahar said, "We are extremely proud to be collaborating with Star Plus on one of our most accomplished properties and couldn't be happier that Prisoners of War continues to achieve such success internationally. The versatility of the format is evident, since it has attracted a dedicated following anywhere it has aired in the world. Securing this deal with a highly esteemed partner is indicative of KI's future ambitions in India."

    A Star India spokesperson further added, "We are excited to bring a story of such pedigree to India. Star Plus has always been at the forefront of bringing the best of the world to Indian television by constantly redefining the grammar of storytelling. This series, a psychological thriller, will engage and capture the imagination of the Indian viewer."

    Created, written and directed by Gideon Raff, Prisoners of War follows two soldiers as they attempt to re-adjust to their lives after returning home from captivity for 17 years.

    In addition to their personal struggles, it becomes clear that there is a profound secret that the two are keeping from everyone. The first season was the highest-rated drama of the year in Israel in 2011, achieving a 37 per cent share (HH). Season two launched on Keshet Channel 2 in 2012, and scored a 40 per cent average share, making it the most viewed drama of the year and peaking with an incredible 47.9 per cent  audience share during the season two finale.

    KI has licensed the series all over the world, both as a format and finished programme. It has brokered licensing deals for local adaptations in numerous territories including South Korea (Star J Entertainment), Russia (WeitMedia), Turkey (Medyapim), and most notably, the US (Fox21 and Showtime) where the adapted series, Homeland, has won numerous awards including Emmys and Golden Globes.