Tag: Nikhil Madhok

  • Prime Video highlights VFX’s application in modern filmmaking at Film Bazaar, 54th International Film Festival of India

    Prime Video highlights VFX’s application in modern filmmaking at Film Bazaar, 54th International Film Festival of India

    Mumbai: Prime Video, India’s most loved entertainment destination, today conducted an engaging session on how VFX technology is an emerging and rapidly evolving avenue of artistic expression at Film Bazaar at the ongoing 54th International Film Festival of India (IFFI), Goa. Using the popular Original series Mumbai Diaries Season 2 as an example, the session elucidated how VFX helps in moving the narratives forward by creating worlds and storylines that defy traditional boundaries. The session was spearheaded by Nikhil Madhok, head of Hindi Originals, Prime Video, Monisha Advani, Producer, Emmay Entertainment, Madhu Bhojwani, Producer, Emmay Entertainment, Malay Prakash, Director of Photography, and Vishwas Savanur, VFX Head. To give the attendees an experience of the VFX behind the much-loved series, Prime Video has also set up a zone at the Tech Pavilion at Film Bazaar that was visited by Anurag Singh Thakur, Union Minister of Information and Broadcasting and Youth Affairs & Sports.

    “If storytellers are the ones who inspire us and open our minds by taking us into new worlds, then it is VFX that acts as the wind beneath their wings,” said Prime Video, India head of Hindi Originals Nikhil Madhok, highlighting that VFX is helping creativity transcend the boundaries of imagination and changing the game in the global entertainment landscape. He further explained that VFX goes beyond just creating visually stunning spectacles, and gives storytellers the power to envision worlds and narratives without being bound by practical constraints. He further added, “Earlier, storytellers faced constraints at the very inception of a project, often holding back ambitious visions at the script stage due to uncertainties about execution. If someone wanted to narrate a story that involved significant world-building, they often first had to question their own belief and answer questions on execution even before they had finished writing their story. However, today, thanks to the advancements in VFX technology, storytellers can dare to dream big. They now place the narrative at the forefront of their creative process, and are able to focus on creating immersive worlds on paper, fully knowing that VFX will help them bring their vision to life.”

    By bringing in elements of realism, scalability, cost-effectiveness, and safety, VFX is helping creativity transcend the boundaries of imagination and changing the game in the global entertainment landscape. However, Nikhil also cautioned the industry to avoid looking at VFX as just a way to reduce costs. “While the cost advantages are great and we must make the most of it, but focusing on the cost would be like missing the wood for the trees. We must think of VFX as this powerful tool that helps unleash the imagination of our storytellers!” he explained.

    The session commenced with an insightful address by Nikhil Madhok, head of Hindi Originals, Prime Video, India. This was followed by an interesting talk on Mumbai Dairies Season 2 and the role of VFX in it by  producer Monisha Advani and producer Madhu Bhojwani. Next on the agenda was an engaging presentation by Malay Prakash, cinematographer, and Vishwas Savanu, VFX producer on the VFX technology and its potential to be a game changer in filmmaking. The session concluded with an incisive panel discussion among these presenters on the contribution of VFX technology in moving the story narratives forward.

    “VFX has transformed filmmaking across genres, elevating production quality and opening new avenues for employment. The flood sequence in Mumbai Diaries Season 2, brought to life by VFX, showcases the technology’s prowess in tackling scenes once deemed too complex or risky to film – offering creators a newfound freedom to explore narratives and visual elements that elevate the overall cinematic experience for audiences,” said Prime Video, India head of Hindi Originals Nikhil Madhok.

    Prime Video has used the technology in a number of their Originals, as well as co-productions. From recreating Afghanistan in Film City to creating an immersive underwater marvel in the co-production Ram Setu, spine-chilling effects in the supernatural Original Adhura, the period Original Jubilee’s recreation of a bygone era with incredible detailing, creating a world beyond the realm of reality in the first Tamil Original horror series The Village that just premiered at IFFI, to recreating one of the worst disasters the city of Mumbai had to face in Mumbai Diaries Season 2 – Prime Video has used VFX to redefine storytelling, and create cinematic experiences through immersive world-building.

    Emmay Entertainment producers Monisha Advani and Madhu Bhojwani spoke about how VFX technology gives creators an opportunity to realize their vision on screen and tell stories that immerse audiences into magical and fantastical worlds.

    Malay Prakash, director of photography of Mumbai Diaries Season 2 and Vishwas Savanur, VFX producer, spoke about the need for filmmakers to be aware of what can be achieved with VFX technology and how it can make a scene more believable by keeping the shots relevant, moving and organic.

    Prime Video’s participation at IFFI is a testament of the pivotal role video streaming sector is playing in enabling the growth of India’s creative economy, and acting as a robust platform to showcase Indian stories, talent, and creators in the global arena.

  • Prime Video continues its masterclass series at the SRFTI, Kolkata

    Prime Video continues its masterclass series at the SRFTI, Kolkata

    Mumbai: Prime Video successfully conducted a highly insightful masterclass on Creating Period Dramas for New Age Audiences at the Satyajit Ray Film & Television Institute (SRFTI), Kolkata. This is Prime Video’s second masterclass, following the maiden edition at FTII, Pune, and is a testament to Prime Video’s commitment to strengthening India’s creative economy as outlined in the Letter of Engagement (LoE) inked earlier this year between Amazon India and the Ministry of Information and Broadcasting (MIB). Graced by Shri Vikram Sahay, Joint Secretary, MIB, this masterclass featured award-winning filmmaker Vikramaditya Motwane and the highly versatile actor Sidhant Gupta, both representing the much-loved Amazon Originals series Jubilee, as well as Nikhil Madhok, Head of Hindi Originals, Prime Video, India.

    Building on the global success of Amazon Original Series Jubilee, this masterclass explored the art of creating outstanding period dramas such as this acclaimed series. Panelists provided insights into the creative process behind conceptualizing historical narratives that resonate with contemporary audiences. The session underscored streaming’s transformative role in storytelling and filmmaking, offering diverse opportunities for creative and technical talent to experiment with various formats, themes, and genres.

    MIB Joint Secretary Shri Vikram Sahay said, “Incorporating the essence of our rich past and the legacy of our culture into contemporary storytelling not only enriches India’s soft power internationally but also provides a platform for the talent of tomorrow to take it even further. Shows like Jubilee speak volumes about our talent – not just the stars you see on- -screen, but even those behind the camera, the directors, scriptwriters, musicians, and singers. By embracing our heritage and presenting it in a modern context, we’re crafting narratives that resonate with global audiences while nurturing the creative minds that will shape the future of our entertainment industry. This has been the collective vision and endeavour of Amazon India and MIB joining hands to enable creative ecosystems in India.”  

    The collaboration between Amazon and MIB seeks to establish channels for nurturing creative talent in India, enhance the capabilities of prestigious film and television institutions, and exhibit ‘Made in India’ creative content on a global scale.

    “It’s vital for Prime Video to host these masterclasses and invest in India’s creative talent because we believe in the power of stories to inspire, educate, and entertain,” said Prime Video head of Hindi Originals Nikhil Madhok. “By providing a platform for emerging talent and seasoned industry professionals to come together, we are not just enriching the creative landscape but also fostering an environment where innovation and originality can thrive. Our commitment to such initiatives aligns with our mission to create exceptional content that resonates with diverse audiences globally, and these masterclasses are a testament to that vision.”

    Amazon Original series Jubilee creator and director Vikramaditya Motwane shared his perspective on writing multi-genre stories, “In the case of Jubilee, it was a conscious decision to merge the period drama with a murder mystery. Murder mystery as a genre has always been popular, it is one of my favourites. And I believe that if the story and characters resonate with the audience, the audience gets invested in what happens next – then episodic cliffhangers will get them to click on the next episode and encourage them to keep watching.”

    Sidhant Gupta, who garnered immense popularity after his role in Jubilee as Jay Khanna, talked about the need for research to build a character in a period drama, “Research is everything in a period drama. I led with curiosity and responsibility which made me feel safe and kept the fun alive. Start slowly, start with small questions and the big questions will find us. It’s living the dream and the process demands some heavy lifting. Playing a character is an endless finding, I can only ever feel prepared enough to be able to surrender. I believe it is okay to ask as many questions as you want while researching – by the time we reach the set, we don’t feel dependent – which is an unnecessary burden on the director.”

    Prime Video will be hosting additional masterclasses as part of its Letter of Engagement with MIB, at leading film institutions across the nation in the coming months.

  • Nikhil Madhok joins Amazon Prime Video as original content head-Hindi

    Nikhil Madhok joins Amazon Prime Video as original content head-Hindi

    Mumbai: Nikhil Madhok, former executive vice president & head of original content of Disney+ Hotstar has joined Amazon Prime Video as its new original content head (Hindi). 

    Under his leadership, he will oversee the growth and expansion of its original content, which will facilitate Prime Video to expand its original content footprint in Hindi.  Amazon Prime Video plans to utilise Madhok’s rich experience across TV and digital ecosystems to ramp up its original content offering. He will report to Aparna Purohit-Head of India Originals who continues to lead the charge in developing original series and movies across multiple Indian languages.

    In addition, the company’s spokesperson said, “In its content upfront in April, the company showcased over 40 titles that will stream on the service in the next 18-24 months and we understand that there are 70 titles under production/ development.”   

    During his stint at Disney+ Hotstar’s Madhok led the conception and launch of Hotstar’s foray into original content titled Hotstar Specials. He was responsible for the entire slate of specials from content strategy, ideation, curation, script development, production, and launch. 

    Disney+ Hotstar has produced original shows such as Special Ops, Aarya, Criminal Justice, Human, Grahan, and Ghar Waapsi under his leadership.

    Sharing his farewell posts on social media Linkedin, Madhok said, “ It is an extremely special feeling when you build something from scratch. I was fortunate to get that opportunity 4.5 years ago when I was asked to lead Disney + Hotstar’s foray into original shows. What started as an exciting but uncertain initiative soon blossomed into a strategic agenda. Ideas grew from one line and scripts to shows and franchises.”

    At the end of the note, he added, “ I am incredibly excited about the next challenge at one of the most innovative companies of all time, where I start very soon. I am even more excited about the confluence of consumers, content, and technology in our incredible country and the bright future ahead.”

    Embed:https://www.linkedin.com/feed/update/urn:li:activity:6970577608191152128/

    Previously, he worked at Star India for over five years, he was executive vice president of content and developed the use case & business strategy for Hotstar’s foray into original content. Madhok held several positions at Star, including vice president of network marketing, head of programming strategy, marketing & on-air promotion for Star Plus, and business head of Star Bharat.

    He later worked for Discovery as the head of products in the Asia Pacific region, where he was in charge of the company’s linear TV and digital products across APAC. Madhok began his career at Unilever as global marketing manager from 2005 to 2008. He left Unilever to become senior director of marketing at Turner (now WarnerMedia).

  • Deepak Dhar, Nikhil Madhok on Hotstar Specials show, content creation, consumption trends

    Deepak Dhar, Nikhil Madhok on Hotstar Specials show, content creation, consumption trends

    MUMBAI: Hotstar’s bid to create big, bold and authentic stories and innovate across formats and genres for its much-anticipated Specials landed the streaming service a collaboration with Deepak Dhar’s Banijay Asia and MS Dhoni’s Dhoni Entertainment for its first show. The mini-series, ‘Roar of the Lion’, is a behind-the-scenes look at the incredible comeback story of Chennai Super Kings (CSK) going on to win the 2018 Indian Premier League (IPL) off the back of a two-year ban.

    “It’s not just about cricket but the human spirit of fighting back. So it didn’t actually take much time for us to say that we should do this together and then Deepak and team have worked really hard to make this come alive,” says Hotstar EVP and head original content Nikhil Madhok.

    Dhar, who was struck by the idea during the last IPL season, believes a comeback story of this nature hasn’t really been told from a sports and entertainment perspective.

    “That space itself is a virgin space and something which is very unique to us and if Mahi [MS Dhoni] was to really lead it and tell us himself how he was doing it, there’s a great space for a show there. So that’s where I started putting the jigsaw puzzle and took it across to Nikhil and Gaurav [Banerjee] at Hotstar and then we started together collaboratively building this,” recounts Dhar.

    For Dhar, it was the coming together of the right story, right platform and right people to embark on this journey. Hotstar as a brand is widely considered as the home of cricket in India. With over 150 monthly active users, the platform was a natural fit for a show of this nature. Having recognised the power of the story, the streaming service plans to throw its might behind the show making it available in multiple languages. Going forward, there’s a good chance of Star Network’s formidable repertoire being leveraged to maximise the penetration of this show.

    In order to ensure reach, every product needs to be marketed and promoted right. While Dhar is the creative force behind the project, does he have a say in how Hotstar presents the show to its consumers?

    “I’m not involved, but I do have a bit of a say there. There are specialists and people who know that side of the game better than I do. I understand the content and the creative or the production side of the game so obviously, after a point you’ve got to let go, you’ve got to say everybody is obviously putting their best foot forward. But I do have a say on how this should be put out,” argues Dhar.

    Documentaries, as a genre, remains largely untapped in India, often not even seen as a mainstream entertainment medium. While Dhar is a tad nervous ahead of the show streaming, he’s also convinced that Dhoni’s story is bound to become a trendsetter for the genre.

    “I think with this show, that’s really bound to change. We’re exploring this in an untold manner, so there is a little nervousness as being one of the creators. But I think it is going to be very fresh, very different from the way you see either a documentary or a scripted series,” the former Endemol Shine India boss points out.

    While the story is bound to excite fans of Dhoni and CSK a great deal, the makers also expect a lot of young people to form the core viewing group for the show.

    “I think when people will log in, I suspect that they will find it difficult to slot it in a particular genre. Hopefully, they’ll just say that this was a really inspirational tale,” adds Madhok.

    While Hotstar and Banjijay could end up joining forces for another show post ‘Roar of the Lion’, the latter is in the midst of developing a diverse range of projects catered for viewing on platforms as part of its joint venture with Dhoni Entertainment.

    “This is what all producers and all content creators have been waiting for and it has finally happened with all kinds of content being accepted,” Dhar states.

    While the industry has slowly veered towards finite storytelling in the last five to seven years, Dhar says a mini-series would have found no takers a year ago.

    “People wouldn’t have even entertained this conversation, but today they are wanting to collaborate on it. So obviously things have really changed, forget in the last five years, in the last 12 to 24 months things have really changed,” he says.

    Madhok describes India as a unique market that will continue to witness the growth of both TV and digital. He sees a great deal of innovation in content, with both mediums delivering a fantastic amount of variation.

    “Digital is about individual consumption and that also means that you need to cater to much wide array of tastes and that’s what’s driving the whole thrust towards a huge amount finite consumption,” he highlights.

    The IPL spot-fixing scandal remains among the biggest and most controversial cricket stories of our times. Given the subject, protagonists and the secrecy around the entire affair, Hotstar and Banijay seem to have a sure shot winner on their hands. In fact, Madhok articulates rather aptly.

    “Usually either the ideas tend to be niche or the platforms tend to be niche. For the first time, we are putting together an idea which is massive on a platform which is the country’s biggest. I think the marrying of those two will hopefully produce a fairly dramatic result,” he sums up.

    Is a sequel in the offing?

    “I think the story has great merit to come back because it has some strong magnets, but obviously we have to get the first one out of the way,” Dhar responds with a smile.

  • New GEC Star Prime in the works for Star India

    New GEC Star Prime in the works for Star India

    MUMBAI: Star India is gearing up to spread its wings by adding a premium-offering channel to its bouquet of offerings. The new general entertainment channel (GEC) will offer premium content to the audience.

    According to an industry source, the new channel will be called Star Prime. What is interesting about the development is that Star Prime could either be a television channel or be a part of the digital platform Hotstar or both.

    However, when Indiantelevision.com reached out to Star India, a company official denied the news.

    Star India is one of India’s largest media conglomerates, a fully owned subsidiary of 21st Century Fox. Star India is home to Star Plus, one of India’s top Hindi GECs. The network also owns a number of popular channels such as Star Bharat, Star Gold, Channel V, Star World, Star Movies, Star Utsav and Movies OK.

    The company’s sports portfolio, Star Sports, consists of 12 channels across Hindi, English and Tamil. The company has a major presence in sports, most notably for its Rs 16,347.5 crore purchase of the Indian Premier League’s media rights for 2018-2022.

    Also Read:

    Sony to launch Marathi GEC

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    Crime reality shows maybe doing more harm than good

     

  • Discovery APAC appoints Nikhil Madhok; strengthens corporate team with other hiring

    Discovery APAC appoints Nikhil Madhok; strengthens corporate team with other hiring

    MUMBAI: Discovery has announced key appointments in its APAC central corporate leadership team. Former Life OK GM and business head Nikhil Madhok has joined the channel as the senior vice-president (SVP) head of products.

    Madhok will spearhead the re-development of the company’s product suite and champion a strong maker culture in the organisation. He will formally join in January 2017, and will closely partner with the innovation team on future digital offerings.

    Operating leadership remains with the company’s five market clusters announced earlier in year. The move adds innovative, world-class capabilities and resources to accelerate the company’s stated ambition to evolve from a traditional linear Pay-TV to a true convergent media and entertainment business across market clusters in Asia.

    “We are laser focused on re-inventing our existing space and growing our business beyond linear across Asia. The new leadership team members bring with them strong entrepreneurial drive and a disruptive mindset. I am thrilled to welcome them on board as we step up our efforts to redefine our product and business portfolio in the region,” said Discovery Networks APAC president and MD Arthur Bastings.

    Other executives who have joined are — Rebecca Kent as the vice-president (VP) business transformation. Kent will oversee change management, and lead business process and operational optimisation. She joined in September from Discovery’s global business operations team in London.

    Darrell Chan joined as the vice-president (VP) regional counsel. He will manage the legal dossier, drive strong governance around Discovery’s growing portfolio of equity stakes in new businesses and coordinate external affairs. Chan will joined on 1 February 2017, from Expedia. He will partner with Dinkim Sailo, who manages Discovery’s external and government affairs brief.

    Dinkim recently joined from SOS International.

    Karun Arya will now be the director, head of corporate communications, and will represent the company’s voice as it implements its ambitious transformation and investment plans. He came in from Uber.

    Discovery’s new executives joined the chief financial officer and SVP corporate operations Nilesh Zaveri, the SVP Innovation Winradit Kasidit Kolasastraseni, the VP corporate development Jonathan Mills, the VP strategy Karan Paul and the VP HR Jin Tan in the APAC HQ team.

  • Discovery APAC appoints Nikhil Madhok; strengthens corporate team with other hiring

    Discovery APAC appoints Nikhil Madhok; strengthens corporate team with other hiring

    MUMBAI: Discovery has announced key appointments in its APAC central corporate leadership team. Former Life OK GM and business head Nikhil Madhok has joined the channel as the senior vice-president (SVP) head of products.

    Madhok will spearhead the re-development of the company’s product suite and champion a strong maker culture in the organisation. He will formally join in January 2017, and will closely partner with the innovation team on future digital offerings.

    Operating leadership remains with the company’s five market clusters announced earlier in year. The move adds innovative, world-class capabilities and resources to accelerate the company’s stated ambition to evolve from a traditional linear Pay-TV to a true convergent media and entertainment business across market clusters in Asia.

    “We are laser focused on re-inventing our existing space and growing our business beyond linear across Asia. The new leadership team members bring with them strong entrepreneurial drive and a disruptive mindset. I am thrilled to welcome them on board as we step up our efforts to redefine our product and business portfolio in the region,” said Discovery Networks APAC president and MD Arthur Bastings.

    Other executives who have joined are — Rebecca Kent as the vice-president (VP) business transformation. Kent will oversee change management, and lead business process and operational optimisation. She joined in September from Discovery’s global business operations team in London.

    Darrell Chan joined as the vice-president (VP) regional counsel. He will manage the legal dossier, drive strong governance around Discovery’s growing portfolio of equity stakes in new businesses and coordinate external affairs. Chan will joined on 1 February 2017, from Expedia. He will partner with Dinkim Sailo, who manages Discovery’s external and government affairs brief.

    Dinkim recently joined from SOS International.

    Karun Arya will now be the director, head of corporate communications, and will represent the company’s voice as it implements its ambitious transformation and investment plans. He came in from Uber.

    Discovery’s new executives joined the chief financial officer and SVP corporate operations Nilesh Zaveri, the SVP Innovation Winradit Kasidit Kolasastraseni, the VP corporate development Jonathan Mills, the VP strategy Karan Paul and the VP HR Jin Tan in the APAC HQ team.

  • Star India elevates Sagnik Ghosh as Life OK GM

    Star India elevates Sagnik Ghosh as Life OK GM

    MUMBAI: Star India has finally figured out who would step into the outgoing business head and GM Nikhil Madhok’s shoes.  According to a source, it is Sagnik Ghosh — senior vice-president, head of network brand strategy and marketing strategy at Star India.

    Madhok, the business head and general manager of Star India’s second GEC “Life OK” put in his papers a while ago, and is serving his notice period. He will be operating as the GM till the end of December 2016.

    Star India has elevated Ghosh as the new general manager of Life OK. He has been working with Star for more than a year now. Ghosh joined Star India as senior VP and head of marketing for Star Plus in October 2015. In June 2016, he became the head of network brand and marketing strategy. 

    Prior to joining Star India, Ghosh was working with Axis Bank as the senior vice president and marketing head. Ghosh was managing brand & strategy, digital marketing, branch marketing as well as the marketing communication function for Axis Bank and its subsidiary companies.

    Also read:  Vivek Bhutyani quits Star; to start own OTT biz

  • Star India elevates Sagnik Ghosh as Life OK GM

    Star India elevates Sagnik Ghosh as Life OK GM

    MUMBAI: Star India has finally figured out who would step into the outgoing business head and GM Nikhil Madhok’s shoes.  According to a source, it is Sagnik Ghosh — senior vice-president, head of network brand strategy and marketing strategy at Star India.

    Madhok, the business head and general manager of Star India’s second GEC “Life OK” put in his papers a while ago, and is serving his notice period. He will be operating as the GM till the end of December 2016.

    Star India has elevated Ghosh as the new general manager of Life OK. He has been working with Star for more than a year now. Ghosh joined Star India as senior VP and head of marketing for Star Plus in October 2015. In June 2016, he became the head of network brand and marketing strategy. 

    Prior to joining Star India, Ghosh was working with Axis Bank as the senior vice president and marketing head. Ghosh was managing brand & strategy, digital marketing, branch marketing as well as the marketing communication function for Axis Bank and its subsidiary companies.

    Also read:  Vivek Bhutyani quits Star; to start own OTT biz

  • Star ups Nikhil Madhok as Life OK biz head; Sumanta Bose as Star Jalsha head

    Star ups Nikhil Madhok as Life OK biz head; Sumanta Bose as Star Jalsha head

    MUMBAI: Star India has promoted Star Plus marketing head Nikhil Madhok as the business head of Life OK. Additionally, Jalsha cluster marketing head Sumanta Bose has been elevated to the role of Jalsha business head.

     

    In his new role, Madhok and the team’s mandate will be to focus on breakthrough innovation on both the content & brand fronts, which will game change the business and take Life OK strongly towards its goals.

     

    Madhok played a pivotal role in the launches of shows like Satyamev JayateMahabharat and Ye Hai Mohhabatein over the last three years.

     

    On the other hand, Bose has played a significant role in crafting and executing strategies for Jalsha and Jalsha Movies.

     

    In an internal mail to employees, a copy of which is with Indiantelevision.com, Star India COO Sanjay Gupta said, “Both Bose and Madhok have given evidence of their well-honed marketing and strategic skill sets in their marketing roles and I am confident they will drive an aggressive growth agenda for their respective businesses.”

     

    “These appointments are in line with our endeavour and commitment to provide growth opportunities to our people and help build meaningful careers at Star,” he added.