Tag: Nickelodeon

  • Nickelodeon kid’s choice awards 2017

    Nickelodeon kid’s choice awards 2017

    MUMBAI: Nickelodeon Kid’s Choice Awards (KCA) 2017, presented by Dabur Red Paste, powered by Jolly Rancher in association with Yellow Diamond and Funskool and Apis Honey took place on 15 December 2017.

    The Nickelodeon KCA is the awards show where kids decide on who would win the coveted orange “Nickelodeon Blimp”. With nearly 2.5 lakh votes, the kids have truly chosen their favorites. Golmaal Again won in the best film category while Ranveer Singh won the best actor (male) award. Alia Bhatt won the best actress (female) award and Badri Ki Dulhania, was voted as the best song by kids. They voted for Varun Dhawan as the dancing star and the best entertainer of the year. Motu Patlu received maximum votes and was declared the best show on a kids channel, whereas, Motu won the best Indian cartoon character of the year award.

    Viacom18 kids’ entertainment business head Nina Elavia Jaipuria said, “The Nickelodeon Kids’s Choice Awards is a platform that empowers kids and celebrates their choices. This edition of the awards has once again created many unique, electrifying and fun moments with the kids, toons and stars, all of which will create a memorable experience for all the Nickelodeon fans”

    The awards premiered on Nickelodeon, Sonic, Nick Jr. and Nick HD+. Nickelodeon KCA 2017, and also the entire Viacom18 network came together to telecast the awards across network channels like Colors, Rishtey, Colors Bangla, Colors Marathi, Colors Gujarati and Viacom18’s OTT platform VOOT.

    The evening saw some adrenaline pumping performances by Alia Bhatt who danced to a melody of her biggest dance numbers, while a power packed performance by Ranveer Singh had the little ones jumping out of their seats. Badhshah had everyone grooving to his beats with the rap version of the KCA Anthem.

    Winners list:

    Best Movie Actor (Male) – Ranveer Singh

    Best Movie Actor (Female) – Alia Bhatt

    Best Bollywood Movie – Golmaal Again

    Best Bollywood Movie Song – Badri Ki Dulhania – Badrinath Ki Dulhania

    Best Dancing Star – Varun Dhawan – Tamma Tamma – Badrinath Ki Dulhania

    Best Entertainer (Films) – Varun Dhawan

    Best TV Character (Male) – Dilip Joshi As Jethalal – Taarak Mehta Ka Ooltah Chashmah

    Best TV Character (Female) – Disha Vakani As Daya – Taarak Mehta Ka Ooltah Chashma

    Best TV Show – Taarak Mehta Ka Ooltah Chashma

    Best Child Entertainer on TV – Jayas Kumar – Sa Re Ga Ma Pa Lil Champs

    Best Entertainer (Films) – Varun Dhawan – Badrinath Ki Dulhania/Judwaa 2

    Best Show On Kids Channel – Motu Patlu

    Best Indian Toon Character – Motu

    Favourite Sports Personality – Mithali Raj

    Dabur Best Smile – Neeti Mohan

    Nickelodeon ka Digital Star – Ssumier Pasricha

  • Nickelodeon bags array of sponsors for Kids Choice Awards 2017

    Nickelodeon bags array of sponsors for Kids Choice Awards 2017

    MUMBAI: Nickelodeon is all set to kick off the awards season- – Kids Choice Awards (KCA), with an opportunity to vote for their favourites across multiple categories and decide who will take home the iconic Nickelodeon blimp. Dabur Red Paste has come on board as presenting sponsor, JollyRancher as powered by sponsor along with Yellow Diamond and Funskool. The event will take place on 15 December 2017 at NSCI Dome, Mumbai.

    Viacom18 kids’ cluster business head Nina Elavia Jaipuria said, “This being Viacom18’s 10th anniversary year, and Nickelodeon being one of the founding brands the network launched with, KCA will be bigger, better, louder and slimier than ever before!”

    “Through Nickelodeon and KCA, Dabur Red Paste plans to further spread the message about dental hygiene. Also to educate children about best oral care practices with a focused and specially crafted campaign along with some fun and entertainment”, said Dabur India marketing head (oral care) Harkawal Singh.

    The gala event will feature some enthralling performances by numerous Bollywood and television personalities like Alia Bhatt, Ranveer Singh, Kriti Sanon and Badshah amongst others, anchored by the popular comedian Bharti Singh and actor Rithvik Dhanjani.

    The expansive marketing campaign will have promotions with an extensive cross channel plan, large scale on-ground, ambient engagement and interesting online interactivity. In addition, numerous touchpoints spanning consumer & trade print, radio spots have been planned. An extensive digital and social media buzz and engagement campaign will leverage the combined clout of Viacom18’s social media assets from its varied brand portfolio.

  • Colors Infinity, Comedy Central gain highest OTS in genres: Chrome DM

    Colors Infinity, Comedy Central gain highest OTS in genres: Chrome DM

    MUMBAI: With growth of 2.22 per cent, the English GEC genre marked the highest opportunity to see (OTS) among all categories in week 46 of Chrome Data Analytics & Media. In this category, Colors Infinity gained the highest OTS with 47.7 per cent and Comedy Central was the second most benefitted in terms of OTS with 46.2 per cent in six metros.

    OTS is the actual census-based percentage connectivity of a channel spread across 81 million homes.

    The sports genre ranked second in the gainers category with growth of 1.49 per cent OTS on an all-India including 1L+ market basis. DD Sports gained the highest OTS with 94.7 per cent whereas Star Sports 2 gained the second slot on the list with 81.3 per cent OTS.

    The third position in the gainer’s list of OTS was grabbed by the Religious genre with a growth of 1.31 per cent OTS on an HSM (Hindi-speaking market) excluding 1L market basis. In this category, OTS of Sanskar was leading the genre with 92.9 per cent whereas Aastha stood second with 91.6 per cent OTS.

    Business news genre stood in fourth position in the list with 1.06 per cent growth in which Zee Business lead with 85.5 per cent whereas CNBC Awaz grabbed second position with 83.4 per cent OTS in six metros.

    Last but not the least, the fifth position in gainers list is taken by the English news genre with a growth of 0.31 per cent. In this category, Rajyasabha TV topped the OTS chart with 94.5 per cent whereas Loksabha TV was the second topper with 94.4 per cent in six metros.

    Among the losers, Kids genre was the most affected genre with a drop of 1.61 per cent OTS on an all-India including 1L market basis with Nickelodeon topping the chart with 88.1 followed by Cartoon Network with 84.2 per cent OTS.

    The Youth genre recorded a fall of 0.81 per cent OTS on an HSM excluding 1L market basis. In this category, MTV grabbed highest OTS with 90.8 per cent followed by Channel V with 88.8 per cent OTS.

    Infotainment reserved the third position in the losers list with a drop of 0.50 per cent. History TV 18 and NGC bagged the top two positions with 90.1 per cent and 90.1 per cent, respectively, on an all India including 1L market basis.

    Music took the fourth position in the losers list with a drop of 0.32 per cent. In this category, Sony Mix got first position with 90.1 per cent and 9XM reserved the second position with 88.7 per cent OTS on an HSM excluding 1L market basis.

    Last among the losers was the Hindi movies genre that stood at the fifth position with a fall of 0.26 per cent OTS with Max leading the chart with 94.3 per cent, followed by Star Gold with 93.4 per cent OTS on an HSM excluding 1L market basis.

  • Nickelodeon emerges leader in top kids genre: Chrome

    MUMBAI: ‘Kids – All-India’ was the most benefitted genre with 1.10 per cent wherein Nickelodeon topped the chart with 87.9 per cent opportunity to see (OTS) in week 31, Chrome Data Analytics & Media reported. 

    Next in the tally was ‘Religious’ genre Exd with a growth of 0.97 per cent with Sanskar leading the genre with 96.3 per cent OTS on an HSM Excel <1L market basis. 

    ‘Business News’ genre was third in the row with a growth of 0.88 per cent in six metros and led by Zee Business with 84.2 per cent OTS. This was followed by ‘Infotainment’ genre on the fourth position with 0.61 per cent in six metros with NGC leading the chart with 91.6 per cent OTS. 

    Last, but not the least, ‘English GEC’ genre was on the fourth position with 0.45 per cent in six metros with Colors Infinity leading the chart with 47.6 per cent OTS. 

    Among the losers this week, the ‘Hindi GEC’ genre recorded a fall of 0.07 per cent in HSM Excel <1L market. DD National was the most affected channel in the genre with 99.3 per cent. 

     

    public://top-geners1.jpg

     

    OTS in ‘English movies’ genre in six metros decreased by 0.06 per cent with Movies Now being the most affected channel in the genre with 49.0 per cent.

    Also Read :

    English GEC genre grew by 0.24%, CNBC Awaaz most hit: Chrome

    Hindi Movies genre grew by 1.36%, Sony Max tops with 93.9% OTS: Chrome

  • Discovery may emerge as sole Scripps bidder

    MUMBAI: Scripps is reportedly moving ahead on talks with Discovery, and Viacom is out of the bidding race. TV network owners are struggling owing to a decline in subscriptions for satellite and cable services as they lose viewers to social networks and online video services.

    Viacom, the owner of Comedy Central, MTV, and Nickelodeon, had earlier reportedly made an all-cash bid for Scripps, the value of which could be as much as $10.6 billion. Scripps was popular among pay-TV distributors that offer low-cost and smaller bundles of family-centric channels to budget-conscious subscribers.

    Discovery Communications, the owner of TLC and Animal Planet, is reportedly offering around $90 a share for Scripps Networks Interactive, eventually closing in on a potential cable TV merger which could be worth around $12 billion. The offer was good enough to reportedly pressure Viacom Inc. to leave its efforts to buy the owner of Food Network and HGTV. Discovery and Viacom declined comment.

    The companies are in the process of discussing unspecified issues and may not reach a definitive agreement until next week.

    Buying Scripps, with its popular programming on travel, food, and home repair, could help Discovery reduce costs, gain negotiating leverage with distributors and expand internationally as its U.S. TV businesses face pressure.

    While Discovery networks such as Investigation Discovery and TLC are no stranger to reality programming, the company’s main focus has been on shows centered on nature, science, and exploration. Its focus on non-fiction is seen as a smooth fit with Scripps, whose networks focus on travel, food, and home-improvement.

    The negotiation between Discovery and Scripps may result in a deal as early as next week, though the talks could still fail.

    AlsO Read :

    Discovery & Scripps reported to be discussing merger

     

  • Next Animation Studio appoints Duntemann as chief creative officer

    MUMBAI: Next Animation Studio (NAS) has announced that Matthew Duntemann has joined the company as Chief Creative Officer. Based at NAS headquarters in Taipei, Duntemann will report directly to the CEO Indra Suharjono.

    As Chief Creative Officer, Duntemann will direct and develop the nxTOONS platform, as well as oversee the development of TomoNews creative and all other creative projects for the studio. His appointment leads NAS into its next chapter of creating original animation properties, especially children’s animation.

    “Matthew brings his unique creative talent and an infectious amount of energy and momentum to the company,” Suharjono said. “With his success of developing the creative brands for Nickelodeon, we are in a stronger position to build and expand on our nxTOONS platform. He is a world-class talent and produces amazing work that entertains and inspires. I am thrilled to see him take this role and really grow the creative vision of NAS.”

    Duntemann joins NAS from Nickelodeon and Viacom, where he spent more than 20 years in creative roles across the organization. In his last position as SVP, Creative Director of Nickelodeon Brand Design, Duntemann oversaw the rebranding of the Nickelodeon network family (Nick, Nick Jr., Teennick, Nicktoons and Nick at Nite) across all screens; in the process assembling a world class team of art directors, designers, and animators. One key component of this work, known as the ONE Brand Project, was Duntemann’s lead role in directing the redesign of Nickelodeon’s new logo system — a cohesive visual identity that brought together many disparate parts that was implemented globally across all Nickelodeon brands.

    Duntemann’s first position at Viacom was Creative Director on the team that launched TV Land, where he oversaw on-air and off-air design. Later, as the Executive Design Director of Noggin, he developed this preschool brand’s iconic Hand of the Child, Eye of the Designer identity. Duntemann was also responsible for the creation of Moose and Zee, Noggin’s beloved host characters. Noggin’s brand identity that he shepherded still thrives today.

    Duntemann returns to Asia after having spent time in Hong Kong as part of the Star TV’s creative team that launched Channel V, a successful youth culture and music brand that rivaled MTV Asia. It was at Star TV that he oversaw a large, award-winning creative team with satellite offices in Taiwan, Hong Kong, and Mumbai. He led design, scripting, and production of show packaging, on-air promotions, and interstitials produced in multiple languages and broadcast to 56 countries.

    Early in his career, Duntemann worked for CBS News before joining the studio Caesar Video as a designer/art director, providing creative leadership for on-air projects for VH1, Nickelodeon, ABC News, MTV, Cartoon Network, CBS Daytime, ABC Daytime, and Turner Classic Movies, among others. Projects include working on many high-profile commercials, music videos and documentaries, as well as live-action and animated short-form entertainment.

    Duntemann has received numerous awards during his multifaceted career, including several Emmys for his campaigns at Viacom, Webby Awards, 4A Hong Kong Advertising Awards and awards from AIGA, American Typography, American Illustration Art Directors Club, One Show, Promax/BDA, and many more.

  • Nickelodeon introduces pre-school videos in NOGGIN App

    MUMBAI: The new interactive, play-along pre-school videos created by new proprietary suite of technology allows Nick’s creative teams to produce linear and interactive digital video simultaneously,

    Nickelodeon, the number-one kids entertainment brand, is introducing a brand-new collection of interactive, curriculum-driven preschool episodes in its NOGGIN video subscription service, beginning June 1 initially on iOS platforms. Nick’s play-along preschool videos were created by an in-house team using a proprietary authoring tool which enables the simultaneous creation of interactive digital content alongside the production of linear TV content. This inaugurates the use of a new production model that can grow across all Nickelodeon’s platforms moving forward.

    “The introduction of our play-along videos mark the evolution of preschool interactivity that Nickelodeon initiated with Blue’s Clues and Dora the Explorer,” said Matthew Evans, Executive Vice President, Digital and New Business, Nickelodeon Group. “We can now transform our linear production capabilities through an authoring tool of our own design that allows us to create complementary interactive, digital video that truly lets kids participate in, and learn from the story.”

    Nickelodeon’s play-along videos allow preschoolers to engage with their favorite characters by tapping, touching, swiping or speaking to navigate through enhanced educational experiences that promote science, technology, engineering, math and social-emotional skills–all while having fun every step of the way. At launch, more than 30 play-along videos will be introduced, including Blaze and the Monster Machines, Bubble Guppies, Team Umizoomi and short-form content featuring longtime beloved characters Moose and Zee.

    Nickelodeon’s new play-along video authoring tool puts the ability to create interactive digital content into the hands of Nick’s show creators, producers and animators. The tool supports real-time scene editing and a live preview that allows the teams to layer in interactive elements, to create brand-new play-along moments within any episode. Interactive writers and producers can also be integrated into a show’s creative team, allowing them to generate engaging, story-driven interactive videos from the start of a production and deliver both linear and play-along versions of the same episode simultaneously. Additionally, the play-along video player can be integrated into the existing Nickelodeon video apps, eliminating the need to download a separate app.

    Nick’s play-along videos were also created in partnership with curriculum and research consultants who helped shape the interactions to enhance the existing educational value of the shows. Throughout each interactive adventure, kids engage with content that fosters the development of cognitive, social and emotional skills.

    NOGGIN is an ad-free, video subscription service that features hundreds of iconic, full-length library episodes, short-form videos, educational content, music videos featuring preschoolers’ favorite Nickelodeon characters, and more, with new content added weekly. Consistently ranking at the top of the charts in the Family and Kids categories, the NOGGIN App is one of the top 10 grossing Kids apps on the App Store, in addition to being the number-one grossing app for Music and Video in the Family Category on Google Play. NOGGIN was also selected by Apple as an Apple TV app of the year. Currently available for iPad, iPhone, Apple TV, Android, Fire tablet and Roku devices, NOGGIN has 25 series to date including the recently added Yo Gabba Gabba!, Trucktown, Miffy and Friends and Teletubbies. Additional titles in the NOGGIN lineup include Blue’s Clues, Go, Diego, Go!, Franklin, The Backyardigans and Pocoyo, among others.

  • MTV gets 10 of the total haul of 18 PromaxBDA awards by Viacom18

    MUMBAI: Viacom 18 Media has bagged 18 awards across categories at the recently concluded PromaxBDA India 2017 Awards, all the awards going to those conceptualized and produced in-house.

    MTV turned out to be the contributor with a total of 10 awards being scooped up by its creative team alone. Viacom18’s brands COLORS, MTV, Vh1, Nickelodeon, Comedy Central, Rishtey Cineplex and COLORS MARATHI brought in a total of nine golds and nine silvers for excellence in various creative campaigns.

    PromaxBDA, which gives awards for marketing excellence in the media marketing space, represents more than 10,000 companies and individuals at every major media organization, marketing agency, research company, strategic and creative vendor and technology provider and is considered to be the leading global resource for education, community, creative inspiration and career development in the media and media marketing sectors. The awards ceremony was held in Mumbai on 18 May 2017.

    The award-winning Viacom 19 Pvt Ltd campaigns at the PromaxBDA India 2017 Awards were:

    public://gold.jpg

    public://silver.jpg

  • Viacom net earnings plummet on restructuring & programming charges

    BENGALURU: Viacom Inc (Viacom) reported a steep decline of 60.1 percent in net earnings for the quarter ended 31 March 2017 (Q2-17, current quarter) as compared to the corresponding year ago quarter – year-on-year (y-o-y). Operating income decreased 43.3 percent y-o-y in the current quarter. The company in its earnings release says that reported operating income reflects restructuring and programming charges of $280 million resulting from the execution of new strategic initiatives, including the prioritization of six flagship brands: BET, Comedy Central, MTV, Nickelodeon, Nick Jr. and Paramount.

    Net earnings attributable to Viacom for Q2-17 were $121 million as compared to $309 million in Q2-16. Operating income for Q2-17 was $332 million as compared to $586 million in the corresponding year ago quarter.

    Viacom reported 8.5 percent y-o-y increase in revenue for Q2-17 at $3,256 million as compared to $3,001 million reported for the corresponding year ago quarter.

    Viacom president and CEO Bob Bakish said, “In the second quarter, Viacom delivered continued top-line improvement, with growth in affiliate revenues, international media networks and across every business segment of Paramount Pictures. Additionally, we executed quickly on our strategic plan, making significant organizational changes to better focus and align Viacom’s brand portfolio and ensure strong leadership, including the appointment of Jim
    Gianopulos to chart a new course at Paramount. We are working diligently to cement Viacom as a partner of choice in the industry, presenting new and reinvigorated brand strategies for our advertisers, producing creative and flexible new opportunities with our distributors and recommitting ourselves to be the home for the world’s best talent.”

    “Viacom also took significant steps forward on our plan to strengthen our balance sheet, improve our leverage profile and enhance liquidity. Since the end of our first fiscal quarter, we completed a successful hybrid debt offering, redeemed outstanding debt and executed on the sale of non-core assets, including the pending sale of our stake in EPIX. There is a lot of work still to do, but we are making important changes at Viacom, taking substantial strides towards revitalizing our portfolio of brands and returning the company to consistent top-line growth,” Bakish added.

    The company has two major segments – Media Networks and Filmed Entertainment.

    Media Networks

    Media Networks revenue for the current quarter increased y-o-y by a marginal 0.5 percent despite a 1.2 percent decline in advertising sales. The segment reported revenue of $2,394 million for Q2-17 as compared to $2,381 million in Q2-16. Adjusted operating income declined 7.2 percent to $747 million from $845 million in the year ago quarter.

    Media Networks advertising revenue declined 1.2 percent y-o-y in Q2-17 to $1,109 million from $1,123 million. Worldwide advertising revenues increased 1 percent, excluding a 2-percentage point unfavourable impact from foreign exchange. Domestic advertising revenues decreased 4 percent, driven by higher pricing more than offset by lower impressions. International advertising revenues increased 11 percent. Excluding foreign exchange, which had an 11-percentage point unfavourable impact, international advertising revenues grew 22 percent. The gains in international advertising were driven by the acquisition of Telefe, which had a 17- percentage point favourable impact, and continued growth in Europe says Viacom.

    Affiliate revenue in the current quarter increased 2.4 percent y-o-y to $1,156 million from $1,129 million. Domestic and international affiliate revenues increased 1 percent to $975 million and 10 percent to $181 million, respectively. The growth in domestic revenues principally reflects rate increases, partially offset by a modest decline in subscribers and a decline in revenues from SVOD and other OTT agreements. Excluding foreign exchange, which had a 4-percentage point unfavourable impact, international affiliate revenues increased 14 percent. The increase in international revenues reflected the impact of rate increases, subscriber growth and new channel launches, as well as higher revenues from SVOD and other OTT agreements. International affiliate growth included a 4-percentage point favourable impact from the acquisition of Telefe.

    Ancillary revenue was flat y-o-y t $129 million. Domestic ancillary revenues decreased 8 percent to $70 million while international ancillary revenues increased 11 percent to $59 million.

    Filmed Entertainment

    Filmed Entertainment revenues grew 36.6 percent to $895 million in Q2-17 from $655 million, reflecting gains in theatrical, licensing, home entertainment and ancillary revenues. Domestic revenues increased 25 percent to $458 million in the quarter, while international revenues increased 51 percent to $437 million.

    Filmed Entertainment segment’s adjusted operating loss narrowed to less than half $66 million from an operating loss of $136 million in Q2-16. The company says that the improvement principally reflected the various revenue increases, partially offset by higher operating expenses.

    Theatrical revenues rose 10 percent to $238 million, with revenues from current quarter releases up 73 percent compared to releases from Q2-16. Domestic theatrical revenues decreased 45 percent, while international theatrical revenues grew 98 percent, reflecting the strong international performance of xXx: Return of Xander Cage. Foreign exchange had a 3-percentage point favourable impact on international theatrical revenues.

    Licensing revenues increased 45 percent to $347 million in the quarter, primarily driven by Paramount Television production, as well as higher revenues from licensing arrangements with pay television and SVOD distributors. Domestic licensing revenues grew 85 percent, while international licensing revenues increased 24 percent.

    Home entertainment revenues increased 29 percent to $198 million in the quarter, reflecting the number and mix of current quarter releases. Domestic and international home entertainment revenues increased 23 percent and 49 percent respectively. Foreign exchange had a 5-percentage point unfavourable impact on international home entertainment revenues.

    Ancillary revenues increased 149 percent to $112 million, primarily driven by the sale of a partial copyright interest in certain current year releases related to a film slate financing arrangement. Domestic ancillary revenues increased 158 percent to $93 million while international ancillary revenues increased 111 percent to $19 million.

    AlsO Read :

    Viacom International buys majority stake in Youtube LATAM content producer

    Nickelodeon ad sales grew 20%, launches ‘Gattu Battu’

    Viacom18, Star India & B4U win case against pirated streaming in US

  • Nickelodeon ad sales grew 20%, launches ‘Gattu Battu’

    MUMBAI: Ruling the genre from August 2014 to date with 31 per cent market share is not one man’s game. Growing from strength to strength are Viacom 18’s children’s networks — Nickelodeon (19 per cent), Sonic (10 per cent) and Nick Jr (2 per). 

    The other two networks Disney and Turner stand at a 33 per cent and 27 per cent market share, respectively. Reaching out to 32 million kids every week, Nickelodeon is the undisputed leader across various slices, TGs, Dayparts (weekdays and weekends), NCCS and Geographies. The channel sees a 28 per cent contribution from South as a region. When it comes to viewership, the channel gets 65 per cent traction from the Urban whereas 35 per cent come from Rural.

    The franchise’ revenue has gone up 20 per cent y-o-y. Sonic’s yield has increased by 40 per cent y-o-y whereas, Nickelodeon’ yield has increased by 25 per cent y-o-y.

    “Nickelodeon’s team has steered the channel as the ruler from 2014 in the kids category. The channel has been leading with a five per cent gap from two of its competitors Hungama and Cartoon Network. The fantastic news is that Sonic is at 10 per cent market share with 252 TVTs. In fact one of the weeks Sonic took over Disney. We are all up there growing, crawling, reaching there,” said Viacom18’s kids cluster EVP and business head Nina Elavia Jaipuria.

    According to the Ormax Small Wonder Study, six out of 10 characters that are widely loved by kids come from this channel.

    “When new kids comes to a channel, we normally drop time spends or when you have lesser reach on your channel, the time spent goes up. Therefore, we feel happy that we have the highest reach and have maintained our time spent. The kids are loyal to us which means that we have a great channel affinity, content affinity,” added Jaipuria.

    The network released its full length feature film titled Motu Patlu: King of Kings which has done wonders. The movie has made its way to small screen and will air on the channel soon. Viacom also plans to launch a new Motu Patlu in Dragon World by June 2017. Apart from this, the channel will add new episodes to Motu Patlu and Ninja Hattori, which is getting updated after a year.

    Nickelodeon

    With an average time spent of 90 minutes on Nickelodeon, it is all geared up to launch its fourth local franchise. After a successful year with home-grown toons like Motu Patlu, Pakdam Pakdai and Shiva, Nickelodeon intends to magnificently captivate kids with its new fully owned IP Gattu  Battu on 1 May. The show will air throughout the week.

    “Nickelodeon has managed to sustain its leadership for the longest time is because of the width and depth of library. I think it is about creating enough content library and therefore the fourth local show so that we have width. But, that is not enough. We need depth due to which we have created libraries with 200 episodes for our local shows. It is a whole lot of investment but they have a huge shelf life which gives us ratings that can monetize the top-line,” added Jaipuria.

    Gattu Battu is a story of two best friends who own an investigative and security agency in a small town called Vishrampur.  While Battu is the sixth sense behind every case to be solved, his friend Gattu is the courageous and righteous one. Their hilarious and brilliant cover-ups is what forms the heart and soul of this show. Gattu and Gattu are joined in their fun escapades by Ting Tong, their goofy and adorable sidekick with a flair for martial arts. They together along with Dr. Bhatawadekar and his gadgets come together to fight the notoriously funny villain Sher Singh.
    The unique investigative home-grown animated show from the house of Nickelodeon is an ultimate blend of action and comedy and is sure to provide a fun filled entertainment experience for kids.

    “After launching three blockbuster ‘Made in India’ shows and creating an eco-system around them, we are delighted to bring to them yet another winning series, Gattu Battu, that they will surely embrace and make a part of their daily lives. There were no characters that bring a blend of crime thriller combined with comedy for kids – Gattu Battu fills this whitespace,” added Jaipuria.

    The show’s launch is followed by an expansive marketing campaign which will have promotions with an extensive cross channel plan, large scale on-ground, ambient engagement and interesting on-line interactivity. Adding to this will be the on-ground initiatives like retail and mall partnerships (Phoenix, Ambience, Viviana etc), multi city promotions etc. The channel has associated with Mc Donald’s to air the show promos across 300 screens. Gattu Battu themed games, van activations in Tier 2 cities and meet-and-greets at various gaming zones such as Funcity will introduce the duo as well as allow kids to engage with the characters.

    Sonic

    Viacom18 made a bold move last year by placing Nick’s iconic teen adventure program, Shiva as part of Sonic’s programming henceforth. The change is in line with Nickelodeon’s need for a strong second channel. This led to a huge spike in its viewership and therefore, the channel has grown from four per cent market share to 10 per cent.

    “We have done everything possible when we launched a new show. We did games, malls, mass media, school content program, etc to make Shiva the next big thing after Motu Patlu and Pakdam Pakdai,” added the channel head.

    The channel has been delivered mainly because of three shows — Pakdam Pakdai which gives the channel 25-27 per cent share in local content, Oggy and the Cockroaches and Shiva.

    On the digital front, the channel plans to engage more with kids by creating several digital assets. “The websites are rocking with it. We have 407 games on the websites out of which 200 are local content games with 15 new ones in the pipeline,” said Jaipuria.

    Rocking the summer with exciting content line-up, the channel will add new episodes to its famous shows- Shiva, Pakdam Pakdai, Oggy and the cockroaches, etc. The marketing strategies for these shows will matchup with Gattu Battu’ plans. The channel will place blimps of the characters at several places in partnership with malls and will also do van activations in tier 2 cities.

    Nick Jr

    The 24 hour pre-school channel for toddlers has the best content with iconic, world renowned shows like Peppa Pig, Dora the Explorer, Paw Patrol, etc. Dora continues to be the face of the channel.

    Nick HD+

    The best of local and international shows like Motu Patlu, Pakdam Pakdai, The legend of Korra, Dora the Explorer, The Penguins of Madagascar, Rabbids Invasion, etc., are available on high definition on this channel. It does not simulcast the content from other channels in the bouquet. The channel also has a block on the channel called Teen Nick, where the channel plays sitcoms.

    Some channels may not bring in advertising revenues. “A lot of these channels are here to stay because they create large-scale perspective, foundations, and gives us a base of consumer products and subscription revenue.

    Ad sales and revenues

    The franchise has been contributing the network’s bottom line year after year. The ad sales over the last year have grown by 20 per cent. The channels have also seen a rate increase. Three years in a row, the franchise has given 30 per cent and 20 per cent to the top line. The subscription revenues have also grown by 10-15 per cent y-o-y. The cluster has also delivered on the bottom line and has doubled from last year.

    The franchise provides various non FCT solutions to advertisers like promotional licensing, product licensing, tentpole licensing, movie sponsorships, in-show placements, school contact program, tailor made brand solutions that paved way for increased. 

    “If we are spending so much, the money has to come from somewhere. So, the rates have increased on Nick and Sonic. Sonic has made it to the consideration of many advertisers. We are very happy to note that monetizing is actually working for us, subscription revenues are also growing by 10-15 per cent y-o-y. Therefore, this business looks greener. The non-subscription revenue from ad sales, non-FCT revenue and it’s starting to get great ancillary revenue from consumer products, licensing or digital screens or syndication,” concluded Jaipuria.

    Jaipuria also noted that the network’s 15-20 per cent revenues got hit due to demonetisation. It took away the surplus.

    With a slew of characters, the franchise’ merchandising revenue has grown by 40 per cent from last year. The products are available across 46 categories.