Tag: Nick

  • Dish TV appeals to govt against MTV, Nick

    Dish TV appeals to govt against MTV, Nick

    MUMBAI: Subhash Chandra’s DTH service Dish TV has upped the ante by invoking government help in getting those TV channels on board who have refused to do so till now.

    Dish TV’s wrath has been particularly directed at MTV and Nick with which the former has been fighting a legal battle since last year.

    In a letter to the information and broadcasting ministry, Dish TV has petitioned that despite sector regulator’s directive on making available content to all platforms and a favourable judgement from disputes tribunal TDSAT, the “conduct of MTV” has been “clearly in violation” of the interconnection regulation of 2004.

    Dish TV’s parent ASC Enterprises has contended despite carrying on commercial negotiations with MTV Networks India for several months, the content provider and its distributors in India (One Alliance) have stalled any fruitful conclusion of such talks.

    The Dish TV letter to the government states, “We would request you to take cognizance of the consistent refusal of MTV Networks to provide the channels, MTV and Nick, on our DTH platform and non-compliance of the interconnect regulation of Trai (Telecom Regulatory Authority of India)
    and the order of TDSAT before the registration certificate for downlinking of (the) channels is granted to the broadcaster.”

    The government while acknowledging the letter from Dish said it hasn’t taken a view on the issue yet.

    In a related development, an executive of Dish TV said it will be “placing the execution appeal” at the TDSAT within few days.

    Contacted by Indiantelevision.com, MTV senior vice-president, network development South Asia (licensing and merchandising) Sanjeev Hiremath, refused to comment saying the matter relating to Dish TV was subjudice.

    A spokesperson for Discovery-Sony joint venture One Alliance today said that negotiations with Dish TV have been continuing fruitfully and are “likely to be concluded in a few days time.”

    ASC Enterprises, the DTH licence holder for Dish TV, had moved TDSAT in 2005 against MTV’s refusal to provide its channels for the DTH platform.

    Early this year, TDSAT directed MTV to make available its channels to Dish TV on a commercial basis within 30 days by 10 March, 2006.

    MTV Networks appealed against the TDSAT order in the Supreme Court, which admitted the appeal, but did not stay the disputes tribunal’s order.

    During the last hearing on 9 May, the apex court said the case would be taken up again on 12 July after the summer recess.

    Dish TV has also moved the TDSAT against Star India on similar grounds of noncompliance of interconnect regulations.

  • MTV2 plans to launch in India

    MTV2 plans to launch in India

    MUMBAI: MTV Networks India is expanding its bouquet of channels. The latest to plan an entry into India is MTV2, a channel from the Viacom stable which has a mix of music videos, long form music programmes and a line-up of irreverent, lifestyle and cross platform programming focused on youth and pop culture.

    MTV2 has registered for downlink licence. The other channels in the family which are already operating in India are MTV, Nick and Vh1.

    “We have applied for downlink licence for MTV2. This is in line with our plans to increase the MTV Networks franchise in India,” says MTV Networks India spokesperson.

    As for whether MTV2 would be specifically for direct-to-home (DTH) or be made available on cable TV networks as well, the spokesperson declined to provide further details. “It is too pre-mature to elaborate on our plans at this juncture,” he said.

    That the company was looking at expanding its operations in India was stated earlier by former MTV Networks Asia Pacific president Frank Brown.

    In an interview with Indiantelevision.com, he had said, “We are looking at a lot of ideas, including some potential channels for DTH. We are eyeing the launch of new genres of channels. We would like to explore some original channels in India and then probably use it as a test case for launching in other markets.”

  • ‘With all the new delivery platforms, we are at the doorstep of a very interesting phase’ : Pradeep Hejmadi – Tam Media Research vice president

    ‘With all the new delivery platforms, we are at the doorstep of a very interesting phase’ : Pradeep Hejmadi – Tam Media Research vice president

    He has been associated with a wide variety of assignments in the domain of media planning and broadcast management. Now he’s buried into hardcore research.

     

    It’s been just over six months since Tam Media Research vice president Pradeep Hejmadi joined the company and when we mention that to him, he seems shocked at how time has flown.

     

    His last assignment was with the kids’ channel Nick. His experience traverses through various media organisations like Turner International, Discovery India, HTA and The Times of India.

     

    Speaking to Indiantelevision.com’s Hetal Adesara Hejmadi dwells on the various issues that concern the television industry today and also on the exciting phase that it entering.

     

    Excerpts:

    It’s been just over six months since you joined Tam, how has the journey been so far and what was the mandate given to you when you joined?

    The journey has obviously only begun but it’s been good fun. Being on the broadcast side, you see one view of the world. There I was doing a whole host of stuff that is quite different from what I’m doing here. So from that point of view it is a refreshing change to come to audience research and to help people to converse with data.

     

    In terms of mandate, the idea was simply to focus on two areas: one is on the needs of the broadcasters and to keep the system abreast in terms of the areas that are emerging as interest areas for the industry per se.

     

    The other mandate is to get people to make decisions on the basis of the information that they have. Some people tend to have a biased approach towards numbers as research sounds like such a difficult animal to manage and tame. Our focus has been to try and make sure that people are able to read audience behaviour and act on it. And hopefully start seeing some response on the basis of what they are doing so that they can get far more structured in the way they go about their businesses.

     

    The environment is pretty crazy as we are operating in a very heterogeneous market and it is not easy to use any information and just act on it. Many a times the devil is in the details so our focus is really to find that devil and help people tame it.

    Can you throw light on the new initiatives that Tam is or will be undertaking and in which areas?

    Not too much of what we do is an industry secret, so I’m sure that you know pretty much everything. The Elite panel is something that is going to be launched and the current panel expansion is also underway. The panel expansion is a nine month process that we started in the beginning of this year. By the fourth quarter of this financial year, we should be ready. We have consulted the industry and many people have told us not to make a mid-year change in the measurement science. So after consensus from the industry, we are looking at January 2007 to switch to the new universe.

    What about the launch of the Elite panel and what according to you will be the data thrown by it in terms of viewership patterns? How much of importance will it hold in the coming days in terms of tracking viewership?

    The Elite panel will be up by July this year.

     

    The way that we have crafted the panel has not been to bring out any nuance but to focus on a segment. Everyone wanted to have an audience profile, which is the top end of our entire market structure. So in Mumbai and Delhi, we are now going to have a panel, which will represent the behaviour of the top three or four per cent of the population.

     

    Our focus has been to use all the quantitative data that we can get and construct that profile in such a manner that it robustly segments the elite from the national panel. Again we have a whole set of variables through which we have been successful in bringing that point out.

     

    In terms of behaviour, once the panel is up people will see what happens. There are a lot of myths and that is a constant in any industry. But once the panel is up people will be able to see the reality as it is.

     

    Obviously, given that the elite are the top three or four per cent of the population will have a different lifestyle and it will reflect in their media consumption as well. Right now we don’t have the panel up so I can’t even force a guess as to what the panel will throw up. But it should be very interesting and the industry is very keen on getting that kind of information.

    Which are the broadcasters who are specifically interested in the elite panel?

    Surprisingly, all the broadcasters are interested. For the Hindi general entertainment channels, the aim is to talk to everybody and they don’t want to exclude the elite. English entertainment channels are also very keen because they feel that the core component of their viewership is the elite. But a lot of these feelings and aspirations that broadcasters have at present are driven by perception. But as the data comes out we will be able to find out the reality.

     

    A few of the things that we have seen is that for the elite the segmenting elements in terms of defining them differ by market. For example, in Delhi, the definition for elite was a much trickier one than it was for Mumbai. But now for both the markets we have been able to arrive at variables that describe that segment very well.

    ‘In the digital age, numbers will keep rapidly changing so we needed to find ways of being able to pull out from a large sample a very robust estimate of DTH penetration as it stands’

    So the elite panel will be only in Delhi and Mumbai?

    Currently we are looking at only these two cities for the elite panel.

    With new delivery platforms like IPTV and mobile TV coming in this year and also keeping in mind the new DTH platforms launching, is Tam undertaking any research in these areas?

    We have just done a penetration study, which has brought out estimates of what the DTH number is for households, the small number of the addressable conditional access boxes that are there and also what the current incumbent players have in terms of market share.

     

    Those numbers are already in place. The fact is that in the digital age, numbers will keep rapidly changing so we needed to find ways of being able to pull out from a large sample a very robust estimate of DTH penetration as it stands. The large sample needs to be touched, collected and reported in a very short period of time. We were able crack that by using the IMRB household panel, which has shown very interesting numbers. As things pan out, we will be working towards getting the universe estimates updated more frequently. We will also be able to understand the rollout of this phenomenon in different markets in a very different manner.

    Is this a difference of viewership of people watching DTH and those watching C&S?

    At the moment we don’t know because we are not measuring DTH. To us the mandate from the industry was to measure any phenomenon which had a market share of five per cent and above. If any phenomenon was below five per cent of a market then there is no point in measuring that.

     

    So from our point of view we have been doing establishment surveys to measure a phenomenon. So if CAS or DTH becomes five per cent of the market then we will have to report on it.

    So are you saying that DD Direct and Dish TV DTH subscribers do not add up to five per cent of the market?

    No it is not five per cent of an individual market.

    Once Tata Sky and Reliance launch their DTH, will Tam begin measuring viewership on DTH?

    Once DTH arrives and reaches a five per cent critical mass, we will begin measuring it. Now whether it is pre or post the launch of Tata Sky DTH is immaterial.

    If you get 300 channels as against 100, will you watch three times the TV? It will be interesting to find out

    What will be the difference in the backend infrastructure for measuring DTH?

    There will be a difference because these signals are digital. Currently, primarily because the market is analog is nature, we had meters which worked on analog. Now we’ve brought in state-of-the-art TVM5 meters which can measure DTH and any digital and IPTV signals. These are the meters that we will be deploying for measuring viewership on DTH.

     

    So the elite panel will be on TVM5 meters and also all the metros will be moving to TVM5 meters.

    What according to you is going to be the impact on programming content after the launch of these new platforms?

    This is a very interesting question you raised. There is one aspect of what DTH providers will do to justify a person to shift from cable to DTH. And there is another part of the picture, which is what the consumer will do once the new DTH platforms are launched.

     

    DTH platform players have already realized that to drive people to take a box or dish and to go through the motion of having a one on one relationship with the service provider, they will have to add some value over the basic tier. So from their point of view, they are trying to build and aggregate as much content and provide as much variety as possible. Whether consumers will watch or not, we will know once we know what content has been aggregated.

     

    It will be a game of wait and watch to find out whether tastes will change. But the fact is that tastes changed when we shifted from terrestrial to cable and satellite. So going by that, tastes should change with DTH coming in but how much and by what measure will have to be seen.

     

    Obviously some rules of the game will change. For instance, currently distribution does play a very critical role. At that time, the kind of TV sets will not matter because all these households will be remote households by default because they will switch channels off the set top box (STB). All of these households will get all the channels on the STBs provided they pay for them. So it will become television neutral and also cable bandwidth neutral.

     

    In one sense it becomes a level playing field across consumers. Now if you get 300 channels as against 100, will you watch three times the TV? It will be interesting to find out. I have a feeling that over a period of time people and their tastes change. So you will see a change in behaviour but over what period of time and will it be an easy or painful switch-over will be ascertained by various constituents.

     

    From our perspective, we need to have measurement that is representative and precise. We need to have people understanding what is coming out of this system so that they can then funnel it back.

     

    We are actually at the doorstep of a very interesting phase. In six to eight months’ time we will start seeing some things changing.

    What are your views on conditional access system (CAS)? How is it going to impact the industry if and when it comes into place?

    From a long term perspective it is obviously good for the industry. Nothing happens very easily. We know the resistance to change that we as human being have. On CAS it has got into a kind of a mess and has had a bad history. It also got much politicized and hence because of that and a whole host of things, it has made life difficult for CAS.

     

    But I think once DTH rolls out and channels announce their pricing for DTH, it will help CAS. It is very good that we have a body like the Telecom Regulatory Authority of India (Trai), which has put in certain norms to help platforms iron themselves out. So in their regulation the ‘must provide’ clause has been put in and pricing parity has been brought in so that channels can’t have different pricing for different platforms. This will help CAS and DTH.

     

    Intrinsically there are some issues with CAS. One of them is inter-operatibility. As far as CAS is concerned, if you stay in Chembur and then move to Churchgate, you might not be able to use the same box. Whereas this problem does not arise in DTH.

     

    In Chennai, for example CAS did not fly because the tastes of that market is very different. Also the popular regional channels are all free to air. So the number of people who were ready to pay for that box was very small. But in a lot of other markets, most of the Hindi entertainment channels are all pay. As long as they don’t buckle because of advertising revenue pressures and stay pay, they could fuel growth of CAS.

    Tam has been tracking viewership in Chennai, where CAS has been implemented. What have been the learnings from there?

    CAS penetration is very low in Chennai. The pricing is very exorbitant. For instance, initially, the channels that were on STBs and were of interest to the mass population were kids channels and English entertainment channels. If you added up all those channels on an a la carte rate, the cost of the box was four times the cost of annual subscription for these channels. Now that’s prohibitively expensive.

     

    In that market, it was a first launch, so it is understandable if Sumangali might have adopted the strategy of not wanting to price it down that much. But obviously the value proposition was not that compelling. This is not the case with a lot of northern and western markets. In these markets a lot of Hindi content is pay, which has appeal. Therefore it might drive the box much faster than it did in Chennai. So Chennai is really an exception.

    Going forward, what according to you are the issues that broadcasters will face in the coming years with new technologies launching? Do you have any words of caution for them?

    I don’t have any word of caution for them mainly because of one reason – I don’t see any threat, I only see an opportunity in the way things are happening. Consumers have consumed channels for a while and they like the programming they watch. The positive thing that is happening now is that a broadcaster is seeing an opportunity in a disguised form of various distribution routes.

     

    If broadcasters see that as an opportunity and seize it, it might be a lot more good news for them than what it seems to be, with certain reservations. If you get your pricing right; if you make sure that as a broadcaster you are not biased towards a distribution platform, it is only going to be better because there are issues with the kind of TVs in a household and in what kind of analog frequency band is there with cable. Plus there are issues with the number of people you can serve with one cable system. All of these will cease to exist with DTH.

     

    A consumer will start making a choice and give their preferences, whereas broadcasters will be able to solidify the product over a period of time. So that revenue line will become a far more solid line.

     

    Obviously, there will be a painful and uncertain phase but that is there everywhere. People will have to learn to deal with it but it will take a slightly longer time. Consultation can work much better than confrontation in many a situation. At this stage people in the industry need to communicate more effectively… forget strategy and that’s what will help them.

    Do you see any other major event impacting the television industry this year?

    If I say yes, I might be wrong. If I say no, I might be wrong too. I really don’t know. I think the days ahead are going to be fun as all the different genres are reinventing themselves in order to get a lion’s share, whether it is music, kids, regional or Hindi general entertainment channels, all of them are rethinking their approach.

     

    I don’t know what else will be big this year, but religious channels are catching up big time. Sports is going through the roof in terms of the number of events. With so much of cricket, I’m not sure whether it will have that novelty value. It will have mass appeal but whether all masses will run for it will be worth watching.

    What are the genres that will work this year? Will reality shows still rule the roost?

    Reality is a very broad term, it’s like saying – serials, which brings everything under one category. But within reality we have seen only a few things happening. Reality has its pluses and minuses, you can’t overdo reality and start running it like a soap as it tends to become boring. It needs to have that ‘Wow’ factor.

     

    Also notable is the fact that unfortunately all the sequels of reality have not done that well. So it also tells you something about such programming. But there is a growing appetite for it from the consumers’ side. So from that point of view it will stay… in what form and format, we will have to see.

     

    If you see the number of people going to Mipcom from India, you know that reality is not going anywhere. Over a period of time things will start ironing out in the reality genre.

     

    In reality a unique concept, which is executed well gets you walk-ins faster than a soap. For anybody who wants a shot in the arm, reality is the quick fix solution. But then, they need to have a solid strategy to retain that new audience and capitalise on it.

  • Nick to launch four new shows in May

    Nick to launch four new shows in May

    MUMBAI: Nick has a scorching hot line-up this summer. After launching Trollz in February, Gili Gili Gappa in March and Drake & Josh on 1 April, Nick is launching four new shows in May.

    This brings the tally of new shows on Nick in 2006 so far to seven, not to mention new episodes, a fully made-over programming schedule and marketing events.

    Nick India vice president and general manager Hema Govindan said, “The four new shows are in line with Nick’s programming plans to introduce more than 500 episodes of new programming for the kids this year. We’re also making some major changes to our programming grid so watch out for that. With a philosophy that puts kids first, Nick strives to keep the excitement alive for kids given their short attention span and quest for newer things.”

    First up, the Nick Jr. pre-school block sees a complete makeover with three new shows including Peppa Pig, Dougie in Disguise and Lazy Town all launching on 8 May.

    Peppa Pig is a cheerful pre-school show about a family of pigs. Peppa is a loveable, cheeky little piggy who lives with her little brother George, Mummy Pig and Daddy Pig. Peppa’s favourite things include playing games, dressing up, days out and jumping in muddy puddles. Her adventures in growing up and making friends always end happily with loud snorts of laughter.

    Dougie in Disguise is a pre-school show about Dougie, an ordinary kid. He loves to play with his sticker albums which turn into a living world through Dougie’s imagination. In each episode Dougie, with his viewers, meets new friends and enjoys exciting adventures in a unique environment, with songs and beautiful animated stickers. It’s a world of magic and wisdom where Dougie overcomes situations with his little dog while interacting with the audience.

    Lazy Town is a one-of-its-kind comic live action-cum-animation series about health and fitness for kids. Eight-year-old Stephanie has just moved to a strange new place called Lazy Town where people like to lounge and do nothing, where the word “healthy” brings her blank stares and the word “broccoli” can cause people to scream.

  • Nick announces first-ever Japanese development deals

    Nick announces first-ever Japanese development deals

    MUMBAI: US kids channel Nickelodeon has announced its first-ever Japanese development projects for original content.

    The new projects include a development and acquisitions deal with the Domo Production Committee, affiliates of Japan’s largest broadcaster NHK, as well as a development deal with Polygon Pictures, a Japanese 3-D animation house.

    Nickelodeon and NHK’s affiliate, Domo Production Committee, will co-develop and produce, a 26 episode, two-minute short series. This will be based on NHK’s popular Domo-kun character.

    The deal also includes an advance acquisition of the series by Nicktoons in the US, marking the first time a Japanese produced series will air on a Nickelodeon Network in the US. The series premiere on Nicktoons Network US will be announced at a later date. Meanwhile Nickelodeon and Polygon Pictures have agreed to co-develop a new animated series based on the Japanese graphic novel, Akihabara@Deep.

    Nick Intl senior VP Steve Grieder says, “We a’re excited to be announcing these critical developments and will continue to work with local producers, both as creative and syndication partners, to establish Nickelodeon as a global platform for Japanese animation.

    “We have a long-term commitment to invest in new creative content from Japan like Domo-kun and Akihabara, two stunningly original projects, and we look forward to helping expand the influence Japan has in the kids’ entertainment arena even further around the world.”

    NHK senior corporate officer Tetsuo Kamemura says, “Domo-kun has been NHK’s very popular mascot since 1998 when he was born and now Domo-kun will be a new television series. The Domo-kun Production Committee is extremely proud and happy to be the first Japanese animation to air on Nicktoons Network in the US and we look forward to bringing Domo-kun, together with Nickelodeon, to the rest of the world”.

    Nicktoons GM Keith Dawkins says, “Domo Kun is a cultural phenomenon in Japan. The animation is exquisite. We’re excited to partner with NHK to bring this property to a whole new audience in the states”.

    Domo-kun features Domo, a strange creature born from an egg who lives in an underground cave with Usajii, a wise old rabbit, who loves to watch TV and drink tea. Domo is short, fuzzy and brown with black eyes and a large mouth with very pointy teeth. Domo also loves to watch television and listen to grunge music and Rock and Roll. He is gentle and strong and when he is nervous or in a bad mood, he breaks wind. Domo’s favourite food is seasoned beef with potatoes and he has a strong dislike for apples (an unexplained mystery in his DNA). Domo-kun has been an icon for Japanese kids, tweens and families for nearly a decade since his first appearance as NHK’s BS2 mascot.

    Akihabara@Deep from Polygon Pictures is an edgy, colorful and fast-paced cyber-detective comedy/action/drama based in Akihabara, the Electric Town of Tokyo. Polygon’s Polygon Family is currently featured on Flux, MTV Networks’ mobile download service.

  • Miss Spider’s Sunny Patch Friends season 2 premieres on Nick

    Miss Spider’s Sunny Patch Friends season 2 premieres on Nick

    MUMBAI: Miss Spider and her fun-loving clan ofbugs are back. Nick Jr. has begun airing the second season of Miss Spider’s Sunny Patch Friends, the 3-D animated series based on the book series by David Kirk from 13 March.

    The new 20-episode season of Nick Jr.’s hit preschool series rolls out with a new half-hour episode premiering every day this week at 12:30 p.m. (ET/PT) through Thursday,16 March. Miss Spider’s Sunny Patch Friends airs regularly weekdays on Nick Jr. at 12:30 p.m. (ET/PT) and weekends on CBS.

    Miss Spider’s Sunny Patch Friends follows the days of Miss Spider, her husband Holley and their eight kids, four spiders and four adoptees from different insect species. Nearby are Spiderus, Grandma Betty, Uncle Gus and many other hoppers, fliers and crawlers. The Sunny Patch bugs are a miniature menagerie of creatures of every size, shape, color and personality that strive to get along and accept each other despite their differences. This CGI-animated show stars Emmy-nominated actress Kristin Davis as the voice of Miss Spider.

    Nick Jr. is a specially designed programming block airing on Nickelodeon weekdays from 9 a.m. – 2 p.m. (ET/PT) and weekends on CBS. Completely dedicated to preschoolers ages 2-5, Nick Jr.’s Emmy, Peabody and Parents’ Choice award-winning programs are curriculum based, fun and commercial free. At Nick Jr., kids play to learn with innovative, original shows created just for them.

  • Nick to launch new show – ‘Gili Gili Gappa’ on Holi

    Nick to launch new show – ‘Gili Gili Gappa’ on Holi

    MUMBAI: Nick is readying for Holi with a special slime show of its own. Gili Gili Gappa, which is the Indian version of Slimetime Live, will premiere on 15 March at 4.30 pm and will air every Friday. The fast-paced show embodies Nick’s characteristic features – noise, mess and slime.

    The first international version of Nick’s Guinness World Record breaking gameshow, Gili Gili Gappa is hosted by Nischint (aka Nishu) and Aaliyah. The duo tries to keep order while contributing to the chaos, Nick style.

    In Gili Gili Gappa, two teams go head to head in each of the six unique games like Mooh Phat, Aas Paas Bandar Gili Gili Andar and SpongeBum Gili Chaddi. The finale round called Holi Hai has the two winners up against each other for the big challenge, vying for Nick’s ultimate honour – a chance to sit under the “Gili Gili Ganga” machine for a complete sliming.

    But they’re not the only ones who get to participate and get a taste of Gili Gili. The eliminated contestants also get into the act equipped with water balloons, Gili Gili shooters and popcorn as they try to influence the outcome.

    Gili Gili Gappa functions as links between the four shows on the two-hour NickToons block Trollz, Chalk Zone, The Adventures of Jimmy Neutron and SpongeBob SquarePants. Nick general manager Hema Govindan said, “It’s the final touch to our ace NickToons block.”

  • Nick celebrates 10th anniversary of ‘Blue Clues’

    Nick celebrates 10th anniversary of ‘Blue Clues’

    MUMBAI: US kids broadcaster Nick Jr. invites preschoolers, parents and educators alike to join in commemorating the 10th anniversary of the show Blue’s Clues.

    Nick Jr. will kick off a celebration of the show that it says changed the way preschoolers watch TV, by introducing the audience to a new character — Blue’s brother — on the hour-long primetime movie Meet Blue’s Baby Brother on 10 September 2006.

    Blues Clues explores advanced subject matter such as sign language, geography, physics, emotions and anatomy.The earlier mentioned special blends the two worlds of Joe and the classic animated world of Blue’s Clues with the puppets on Blue’s Room. Meet Blue’s Baby Brother will feature a special game of ‘Gold Clues’ as preschoolers help search for Blue’s baby brother and share another milestone with their favourite blue puppy.

    Nick Jr. also announced that it has commenced production on a new, 10-episode season of Blue’s Room, the half-hour Blue’s Clues spin-off series. Blue’s Room, which originally premiered as five, half-hour specials on Nick Jr. takes preschoolers into a live-action playroom featuring Joe and Blue as a puppet who has the ability to talk directly to the viewers at home.

    Nickelodeon Preschool Television executive creative director Brown Johnson says, “We are proud to be celebrating ten years of Nick Jr.’s classic hit which has become a huge part of preschoolers and their parents’ lives. Blue’s Clues is a groundbreaking series that continues to entertain and captivate viewers with its landmark interactivity, while also serving as an important educational tool for young audiences.”

    In Meet Blue’s Baby Brother, preschoolers at home will join Blue, Joe and their friends in a special game of ‘Gold Clues’ to meet the newest member of Blue’s family — his baby brother Sprinkles! It all begins during a family celebration with Joe and the gang, when Blue announces she has a baby brother who will be joining the celebration.

    Blue cannot wait to meet him, but first she and Joe must embark on an interactive quest in PuppyVille to discover which puppy is her brother. In a classic Blue’s Clues style, Joe and Blue search for three gold clues that will lead them to Sprinkles.

  • Tdsat directive on Dish TV: Deadline over, MTV mum

    Tdsat directive on Dish TV: Deadline over, MTV mum

    MUMBAI: With just a day left for the 30-day deadline set by the Telecom Disputes Settlement and Appellate Tribunal (Tdsat), but music channel MTV and sibling kids’ channel Nick are still missing from Dish TV.

    It was on 10 February that Tdsat had issued a directive giving the two Viacom channels 30 days notice to make themeselves available to Zee Group’s DTH service Dish TV. As per Tdsat’s dictat, within the time frame from 10 February to 12 March, the two channels from the MTV stable had to be visible to Dish TV subscribers.

    Dish TV had issued a reminder to MTV, stating that the time period is on the verge of expiry and hoping for a positive response on the same. According to a senior Dish TV executive, “We issued a final reminder on 9 March. If they fail to respond to the same, we will move the Tdsat next week.”

    When contacted by Indiantelevision.com, a senior MTV Networks India executive said, “At this point of time, we don’t want to comment on this matter.”

    It is worth noting that when contacted earlier by Indiantelevision.com, MTV Networks India Sr VP network development and licensing and merchandising Sanjeev Hiremath had stated that the Set-Discovery One alliance (of which the two channels are a part) is already in talks with ASC Enterprises (Dish TV’s holding company) in regards to the matter.

    When asked if his DTH network and the One Alliance were anywhere near agreement, a senior Dish executive said, “We did have a few rounds of talks. However, nothing has been finalized as of now.”

    Dish TV, last year, had moved the disputes tribunal seeking legal redressal against, what it says, is MTV’s unwillingness to come onto its DTH platform.

    MTV India operates three channels in the country — MTV and Nick, distributed by the One Alliance and Vh1, distributed by Zee-Turner.