Tag: Nick Jr

  • HSBC India presents ‘Masha and the Bear Live’, a theatrical adaptation by Viacom18 Live debuts in India!

    HSBC India presents ‘Masha and the Bear Live’, a theatrical adaptation by Viacom18 Live debuts in India!

    Mumbai: Viacom18 Live, pioneers in experiential and immersive entertainment experiences, is all set to mesmerize kids and families with the live theatrical adaptation of the famed animated series on Nick Jr., ‘Masha and the Bear’. Building on the success of the ‘Peppa Pig’ musical that returned earlier this year, the one-of-its-kind entertainment experience with the young, spirited girl and the bear will be making its debut in India. Produced by Viacom18 Live and presented by HSBC India, the entertainment spectacle will go on an incredible journey across the country, commencing in Mumbai on 23 December 2023, followed by performances in Bangalore, Delhi, and Hyderabad and thereafter concluding its tour in Mumbai in March 2024.

    Packed with music, dance, and a strong narrative around “A Very Detective Story”, to make it suit and appeal to children of all ages, the show will provide the audience with an interactive experience where Masha and the Bear will need the audience’s help to solve this mystery together. Featuring various characters from the show, ‘Masha and the Bear Live’ is a musical story that will revolve around Masha, the Bear, professor Nonbelevious, Rosie, the Panda, Sly Fox and Silly Fox & more, who will join Masha to solve the mystery of missing items from her home! With stunning visuals, engaging storytelling, and delightful music, the extravaganza will transport children into the beloved animated world of Masha and her best friend, the Bear, leaving everyone satisfied with solving this mystery with their favorite characters. That’s not all!

    With tickets available on www.kidsdayout.co, HSBC Card holders will have an exclusive 72-hour window to have first rights to the best seats & meet & greet opportunities across each show, along with discounted ticket rates.

    Viacom18 Live (Integrated Network Solutions) business head Gaurav Mashruwala said, “Viacom18 LIVE takes pride in curating immersive entertainment experiences that have left an indelible mark across different age groups. Masha and the Bear, the beloved show on Nick Jr., have captured the hearts of many in India, and we are thrilled to bring their magical world to life on stage. We’re excited to have HSBC India as our partners and help us making this extraordinary experiential possible right in our home turf.”

    HSBC India head of customers, digital & marketing Jaswinder Sodhi said, “We are super excited to be part of an extraordinary live theatrical adaptation of one of the kids’ favourite shows on television, Masha and the Bear. At HSBC, we strive to connect people to opportunities and possibilities, and we offer curated experiences to our customers. Viacom18 Live fosters a similar spirit of connecting through the power of storytelling. HSBC Starstruck is an initiative started by us wherein clients enjoy host of exclusive experiences such as best seats for a show, exclusive presales window, discounts and meet & greet with artists. The India tour of Masha and the Bear will be a part of HSBC Starstruck initiative, wherein our HSBC clients will have access to exclusive benefits.”

    Masha and the Bear has gained immense popularity in India, captivating both children and parents with its delightful storytelling and endearing characters. Its widespread appeal on Nick Jr India has made it a household favorite across the country. With the great history of Viacom18 Live providing immersive live entertainment, including events like ‘Vh1 Supersonic,’ ‘Vh1 Lift Off,’ and ‘Peppa Pig Live musical, the Masha and the Bear Live is set to continue this tradition of bringing unforgettable experiences to the audience.

    Don’t miss the chance to witness the magic of Masha and the Bear Live in India!

    Get ready to embark on a journey of laughter, love, and adventure with your favourite animated friends.

  • Viacom18’s global push with international animation series

    Viacom18’s global push with international animation series

    MUMBAI: Entertaining kids on television is not a child’s play. Many an Indian broadcaster will agree. But Viacom18 owned Nickelodeon India has managed to do it well by bringing to life iconic characters like Motu Patlu, Gattu Battu, Shiva and Rudra amongst several others. Now the kids broadcaster is making its biggest bet: teaming up with its international associate Nickelodeon International to co-produce a new 2-D  animation series targeted at two to 14-year-olds all over the world.

    Titled The Twisted Timeline of Sammy & Raj, it is slated to roll out on Nickelodeon’s international channels in 2021.

    “The UK and the US are two nations that produce a lot of animation content. India is the only region other than these two which has scaled up its original IP animation production capability,” says Viacom18 content & research Kids TV network creative head Anu Sikka. “When the UK team approached us, we thought as so many productions are happening in India why not do something from India. The idea was to create an IP and a show which works across the globe.”

    Read more news on Viacom18

    And that’s why it took the teams from the two companies which included – Sikka and Nickelodeon VP animation Chris Rose – two years to crack the project. Sikka brainstormed with her Indian colleagues to come up with the basic concept, which was then fine-tuned and honed jointly with the Nickelodeon International team. “We have incorporated India’s cultural nuances in the show in order to make it more endearing for both Indian and international audiences,” reveals Sikka.

    The writers room for The Twisted Timeline of Sammy & Raj is now located in the US under head writer Jordan Gershowitz’s supervision. Creatives are being supervised by both the UK and Indian creative teams with the animation being done at Big Animation’s Pune studio.

    Read more news on Nickelodeon

    The channel is using Frame.io for better connectivity as well to clear assets and storyboards. Sikka highlights that due to the pandemic, the entire process slowed down. According to her, the studio has gradually picked up the pace and arranged software and necessary equipment for employees sitting at home. She says: “Luckily for kid's content and animation, we did not require any shoots, so our work didn’t stop. Yes, initially the challenge was to coordinate with everyone, there were internet connectivity issues at some places. There were initial hiccups but now we are back on track. Pre-production work that also includes conceptualisation and writing went at a rather swifter pace.”

    Sikka says that while the IP of the new series lies with Viacom18, distribution will be done by Nickelodeon International in the territories where it can be sold. Of course, the first telecast right will lie with all Nickelodeon channels. She says her  primary focus is to launch the show on a larger scale, and then depending on the traction the channel will look further into distribution and licensing.

    She points out that English dubbing will be done in both India and the UK, but the dubbing of the content in Hindi and other regional languages will be completely homegrown. She further adds, a movie franchise could also be in the works – just like Motu Patlu –  depending on The Twisted Timeline of Sammy & Raj’s popularity.

    Animated shows on Indian television are budgeted at between Rs 12-25 lakh for a 2D series and Rs 22-35 lakh for a 3D one. Sikka was loathed to reveal the budget of the co-production. But industry sources reveal that it might be in multiples of what Indian shows can command.

    The news about the co-production has warmed many an animation industry veteran’s heart. Says one of them: “This is so good. There was a time when India was known for outsourcing and not for original IPs. But recent efforts like Mighty Little Bheem by Green Gold on Netflix and Vaibhav Studios’ Lamput on Cartoon Network has made waves globally and are telling a different story about India’s animation prowess.”

    The hope, amongst most industry professionals is that The Twisted Timeline of Sammy & Raj will take that story of animation further into its next chapter. 

  • Nick, Sonic & Nick Jr gear up for an enthralling festive season

    Nick, Sonic & Nick Jr gear up for an enthralling festive season

    MUMBAI: With the festive season around the corner, Nickelodeon – India’s leading kid’s entertainment franchise is geared up for a fun filled quarter. Starting with Motu Patlu, Rudra and Shiva on Nick to Golmaal Jr, Pakdam Pakdai and Ninja Hattori on SONIC, the months ahead will see a gamut of movies and new seasons to keep our young viewers entertained. The franchise has kickstarted the festive bonanza with Rudra spreading his “Magic” on Nick along with an unmatched dose of pranks and adventure with the Golmaal Jr. gang on SONIC. 

    The Nickelodeon campaign will be brought to life through an interactive contest where kids need to tune in to all new episodes of Rudra Mon-Fri 7:25 pm, give missed calls on the unique number flashing on their television screens and stand a chance to win a specially curated magic box. The campaign will be further amplified on digital and social with interactive games and gifs and a whole lot of ambient visibility and ground swell in key metros like Mumbai with mall chains like Inorbit, Infinity, Oberoi to name a few.

    SONIC will be adding the sparkle and a whole lot of masti to your Diwali plans with the ultimate adventures and comic capers of the Golmaal Jr gang with all new episodes every day at 1:30pm, to keep kids entertained and the festive spirit alive. This campaign will be further amplified with a high decibel cross channel TV plan with spots on popular GECs, music and movie channels, engaging content across social media and video platforms like Tik Tok, Instagram and Facebook along with specially designed ads on You tube keeping in mind the spirit of mischief. We will also see spots in 150 cinema screens for the mega festive blockbuster release Houseful 4 across key HSM U markets. The ground swell will further be amplified through ambient media in malls across crucial markets. The visibility will be further strengthened with strategic alliances, van activations in multiple states and a lot more.

    The festive mania will continue across the franchise with Nick Jr., where we’ll give young kids a dream opportunity to win a play date jamboree with their favorite Peppa Pig. All they need to do is click a selfie while watching new episodes on their television screens and upload their picture on www.NickJrIndia.com and they could be one of the many winners for Nick Jr’s Play Date with Peppa.

  • Peppa Pig bowls India over with nationwide ICC Cricket World Cup promotion #PeppaPlaysCricket

    Peppa Pig bowls India over with nationwide ICC Cricket World Cup promotion #PeppaPlaysCricket

    MUMBAI: Peppa Pig is joining families across India this summer to celebrate the Cricket World Cup with a two-month long campaign namely #PeppaPlaysCricket. The campaign spans over retail, broadcast and promotional activities in association with Viacom18 Consumer Products, Voot Kids, Nick Jr, Hamleys, Penguin Random House, leading child rights NGO Save the Children and the UK Government.

    The promotion aims to get children interested in the sport to unlock the potential of young cricketers across the country. Celebrations were kick-started with retail promotions at Hamleys toy stores across Mumbai, Delhi, Chennai, Hyderabad, Bengaluru, Kolkata, and Pune, which featured Peppa Pig in cricket-themed artwork displayed throughout the store on POS. It also saw an exclusive gift with purchase offer giving 12 lucky kids the chance to appear in a cricket-themed video shoot with Peppa and George, and social media promotions attracting shoppers into the stores. Exclusive Peppa Pig merchandise, licensed by Viacom18 Consumer Products, is now available at Hamleys Stores across these cities which includes plush toys, activity sets, and much more.

    To amplify the promotion, broadcast partner Nick Jr is creating a special cricket-themed video featuring Soha Ali Khan, granddaughter of Iftikhar Ali Khan Pataudi and daughter of Mansoor Ali Khan Pataudi, former Captains of the Indian Cricket Team, who appears alongside Peppa and George to offer kids some fun tips and advice on sportsmanship and teamwork.

    eOne is also building on its global charity partnership with Save the Children and invited children from team India North, who represented India at the inaugural Street Child Cricket World Cup 2019- the first Cricket World Cup for street-connected children which took place at Lord’s London, to be a part of the campaign

    “Peppa Pig has been receiving a phenomenal response from children in India. With the ongoing World Cup, when the entire country is on an uproar, our aim is to engage with children through the sport and celebrate touch points such as teamwork, friendship, sportsmanship, and trust – bringing out the brand values of Peppa Pig as well. We are excited to see how Peppa connects with families through cricket. With promising collaborations with various stakeholders including the UK Government, Save the Children, Penguin Random House, Viacom18 Consumer Products, and various key influencers, we very much look forward to creating unforgettable memories for families in the region,” said EOne SVP international marketing | family & brands Sarah Dempsey.

    “Peppa Pig’s widespread popularity, especially amongst the kids has made it a household name in India. Over the years, we have built on its powerful fandom, ranging from a wide range of consumer products, to curating special content for Voot Kids that has made it one of the strongest characters of the Nickelodeon ecosystem. Riding on the cricket fever, we aim to bring Peppa Pig in India through these esteemed associations that will further strengthen its presence across platforms, catering to a wide variety of audience. We are looking forward to witness this unique combination of Peppa Pig and cricket and take the level of entertainment a notch higher,” Viacom 18 business head – consumer products Sachin Puntambekar.

    Speaking about the partnership, Save the Children head of campaigns Pragya Vats said, “This is a one of its kind partnership, a creative effort to promote the essence of sports among children while spotlighting issues faced by those who live on the margins. During the course of Street Child Cricket World Cup, we identified great interest and potential for the game among children to not just play but to voice their concerns. Together, through the association, we would like to promote the spirit of the game and ensure that every last child gets the right start.”

    Additionally, the UK government is endorsing this campaign through ‘Creativity is Great’, where through their social media will promote #LetsGoPlayCricket.

    The campaign will culminate with a grand finale event at Oberoi Mall in Mumbai on the 7 July 2019 where kids and their families will get a chance to indulge in some fun in Peppa Pig themed activities including a meet and greet with Peppa and George, and a storytelling session on the book Peppa Plays Cricket by Penguin Random House. This finale event will be graced by Indian Cricketer and Captain of Indian Women’s Cricket Team, Mithali Raj along with Team India North, where they will be seen interacting with Peppa, George and all the kids present.

  • Viacom net earnings plummet on restructuring & programming charges

    BENGALURU: Viacom Inc (Viacom) reported a steep decline of 60.1 percent in net earnings for the quarter ended 31 March 2017 (Q2-17, current quarter) as compared to the corresponding year ago quarter – year-on-year (y-o-y). Operating income decreased 43.3 percent y-o-y in the current quarter. The company in its earnings release says that reported operating income reflects restructuring and programming charges of $280 million resulting from the execution of new strategic initiatives, including the prioritization of six flagship brands: BET, Comedy Central, MTV, Nickelodeon, Nick Jr. and Paramount.

    Net earnings attributable to Viacom for Q2-17 were $121 million as compared to $309 million in Q2-16. Operating income for Q2-17 was $332 million as compared to $586 million in the corresponding year ago quarter.

    Viacom reported 8.5 percent y-o-y increase in revenue for Q2-17 at $3,256 million as compared to $3,001 million reported for the corresponding year ago quarter.

    Viacom president and CEO Bob Bakish said, “In the second quarter, Viacom delivered continued top-line improvement, with growth in affiliate revenues, international media networks and across every business segment of Paramount Pictures. Additionally, we executed quickly on our strategic plan, making significant organizational changes to better focus and align Viacom’s brand portfolio and ensure strong leadership, including the appointment of Jim
    Gianopulos to chart a new course at Paramount. We are working diligently to cement Viacom as a partner of choice in the industry, presenting new and reinvigorated brand strategies for our advertisers, producing creative and flexible new opportunities with our distributors and recommitting ourselves to be the home for the world’s best talent.”

    “Viacom also took significant steps forward on our plan to strengthen our balance sheet, improve our leverage profile and enhance liquidity. Since the end of our first fiscal quarter, we completed a successful hybrid debt offering, redeemed outstanding debt and executed on the sale of non-core assets, including the pending sale of our stake in EPIX. There is a lot of work still to do, but we are making important changes at Viacom, taking substantial strides towards revitalizing our portfolio of brands and returning the company to consistent top-line growth,” Bakish added.

    The company has two major segments – Media Networks and Filmed Entertainment.

    Media Networks

    Media Networks revenue for the current quarter increased y-o-y by a marginal 0.5 percent despite a 1.2 percent decline in advertising sales. The segment reported revenue of $2,394 million for Q2-17 as compared to $2,381 million in Q2-16. Adjusted operating income declined 7.2 percent to $747 million from $845 million in the year ago quarter.

    Media Networks advertising revenue declined 1.2 percent y-o-y in Q2-17 to $1,109 million from $1,123 million. Worldwide advertising revenues increased 1 percent, excluding a 2-percentage point unfavourable impact from foreign exchange. Domestic advertising revenues decreased 4 percent, driven by higher pricing more than offset by lower impressions. International advertising revenues increased 11 percent. Excluding foreign exchange, which had an 11-percentage point unfavourable impact, international advertising revenues grew 22 percent. The gains in international advertising were driven by the acquisition of Telefe, which had a 17- percentage point favourable impact, and continued growth in Europe says Viacom.

    Affiliate revenue in the current quarter increased 2.4 percent y-o-y to $1,156 million from $1,129 million. Domestic and international affiliate revenues increased 1 percent to $975 million and 10 percent to $181 million, respectively. The growth in domestic revenues principally reflects rate increases, partially offset by a modest decline in subscribers and a decline in revenues from SVOD and other OTT agreements. Excluding foreign exchange, which had a 4-percentage point unfavourable impact, international affiliate revenues increased 14 percent. The increase in international revenues reflected the impact of rate increases, subscriber growth and new channel launches, as well as higher revenues from SVOD and other OTT agreements. International affiliate growth included a 4-percentage point favourable impact from the acquisition of Telefe.

    Ancillary revenue was flat y-o-y t $129 million. Domestic ancillary revenues decreased 8 percent to $70 million while international ancillary revenues increased 11 percent to $59 million.

    Filmed Entertainment

    Filmed Entertainment revenues grew 36.6 percent to $895 million in Q2-17 from $655 million, reflecting gains in theatrical, licensing, home entertainment and ancillary revenues. Domestic revenues increased 25 percent to $458 million in the quarter, while international revenues increased 51 percent to $437 million.

    Filmed Entertainment segment’s adjusted operating loss narrowed to less than half $66 million from an operating loss of $136 million in Q2-16. The company says that the improvement principally reflected the various revenue increases, partially offset by higher operating expenses.

    Theatrical revenues rose 10 percent to $238 million, with revenues from current quarter releases up 73 percent compared to releases from Q2-16. Domestic theatrical revenues decreased 45 percent, while international theatrical revenues grew 98 percent, reflecting the strong international performance of xXx: Return of Xander Cage. Foreign exchange had a 3-percentage point favourable impact on international theatrical revenues.

    Licensing revenues increased 45 percent to $347 million in the quarter, primarily driven by Paramount Television production, as well as higher revenues from licensing arrangements with pay television and SVOD distributors. Domestic licensing revenues grew 85 percent, while international licensing revenues increased 24 percent.

    Home entertainment revenues increased 29 percent to $198 million in the quarter, reflecting the number and mix of current quarter releases. Domestic and international home entertainment revenues increased 23 percent and 49 percent respectively. Foreign exchange had a 5-percentage point unfavourable impact on international home entertainment revenues.

    Ancillary revenues increased 149 percent to $112 million, primarily driven by the sale of a partial copyright interest in certain current year releases related to a film slate financing arrangement. Domestic ancillary revenues increased 158 percent to $93 million while international ancillary revenues increased 111 percent to $19 million.

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  • Nickelodeon ad sales grew 20%, launches ‘Gattu Battu’

    MUMBAI: Ruling the genre from August 2014 to date with 31 per cent market share is not one man’s game. Growing from strength to strength are Viacom 18’s children’s networks — Nickelodeon (19 per cent), Sonic (10 per cent) and Nick Jr (2 per). 

    The other two networks Disney and Turner stand at a 33 per cent and 27 per cent market share, respectively. Reaching out to 32 million kids every week, Nickelodeon is the undisputed leader across various slices, TGs, Dayparts (weekdays and weekends), NCCS and Geographies. The channel sees a 28 per cent contribution from South as a region. When it comes to viewership, the channel gets 65 per cent traction from the Urban whereas 35 per cent come from Rural.

    The franchise’ revenue has gone up 20 per cent y-o-y. Sonic’s yield has increased by 40 per cent y-o-y whereas, Nickelodeon’ yield has increased by 25 per cent y-o-y.

    “Nickelodeon’s team has steered the channel as the ruler from 2014 in the kids category. The channel has been leading with a five per cent gap from two of its competitors Hungama and Cartoon Network. The fantastic news is that Sonic is at 10 per cent market share with 252 TVTs. In fact one of the weeks Sonic took over Disney. We are all up there growing, crawling, reaching there,” said Viacom18’s kids cluster EVP and business head Nina Elavia Jaipuria.

    According to the Ormax Small Wonder Study, six out of 10 characters that are widely loved by kids come from this channel.

    “When new kids comes to a channel, we normally drop time spends or when you have lesser reach on your channel, the time spent goes up. Therefore, we feel happy that we have the highest reach and have maintained our time spent. The kids are loyal to us which means that we have a great channel affinity, content affinity,” added Jaipuria.

    The network released its full length feature film titled Motu Patlu: King of Kings which has done wonders. The movie has made its way to small screen and will air on the channel soon. Viacom also plans to launch a new Motu Patlu in Dragon World by June 2017. Apart from this, the channel will add new episodes to Motu Patlu and Ninja Hattori, which is getting updated after a year.

    Nickelodeon

    With an average time spent of 90 minutes on Nickelodeon, it is all geared up to launch its fourth local franchise. After a successful year with home-grown toons like Motu Patlu, Pakdam Pakdai and Shiva, Nickelodeon intends to magnificently captivate kids with its new fully owned IP Gattu  Battu on 1 May. The show will air throughout the week.

    “Nickelodeon has managed to sustain its leadership for the longest time is because of the width and depth of library. I think it is about creating enough content library and therefore the fourth local show so that we have width. But, that is not enough. We need depth due to which we have created libraries with 200 episodes for our local shows. It is a whole lot of investment but they have a huge shelf life which gives us ratings that can monetize the top-line,” added Jaipuria.

    Gattu Battu is a story of two best friends who own an investigative and security agency in a small town called Vishrampur.  While Battu is the sixth sense behind every case to be solved, his friend Gattu is the courageous and righteous one. Their hilarious and brilliant cover-ups is what forms the heart and soul of this show. Gattu and Gattu are joined in their fun escapades by Ting Tong, their goofy and adorable sidekick with a flair for martial arts. They together along with Dr. Bhatawadekar and his gadgets come together to fight the notoriously funny villain Sher Singh.
    The unique investigative home-grown animated show from the house of Nickelodeon is an ultimate blend of action and comedy and is sure to provide a fun filled entertainment experience for kids.

    “After launching three blockbuster ‘Made in India’ shows and creating an eco-system around them, we are delighted to bring to them yet another winning series, Gattu Battu, that they will surely embrace and make a part of their daily lives. There were no characters that bring a blend of crime thriller combined with comedy for kids – Gattu Battu fills this whitespace,” added Jaipuria.

    The show’s launch is followed by an expansive marketing campaign which will have promotions with an extensive cross channel plan, large scale on-ground, ambient engagement and interesting on-line interactivity. Adding to this will be the on-ground initiatives like retail and mall partnerships (Phoenix, Ambience, Viviana etc), multi city promotions etc. The channel has associated with Mc Donald’s to air the show promos across 300 screens. Gattu Battu themed games, van activations in Tier 2 cities and meet-and-greets at various gaming zones such as Funcity will introduce the duo as well as allow kids to engage with the characters.

    Sonic

    Viacom18 made a bold move last year by placing Nick’s iconic teen adventure program, Shiva as part of Sonic’s programming henceforth. The change is in line with Nickelodeon’s need for a strong second channel. This led to a huge spike in its viewership and therefore, the channel has grown from four per cent market share to 10 per cent.

    “We have done everything possible when we launched a new show. We did games, malls, mass media, school content program, etc to make Shiva the next big thing after Motu Patlu and Pakdam Pakdai,” added the channel head.

    The channel has been delivered mainly because of three shows — Pakdam Pakdai which gives the channel 25-27 per cent share in local content, Oggy and the Cockroaches and Shiva.

    On the digital front, the channel plans to engage more with kids by creating several digital assets. “The websites are rocking with it. We have 407 games on the websites out of which 200 are local content games with 15 new ones in the pipeline,” said Jaipuria.

    Rocking the summer with exciting content line-up, the channel will add new episodes to its famous shows- Shiva, Pakdam Pakdai, Oggy and the cockroaches, etc. The marketing strategies for these shows will matchup with Gattu Battu’ plans. The channel will place blimps of the characters at several places in partnership with malls and will also do van activations in tier 2 cities.

    Nick Jr

    The 24 hour pre-school channel for toddlers has the best content with iconic, world renowned shows like Peppa Pig, Dora the Explorer, Paw Patrol, etc. Dora continues to be the face of the channel.

    Nick HD+

    The best of local and international shows like Motu Patlu, Pakdam Pakdai, The legend of Korra, Dora the Explorer, The Penguins of Madagascar, Rabbids Invasion, etc., are available on high definition on this channel. It does not simulcast the content from other channels in the bouquet. The channel also has a block on the channel called Teen Nick, where the channel plays sitcoms.

    Some channels may not bring in advertising revenues. “A lot of these channels are here to stay because they create large-scale perspective, foundations, and gives us a base of consumer products and subscription revenue.

    Ad sales and revenues

    The franchise has been contributing the network’s bottom line year after year. The ad sales over the last year have grown by 20 per cent. The channels have also seen a rate increase. Three years in a row, the franchise has given 30 per cent and 20 per cent to the top line. The subscription revenues have also grown by 10-15 per cent y-o-y. The cluster has also delivered on the bottom line and has doubled from last year.

    The franchise provides various non FCT solutions to advertisers like promotional licensing, product licensing, tentpole licensing, movie sponsorships, in-show placements, school contact program, tailor made brand solutions that paved way for increased. 

    “If we are spending so much, the money has to come from somewhere. So, the rates have increased on Nick and Sonic. Sonic has made it to the consideration of many advertisers. We are very happy to note that monetizing is actually working for us, subscription revenues are also growing by 10-15 per cent y-o-y. Therefore, this business looks greener. The non-subscription revenue from ad sales, non-FCT revenue and it’s starting to get great ancillary revenue from consumer products, licensing or digital screens or syndication,” concluded Jaipuria.

    Jaipuria also noted that the network’s 15-20 per cent revenues got hit due to demonetisation. It took away the surplus.

    With a slew of characters, the franchise’ merchandising revenue has grown by 40 per cent from last year. The products are available across 46 categories.

  • Keshet & Ananey bring teen & kids series to India

    NEW DELHI: Global production and distribution powerhouse Keshet International (KI) and Ananey Communications Group have partnered to bring teens’, tweens’ and kids’ series to the global market in KI’s first foray into the genre.

    Alongside its subsidiary Nutz Productions, Ananey Cmmunications Group – which represents the Viacom brands Nickelodeon, Nick Jr., MTV and Comedy Central in Israel – has created some of Israel’s biggest kids TV hits airing on Nickelodeon. These include the award-winning daily live-action teen drama The Greenhouse, an English language version of which entitled Greenhouse Academy, has become the first Israeli original commissioned by NETFLIX.

    Greenhouse Academy is produced by Nutz productions for the global streaming platform and is due to launch later this year, KI will hold worldwide second-window distribution rights.

    Among other series launching in Cannes internationally as part of the new wide-ranging, long-term relationship between KI and Israel’s largest multichannel group are two daily live-action teen dramas, The Hood and the fantastical suspense series Spell Keepers as well as the kids’ comedy Bed & Biscuit.

    Keshet International CEO Alon Shtruzman said, “We are incredibly fortunate and honored to be partnering with one of the most reputable and outstanding providers of kids’ content in the business. We look forward to doing great things together in the future, as KI expands and diversifies into the business of kid’s distribution and production.”

    Ananey Communications Group Co-CEO, Orly Atlas-Katz, said, “We are thrilled to be partnering with KI and together raising further global exposure and awareness in the international market to our award winning kids and teens content”.

    THE GREENHOUSE: After losing their mother in a spaceship crash, a brother and sister arrive at an elite boarding school for gifted future leaders: The Greenhouse (22 x 175). They join two competing houses within the school. Soon, mysterious developments draw the rival houses into a secret investigation that exposes a destructive plot. Only by joining forces can they save the world from a disaster. As they fight against evil, the heroes of The Greenhouse also cope with typical teen struggles such as love, friendship, competition and betrayal.

    SPELL KEEPERS Spell Keepers (22 x 50) is an exciting, mysterious and fantastical suspense series focusing on two strong and determined girl heroines – Kirki and Layla, each of whom have set out to perform their crucial roles in the world. As they strive to save humanity, they must choose between their own personal happiness and fulfilling their destinies, while facing an inevitable collision between good and evil.

    THE HOOD In the middle of a rich town lies The Hood (22 x 100), a dingy cluster of low-income housing where modest, blue-collar families live. One such family is the David’s. Dad Ben is a widower who struggles to support his five kids but after a string of failed businesses Ben is on the verge bankruptcy, and possibly prison. Making things even worse is the mayor, who is constantly trying to get rid of The Hood altogether. The Hood is a daily drama that skillfully combines edgy class struggles with suspenseful action and big doses of fun.

    BED & BISCUIT Bed & Biscuit is a sitcom for kids, which takes place in a family-run boarding kennel for dogs in a small village in Israel. Moti is a mediocre lawyer who has had enough of the big city and wants to live a simpler life and spend more time with his only daughter Sarah. The energetic father and smart and funny daughter make the move into the country and run their family business – a dog kennel. In their new place they meet some wonderful friends such as Claudia, the voluptuous dog groomer, her son Royo, a young, charismatic, high tempered boy and a goofy girl named TomTom, and experience an insane rivalry with Jacky, the annoying neighbour.

  • Hooq expands its kids offering; to add 500 hours of content

    Hooq expands its kids offering; to add 500 hours of content

    MUMBAI: Video on demand streaming service Hooq has announced that it is tripling its content for kids and will add more child-friendly content soon.

    With the demand for kids’ content growing in India, Hooq plans to be a video service that caters to everyone in a family whether they want Hollywood, local or kids content. This also ensures that a family can enjoy their own favourites across multiple devices anytime.

    The VOD service is expanding its library that will constitute over 500 hours of kids’ content in the next few weeks.

    Hooq marketing head Sheila Paul stated that the streaming service has already inked few deals with big names in family entertainment like Nickelodeon, Nick Jr., Kids Like Us, Hasbro, Mattel Turner and MoMedia.

    Kids can soon watch animated series such as SpongeBob SquarePants, Dora the Explorer, Go Diego Go!, PAW Patrol, Littlest Pet Shop, My Little Pony, Mr. Bean, etc on their parents’ mobile devices or tablets. Fans of Hi-5 and iCarly will also be able to revisit their favorite episodes of the series.

    Last Halloween, the streaming service held the third Hooq hangouts dubbed SP-Hooq-tacular event gathering young movie buffs in their spookiest costumes as they watched horror comedy Monster House produced by Steven Spielberg and Robert Zemeckis.

    Hooq’s competitors in this space like YouTube Kids, Voot, and Sony Liv too have quality content for kids and, hence, it remains to be seen how gripping would this streaming service’s kids content be.

  • Hooq expands its kids offering; to add 500 hours of content

    Hooq expands its kids offering; to add 500 hours of content

    MUMBAI: Video on demand streaming service Hooq has announced that it is tripling its content for kids and will add more child-friendly content soon.

    With the demand for kids’ content growing in India, Hooq plans to be a video service that caters to everyone in a family whether they want Hollywood, local or kids content. This also ensures that a family can enjoy their own favourites across multiple devices anytime.

    The VOD service is expanding its library that will constitute over 500 hours of kids’ content in the next few weeks.

    Hooq marketing head Sheila Paul stated that the streaming service has already inked few deals with big names in family entertainment like Nickelodeon, Nick Jr., Kids Like Us, Hasbro, Mattel Turner and MoMedia.

    Kids can soon watch animated series such as SpongeBob SquarePants, Dora the Explorer, Go Diego Go!, PAW Patrol, Littlest Pet Shop, My Little Pony, Mr. Bean, etc on their parents’ mobile devices or tablets. Fans of Hi-5 and iCarly will also be able to revisit their favorite episodes of the series.

    Last Halloween, the streaming service held the third Hooq hangouts dubbed SP-Hooq-tacular event gathering young movie buffs in their spookiest costumes as they watched horror comedy Monster House produced by Steven Spielberg and Robert Zemeckis.

    Hooq’s competitors in this space like YouTube Kids, Voot, and Sony Liv too have quality content for kids and, hence, it remains to be seen how gripping would this streaming service’s kids content be.

  • MTV Format ‘Warsaw Shore’ scores record view on TVN’s OTT platform

    MTV Format ‘Warsaw Shore’ scores record view on TVN’s OTT platform

    MUMBAI: Polish broadcaster TVN S.A. launched the fifth season of MTV format “Warsaw Shore” on its player.pl OTT platform to record numbers.

    The polish broadcaster is reporting more than 1.6 million views of the series since 28 February, when the season’s first new episodes were made available immediately following its premiere on MTV Poland.

    Based on the worldwide phenomenon “Jersey Shore,” one of the highest rated shows on MTV, “Warsaw Shore” follows a group of young fun-lovers who have come to Warsaw to pursue their dreams of fame and glory. Unafraid of anything, they allow the cameras into their lives to capture their adventures and all-night parties. Season 5 promises an emotional journey, packed with fights, affairs and real friendship.

    TVN’s player.pl platform allows viewers to watch “Warsaw Shore” episodes just after their premiere on the MTV Poland linear channel. Users may choose between a free-of-charge variant and a paid option without ads. Additionally, player.pl users can watch all previous seasons of the show, including “Warsaw Shore – Watching with Girls,” a spin-off of the fourth season.

    “Warsaw Shore’ is a key show for us, enjoying record popularity for years, while TVN and its player.pl platform are very important to us as partners,” said  Viacom International Media Networks Polska VP marketing & product  Daniel Reszka.  “We are happy that, with player.pl, we will continue to be able to deliver this show to an even wider audience. We believe that close cooperation between a strong TV player and a robust online service will lead to excellent results and synergies that cannot be achieved by working alone.”

    TVN Management Board, Digital & e-Commerce member Christian Anting said, “The cooperation between player.pl and Viacom International Media Networks Polska is another step towards the expansion of the library addressed to the millennials, who tend to consume media via the Internet. From now on, aside from the broad range of TVN programs and player.pl own productions, our users can access all seasons of the extremely popular ‘Warsaw Shore’ show.”

    “Warsaw Shore” is still present on the various MTV platforms. As always, premiere episodes are shown on Sundays at11.00 p.m. on MTV Poland. Fans will find shorts and unpublished making-of clips on social media and the mtv.plwebsite, while complete episodes of the show without commercials will be available in the paid section of the MTV Play application.

    All previous seasons of “Warsaw Shore” have been extremely popular. “Warsaw Shore” was the first show in the history of the Polish unit of MTV to be broadcast in other European countries, such as Germany, Sweden, the Netherlands and more. Social media is the basic channel for communicating with the fans of the show. The Facebook fan page of “Warsaw Shore” has garnered more than half a million fans already.

    The Polish portfolio of Viacom International Media Networks includes the following TV channels: Nickelodeon, Nickelodeon HD, Nick Jr., MTV, VH1, VIVA, Comedy Central, Comedy Central Family and Paramount Channel HD. The linear offering is complemented by applications (MTV Play, Nickelodeon Play and other) and websites offering a total of more than 700 hours of video content, 100 games and 50,000 video clips. Globally, the company is a member of the Viacom group.