Tag: NFL

  • New Era up for hard graft in India

    New Era up for hard graft in India

    MUMBAI: Caps! They are functional and shield you from the heat on sunny days. But that’s not what caps are all for anymore. They seem to have become a part of the culture where they are worn more as a fashion accessory rather than for their functionality.

    If you are a part of the modern cult, chances are you would have heard about headwear company, New Era. Founded in 1920, the company is headquartered in Buffalo, New York, and has over 500 different exclusive licences in its portfolio. The company is solely into manufacturing caps, but different types of it. New Era licenced products include New York Yankees, Major League Baseball, Big Bash League, NBA, NFL, Golf, USA Soccer, Los Angeles Dodgers, Manchester United among other sports and teams.

    Although the company is huge in international markets, it launched in India only in 2016, with Bollywood actor Siddharth Malhotra, via an exclusive tie-up with e-commerce platforms Jabong and Myntra to sell the caps. The company wants to establish itself as the number one headwear brand in India and make sure that headwear is a product of choice for Indians that it currently isn’t.

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    Today, Indian cricketers, A-listers, Bollywood celebrities and influencers, everyone can be seen donning one of their caps. New Era plans to stay on top of Indian consumer’s minds and on top of players’ heads across the globe.

    The company recently announced a licensing deal with Indian cricketer Virat Kohli. The Signature Headwear collection, designed and conceptualised by Virat Kohli, will be manufactured, marketed and distributed globally by New Era.

    With this deal, Kohli has become the company’s first collaborator in Indian market. New Era sales director for EMEA John Casey says the company was looking for someone in India who resonates with the brand’s energy, vitality and someone who can inspire young consumers and their search ended on Virat Kohli as he is regarded as the most famous cricketer in a country where cricket is almost a religion.

    Although the company has signed Virat to create signature collection for now, they will be looking to tie up with other cricketers as well. Casey says, “We are starting with Virat but we are working with Virat’s agency (Cornerstone Sport) and they have a portfolio of players. As we establish our base in India, we would get more cricketers and influencers on board.”

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    Kohli launched his collection branded with the One8 (his fitness wear company) and V (his initial) logos but New Era wants to be locally relevant in India by introducing products that work for the brand internationally such as the baseball, basketball and the NFL. All of the company’s products for India and neighbouring counties are currently manufactured in Bangladesh.

    In India, wearing caps and hats as a fashion accessory is picking up as a trend once again. Though the headwear sector in India already has a lot of established players including Hrithik Roshan’s HRX caps, Adidas caps, Nike, Reebok, Puma, none of them are into creating caps exclusively. Caps is a part of their bigger businesses. Now, this may work for the brand New Era in India or against it.

    New Era will promote its new collection with Kohli only on digital platforms. Casey does not see any merit in doing traditional media for any of its communication as that’s not the sort of audience they are looking at. He adds that the company does not want to target the masses but people who are interested in sports and popular culture. For this, the headwear firm will also invest in influencer marketing on social media platforms Snapchat, Twitter and Instagram by creating sponsored content.

    Purchasing caps is usually more of a touch and feel category, and consumers usually like to see the product, its fit and texture in person before they decide to buy it. Since New Era is currently only available on e-commerce platforms, it tends to lose some of its potential buyers. But the company’s sales director Casey assures that they will be launching their products in brick and mortar stores before 2020. He adds, “We want to be present in sports stores, in department stores and maybe have our own store as well.”

    On the one hand, caps from Nike are priced anything between Rs 600-Rs 1500, Adidas between Rs 999-Rs 2000, HRX between Rs 699-Rs 999. On the other hand, New Era caps start from Rs 1200 and go all the way up to Rs 3200. Since their caps are priced at a higher range than what other caps are available for, affordability will be a huge issue for consumers in India. But then again, the company is targeting the group that wants to adapt and be a part of international fashion and popular and sports culture, which will come at a price.

    For New Era to become a success story in India, a lot of effort, communication and visibility will be needed. The brand is up for the challenge.

    Also Read :

    Kohli brand driving on the up

    Pepe Jeans launches India centric ad with Siddharth Malhotra

    Pepperfry bets big on digital

    The influence of influencer marketing

  • WWE surpasses half a billion social media followers

    WWE surpasses half a billion social media followers

    MUMBAI: WWE has eclipsed half a billion fans through its global social media platforms, further cementing its position as one of the most-followed brands in the world.

     

    WWE’s Facebook page has more fans than the NFL, ESPN, Marvel, Google and UFC, and WWE superstar John Cena is the No.1 most followed active American athlete on Facebook with more than 36 million likes.

     

    On Twitter, @WWE has more followers than MLB, Disney, Sony and Pepsi and according to Klout, is the No. 1 most influential brand on Twitter. 

     

    On Instagram, WWE’s fastest-growing platform, @WWE has more followers than ESPN, HBO, NHL and Gatorade. With nearly five billion video views on YouTube in the past year alone, WWE is the No. 1 Sports channel ahead of the NBA, MLB, NFL, NHL, ESPN and NASCAR.

     

    WWE’s Social Media Snapshot:

    • Facebook: 354 million total likes, including 98 million new likes, an increase of 38 per cent year-over year.

    • Twitter: 108 million total followers, including 18 million new followers, an increase of 20 per cent year-over-year.

    • Instagram: 26 million total followers, including 25 million new followers, an increase of 2,955 per cent year-over-year.

    • YouTube: 6.2 million total subscribers, including 2.8 million new subscribers, an increase of 82 per cent year-over-year.

     

    Earlier this year, WWE won awards for Overall Social Media Excellence and Social Media Dream Team at the 2015 Cynopsis Sports Media Awards and 2015 Cablefax Digital Awards, respectively. WWE’s 12 social media platforms include Facebook, Twitter, Instagram, YouTube, Snapchat, Periscope, Google+, Vine, Foursquare, Tumblr, Pheed and Pinterest.

  • UEFA Europa League ropes in FedEx as main sponsor for 3 seasons

    UEFA Europa League ropes in FedEx as main sponsor for 3 seasons

    MUMBAI: FedEx Corp and the Union of European Football Associations (UEFA) have signed a three-season agreement in which FedEx will take the main sponsor position in the UEFA Europa League.

     

    The sponsorship will commence with the start of the 2015/2016 season and will extend for three seasons through to 2017/2018. A major European cup competition, the UEFA Europa League spans 192 teams across 54 European nations, which aligns with FedEx presence and network in the region.

     

    “As one of the most important European football Cup competitions, the UEFA Europa League is a perfect sponsorship for FedEx, which has a strong commitment to doing business across borders throughout the European region. The UEFA Europa League is an elite competition based on a foundation of grassroots football. It has a great mix of famous clubs and local teams, and reflects the genuine passion of fans across Europe. It is a great way for us to reinforce the commitment and passion that our employees demonstrate every day in all our markets across the region,” said FedEx Express Europe vice president, marketing and communications Andrew Self.

     

    Passion, inspiration and performance will be key themes across all marketing activation and will be reinforced through pitch side, stadium and press conference branding. The sponsorship also extends into UEFA’s digital channels across desktop and mobile platforms. In addition, FedEx will deliver the trophy to the stadium for the final, where it will be hand-delivered to a UEFA delegate before making the journey to pitch side.

     

    The sponsorship builds on FedEx’s extensive history of sports partnerships, including sponsorship of the ATP World Tour, 2014 Ryder Cup, PGA TOUR, and NFL.

     

    “We welcome FedEx into the UEFA sponsor partner family, and we are looking forward to collaborating together throughout the duration of the sponsorship. It is very suitable to have a global brand such as FedEx securing the Main Partner sponsorship for the tournament’s new commercial concept,” said UEFA Events SA marketing director Guy-Laurent Epstein.

  • Dentsu to acquire 33.3% stake in Californian sports agency

    Dentsu to acquire 33.3% stake in Californian sports agency

    MUMBAI: Dentsu Inc’s subsidiary Dentsu Sports will be acquiring a 33 per cent stake in sports agency Athletes First, LLC, which is headquartered in California.

     

    Founded in 2001, Athletes First is a full-service agency, which represents National Football League (NFL) players, NFL and college coaches, professional baseball players, individual athletes in other sports, and other sports-related clients, including broadcasters, with regard to individual contract negotiations, marketing/commercial endorsements, and other client services.

     

    The firm’s core expertise involves the representation and management of athletes and coaches associated with the NFL, a sports league, which boasts a popularity and economic scale that is unparalleled even among the four major professional sports leagues in the US. Its championship game, the Super Bowl, holds nine out of the top ten rankings for the most watched television broadcasts in the US.

     

    Athletes First has more NFL clients than any other privately-owned representation agency including the reigning NFL MVP Aaron Rodgers, as well as several other high-profile NFL players including Clay Matthews, Carson Palmer, Earl Thomas, Von Miller and Jamaal Charles. Athletes First also represents ESPN broadcasters Steve Young, Ray Lewis, and Trent Dilfer, as well as NFL head coaches Chip Kelly and Jason Garrett.

     

    The Dentsu Group has to date been involved in business with sales of marketing and broadcasting rights for professional sports leagues in the US, and the investment in Athletes First will enable it to expand its array of services to its client base in terms of sports marketing and related endeavors in the United States.

     

    Going forward, Dentsu will work toward the further expansion of Athletes First’s agency business and the diversification of its sports representation, sports marketing and consulting business across the United States, and internationally as well. 

  • Cricbuzz targets 75 million users with new World Cup section

    Cricbuzz targets 75 million users with new World Cup section

    MUMBAI: Cricbuzz, a division of Times Internet, is launching a new World Cup section across web and mobile, to capitalise on the major cricket wave with the World Cup and IPL over the next four months.

     

    Cricbuzz is a mobile app for cricket news and scores in India. During IPL 2014, Cricbuzz was used by over 50 million people, with more than 80 per cent of users on their mobile devices. In January, Cricbuzz users spent over 2.5 billion minutes on the Cricbuzz app (just under 5000 years), generating 2.6 billion page views.

    The new World Cup release features a number of major new features, including:

     

    – ‘Timelines’: go through well-crafted timelines of each tournament since 1975, to relive epic moments.

     

    – ‘Records’: the most interesting cricket stats and figures, with a log of past WC matches

     

    – ‘Captains and Kits’: a collection of caricatures of team captains for the last 30 years

     

    – ‘Your Team’: sections dedicated to each team, with history, stats, and easy access

     

    – ‘The Venue’: information on the cities & venues of matches

     

    Cricbuzz will feature editorial content and the scores and alerts. With live reporting straight from the tournament, Cricbuzz will make sure users have the insights at their fingertips.

     

    Last week, the Cricbuzz app crossed 10 million downloads, making it the first sports app in India to do so, and 4x the size of its nearest competition. Cricbuzz is now in the top 5 sports apps globally, behind ESPNScoreCenter and the official apps of FIFA and the NFL.

  • Fox Television acquires KTVU-TV FOX 2 and KICU-TV 36; offers to pay $10 million for Seattle’s KBCB TV

    Fox Television acquires KTVU-TV FOX 2 and KICU-TV 36; offers to pay $10 million for Seattle’s KBCB TV

    BENGALURU: Fox Television Stations (FTS) announced that it has acquired San Francisco-Bay Area stations KTVU-TV FOX 2 and KICU-TV 36 following the close of its previously announced swap agreement with Cox Media Group (CMG). 

     

    The company’s parent 21st Century Fox has agreed to pay $10 million (about Rs 60 crore) to buy KBCB TV station in Seattle, in a move that follows a general strategy to buy stations in cities with National Football League (NFL) franchises.

     

    With the addition of the San Francisco-Bay area stations, FTS now includes duopolies in seven of the top 10 US markets.   FTS also now owns stations in 12 markets with National Football Conference (NFC) teams, allowing it to further leverage the Company’s NFC broadcast package. 

     

    In exchange for the newly-acquired stations, FTS transferred two owned-and-operated stations, WHBQ-TV FOX 13 and WFXT-TV FOX 25, located in the Memphis and Boston markets, respectively to CMG. Both stations will remain FOX affiliates, says FTS.

     

    KBCB TV is a station owned by Venture Technologies Group. Seattle has a NFL team – the Seattle Seahawks and Fox sees value in owning TV stations in markets with an NFC team.

     

    But acquiring the station may help Fox gain leverage to get what it really wants: KCPQ-TV Seattle, a much bigger station owned by Tribune Corp. KCPQ-TV is Fox’s current affiliate in the region and airs Seahawks games says a report by Wall Street Journal’s (WSJ) Joe Flint.

     

    Flint in his report says that Fox has held talks with Tribune about trading one of its stations elsewhere in the US in exchange for KCPQ—at one point Fox even put a Chicago station on the table, though that offer no longer stands. But so far the talks have gone nowhere and have gotten increasingly acrimonious, according to people familiar with the talks. Fox informed Tribune last month that it would terminate the companies’ affiliation agreement for KCPQ-TV Seattle next January.

     

    That will leave the Tribune station without Fox programming, including sports and prime-time entertainment, and could cause its ratings to dive. Industry observers say that move and the KBCB-TV purchase are aimed at ratcheting up pressure on Tribune to do a swap deal.

  • Sony Six brings American football to India with NFL

    Sony Six brings American football to India with NFL

    MUMBAI:  The Multi Screen Media (MSM) India promoted Sony Six has now acquired the broadcasting rights of National Football League (NFL).

     

    The announcement follows a multiyear television partnership between NFL and MSM, making Sony Six NFL’s broadcast partner across the Indian Subcontinent. The channel will air the NFL for four years.

     

    The partnership includes television rights to live regular season games, playoff games and most significantly to the tournament’s paramount sporting event, the Super Bowl.

     

    Sony Six business head Prasana Krishnan said, “We are extremely thrilled and excited about this partnership, as we look to deliver on providing the audiences an opportunity to experience the best of American football. The raw nature of the sport promises audiences a combination of high speed action and thrill.”

     

    “This acquisition brings us a step closer in reiterating our efforts in providing quality sports content to our viewers that greatly adds value to our channel as well as to our existing comprehensive bouquet and line-up of sporting events,” he added.

     

    The programming will be themed around educational vignettes, highlight shows and NFL’s trademark pre-season documentary series Hard Knocks. They will work collaboratively on unique initiatives to engage Indian audiences in order to grow fan base and increase knowledge and awareness of the NFL through media.

     

    Talking about the deal, International Media and Business Development VP Julie Moeller said, “We are excited to be working with Sony Six to bring the NFL to new and existing fans in India Their endeavor and focus in delivering fast paced sports in India, aligns with our long-term goal of popularizing NFL in the country. Through live games, marquee events, highlights and league recaps we will provide Indian viewers with a comprehensive platform to experience NFL like never before.”

  • CBS to stream 4 NFL playoff games online

    CBS to stream 4 NFL playoff games online

    MUMBAI: There is good news for football lovers. The American commercial broadcast television network, CBS, will be streaming at least four games of this season’s NFL playoffs online.

     

    The game lovers will be able to watch them from anywhere at any time. 

    On 2 January, CBS had announced that it will live stream its share of post-season NFL coverage at CBSSports.com. One can watch the following AFC playoff games.

     

    • AFC Wild Card Round: San Diego vs. Cincinnati; 5 January, 1.00pm ET
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    • AFC Divisional Round: TBD vs. New England; 11 January, 11.08pm ET
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    • AFC Divisional Round: TBD vs. Denver; 12 January, 4:30pm ET
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    • AFC Championship: Teams TBD; 19 Jan, 3pm ET
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    Due to the tremendous engagement observed last year during Super Bowl live stream which drew a record of three million unique viewers, the network will now offer fans a second-screen experience for all of the AFC playoffs, this year, in complement to the NFL.

     

    Super Bowl XLVIII kicks off 2 February and will be broadcast by Fox Sports. Fox will stream this year’s Super Bowl for free, but the preceding NFL playoff games it carries will be restricted by cable-TV authentication credentials, according to Variety.

  • Football on your phone by the Manning brothers

    Football on your phone by the Manning brothers

    NEW DELHI: As NFL fans gear up for football season, they will find an off-the-field distraction in “Football on Your Phone,” a new DirecTV spoof starring quarterback brothers Eli and Peyton Manning. Production company Butter, via Grey, are behind the 3:00 promo, which has already shot past six million hits on YouTube.

     

    The video rewinds to the 1990s, where an incredulous Peyton discovers his brother Eli watching NFL games on his cell phone. Decked out in ’90s gear and sporting that decade’s over-the-top haircuts, the two launch into an old-school hip-hop duet, backed up by brass hits, bass slides, chimes, and an MPC drum beat, not to mention a trio of black-clad songstresses. The video frolics from New Orleans’ French Quarter to high-end cocktail parties, taking shots at everyone from Alexander Graham Bell to a bystander using his “phone as a phone,” according to a report by the National Association of Broadcasters.

     

    Having just worked with Butter on a funny Dairy Queen spot, Grey Group CD Steven Fogel approached them to create a jingle from his agency’s rough outline and script. Butter created several treatments of the song, ultimately settling on a “football on your phone” hook that was appropriately raunchy and catchy.

     

    One of the project’s highlights was working with the Manning brothers. “Working with Peyton and Eli was amazing,” Butter EP Ian Jeffreys notes. “They are true professionals. They drove three hours to get to an eight-hour shoot, where they had to get into costume and makeup, shoot the ad, shoot a photo spread, record 19 radio scripts, and record the actual song, which they had never heard before. I was seriously impressed by their work ethic and stamina. There was no drama, no attitude – just get it done.”

     

    Butter showed up on shoot day to find that they were sharing an enormous room with the photo crew and two dozen others, creating a racket that would make it difficult to capture high-quality vocals. Accustomed to finding solutions on the fly, Butter made some phone calls. “Our saving grace was our rental company, Studio 101 NOLA,” Jeffreys recalls. “Our contact there, DJ Boudreaux, found a friend with a collapsible vocal booth. It was pricey, but it was our only shot to do this right – without clean vocals, the whole day would be wasted. So DJ shows up with what looks like a church confessional booth. Apparently, a dentist with a songwriting hobby had his cabinetmaker build a vocal booth in his basement, then sold it when he moved. It was a wacky contraption, but it saved our asses.”

  • “We will focus on compelling sports content, across multiple sports and languages”

    “We will focus on compelling sports content, across multiple sports and languages”

    By the end of 2011, Star had clearly established itself as the premier entertainment network in India and for Indians worldwide, with 400 million people watching our drama and movie channels in seven languages every day. In one of the most competitive markets in the world, we had established substantial leadership in every genre and in most geographies.And while Star and Fox had built an attractive franchise in entertainment, in sports, very unlike our traditional approach, we had tucked the business away in a joint venture with ESPN that was not managed or controlled by us.
     

    Starting in April 2012, this started to change. We acquired the rights to India’s international cricket calendar that month; a few months later, our parent company bought out its partner from the ESPN Star Sports joint venture in Asia with the intent to roll the Indian part of the joint venture into Star; we launched two new domestic leagues in university cricket and hockey; and we renewed the rights to English Premier League football with a substantive bid. All in all, we invested a billion dollars in less than six months.As a result, by the end of 2012, we had established ourselves as India’s leading sports broadcaster.

    So, why did we get aggressive on a business where the traditional wisdom is that no one makes money?

    Many experts mused loudly that Star had found a way to quickly kill a highly profitable franchise built on leadership in entertainment across genres and languages. I still run into these questions every day. Just two days ago, a leading Indian business daily ran a big story wondering why Star had entered a business that usually never makes money. After all, one sports broadcaster had gone bankrupt trying to pay the bills for the Indian cricket rights, another is struggling to break even and yet another is trying to run a sports business without much sports content. Why would Star make such a big, bold move particularly at a time when the overall

     sentiment on the India story has gone cold?

    So, again, why did we do this? Did we lose the plot?

    In order to answer this question, it is important to take a close look at a few facts, some conventional wisdom and many myths that surround the Indian sports business.

    Everyone in this industry knows one thing. India is a single sport country. It is a country where cricket is a religion, where passion for the game is deep and where the country shuts down when the national team is playing.

    And yet, this is only half the truth. Even for a big match where India plays arch rival Pakistan, consumers do not view the entire match, they view only 15 per cent of the match on an average. The reality outside of really big tournaments is even starker. Out of more than 1000 hours that an Indian viewer spent watching television last year, only 20 hours was on cricket, about 2 percent.This is actually less than the time spent on a single successful show on Star Plus!Consumption of domestic cricket is even worse. Although matches are played round the year, only 50 matches are broadcast on television in a year.And very often, the best of the country’s talent do not participate in these games.

    Imagine if soccer crazy England manifested its interest in the game only by watching the FIFA World Cup once in four years and only really paid attention when England played Spain or Italy. That is the equivalent of India’s current state in cricket viewership. In fact, until the Board of Control for Cricket in India introduced the Indian Premier League, there was not even a domestic league, the equivalent of an EPL or an NFL.

    So, India is not a single-sport country, it is at the moment a zero-sport country that occasionally follows 11 Indian cricketers when they play a big marquee tournament.

    For us, though, the more interesting question is why this happened, and what has led to the current state of affairs. We believe that the biggest culprit is the Indian sports broadcaster. Let me explain why.

    A big shift happened in the last twenty years in cricket in the profile of its followership. It moved from being a sport for the urban elite to one that has a mass following across the country.The BCCI deserves credit for this transformation by making substantial investments to improve the quality of stadiums and infrastructure around the country.Today, some of the country’s best cricketers come from outside the large cities; and small towns host international matches on a regular basis. It is also a country where less than 1 per cent of the population has actually watched any sport in a stadium.

    And, yet, sports broadcasters have not made any effort to make their programming more relevant to the new audience.

    In a country where less than 10 per cent of the population understands English, and a much smaller number are native speakers, sports broadcasters programmed only in one language: guess which one? English. This, despite the fact that everyone knew that the big growth in entertainment consumption in the country came when programming on satellite switched to Hindi and other local languages. And even for the very few that actually understand English, it is quite a world they have to navigate to understand the diversity of commentator accents on television: from the Westernised Indian accent to the local Indian accent to the Aussie accent to the Kiwi accent to the Scottish accent to the West Indian accent. It is almost as if the sports broadcasters were not relaying sports, they were running extraordinarily painful accent training programs on television for the very small English speaking audience that came to watch in the first place.

    The pain did not stop there. Around the world, sports graphics is used to bring the game closer to the viewer and to help the viewer understand the game. Yet, in cricket, graphics is more a nuanced tool meant to tickle the sensibilities of the few deep masters of the game, not the 99 per cent of the country that has never even been to a stadium. The same story extends to television commentary too. Rather than being the anchors of the game who explain the game and bring the excitement of the stadium to the viewer’s living room, the cricket commentator is invariably an expert talking to his peers.

    It is no surprise then that the Indian viewer does not spend much time on sports on television.

    But, it would be unfair to put all the blame on just the sports broadcaster. The broadcaster has had many fellow partners-in-crime in ensuring that sports viewership remains miniscule.

    It’s biggest partner has been the cable and satellite platform. Around the world, sports have been a huge driver of revenue and profit for pay television operators. In India every operator complains about the low ARPUs they get from the business. And yet, instead of using compelling sports content to get more money from consumers and reduce churn, the cable and satellite operators make it difficult for their subscribers to discover and develop a habit of consuming sports.

    And this attitude shows up in the distribution of sports channels, which are treated less like the mass product that they should be, and more as premium add-on products for a small, rich, niche audience.

    To make matters worse, these platforms turn off the channel when a marquee event is not on. While this may have made sense in the old, bandwidth-limited analog world where you could only put 20-30 channels, it makes no sense that even DTH operators are employing the same tactic when they have 300 channels to offer. Compare this to other content categories. They do not switch off a news channel when a breaking news event is not on; they do not turn off the movies channel when a blockbuster is not on. But this is exactly what they do in sports. It is the worst kind of behaviour that limits the ability to build habit for the sports fan.

    Even worse is the behaviour of a few platforms that have created their own channels that switch to the most marquee sports events of multiple broadcasters. While they hide under the pretence that they are addressing a consumer need, what they are really doing is illegal piracy. But what is distressing is that they do not understand the long term damage they are doing to the business. Instead of multiplying choices and triggering demand, they are creating a structure that will ensure that viewers only watch a few cricket events.

    Put together, it is therefore not a surprise that the reach of sports channels lags that of even niche channels like Discovery and MTV!

    So in a zero-sport country, sports broadcasters and pay-TV platforms have worked very hard to make sure that it is only the deeply committed, rich expert fan comfortable with English that actually watches a match on television.

    Of course, if the sports broadcaster and the platform have done their part in eroding the value of sports franchise, the regulator and the government have not been far behind.

     
    For the regulator and the government, the overwhelming objective must be to further consumer interest. It is in the interest of consumers to have more and more sports available for them. It is in the interest of any country to have more and more people play sports. And the reality is that people play sports only when they passionately follow games and teams. If India has to break its poor status in international sports and use sports to create a virtuous cycle for the larger society, then the regulator and the polityhave a powerful role to play.

    I am reminded of an incident that happened in Canada last year. When the hockey union went on strike, the prime minister of the country got involved because his fear was that a prolonged strike would have an adverse impact on the GDP of Canada! More than anything, it showed the power of sports and its ability to be a huge economic growth engine. It also shows the lens with which politicians and executives approach sports globally.

    However, the regulator, the bureaucracy and the political class have not shown such an enlightened approach to sports in India.

    Of all things, the regulator has imposed a cap on prices. A price cap is never good for the long term health of a business but it is especially absurd in the context of sports, where the market we operate in is truly global, where the acquisition costs for rights reflects a global market.

     What is even more absurd is that a news channel, a general entertainment channel, an education channel and a sports channel are all capped at the same level, without any linkage to the underlying cost of content or the relevance of its shelf life. Shockingly, Star Sports which has the most compelling portfolio of content in the country can charge no more than the country’s weakest sports channel with practically no sports on it.

    To make matters worse, the government has mandated that the most expensive sports events are events of national importance that need to be made available to the public broadcaster – who in turn not only retransmits an unencrypted signal to all its subscribers for free, but also makes it available to private platforms to carry the content under a statutorily mandated ‘must carry’ law. So even as you are making no effort to ensure wider coverage for all sports for the long term, you are killing the economics of the sports broadcaster by forcing it to share the most popular content today without adequate compensationand also legitimizing piracy by permitting access to sports content by platforms for free.

    The entire eco system has therefore unwittingly conspired to ensure that sports broadcast is unprofitable, sports consumption is limited and sports followership is minimal.

    So, the question comes back to: if things are looking so bad, why did Star decide to make a big push into sports?

    For only one reason.The current state of affairs is just not right, is not sustainable and is not good for anyone. Somebody needs to change this unhealthy equilibrium which is hurtingthe country, the consumer and the media industry.

    And as the country’s media leader, and as a company that has faced such hurdles before and still managed to build an outstanding franchise, we believe that we can shape this change.

    Clearly, change will not happen overnight. It will require a lot of effort to break the status quo. We will have to ensure that we create compelling sports content, across multiple sports, across multiple languages, with an economic structure that will add value for all.

    But, we are patient, as we always have been in India. And our history, our parentage and the coherence of our approach gives us confidence that we will build India’s first successful and profitable sports franchise.