Tag: NFDC

  • Anup Singh’s ‘Qissa’ gets multi-platform release

    Anup Singh’s ‘Qissa’ gets multi-platform release

    NEW DELHI: Qissa by Anup Singh, which has already won accolades on the international festival circuit, has finally hit the theatres.

     

    Interestingly in a unique venture, the National Film Development Corporation (NFDC) decided to release the film across multiple platforms simultaneously. It has been released theatrically, on DVDs, and on some websites as well.

     

    NFDC general manager and head of marketing Vikramjit Roy told Indiantelevision.com that the international acclaim that the film had won all over the world and in India made it necessary for it to be made available on all formats. Roy said that it was not a typical film and therefore the NFDC had decided not to treat its release in a typical manner.

     

    Meanwhile, Anup Singh told Indiantelevision.com that the 2013 film has so far been to around 100 film festivals and won 15 awards, including one in India.

     

    He said the Punjabi film was based on an original story and could be seen in various ways. It had been inspired by the stories he had heard of his grandfather’s struggle during the partition of the country. But the idea of bringing up a girl child as a boy could be seen as symbolic of many things: the desire for the head of the family to have a male child after three daughters, the way many female children were dressed as boys during Partition to save them from exploitation, and the way history and tradition continues to affect even modern contemporary Indian society.

     

    Among other places, the film was one of the nine Asian films in competition at the 20th Festival International des Cinémas d’Asie in Vesoul in France.

     

    Qissa: The Tale of a Lonely Ghost was also the opening film of the 43rd International Film Festival at Rotterdam from 22 January to 2 February last year and this marked the European premiere of the film. It won the Audience Award at that Festival. 

     

    The award comprising Euro 10,000 (Rs 9 lakh approx) is given to the most voted film supported by the Hubert Bals Fund.

     

    Qissa which received the Hubert Bals Fund for Script & Project Development in 2004, was made with further support from the Netherlands Film Fund, and was co-produced by Dutch company Augustus Film.

     

    Set in post-colonial India, the film stars Irrfan Khan as a Sikh who has fled his village to escape ethnic cleansing at the time of partition who tries to start a new life for his family. The film stars Irrfan Khan with Tisca Chopra, Tillotama Shome, Rasika Dugal, Sonia Bindra and Faezeh Jalali among others.

     

    Qissa is represented internationally by Germany’s The Match Factory GmbH. The film had its North American and Asian premieres at the Toronto International Film Festivaland Busan International Film Festival respectively.

     

    Earlier, the film added one more feather in its cap when actor Tillotama Shome won the Best Actress award in the New Horizons competition at the Abu Dhabi Film Festival.

    In Qissa, Shome plays the youngest daughter of Umber Singh (Irrfan Khan) who decides to raise her as a boy.

     

    Shome made her screen debut with Mira Nair’s Monsoon Wedding in 2001 and went on to play roles in Florian Gallenberger’s Shadows of Time and Dibakar Banerjee’s Shanghai.

     

    Qissa also won the Silver Gateway Award in India Gold competition at the 15th Mumbai Film Festival  and the NETPAC (Network for the Promotion of Asian Cinema) Award for Best Asian Film at the 38th Toronto International Film Festival where it had its premiere.

  • The Lunchbox bags Star Box Office India award

    The Lunchbox bags Star Box Office India award

    MUMBAI: Described as a defining film in Indian cinema, The Lunchbox which has won numerous domestic and international accolades in its slight over a year’s run at the box office won yet another award. It was recently conferred the Film with the Best Return on Investment award at the Star Box Office India 2014 awards. DAR Motion Pictures producer Vivek Rangachari and Guneet Monga from Sikhya Entertainment were present on the occasion to receive the award.

     

    The film is a story about a mistaken delivery in Mumbai’s famously efficient lunchbox delivery system connects a young housewife to a stranger in the dusk of his life. They build a fantasy world together through notes in the lunchbox. Gradually, this fantasy threatens to overwhelm their reality. The film is an example of global collaboration with studios from India, USA, France and Germany coming together to produce a film that strikes a chord with global audiences. One of the top-rated film by critics in India this year, it was distributed in the US by Sony Classic Pictures.

     

    Commenting on the award Rangachari said “When the script of The Lunchbox came to me, I was sure this movie will do great but the kind of response we have got from India as well as globally is way beyond all expectations. DAR is really happy to be a part of the project which has created a new path for Indian cinema nationally and globally.”
    Written and directed by Ritesh Batra, the film has released globally in various countries like UK, USA, New Zealand, France, Germany, Australia, Argentina, Chile, Paraguay, Brazil, China, Columbia, Malaysia, Italy, Israel, Hungary, Hong Kong, Japan, Poland, Middle East, Singapore amongst others. Furthermore, it has been showcased in various film festivals including The Cannes Film Festival, The Telluride Film Festival, The Toronto Film Festival, The London Film Festival, etc. winning various awards like Viewers Choice Award at the International Critics’ Week, Best Film at The London Film Festival and The Filmfare awards, to name a few.

     

    Produced by Arun Rangachari of Dar Motion Pictures (India) and Guneet Monga and Anurag Kashyap of Sikhya Entertainment (India), The Lunchbox has been co-produced by Vivek Rangachari, Nina Lath Gupta of NFDC (India), Karan Johar (Dharma Productions), UTV Motion Pictures, Shanaab Alam, Sunil John, Nittin Keni, Karsten Stöter and Benny Drechsel of Rohfilm (Germany), Cedomir Kolar and Marc Baschet of ASAP Films (France), Danis Tanovic and executive produced by Lydia Dean Pilcher of CineMosaic, Irrfan and Ritesh Batra.

     

  • NFDC extends deadlines for Producers’ Lab at Film Bazaar

    NFDC extends deadlines for Producers’ Lab at Film Bazaar

    NEW DELHI: The deadline for entries to the Producers’ Lab for producers to learn the facets of production from leading Indian and international producers at the Film Bazaar has been extended to 20 October.

     

    At the same time, the deadline for the Work-in-Progress lab has also been extended to 10 October.

     

    The Bazaar, organised every year by the National Film Development Corporation (NFDC) will as usual be held from 20 to 24 November. The festival itself is being held from 20 to 30 November.

     

    A new feature to be included this year is a Romance Screenwriters’ Lab with six scripts in the romance genre mentored by leading Indian filmmakers and writers.

     

    “Another new feature at the Bazaar this year is Film Offices for various states of the country for their film promotion and tourism boards, and film commissions for them to introduce their delegates to the visiting delegates,” National Film Development Corporation managing director Neena Lath Gupta told indiantelevision.com.

     

    There will also be a co-production market for South Asian stories with international appeal that can go for pitching to international market delegates, and Industry Screenings which are aimed at exclusive film screenings at digital theatres for investors, buyers and festival programmes from other Festivals in India and overseas.  

     

    Other sections include exhibition stalls for showcasing products and meetings with other delegates, and a Screenwriters’ Lab which will also have six scripts.

  • NFDC Film Bazaar 2014 back with second edition of Producer’s Lab

    NFDC Film Bazaar 2014 back with second edition of Producer’s Lab

    MUMBAI: Coming back with the second edition of Producer’s Lab, NFDC Film Bazaar 2014 is calling for entries for the same. The deadline for submission of application is 30 September 2014.

     

    Producer’s Lab was introduced in the Film Bazaar in 2013 and was a huge success. It will provide training and networking opportunities to upcoming independent producers from across the world.

     

    The Lab will also host Workshop Sessions, Case Studies and Master Classes spread over the five days of the Bazaar. Participants shortlisted for the lab will also be required to pay a non-refundable fee of Rs 50,000.

     

    Also, applicants should have worked in the capacity of a producer or line/supervising/executive producer on either one of the following and completed the same.

     

    The mentors for the NFDC Film Bazaar, Producer’s Lab 2013 included Cedomir Kolar (producer – No Man’s Land; co-producer – The Lunchbox), Clare Stewart (director – London Film Festival), Charles Tesson (delegue general- Semaine De La Critique / Critics’ Week at Cannes Film Festival) amongst others.

     

    This year, the NFDC Film Bazaar will be held from 20-24 November in Goa alongside the International Film Festival of India 2014.

  • Date extended for co-production proposals at Film Bazaar in Goa

    Date extended for co-production proposals at Film Bazaar in Goa

    NEW DELHI: The Film Bazaar that will be held to coincide with the International Film Festival of India has extended the date for receiving projects for co-productions by another fortnight to 15 September.

     

    This year’s Bazaar will feature a Romance Screenwriters’ Lab with six scripts in the romance genre mentored by leading Indian filmmakers and writers.

     

    A new feature at the Bazaar this year is Film Offices for various states of the country for their film promotion and tourism boards, and film commissions for them to introduce their delegates to the visiting delegates, said National Film Development Corporation (NFDC) managing director Neena Lath Gupta.

     

    In addition, the Bazaar will have networking events where discussions are held informally, Work-in-Progress Labs for films that are in rough-cut stage, NFDC Knowledge Series Lectures by renowned film personalities, and a branding opportunity for those getting themselves associated with the Bazaar which gets delegates from all over the globe.    

     

    Other sections include exhibition stalls for showcasing products and meetings with other delegates, Screenwriters’ Lab which will also have six scripts; and a Producers’ Lab for producers to learn the facets of production from leading Indian and international producers.

      

    Aspiring film delegates include buyers and exhibitors, those looking for co-production opportunities, heads or representatives of International Film Festivals, film producers, and members of film distribution bodies. 

     

    The Film Bazaar has listed a large number of co-productions that have helped young filmmakers make a name for themselves in the international market, including Lunch Box by Ritesh Batra, Titli by Kanu Behl, Ship of Theseus by Anand Gandhi, Television by Mostofa Farooki, The Girl in Yellow Boots by Anurag Kashyap, Miss Lovely by Ashim Ahluwalia, Shanghai by Dibakar Banerjee; Monsoon Shootout by Amit Kumar, Karma by Prasanna Jayakody, Mumbai cha Raja by Manjeet Singh, and Paltadacho Munis by Laxmikant Shetgaonkar which have all won awards overseas and in India.

      

    The Bazaar will be held from 20 to 24 November at the Marriott Resort in Panaji. The Festival itself is being held from 20 to 30 November.

  • DD launches fictional TV series to give information about e-Governance

    DD launches fictional TV series to give information about e-Governance

    NEW DELHI: ‘Zindagi Dot Com’, an educational-cum-fiction entertainment television series focusing on the National e-Governance Plan (NeGP) has commenced telecast on Doordarshan on August 17.

     

    The series is aimed at creating awareness and disseminate information about the Plan, its various Mission Mode Projects (MMPs), e-services and related aspects.

     

    Zindagi Dot Com, traces the journey and evolution of e-Governance in a remote village of India as also the journey and evolution of its unlikely heroes and change makers in the progressive episodes.

     

    The television series has been produced by the National Film Development Corporation (NFDC) comprising 39 episodes and has been promoted by the Department of Electronics and Information Technology.

     

    The series will not only enlighten citizens about NeGP as it is based on actual case studies picked up from different parts of the country, but also has elements in its story line to create and sustain viewer interest.

     

    The characters and the plot in the series have been designed in such a way so as to bring out the various challenges present in the adoption of e-governance and how these challenges are overcome.

     

    It will be telecast every Sunday at 10am on Doordarshan with a repeat telecast on DD Bharati at 8.30 pm on Mondays.

  • Film Bazaar to have a romance screenwriters’ lab

    Film Bazaar to have a romance screenwriters’ lab

    NEW DELHI: The Film Bazaar that will be held to coincide with the International Film Festival of India will this year feature a romance screenwriters’ lab with six scripts in the romance genre mentored by leading Indian filmmakers and writers.

     

    Another new feature at the Bazaar this year is the film offices for various states of the country for their film promotion and tourism boards, and film commissions for them to introduce their delegates to the visiting delegates, National Film Development Corporation managing director Neena Lath Gupta, which organises the Bazaar told indiantelevision.com.

     

    The Bazaar will be held from 20 to 24 November at the Marriott Resort in Panaji, Goa. The Festival itself is being held from 20 to 30 November.

     

    Other sections include exhibition stalls for showcasing products and meetings with other delegates, screenwriters’ lab which will also have six scripts; and a producers’ lab for producers to learn the facets of production from leading Indian and international producers.

     

    There will be a co-production market for South Asian stories with international appeal that can go for pitching to international market delegates; industry screenings which are aimed at exclusive film screenings at digital theatres for investors, buyers and festival programmes from other festivals in India and overseas; and the viewing room meant for latest film projects that are meant for festival placement and sales or finishing funds.

     

    In addition, the Bazaar for which entries are still open, will have networking events where discussions are held informally over tea or meals, work-in-progress labs for films that in rough-cut stage, NFDC knowledge series lectures by renowned film personalities, and a branding opportunity for those get themselves associated with the Bazaar which gets delegates from all over the globe.    

     

    Aspiring film delegates include buyers and exhibitors, those looking for co-production opportunities, heads or representatives of International Film Festivals, film producers, and members of film distribution bodies. 

  • ‘Manjunath’ travels the film festival circuit

    ‘Manjunath’ travels the film festival circuit

    MUMBAI: Some stories need to be told and ‘Manjunath’ is one such story that Viacom18 Motion Pictures (VMP) in association with NFDC and ICOMO brought to the Indian viewer, making the 27 year old dead Manjunath Shanmugham more than just a headline.

     

    The Indian International Film Festival of Queensland 2014 confirmed ‘Manjunath’ as its opening film for the year and it has won the Special Jury Award (of encouragement) in this circuit. The Indian International Film Festival of Queensland (IIFFOQ) is a celebration of new wave Indian cinema that was held in Brisbane from 28 June to 2 July. ‘Manjunath’ is also to be screened at the Jagran Film Festival on the domestic front on 6 July in Delhi.

     

    ‘Manjunath’, a biopic on the IIM graduate who was brutally murdered for exposing the petrol adulteration scam by the fuel mafia in Uttar Pradesh in 2005 is directed by Sandeep Varma, reputed ad-film maker and the Managing Director of ICOMO. The Cast includes veteran theatre and film actors like Divya Dutta, Anjorie Alagh, Seema Biswas and Yashpal Sharma with debutant Sasho Satiiysh Saarathy playing the lead as Manjunath.

  • NFDC unveils the 20 films to be screened at Film Bazaar

    NFDC unveils the 20 films to be screened at Film Bazaar

    NEW DELHI: The Film Bazaar, a part of 44th International Film Festival organised by NFDC will showcase twenty Indian and Bangladeshi feature and non-feature films in the Market Recommendation section.

    Market Recommendations showcase select films looking for gap finance, distribution partners and world sales.

    While The Film Bazaar will be held from 20 to 24 November at Marriott Resort alongside IFFI (International Film Festival of India) that will go on from 20 November to 30 November.

    The “Film Bazaar Recommends” Attihannu Mattu Kanaja (Fig Fruit and The Wasps) directed by M S Prakash Babu, Chaurya (Theft) directed by Sameer Patil, Chikka Putta

    (Small Things, Big Things) directed by Saumyananda Sahi, Coffee Bloom directed by Manu Warrier, It’s not about the Cycle directed by Achyutanand Dwivedi, Jai Ho – A Film On A R Rahman directed by Umesh Aggarwal, Jayjaykar (Triumph of Life) directed by Shantanu Ganesh Rode, Kutchi Vahan Pani Wala (From Gulf to Gulf to Gulf) directed by Shaina Anand and Ashok Sukumaran, Lajwanti (The Honor Keeper) directed by Pushpender Singh, M Cream directed by Agneya Singh, Margarita, With A Straw directed by Shonali Bose, Mrs. Scooter directed by Shiladitya Moulik, Neelakasham Pachakadal Chuvanna Bhoomi by Sameer Thahir, Rangbhoomi by Kamal Swaroop, That Sinking Feeling by Nandan Saxena, Titli by Kanu Behl, Under Construction by Rubaiyat Hossain, Vees Mhanje Vees (Twenty Means Twenty) by Uday Bhandarkar, Yahaan Sab ki Lagi Hai (Everybody Gets Screwed Here) by Satavisha Bose & Cyrus Khambata, Zinda Bhaag by Meenu and Farjad.

    In the meanwhile, NFDC has also announced five projects of its Work-In-Progress Lab programme, of which four are part of the Market Recommendations. The Work-in-Progress Lab gives five filmmakers a chance to have their rough-cut feature length films viewed by a panel of international advisors who have a one-on-one discussion with the filmmaker with an intention to help the filmmaker achieve an accomplished final cut of the film.

    Apart from Titli, Margarita, With A Straw, Attihannu Mattu Kanaja, and the Bangladeshi Under Construction, the other finalist in the Lab is Killa by director Avinash Arun in Marathi.

    Of the above, Kanu Behl’s Titli produced by Dibakar Banerjee was a part of the sixth edition of NFDC Film Bazaar’s Screenwriters’ Lab and Co-production Market 2012. Yash Raj Films came on board later as a co-producer of the film.

    The mentors of the lab this year are: Rome Film Festival artistic director Marco Mueller; British Film Critic and Historian Derek Malcolm; chairman of ADEF and Rezo Films Laurent Danielou;  and acclaimed producer and script consultant Philippa Campbell.

  • Creating a global footprint for Indian cinema

    Creating a global footprint for Indian cinema

    MUMBAI: At the inauguration of the Mumbai Film Mart, it looked like that the Indian film community is all set to go global. So, while it had invited delegations from other countries like Spain to partner for co-productions, the Indian film community also made an extra effort to promote films that have been made in collaboration with other countries. Like, Qissa: The tale of a Lonely Ghost that premiered on the first day of the festival is an Indo-German-Dutch-French co-production.

    NFDC GM, executive producer & head marketing Vikramjit Roy at the inauguration of the Mumbai Film Mart on 18 October, said that to take Indian cinema beyond the confines of the country, NFDC is making many efforts. “We are primarily looking at co-production with seven or eight odd countries that India has treaties with in the near future. These include the likes of Germany, France, UK, Brazil, Italy, New Zealand and I hope Spain, Canada and Australia as well very soon.”

    Roy further went onto explain how global collaboration helps a local Indian story like Qissa to team up with local funding bodies of Europe. “For example, if you do an Indo-European co-production with any of the European countries mentioned earlier, you will get to access funds from the central European funding body and the co-producer also gets an access to various regional funds,” Roy explained.

    Qissa got funding from NRW that is located in Germany; it had funding from NFF that is a Dutch film fund and also from France. “Besides, when the film goes on floor and gets a certain positioning, you get a sales agent on board. Like, we had the Match Factory join hands with Qissa. Something like this allows for a certain positioning and global footprint.”

    We have a film called ‘Arunoday’ with France and we are hoping to do one with New Zealand soon, says Vikramjit Roy

    In fact, to widen its horizon, the festival had invited the official Spanish delegation, Spanish Federation of Producers (FAPAE) for co-productions along with senior decision makers from the Spanish Ministry, Tourism and Film Commission, who are eager to partner with the Indian film community.

    Talking about it, Institute of Cinematography and Audiovisual Arts (ICAA) Spain director general Susana de la Sierra, said: “This is the first visit from the series of visits that we have planned in the time to come. This is to strengthen our relationship with India and also possibly look at making co-productions between the two countries.”

    What makes the Spain delegation more interested in partnering with India is that both the countries are similar in terms of their cultural diversity. “Spain is far smaller than India in terms of landscape and population, but there are a lot of similarities. We both have cultural diversity. We have 17 regions within the country and apart from the national film fund, we too have regional film funds,” she added.

    I feel this is not only a really good opportunity for us to work together but also help find Spanish and Indian films their audiences believes Susana De La Sierra

    Susana looks at this as a great opportunity, not only for working together but also helping Spanish and Indian films find their audiences. “Going forward, I do see more work travelling from India to Spain and vis-?-vis, as it’s a fact that after the Indian representatives visited Spain there are several projects that have been lined up to be shot in and around Spain.”

    There are also plans to import Indian films into Spain and Spanish movies into India and this practice will only intensify further as both the countries will work hand in hand to help each other. The Spanish ministry keeps aside a fixed budget to help nurture and push the film industry to take that creative freedom and showcase the Spanish culture in all its glory.

    The Indian film community has already witnessed the popularity and profit that foreign collaborations bring. In Toronto, NFDC positioned Qissa as a global film, which helped it in achieving the Best Asian Film Award by Net pack. “We are hoping that Qissa turns out to be a trendsetter as now we have a film called Arunoday – directed by Partho Sengupta – with a French collaboration and we are hoping to do one with New Zealand soon too,” Roy added.

    Looks like Indian film community is all set to make an international footprint.