Tag: New Zealand

  • Hobbit trilogy price tag over $500 bn so far

    Hobbit trilogy price tag over $500 bn so far

    MUMBAI: Warner Bros’ three Hobbit films have racked up over half a billion dollars in production costs, reports the AP, citing Kiwi financial filings that say Peter Jackson has spent $676 million New Zealand dollars ($561 million) so far on his LOTR follow-ups.

     

    But this is just the total so far as of 31 March and doesn’t include post-March spending, post-production expenses, and marketing costs. WB has additionally enjoyed $98 million worth of New Zealand tax incentives for shooting in the area. The first of the Hobbit pics, An Unexpected Journey, grossed over $1 billion worldwide after debuting last December.

     

    Sequel The Desolation Of Smaug is set to follow with a 14 December, 2013 release followed by There And Back Again on 17 December, 2014.

  • ICC World Cup 2015 launched: India and Pakistan grouped together

    ICC World Cup 2015 launched: India and Pakistan grouped together

    MUMBAI: Co-hosts of the 2015 Cricket World Cup, Australia and New Zealand, have been drawn in the same group for the tournament, while title-holders India will face off against arch rival Pakistan, it was announced on Tuesday.

     

    The first match of the prestigious one-day tournament will be held in Christchurch, the New Zealand city devastated by an earthquake in 2011, when the locals take on Sri Lanka on 14 February.

     

    The day-night final match will be at the Melbourne Cricket Ground on 29 March.

     

    Australia and New Zealand are grouped with England, Sri Lanka, Bangladesh and two qualifiers.

     

    Title-holders India are pooled with Pakistan, South Africa, West Indies, Zimbabwe, Ireland and one other qualifying team.

     

    The top four sides from each group will move on to the knockout stage.

     

    49 matches will be played in 14 venues across the two host nations, with Australia staging 26 games at grounds in Adelaide, Brisbane, Canberra, Hobart, Melbourne, Perth and Sydney.

     

    New Zealand will host 23 games in seven cities, including Christchurch where international cricket is set to return for the first time since the 6.3-magnitude quake which killed 185 people in 2011.

     

    Other New Zealand cities to host games are Auckland, Dunedin, Hamilton, Napier, Nelson and Wellington.

     

    Australian Prime Minister Kevin Rudd, who launched the tournament in Melbourne, said the contest would likely be watched by a global television audience of one billion.

     

    Pool A

     

    England, Australia (co-host), Sri Lanka, Bangladesh, New Zealand (co-host), Qualifier 2 (TBD), Qualifier 3 (TBD)

     

    Pool B

     

    South Africa, India, Pakistan, West Indies, Zimbabwe, Qualifier 1 (Ireland), Qualifier 4 (TBD)

  • Datawind enters into partnerships with CricHQ

    Datawind enters into partnerships with CricHQ

    NEW DELHI: To satisfy the needs of a fanatic cricket nation, Datawind – the maker of Aakash PC Tablets – has signed a long term partnership with global cricket technology company CricHQ.

    This partnership will see Datawind pre-installing the CricHQ app on all its tablet devices. With the ability to score matches, watch training videos and receive live ball-by-ball updates from cricket around the world the CricHQ app will give Datawind customers across India an enhanced way to interact with the game they love.

    This initiative between CricHQ and Datawind is aimed at bridging the digital gap between professional and grassroots cricketers across rural and urban India by providing them with a cricket technology usually reserved for the games elite.

    Commenting on this partnership, DataWind CEO Suneet Singh Tuli said, “From an amateur gali cricketer in a small town to a professional player, anyone can afford our low cost PC Tablet. This Rs 4999 device not only allows you to make phone calls, access high speed internet, study with preloaded NCERT e-books, but now, with the CricHQ app coming preloaded, it also allows you to live score your own cricket matches, receive live ball-by-ball updates from cricket around the world and even access cricket coaching videos.”

    CricHQ co-founder Stephen Fleming and former captain of the New Zealand‘s national cricket team said, “At CricHQ, our goal is to provide a cricket technology platform that enhances the way the entire cricket community experiences the game we all love. With the CricHQ app now coming pre-installed on DataWind devices it marks an important step in achieving this goal. We are especially excited at the opportunity our DataWind partnership provides of connecting cricket fans across India with the content they love to consume.”

  • A Palme d’or for the Cinéfondation!

    A Palme d’or for the Cinéfondation!

    Jane Campion is to head up the Cinéfondation and Short Film Jury of the 66th Festival de Cannes, a position held previously held by Jean-Pierre Dardenne, Michel Gondry, Hou Hsiao Hsien, Martin Scorsese and John Boorman.

    Originally from New Zealand, Jane Campion has attracted critical acclaim since the very beginning of her film career: in 1986 she won short film Palme d’or for Peel and garnered interest from critics all over the world for Sweetie, the first feature she presented in competition at the Festival de Cannes. After An Angel at my Table, she returned to Cannes with The Piano, which won the Palme d’or in ’93, as well as the best actress award for Holly Hunter.

    Her work, which is dominated by the presence of fascinating women in search of their identity, comes in a variety of styles, from Holy Smoke (Kate Winslet) and Portrait of a Lady (Nicole Kidman) to In the Cut (Meg Ryan). Her latest film, Bright Star, was a fictional biography of the poet Keats and his muse, and was presented in competition at Cannes in 2009.

    Gilles Jacob, president of the Festival de Cannes and the Cinéfondation, declared: “Jane is a child of Cannes. I know this as it was I who selected her first three short films for the Festival, because I liked her style and consistency. Naively perverse young girls, teens closed in around their solitude, and women mulling over desires and regrets: Jane’s is a passionate universe that she firmly holds in check as she draws these intricate group portraits. I am delighted that the love story between Lady Jane and the Festival continues today as she takes on the role of president.”

    The Cinéfondation and Short Film jury is comprised of five eminent figures from the worlds of film and literature and they choose their three prize winners from among the Cinéfondation’s selection of film school entrants. The jury also chooses the winner of the short film Palme d’or, which is presented during the closing ceremony of the Festival, on Sunday May 26th 2013.

  • Single Window clearance for filmmakers in three to six months: Varma

    Single Window clearance for filmmakers in three to six months: Varma

    NEW DELHI: A single window clearance structure for filmmakers would be in place within the next three to six months.

    This was stated by information and broadcasting ministry secretary Uday Kumar Varma during a round table event at Cannes over the weekend.

    He said the government was working on four priority areas relating to the Indian film industry, which is celebrating one hundred years of cinema this year. He identified film finance, film industry promotion, production facilitation and human resource development, and said that changes to promotion and facilitation systems would happen first.

    Though he did not use the words ‘single window clearance’, he said his department is moving in that direction. "This is not coming from a recommendatory body, this is from government itself," he said. "The state governments are on board. I have written to the executive heads of each state."

    "We have looked at the film commission model in France, the UK and New Zealand," he said, but said that government is making a "very, very sincere effort" and could make a definitive announcement in three to six months.

    He indicated that the National Film Development Corporation (Nfdc) would play a major role in film funding. He said that Nfdc could be the conduit for the launch of state funding initiatives. "The Nfdc is fully funded by the government of India and is able to fund and be involved in co-productions," he said.

    He said that Canada and Australia are the two countries with which India is closest to agreeing on co-production treaties.

    Varma said that Indian cinema’s success lay not in its acceptance among a larger global audience but in its unique cinematic approach.

    He also added that in order to enable young independent filmmakers to showcase their work, the ministry was intending to create special screening facilities to promote cinematic hubs.

    Producer Guneet Monga regretted that films which are considered as Indian national productions are subject to a different tax regime, but the Indian government ‘penalises co-production films’ compared with imported films.

    The India pavilion at the Cannes film festival in France has organised a series of panel discussions on contemporary topics related to Indian cinema to create a global footprint for Indian cinema in its centenary year. The objective has been to enable the collaboration and partnerships for promoting India as a filming destination for films and documentaries.

    Key events include celebrating significant projects which were a part of Film Bazaar 2011, The Lunchbox, and Monsoon Shootout. There are panel discussions on contemporary topics related to Indian cinema.

    Acclaimed film critic and TV presenter Rajeev Masand engaged filmmakers on sessions which included breaking barriers in filmmaking and the current scenario of Indian cinema. The participants in these sessions include Karan Johar, Anurag Kashyap, Dibakar Banerjee, Zoya Akhtar, Ritesh Batra, and Amit Kumar.

    Special sessions and discussions also seek to highlight recent successful Indian co-productions with international producers. The interactions and discussions at India pavilion bring to the fore, the films scenario in India and aim at giving the films their due credit not only in India but at a global level.

    With India celebrating 100 years of cinema, there has been a significant rise in the number of delegates to the festival from the previous years, to celebrate this great occasion amongst the global film fraternity. This year, the Cannes film festival is celebrating the centenary of Indian cinema where India has been accorded the status of ‘Special Guest Country’. The Indian pavilion has witnessed the participation of key stakeholders who are keen to know about Indian Cinema. This year is seeing five Indian films in diverse sections at Cannes. These are Anurag Kashyap‘s Ugly, Ritesh Batra’s debut feature film The Lunchbox , Bombay Talkies, Amit Kumar’s Monsoon Shootout , and veteran filmmaker Satyajit Ray’s Charulata.

    The 66th Cannes festival this year was inaugurated by megastar Amitabh Bachchan with actor Leonardo DiCaprio.

    Baz Luhrmann’s "The Great Gatsby" was the opening film of the festival. Bachchan features in what he calls "a blink and miss role" in "The Great Gatsby" which marks his Hollywood debut.

    Bachchan used the opportunity to speak in Hindi and later said in a tweet that this was necessary in view of the centenary of Indian cinema.

    Vidya Balan, who is on the jury this year, said later: "Personally, for me to have shared the stage with him and on an international platform where the talk is about India celebrating 100 glorious years, it felt really special. These are the times when you have to pinch yourself and say ‘oh my god, this is for real."

    Bachchan also appears in Bombay Talkies which will have a gala screening to mark the 100 years of Indian cinema. Anurag Kashyap‘s segment in the portmanteau film is about a Bachchan fan.

  • Ticketek appointed ticketing provider for ICC CWC 2015

    Ticketek appointed ticketing provider for ICC CWC 2015

    MUMBAI: ICC Cricket World Cup 2015 organisers have appointed Ticketek as the ticketing provider for the International Cricket Council‘s flagship tournament, to be jointly hosted by Australia and New Zealand in February and March 2015.

    The ICC Cricket World Cup will be the biggest sporting event in the world in 2015.

    ICC Cricket World Cup 2015 Chief Executive John Harnden said the Ticketek partnership was an important step in creating a fan-friendly tournament.

    “Ticketek will enable us to give fans a seamless solution across the two countries and worldwide,” said Harnden.

    Ticketek CEO Geoff Jones said the company was proud to provide ticketing services for such a prestigious international tournament.

    “Ticketek is the leading ticketing provider in Australia and New Zealand for major events and sports. We will be using the latest innovations for the ICC Cricket World Cup 2015 to ensure fans in both countries – and around the world – have the very best experience,” said Jones.

    Australia and New Zealand last jointly hosted the ICC Cricket World Cup in 1992. The pools, venues and schedule for the tournament are expected to be announced later this year.

    Ticket pricing and sale dates will be released in due course.

  • Vision Asia selects Telstra for Australia and New Zealand market

    Vision Asia selects Telstra for Australia and New Zealand market

    MUMBAI: Direct-to-home (DTH) satellite broadcaster, Vision Asia, has selected Telstra to provide managed satellite services for its Australian and New Zealand viewers in a deal worth more than $24 million over 10 years.

    Telstra receives the Vision Asia content from its international source, encrypts, encodes and multiplexes at its Perth teleport, and then transmits the complete package to Vision Asia’s customers across Australia and New Zealand.

    Telstra Global head of voice, satellite business Peter Hobbs said, “Telstra’s new managed global satellite service offers a quality alternative for Australian broadcasters and continues the company’s growth in its suite of network application and services. Vision Asia will be the first organisation to benefit from Telstra’s DTH broadcast services.”

    Telstra’s managed satellite solutions are provided via Telstra’s teleports in Perth, Sydney and Hong Kong. These teleports provide access to a global network of major satellite systems, which enables Telstra satellite customers to efficiently and quickly acquire live international television feeds, as well as a comprehensive suite of other satellite services.

    The Vision Asia services are delivered via the IS-19 satellite which utilises advanced, high-powered transponders giving single beam and single footprint coverage of both Australia and New Zealand. Telstra’s platform supports the latest media transmission technologies including DVBS2 and MPEG4, and HD encoding.

    According to Vision Asia CEO Gurudutt Satigrama, the Telstra deal is a win-win situation both for his company and his customers. “Through the new Telstra solution, we are able to benefit from not only a higher quality and more efficient international satellite service, but also from the local market service expertise and track record .Telstra has in delivering best in class content distribution and management services to the Australian media Industry."

    Telstra Global provides innovative and flexible global communications services and solutions for organisations looking to maximise the benefits of globalisation, particularly across growth regions such as Asia, whilst driving sustainability and enhancing business agility.

  • Vision Asia chooses Telstra for managed satellite services

    Vision Asia chooses Telstra for managed satellite services

    MUMBAI: Direct-to-home (DTH) services provider Vision Asia has selected Telstra to provide managed satellite services for its Australian and New Zealand viewers in a deal worth more than $24 million over 10 years.

    Telstra Global head of voice, satellite business, Peter Hobbs said, “Telstra’s new managed global satellite service offers a quality alternative for Australian broadcasters and continues the company’s growth in its suite of network application and services. Vision Asia will be the first organisation to benefit from Telstra’s DTH broadcast services.”

    “We receive the Vision Asia content from its international source, encrypt, encode and multiplex at our Perth teleport, and then transmit the complete package to Vision Asia’s customers across Australia and New Zealand.

    “These new solutions add to our already substantial experience in providing services to the media sector. These include our wholly owned and operated Digital Video broadcast network, our IPTV Content Delivery Network, and our recent managed content cloud services, which provide clients with end-to-end solutions reaching web, phone, tablet and connected TV viewers.”

    Vision Asia CEO Gurudutt Satigrama, said that the Telstra deal was a win-win situation both for his company and his customers. “Through the new Telstra solution, we are able to benefit from not only a higher quality and more efficient international satellite service, but also from the local market service expertise and track record Telstra has in delivering best in class content distribution and management services to the Australian media Industry.

    “We have recently completed the transition to Telstra and are now offering Vision Asia customers an enhanced viewing experience.”

    Telstra’s managed satellite solutions are provided via Telstra’s teleports in Perth, Sydney and Hong Kong. These teleports provide access to a global network of major satellite systems, which enables Telstra satellite customers to efficiently and quickly acquire live international television feeds, as well as a comprehensive suite of other satellite services.

    The Vision Asia services are delivered via the IS-19 satellite which utilises advanced, high-powered transponders giving single beam and single footprint coverage of both Australia and New Zealand. Telstra’s platform supports the latest media transmission technologies including DVBS2 and MPEG4, and HD encoding.

    Telstra Global provides innovative and flexible global communications services and solutions for organisations looking to maximise the benefits of globalisation, particularly across growth regions such as Asia, whilst driving sustainability and enhancing business agility.

  • Release of Avatar 2 deferred to 2015

    Release of Avatar 2 deferred to 2015

    MUMBAI: The release of the sequel to Avatar titled Avatar 2 has been deferred to 2015. Director James Cameron is set to release the follow up to the 2009 fantasy film one year later than Fox executives had originally planned, it is understood.

    Avatar 2 is set to be filmed in Peter Jackson‘s production studio in New Zealand. Cameron is said to have purchased 2,500 acres of farmland near Pounui, a 15-mintue helicopter ride from Peter‘s Wellington production studio, where he plans to shoot both Avatar 2 and Avatar 3 with motion-capture effects set to be done on a stage in California.
    The filmmaker is expected to live in New Zealand for 18 months while he shoots the two follow up movies.
    The sequel to Avatar is expected to see Sam Worthington, Sigourney Weaver and Zoe Saldana reprise their roles in the movie.

  • Cameron moving to New Zealand

    Cameron moving to New Zealand

    MUMBAI: James Cameron is moving to New Zealand with his family where he wants to run a farm and help build the local film industry. Cameron, who directed blockbusters like Terminator 2: Judgment Day, Titanic and Avatar, has purchased 250 hectares and applied for residency.
    Speaking on Skype from an expedition at sea, Cameron told ONE News he had bought a block of land near Featherston.
    Cameron said moving Downunder had been his long cherished dream after he fell in love with the countryside and people during time here in 1994.
    The Oscar-winning director said he will be turning to the community for advice.