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MTV India was primarily known for music, comedy, spoofs and “Fully Faltoo” attitude. The team of Cyrus Oshirdar (creative and content), Cyrus Broucha and Cyrus Sahukar was giving its viewers a “no-tension” dose of comedy and music.
In 2007, Viacom and Network18 got together to create a joint venture. What followed was the redrawing of the roadmap for MTV. The positioning changed and music became shorter in line with its new image of being a youth entertainment channel.
The man in charge of this content revamp was Ashish Patil as he churned out shows that would stand the new look – Its My MTV. From Fully Faltoo to Kick Ass and from Bakra to Splitsvilla, MTV has scored points in segmenting, targeting and positioning for the youth.
The channel has also extended its wings in the US, New Zealand and Australia.
In an interview with Indiantelevision.com’s Gaurav Laghate, MTV India GM and senior VP creative and content Patil says that the game has just started.
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Is the ongoing producer-plex owner’s tussle affecting MTV as there is no new music release to lap up for content? |
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Why are you going less on music and more on non-music content? |
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What was the need for this change in identity?
And so far as the business goes, the music pie is limiting. Music as a commodity is playing everywhere; so eyeballs are limiting and revenues have hit a ceiling. |
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Even the market leader in the music channel genre had to change? |
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So what is the new positioning of MTV? |
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How will you describe your TG?
This target audience is very fickle and impatient. If they don’t like something, they have multiple options to switch over to. And anything that catches youth eyeballs is competition for me. Be it malls, gizmos, movies, mobiles, ipods, internet, etc. |
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So that is why you are making your presence felt on internet and other space? |
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But don’t you think some of the content is not fit for small towns, or non-metros? |
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Is your programming strategy confined to unlicensed thrill, living on edge and speed?
So my aim is to cater to all the needs of my TG. We are now building on our franchise. Earlier I had only Roadies as a fixed offering on Saturdays at 7 pm. Now I have shifted it to Sundays and got the highest opening for Splitsvilla season 2 on Saturdays. |
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| So you mean you are now getting appointment viewing? Absolutely. As I said, earlier we used to launch shows on Saturdays at 7 pm band. I had a great following there, courtesy Roadies. It was a gamble when I shifted it to Sundays, but it did well for us. Now I have viewers for Saturday as well as Sunday. Also, in December, I launched Haven @ 7 on weekdays. So I am taking baby steps to get more viewer attention. I am already getting more viewership than many general entertainment channels (GECs). |
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So what are the plans ahead? |
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How has the JV between Viacom and Network18 helped in MTV’s growth in India?
Also, both (Viacom and Network18), as players, are front-foot batsmen. It has put our transition in the fourth gear. Our efficiency has increased and so has our brand value, distribution, marketing, headcount and infrastructure. |
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Have we seen MTV’s revenues grow over the last couple of years?
Ad sales accounts for 65 per cent of our revenues, of which 5 per cent comes from international clients. Around 15 per cent comes from affiliates, which is also increasing. 15 per cent comes from Viacom Brand Solutions (client lead stuff, events and advertiser funded programming) like The Fast and The Gorgeorus, Stunt Mania etc. The remaining 5 per cent comes from L&M and movie previews (Ghajini).
Also, we are opening up supplementary revenue streams through mobile, web, and even through ticker. Our ticker has a fan community on social networking sites and advertisers want to be there. |
Tag: New Zealand
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‘When you are a market leader, it’s necessary to shake things a little’ : Ashish Patil- MTV India GM and senior VP creative and content
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News Corp appoints Mark Williams as CFO Europe and Asia
MUMBAI: Mark Williams is joining Newscorp as the Chief Financial Officer (CFO), Europe and Asia. He will be reporting directly to the company’s head of Asian and European operations James Murdoch.
Coming in from Sky Italia, where he is the chief operating officer (COO), Williams will be based in London but will remain as a non-executive director on the board of Sky Italia.
Williams replaces Stephen Daintith at News Corp. Daintith is moving to Dow Jones as CFO.
Williams will take over Daintith’s duties as CFO of News International as well as acting as CFO across News Corp’s operations in Europe and Asia supporting Star TV, Sky Italia and News Corp Europe.
Murdoch said, “I am delighted that Mark Williams will be joining us in London. He has been a key player in the team which has taken Sky Italia from strength to strength, and I look forward to working with him in this new wider role.”
Williams said, “I’m extremely excited to be taking on this new position working for James across the breadth of News Corp activities throughout Europe and Asia, ranging from operations in Eastern Europe to the already very successful UK newspaper business. At the same time, I am very proud of the team at Sky Italia and look forward to remaining involved as a member of the board.”
Mark Williams joined News Corp in 1996 as CFO of the Australian pay-TV operation Foxtel. In 2000, he assumed the responsibility of CFO for News Corp’s newspaper and other interests throughout Australia and New Zealand. In January 2003, he was appointed COO of Sky Italia, based in Milan.
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BBC Worldwide appoints Global Licensing as agent for key brands
MUMBAI: The British pubic broadcaster BBC’s commercial arm BBC Worldwide Australasia has appointed Global Licensing NZ as its merchandise representative for its hit properties Doctor Who, Top Gear and In the Night Garden.
Global Licensing will hold exclusive merchandise rights, including rights for both the classic and new series of Doctor Who. Toys of Doctor Who will be launched this month at The Warehouse, Kmart, Farmers and Toy World, including the famous Cyberman Voice Changer Helmet, the UK’s Toy of the Year, 2006.
Global Licensing is expected to appoint local partners for all properties across a broad range of categories including apparel, accessories and games ranges.
Doctor Who first aired in 1963, and was re-launched in 2005. A co-production between BBC Wales and CBC in Canada, the fourth series is about to go into production in Cardiff. Series 3 will air on Prime, New Zealand’s third free-to-air network, from August.
Top Gear has consistently been the most watched programme on BBC2 in the UK. Now seen in more than 120 countries around the world, it has become famous for its combination of wit, irreverence and unbiased honesty.
In the Night Garden is currently airing on TV2 in New Zealand. Filmed in real woodland, the programme weaves together the very latest technical innovations in live-character costume technology and computer animation to create a compelling experience for young viewers. 17 licensees are already in place in the UK.
A full merchandise programme is planned in New Zealand to complement the launch and other existing platforms. Hasbro, the master toy licensee, has announced an October toy launch, apart from books from Penguin and DVDs from Roadshow.
Global Licensing NZ is planning an early 2008 launch for an extensive apparel range, and will roll out home wares, apparel accessories, stationery, footwear, bags, games and puzzles.
Global Licensing NZ head Mark Paul says, “Doctor Who has a long history in New Zealand and the success of the new TV series and UK merchandising programme will provide some great opportunities for NZ retailers and licensees. For Top Gear we intend to create a comprehensive lifestyle programme with products and promotions appealing to the whole family. In The Night Garden is a fantastic production and we anticipate great demand for infant/preschool products beginning with the new toy line from Hasbro”.
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IPTV subscribers in Asia Pacific expected to reach 27.4 million by 2013: Frost and Sullivan report
MUMBAI: The Frost and Sullivan research service titled Asia Pacific IPTV Market provides an in-depth analysis of IPTV scenario in 12 markets across Asia Pacific.
The research service identifies the market demand, competitive landscape, key drivers and restraints for the IPTV market.
Further, the study presents detailed forecast patterns for revenues and ARPU trends for various countries in Asia Pacific. In this research service, Frost and Sullivan’s expert analysts thoroughly examine the markets of Australia, China, Hong Kong, India, Indonesia, Malaysia, New Zealand, the Philippines, Singapore, South Korea, Taiwan, and Thailand.
Growth of Broadband Spurs IPTV Deployments
Internet Protocol Television (IPTV) is fast making headway across the entire Asia Pacific region. The deployment of IPTV in the region has been further hastened by the explosion of broadband in various high growth markets across Asia Pacific, even as service providers across the region have invested heavily in the network infrastructure required for offering these services.
IPTV has generated a new revenue stream, amidst dwindling fixed line revenues, and rapid advancements in compression, transmission, and watermarking technologies have enabled more and more service providers to jump onto the IPTV bandwagon. In line with these trends, the Asia Pacific IPTV market is set for considerable growth over the forecast period, with the number of IPTV subscribers expected to increase from the existing 1,47,000 to 27.4 million by 2013.
However, poor broadband infrastructure in key growth markets such as China, India, and the Philippines coupled with lack of quality content have restrained the growth of IPTV in the region. Furthermore, access to quality content has been a common challenge for service providers.
The analyst of this research service said, “While partnerships with content providers and broadcasting companies go a long way in securing access rights, the cable TV providers or the IPTV market leaders already have exclusive access to this content. This arrangement makes it difficult for other service providers to scale their service to meet the users’ requirements.”
China and India expected to be high growth ,arkets
With respect to individual regional markets, Hong Kong is already a mature market for IPTV services, and is expected to be heading toward saturation by 2009. China and India are perceived as high growth markets for IPTV by 2009. By 2013, China along with Hong Kong is expected to contribute nearly 60 per cent of the total Asia Pacific IPTV revenues. With 47.8 million subscribers, China has the largest broadband subscriber base in Asia Pacific in 2006, out of which nearly 70 per cent are residential subscribers.
In Australia, IPTV is entering a crucial stage in its development, moving away from a technology under trial, into full commercial deployment. While it could take another three years for IPTV to enter the growth stage, service providers’ early adoption of IPTV services and aggressive pricing strategies are expected to contribute to the success of the technology in Australia.
Presently, IPTV is deployed in China, Hong Kong, Malaysia, Singapore, South Korea, Taiwan, and Thailand. The service is expected to be introduced in India and the Philippines in 2007, and despite the lack of bandwidth in most markets, the demand for interactive entertainment has lured service providers to offer IPTV-based content in the form of video-on-demand (VoD) and channel-based offerings.
Analyst further added, “As the service providers take the first few tentative steps, response from IPTV users has been positive in most markets. Service providers need to look beyond immediate revenue opportunities to understand the long-term importance of IPTV as a carrier distribution platform, over which many consumer communication and entertainment services can be offered simultaneously.”
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France looks to partner entertainment sector in India
MUMBAI: The French are coming. And in a manner never seen before. That too in the Indian entertainment sector with a focus on cinema.
Says French Ambassador in India Dominique Girard: “We are quite serious about India. We believe the timing is right. India is no longer an exotic place alone, it is culturally integrated with the rest of the world, it has also emerged as a nation of economic power. And a country which has lots of technical expertise and skills.”
For starters, the French Embassy has set up an office in Mumbai right in the heart of Bollywood with the head of the film and TV department Mohammed Bendjebbour leading the charge of the French film brigade. Earlier, Bendjebbour was stationed in Delhi with a couple of people under him. The Mumbai office will have a similar component of people under him.
“Bendejebbour and his team will assist Indian film producers in every way they can to help them should they want to do anything relating to cinema in France,” says Girard.
Girard points out that additionally, a new film cooperating treaty between India and France is being penned right now. “The French film authorities met with the Information & Ministry officials at the Goa Film festival and agreed to rejuvenate the 1985 treaty on cinema. It is currently being drafted and will be signed at the Cannes film Festival this May with India celebrating its 60th year of independence,” says Girard.
Girard believes it is about time Indian film makers move away from their traditional overseas locations like Switzerland, New Zealand, Malayasia and use France’s “magnifique locales” for filming just as Don had its opening sequence shot in Paris.
“We have fabulous monuments – the Eiffel Tower, the Notre Dame de Paris, the Champs Elysees – which can serve as interesting backdrops,” says he. “The French are not too finicky about permitting filming in them. You remember Mittal and the Chateau de Versailles. In fact, we had organized a visit for Yash Chopra earlier this year to the Chateau in the wee hours of the morning and he was quite excited by it.”
The French Embassy is taking steps to ensure that Indian film producers wanting to film in France are given preferential treatment in terms of visas. “Unlike IT and other professions, film professionals will only need a business visa to film in France. And the head of the TV and film department will help making life easier for them.”
He points out that a step in that direction was taken when the Accor group of hotels and the French Tourism Promotion Board signed an agreement permitting Indian film crews to fly in their cooks with them and use the kitchens on the premises to rustle up Indian vegetarian fare for them. “This should be really beneficial to those who are vegetarian, we were told it is a major issue with many film people.”
Girard reveals that he has ambitions to make French cinema popular in India. “The multiplex culture has made it viable for distributors and exhibitors to screen French movies. The feedback we have received from Indian youth is that they would love to watch the new wave of French cinema,” says Girard.
Thus there are plans are to have festivals of French cinema; and dub French films into various Indian languages. For starters Skyfighters – a Top Gun kind of French film – which is being distributed by the PVR group is to be released with a Tamil, Telugu, Hindi and English dub. “The French Embassy is setting aside funds for dubs if distributors are willing to distribute French films,” reveals Girard.
That’s some red carpet treatment. Now it’s up to the Indian film trade to take the bait.
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BBC Worldwide signs deal with Australia’s Seven Network
MUMBAI: BBC Worldwide Australasia has concluded a new deal with the Seven Network in Australia to license Michael Palin’s new travel series Palin’s New Europe. In addition, a raft of drama and factual programming has been acquired by broadcasters in New Zealand, through agreements signed in the run up to MIPCOM. Palin’s New Europe which will air on BBC One in the UK next year, follows the ex-Python as he explores 21 countries such as Bosnia, Albania, Moldova and Macedonia. BBC Worldwide Australasia’s sales manager Amber Knight says, “Michael Palin has that rare combination of integrity, wit and bravery which makes all his programs such hits. We are very excited to be bringing this program to Seven.” Seven Network’s director of programming and production Tim Worner says, “Australians are renowned travellers – as a youngster it is a virtual rite of passage and you always seem to bump into fellow Australians in the most far flung locations. Michael Palin captures that spirit in his very own way and we at Seven look forward to being able to have him take Australian audiences to places they have never been before. “Palin is the pre-eminent television travel communicator of his time – in his company you do not just see; you taste, you smell, you experience. And, above all, he makes it fun – that’s why we’re proud he’s coming to Seven.” A package of returning series has been licensed to New Zealand’s TVNZ including key titles from Kudos productions such as Hustle Series 4, and Life on Mars Series 2. TV One has taken series two of Clerkenwell Films’ Afterlife, as well as Hotel Babylon (Carnival Films), Waterloo Road (Shed Productions) and Bodies (Hat Trick Productions).
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Cartoon Network to set up interactive Internet sites
Cartoon Network plans regional websites in different regions across the Asia Pacific. The network will launch a site for Australia by mid year. Other sites planned are for India in English, Taiwan in Mandarin and so on.
Turner International’s Hema Govindan said that the key difference between the TV channel and the site will be new, interactive elements introduced via the World Premier Tool.
“For instance, hypothetically speaking, in a chat room, Johnny Bravo will have a dialogue with people visiting our website. It will also be specific to the country the website is being built for. The cultural cues will be very , very different. The characters we champion, the interactive elements will be different.” Govindan said that the net could consider regional sites in Indian languages at a later stage, similar to it’s channel strategy.
She added that the channel penetration’s was 10 million at present, and plans were to extend penetration beyond urban India. “The tune in will only come with more localisation and customisation. We are also looking at initiatives like Get Tooned, when we actually animated five Indian kids and put them on air as interstentials.”
The channel has featured five kids in Australia and New Zealand, five in South East Asia, 5 in Taiwan and five in India. Research has shown that Indian kids would like to see winners. Because of that, the channel plans to showcase more Indian kids as winners in cartoon form in the new future.
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ICC to invite media rights bids for 2007-2015 in October
MUMBAI: In October, the International Cricket Council (ICC) will begin the process of selling the audio-visual rights for 18 ICC tournaments starting from the second half of 2007 till the World Cup in 2015.
A statement put forth by the ICC informs that the period includes 18 ICC tournaments. There will be two World Cups, in Asia in 2011 and in Australia and New Zealand in 2015. There will also be at least three Champions Trophy tournaments. It will then focus on selling the sponsorship rights.
Media reports indicate that the first two Twenty20 world championships to be held in South Africa (2007) and England (2009), also feature among the events.
The current agreement with Global Cricket Corporation (a News Corp subsidiary), which began in 2000, ends in March/April 2007 with the World Cup in the West Indies. GCC had sold the India territory rights for ICC cricket to Sony Entertainment Television India.
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Woosh in internet television deal with Sky TV
MUMBAI: New Zealand based wireless telecommunications operator Woosh has enterted into a deal with New Zealand’s main pay-television operator Sky Television to deliver channels straight to subscribers online.
As part of the deal, Woosh has secured rights over 2.3GHz spectrum owned by Sky. The two companies have combined the spectrum rights they own to provide TV, voice and broadband over the airwaves.
Commenting on the deal, Woosh chairman Rod Inglis says, “This is the next step in our evolving business strategy as Woosh moves to being a fully convergent kiwi telecommunications services company. Wimax will inevitably be part of any full service telecommunications business. Securing Sky as our pay TV content partner is a major boost for Woosh especially as we start to move towards Internet Television or IPTV.”
Woosh already has spectrum rights and arrangements with other rights holders to give it the capacity to deliver the fast evolving full suite of Wimax services, according to an official release.
Inglis says “You need at least 50MHz of spectrum to be confident you can match up to the future demands that will emerge with Wimax deployment in New Zealand.”
Wimax is a broadband wireless standard, often called Wifi on Steroids, initially promoted by Intel and now adopted by many of the worlds’ leading wireless technology vendors.
Sky Television chief executive John Fellet says, “Sky believes there is an exciting future in delivering content services over Wimax. Woosh has emerged as one the nation’s leaders in broadband wireless and we look forward to working together. We support Woosh’s view that normal spectrum renewal rights be granted to enable rapid deployment of Wimax services.’
Inglis advises that Woosh investors are committed to a substantial build out using the spectrum.
Partnerships with third party platform providers such as Woosh form an integral part of Sky’s strategy to deliver to consumers “what they want, when they want it, on any device.
In the United States, satellite TV operator DirecTV has announced US$2B to support a broadband wireless rollout offering phone, broadband and pay TV services. This follows similar major announcements by SprintNextel and Clearwire in the USA totalling billions of dollars. Intel, Motorola and Craig McCraw, a billionaire wireless pioneer, are funding the Clearwire deployment.
In Australia, the satellite TV operator Austar has announced a widespread WiMax rollout to complement its pay TV services and a similar offering from Unwired in Australia’s urban areas.
Under New Zealand’s progressive spectrum management regime Woosh has been able to conclude deals with Telecom and Sky; spectrum in the 2.3 GHz band (a Wimax standard) has been consolidated and reconfigured so that it can provide broadband services using the Wimax technology that is now becoming available.
Woosh intends continuing with its current UMTS standard TDD network which operates in the 2.0 GHz band. WiMax will be an overlay in the network, as said in the press statement.
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earthTV launches in New Zealand
MUMBAI: Programming produced by earthTV, which operates a remote-controlled broadcast camera network, has been launched across New Zealand on its free-to-air public service broadcaster, TVNZ.
earthTV produces daily live programming from destinations around the world and its programme, The World LIVE will air daily during the morning block on TVNZ’s main channel TVOne, titled Good Morning, informs an official release.
TVNZ’s head of news and current affairs Bill Ralston said, “earthTV’s innovative programming will enhance our morning programming, and is exactly the kind of dynamic content New Zealanders expect from their national network. We look forward to developing a significant and lasting partnership with earthTV.”
earthTV’s president Thomas Hohenacker added, “earthTV is undergoing exceptional growth at this time, and our launch in New Zealand highlights our focus on growing earthTV across the Asia Pacific during 2006.”
Launched three years ago, earthTV currently has broadcast partnerships with more than 40 channels worldwide and a worldwide network of more than 60 cameras across five continents, adds the release