Tag: New Delhi

  • Govt finalises details for hosting of Under-17 FIFA World Cup 2017 in India

    Govt finalises details for hosting of Under-17 FIFA World Cup 2017 in India

    New Delhi, 25 March: The Union Cabinet has given its approval with regard to holding of Federation Internationale de Football Association (FIFA) Under-17 World Cup to be held in India in 2017.

    In a cabinet meeting chaired by Prime Minister Narendra Modi, a committee comprising Department of Sports Secretary; Director General of the Sports Authority of India; and Financial Adviser in the Department of Sports has been authorized to make necessary adjustments for any changes in venues to remove difficulties in consultation with All India Football Federation (AIFF) /FIFA.

    Expenditure towards overlays and equipment including display boards, etc., may be incurred, the Cabinet said but the total cost will be within Rs.95 crore as approved earlier. In the eventuality of any additional requirement of funds, the Department of Sports will take up the matter with the Department of Expenditure.

    The Sports Ministry was authorized to constitute an Organizing Committee for conduct of the event.

    The Cabinet decided that the venues will be Jawaharlal Nehru Stadium, New Delhi; D Y Patil Stadium, Navi Mumbai; Jawaharlal Nehru Stadium, Kochi; Salt Lake Stadium, Kolkata; Jawaharlal Nehru Stadium, Fatorda Goa; and I G Stadium, Guwahati.

  • Govt finalises details for hosting of Under-17 FIFA World Cup 2017 in India

    Govt finalises details for hosting of Under-17 FIFA World Cup 2017 in India

    New Delhi, 25 March: The Union Cabinet has given its approval with regard to holding of Federation Internationale de Football Association (FIFA) Under-17 World Cup to be held in India in 2017.

    In a cabinet meeting chaired by Prime Minister Narendra Modi, a committee comprising Department of Sports Secretary; Director General of the Sports Authority of India; and Financial Adviser in the Department of Sports has been authorized to make necessary adjustments for any changes in venues to remove difficulties in consultation with All India Football Federation (AIFF) /FIFA.

    Expenditure towards overlays and equipment including display boards, etc., may be incurred, the Cabinet said but the total cost will be within Rs.95 crore as approved earlier. In the eventuality of any additional requirement of funds, the Department of Sports will take up the matter with the Department of Expenditure.

    The Sports Ministry was authorized to constitute an Organizing Committee for conduct of the event.

    The Cabinet decided that the venues will be Jawaharlal Nehru Stadium, New Delhi; D Y Patil Stadium, Navi Mumbai; Jawaharlal Nehru Stadium, Kochi; Salt Lake Stadium, Kolkata; Jawaharlal Nehru Stadium, Fatorda Goa; and I G Stadium, Guwahati.

  • CNNMoney expands globally; Richard Quest named editor-at-large

    CNNMoney expands globally; Richard Quest named editor-at-large

    MUMBAI: CNN Worldwide has expanded its CNNMoney brand internationally, across both TV and digital, to provide consumers with business and financial news and analysis. With the addition of staff in Hong Kong, New Delhi, London, and Dubai, CNNMoney will launch new franchises, series, features and reporting tailored directly to the regions and audiences it covers. 

    “By uniting our portfolio of US and international business reporting under the CNNMoney brand, we now offer an even more compelling product to globally-minded consumers hungry for a smart, accessible business and financial news experience – everywhere in the world,” said CNN International general manager and senior vice president Mike McCarthy.

    The venture will tap the talents like Richard Quest, Nina dos Santos and Maggie Lake whose programs will represent CNNMoney on television. Quest will now serve as  editor-at-large for CNNMoney and will pen a global daily newsletter “CNNMoney Presents: Quest Means Business,” timed to the open of the Asia markets.

    “CNNMoney is an important and unique business offering for the Asia-Pacific market that already resonates with a core premium audience,” said CNN International advertising sales Asia Pacific VP Sunita Rajan. “This global expansion will amplify that engagement and attract a wider audience who want business at their fingertips. The synergy between the influential CNNMoney brand and journalistic excellence creates a compelling advertising proposition and something our clients are genuinely excited about.”  

    Coverage from CNNMoney will span Asia, Europe, the Middle East, Africa and Latin America. It will focus on global markets and the economy, business strategy, corporate leadership, global brands, business travel, lifestyle and luxury, as well as industries such as auto, energy and technology.

    Also joining the CNNMoney roster are Andrew Stevens, Asia Pacific editor based in Hong Kong; John Defterios, Emerging Markets editor based in Abu Dhabi; Eleni Giokos, Africa business correspondent based in Johannesburg; and Samuel Burke, CNNMoney business correspondent based in New York. The multi-platform editorial teams will be led by Penny Manis, director of global business news programming based in New York, and CNNMoney International managing editor Mark Thompson, who is based in London.

    The global initiative will also expand CNNMoney’s data-driven storytelling and digital war rooms to international bureau, arming reporters with the most advanced tools and analytics available to drive and react to stories in the global marketplace.

  • CNNMoney expands globally; Richard Quest named editor-at-large

    CNNMoney expands globally; Richard Quest named editor-at-large

    MUMBAI: CNN Worldwide has expanded its CNNMoney brand internationally, across both TV and digital, to provide consumers with business and financial news and analysis. With the addition of staff in Hong Kong, New Delhi, London, and Dubai, CNNMoney will launch new franchises, series, features and reporting tailored directly to the regions and audiences it covers. 

    “By uniting our portfolio of US and international business reporting under the CNNMoney brand, we now offer an even more compelling product to globally-minded consumers hungry for a smart, accessible business and financial news experience – everywhere in the world,” said CNN International general manager and senior vice president Mike McCarthy.

    The venture will tap the talents like Richard Quest, Nina dos Santos and Maggie Lake whose programs will represent CNNMoney on television. Quest will now serve as  editor-at-large for CNNMoney and will pen a global daily newsletter “CNNMoney Presents: Quest Means Business,” timed to the open of the Asia markets.

    “CNNMoney is an important and unique business offering for the Asia-Pacific market that already resonates with a core premium audience,” said CNN International advertising sales Asia Pacific VP Sunita Rajan. “This global expansion will amplify that engagement and attract a wider audience who want business at their fingertips. The synergy between the influential CNNMoney brand and journalistic excellence creates a compelling advertising proposition and something our clients are genuinely excited about.”  

    Coverage from CNNMoney will span Asia, Europe, the Middle East, Africa and Latin America. It will focus on global markets and the economy, business strategy, corporate leadership, global brands, business travel, lifestyle and luxury, as well as industries such as auto, energy and technology.

    Also joining the CNNMoney roster are Andrew Stevens, Asia Pacific editor based in Hong Kong; John Defterios, Emerging Markets editor based in Abu Dhabi; Eleni Giokos, Africa business correspondent based in Johannesburg; and Samuel Burke, CNNMoney business correspondent based in New York. The multi-platform editorial teams will be led by Penny Manis, director of global business news programming based in New York, and CNNMoney International managing editor Mark Thompson, who is based in London.

    The global initiative will also expand CNNMoney’s data-driven storytelling and digital war rooms to international bureau, arming reporters with the most advanced tools and analytics available to drive and react to stories in the global marketplace.

  • Sony Pix to air Spider-Man movie marathon

    Sony Pix to air Spider-Man movie marathon

    MUMBAI:  Apart from the telecast, Sony PIX has also arranged to bring a copy of Daily Bugle a fictional New York City tabloid newspaper from the Spider-Man world to India. This is the original copy of the newspaper used in the movie Spider-Man 3 and PIX is going to make it available for viewing across multiple cities in India. Through this one in a million opportunity, the newspaper will be making its round across Hard Rock Café outlets in Mumbai, New Delhi, Bangalore and Hyderabad starting 15 January 2016.

     

     The channel will also air five Spider-Man movies back to back on 26 January 2016 starting 10 am onwards to 9:30 pm.

     

    This Marvel Superhero created by Stan Lee, is one of world’s most beloved superhero. Each of his adventures has left its audiences AMAZED for over 50 years. Catch him beset with troubles in his failing personal life, fight a strange black entity, solve his parent’s mysterious death and save New York City that’s under siege by the Oscorp.

     

     A robust marketing plan has been put in place to promote the Pixathon with special focus on social media. Apart from an exciting contest, where in winners can win exclusive Spider-Man merchandises, PIX will do an all India tour with the original ‘Daily Bugle’ engaging with fans and followers of Spider-Man. The Sony Pictures Networks will be utilised to the fullest to promote the Pixathon.

     

     If you have missed any of the Spider-Man series or need to add the rush and excitement of Spider-Man, then Sony PIX gives you an opportunity to relive the Spiderman magic all day long this republic day. 

  • Sony Pix to air Spider-Man movie marathon

    Sony Pix to air Spider-Man movie marathon

    MUMBAI:  Apart from the telecast, Sony PIX has also arranged to bring a copy of Daily Bugle a fictional New York City tabloid newspaper from the Spider-Man world to India. This is the original copy of the newspaper used in the movie Spider-Man 3 and PIX is going to make it available for viewing across multiple cities in India. Through this one in a million opportunity, the newspaper will be making its round across Hard Rock Café outlets in Mumbai, New Delhi, Bangalore and Hyderabad starting 15 January 2016.

     

     The channel will also air five Spider-Man movies back to back on 26 January 2016 starting 10 am onwards to 9:30 pm.

     

    This Marvel Superhero created by Stan Lee, is one of world’s most beloved superhero. Each of his adventures has left its audiences AMAZED for over 50 years. Catch him beset with troubles in his failing personal life, fight a strange black entity, solve his parent’s mysterious death and save New York City that’s under siege by the Oscorp.

     

     A robust marketing plan has been put in place to promote the Pixathon with special focus on social media. Apart from an exciting contest, where in winners can win exclusive Spider-Man merchandises, PIX will do an all India tour with the original ‘Daily Bugle’ engaging with fans and followers of Spider-Man. The Sony Pictures Networks will be utilised to the fullest to promote the Pixathon.

     

     If you have missed any of the Spider-Man series or need to add the rush and excitement of Spider-Man, then Sony PIX gives you an opportunity to relive the Spiderman magic all day long this republic day. 

  • Jackie Shroff is brand ambassador of Mumbai International Film Festival

    Jackie Shroff is brand ambassador of Mumbai International Film Festival

    New Delhi, 25 November: Renowned actor Jackie Shroff is the brand ambassador for the 14th edition of the Mumbai International Festival for Documentary, Short and Animation Films in January next.

     

    A record 831 entries have been received for the competition and selection process for the short listing films to international, National, Technical, New Media and Animation competitions has been initiated by the Festival Directorate.

     

    The Jury for International and Nationals competition for the festival being held from 28 January to 3 February will comprise celebrated film makers and personalities from India and abroad.

     

    In another major shift, the screenings of the films in the Festival will be held at the Films Division theatres, Russian Culture Centre and Sophia College theatres at Pedder Road, Mumbai. Until now, the Festival has been held at the Tata Centre at Nariman Point.

     

    The inauguration and closing functions will be held at the Ravindra Natya Mandir, Prabhadevi at 5.00 pm on 28 January and 3 February respectively.

     

    This Festival which is held every alternate year is organized by the Films Division and is supported by the Maharashtra Government.

     

    Films Division Director General and MIFF Director Mukesh Sharma said at a press meet at the 46thInternational Film Festival of India in Panaji, Goa, that it is for the first time in the history of MIFF which began in 1990 that a mainstream artiste will be the brand ambassador of the documentary festival.

     

    A National Award winning actor, Shroff who was present said he will promote MIFF extensively thanks to his love for the short films.

     

    Sharma said Shroff accepted the invitation when he was told about the festival and the role it plays in promoting the documentary movement in India. He said Shroff regards documentaries as catalysts for social change and is planning to make short films to spread awareness about dreaded diseases and on social issues. Shroff was also present.

     

    Buoyed by the warm reception to the MIFF zone screening of competition films in National category in cities other than Mumbai during the 13th MIFF, screenings will be held simultaneously in New Delhi, Chennail, Bangalore, Kolkata, Bhubaneswar, Guwahati, Lucknow, Nagpur and Thrissur. MIFF zone is aimed at taking the competition films to film lovers who are unable to travel to Mumbai for the MIFF. Screenings will also be held at the University auditorium Kalina, Mumbai.

     

    The oldest and largest festival for non-feature films in South Asia, MIFF attracts filmmakers and cineastes from all over the world, thanks to the quality of films in the competition and other sections.

     

    Cash prize worth Rs 5.5 million, Golden Conches, Trophies and Certificates await winners in competitions including technical categories.

     

    The festival will also honour a veteran personality from the Indian documentary fraternity with the V Shantaram Lifetime Achievement Award that carries a cash component of Rs. 500,000, trophy and citation, Sharma added.

     

    The festival will have, apart from International and National competition, screening of films in MIFF Prism, Jury retrospectives, Animation and other packages from different countries and festivals, children’s documentary films, North East DD package, FD and PSBT films, homages etc, making it a wholesome viewing experience for the delegates of MIFF-2016. The festival will also have master classes by master film makers, workshops, seminar and Open Forum by IDPA.

  • Viacom 18 forays into F& B with cafe Flyp@MTV

    Viacom 18 forays into F& B with cafe Flyp@MTV

    MUMBAI: After positioning itself as India’s youth brand and a trendsetter in music and entertainment, Viacom 18’s MTV plans to enter a new sphere of consumer’s lifestyle: food and beverage.

    In order to expand its purview of engagement with consumers, Viacom18 Consumer Products will extend MTV from broadcast and digital space to an always on on-ground experience by introducing the first ever café – FLYP@MTV in association with Funbars Hospitality Pvt Ltd.  While MTV has licensed out the brand and creative content, and will arrange events for Flyp in return for royalties, Funbars will oversee operations of the outlets.

    “A café is yet another ecosystem that we, in partnership with Funbars, are creating as an extension of our iconic youth brand MTV. The launch of FLYP@MTV is a move that further strengthens Viacom18’s bouquet of varied offerings – making us truly unique. Thus for us, FLYP@MTV is about creating an interactive and engaging atmosphere wherein youngsters can interact to work, socialize and party together. The café will continue to set and fuel trends, just the way MTV does, therefore creating a gateway to new experiences for our young consumers,” announced Viacom 18 group CEO Sudhanshu Vats.

    By mid-December, one can have a complete MTV experience at the first Flyp @ MTV cafe at the very happening Kanaut place in New Delhi, with 10 other cafes in the pipeline by 2020 across the country says MTV. “Unlike other major F&B chains, we will not only entertain the metros but will have our presence in the tier II and tier III cities, such as Chandigarh`, Pune etc.,” shared Funbars co founder Neeren Tewari.

    “The company has been looking to enter the Food and Beverage industry for a while now, and only started getting serious two years ago,” informed Viacom 18 Media, consumer products SVP Saugato Bhowmik, while explaining why MTV is the perfect brand to license for this new business venture.

    “As per the FICCI-Grant Thornton report on the industry, F&B is growing at a CAGR of 23 to 24 per cent. By 2017, the industry is estimated to touch $ 58 billion. What is more interesting to note is that 58 per cent of the industry’s consumer base, who go out and eat, is within the age group of 18 to 30 years of age. That’s a bulls eye target group for MTV in India, and self-explanatory of why we want to capitalise on the same,” Bhowmik explained.

    With a concept of work, chill, play, Flyp@MTV will strike as a hangout for young professionals and creatives to work during the day and transform into a place to chill in the evening and a play zone with fun gigs and live events at night. The café will be consistent with MTV’s DNA of being fun, irreverent and entertaining.

    “Our aim is to make FLYP@MTV a cult hangout destination across the country. With exclusively designed entertainment, a bespoke menu by celebrity chef Ranveer Brar and engaging touch points using cutting edge technology, FLYP@MTV is sure to capture the attention of the youth across the nation,” said Funbars Hospitality Pvt. Ltd. business division head and co-promoter Viraj Lamba.

    Aimed at the young demographic, which also includes students, Flyp @ MTv plans to keep the pricing at an affordable range. “While it will vary from city to city based on its respective cost of living, we aim to keep the pricing for a meal anywhere between Rs 800 to Rs 1200,” informed Lamba, adding that there will be unlimited beverage refills and free Wifi access for all guests.

    While the ‘work cum hang out’ space idea has already been tried by popular chains like Social, it is the services that Flyp offers while staying within an affordable range is what gives it its USP.

    MTV says that the space will be high on technology as well. Right from the MTV Virtual Museum that will allow guests to experience the  world of MTV in the previous years through virtual reality with head gear like Oculus and controllers, to the standard mobile app  with the added advantage of a ‘Flyp only’ chat engine to network and identify like-minded people within the place.

    Adding to the fun and entertainment will be the ‘Book Your Bakra’ service allowing one to book a prank or surprise for their friends. World class cuisine on the menu with a local twist or the ‘glocal’ cuisine, with a play on the words ‘global and local’ by celebrity chef Ranveer Brar, will be customised as per the city and individual.       

    “While we can’t say with certainty, but operationally we expect to break even in a year or a half, and over all somewhere close to three year mark. Strategically speaking our target isn’t to start being industry leaders in terms of revenues from day one. It’s a more long term plan keeping in mind a scaled economy in both sourcing and content demand. We are not going to cut corners in providing the best under our brand’s name. Having said that, this is a business venture in the end, and we see this venture being sufficiently profitable,” explained Bhowmik.

    From a marketing standpoint, MTV plans to deploy all its available resources to promote the new food and beverage property, while also engaging the consumers and familiarising them with the concept through social media and engaging campaigns.

    “When we launch you will see a lot of Flyp’s presence in social media, such as Facebook, Instagram, Twitter etc announcing the launch. Post launch too, we have plans to use the digital medium to keep our presence alive, at the same time doing a lot of OOH promotions and on ground activation to engage the youth. Nowadays conventional campaigns like TVCs hardly work with the youth, who are our target group. So we will look into doing our promotions a bit differently,” Bhowmik added.

  • Havas Media bags Clovia’s Rs 30 crore integrated media mandate

    Havas Media bags Clovia’s Rs 30 crore integrated media mandate

    MUMBAI: After recently pocketing the integrated media mandate of HolidayIQ.com, Havas Media Group India has now won the integrated media mandate of lingerie and nightwear brand Clovia in a multi-agency pitch.

     

    The account size is estimated to above Rs 30 crore. Clovia recently raised a round of funding from IvyCap Ventures.

     

    Havas will chart Clovia’s brand map with traditional as well as digital and mobile duties from their New Delhi office.

     

    Havas Media Group India and South Asia CEO Anita Nayyar said, “Clovia is a young lingerie brand with a niche e-commerce play backed by an omni-channel strategy. Lingerie domain is now gaining momentum in India but will be the next wave. Clovia is placed in a very interesting category with huge growth potential. We are confident that our digital at the core strategy will drive a lot of meaningful visibility for the brand. We look forward to partnering with them to scale in India.”

     

    Clovia CEO and co-founder Pankaj Vermani added, “We are enroute to scale Clovia as the number one lingerie and nightwear brand in India as well as looking at global markets. Havas Media was in sync with our brand vision as well as our customer first fundamentals. Their experience, strategic brand approach, knowledge of the e-commerce domain and nuances of new age businesses makes them perfect partners.”

     

    “Havas Media’s unique traditional and digital offering based on brand and customer dynamics is perfectly suited to connect with and delightfully engage the Clovia woman encouraging a closer relationship with the brand. We are very glad to add yet another client, with a major online focus, to our portfolio. As India goes online and media gets more integrated Havas Media will be at the forefront servicing both clients and their customers to make happy informed choices,” explained Havas Media Group-India MD Mohit Joshi.

  • ‘M&E industry’s $100 billion dream remains elusive with choking of investment:’ Star India COO Sanjay Gupta

    ‘M&E industry’s $100 billion dream remains elusive with choking of investment:’ Star India COO Sanjay Gupta

    MUMBAI: Despite the India Shining and Digital India waves that the country has been witnessing, the $100 billion dream has remained elusive for the Indian media and entertainment (M&E) industry.

    Speaking at a CII conclave in New Delhi today, Star India COO Sanjay Gupta lamented this fact that saying that from 0.8 per cent of GDP three years ago, the industry had resolved to grow to 1.5 per cent within a decade. However, in the past three years, media as a percentage of GDP has instead fallen by two basis points and the $100 billion dream has continued to remain distant.

    “The biggest hurdle has been the choking of investment. To meet ambitious targets, a business either needs to generate large profits internally, which are then invested back into the business or they grow on the back of external investments – national or international. But the M&E industry boasts of neither,” he said

    CII National Committee on Media and Entertainment and Group CEO, Viacom 18 Group CEO and CII National Committee on Media and Entertainment chairman Sudhanshu Vats, Prasar Bharati CEO Jawahar Sircar, Information and Broadcasting Ministry special secretary JS Mathur and Minister of State for Information and Broadcasting Rajyavardhan Singh Rathore were among those present at the summit.

    During the past 15 years, the M&E sector has barely seen any new entrants and only around $4 billion in foreign direct investment (FDI). To garner $100 billion, the industry needs to invest at least $50 billion over the next decade – something that seems farfetched, given the present circumstances. “With M&E remaining an unattractive destination for investments, investors have no interest to invest in a fragmented and unprofitable business. Despite the 12 per cent year-on-year growth touted for the industry, the sector is paradoxically riddled with a host of unprofitable verticals. For example, sports is a $2 billion industry that could easily grow to around $10 in the next five years. Be it Hockey, Football, Kabaddi or Badminton, the new sporting leagues are being lapped up by the audiences,” Gupta said.

    Yet, the M&E industry has been unable to take off on the back of these investments. “Although Star India has been investing almost Rs 200 crore every season for the past two years, dividends are not commensurate. For this to happen, one needs to scale up the volume of content. In other words, more teams, more players and more days of Kabaddi are required annually to capitalize on this opportunity,” Gupta added.

    “A bizarre challenge confronts us here, however. Although Punjab and Haryana contribute large numbers of Kabaddi players, one cannot add more teams based in either of these two states because they do not have a single indoor stadium that could host a Kabaddi match. In Mumbai, the game is hosted at the NSCI Dome, but the biggest constraint is the availability of this facility for a reasonably long period of time. One venue for a city with more than 1,000 Kabaddi clubs simply does not make sense. In this case, consumer interest and the ability to invest are no hurdles, but the fact that the sporting infrastructure required is simply non-existent. Worse, there are no plans to address this situation,” Gupta continued.

    The movie business is no different. With around 7,000 screens, India has one of the world’s lowest screen densities. Despite breakthrough movies such as Queen, PK or Bajrangi Bhaijaan, revenues are stagnant, although the cost of producing these movies has soared dramatically in the past decade. Therefore, a $2 billion industry that sets a billion hearts racing earns zero profits.

    Even news channels fare no better. Without a robust business model, news channel have no money to invest in their business. Whether English or regional, number one channel or last, none of the channels make any money because none earn any money from subscription. Globally, subscription contributes as much as 60-70 per cent of the total earnings of a news channel.

    Television distribution is roughly a third of the total value of the media industry. In the past few years, immense investments have been made in both direct to home (DTH) and the cable business. But the tragedy of this sector is that even after many years of continued investment not a single company or business makes any money. Since the sector is considered a basic need from a consumer viewpoint, the prices at which content is sold by creators to platforms is regulated – prices frozen in 2003 haven’t changed in the past 12 years. In the same 12-year period, even the price of milk has jumped from Rs 12-15 a litre to Rs 35-40 a litre. 

    “Such anomalies are making the sector bleed. But no one seems to care,” Gupta lamented. “In Delhi, for example, the new government has doubled entertainment tax. Consequently, almost 30 per cent of revenue is paid as entertainment tax. The lack of political alignment and consistency of policy in the sector makes it impossible to plan a sustainable business model.”

    In 2015, where millions across the country receive their daily dose of news from Facebook feed, radio broadcasters can only air news snippets from All India Radio (AIR). “In the US, radio has gone hyper local and people spend an hour daily listening to radio. This gives a fillip to local brands since a quick and cheap platform is available to build their business. In India, conversely, there are a limited number of radio stations and limited content that can be aired – and without any news. It is no surprise then that even in large cities where FM exists, the time spent on radio per person is five minutes. Can any industry on Earth make money in such circumstances?” he asked.

    Gupta concluded by asserting, “Unless we unblock minds, we cannot unblock capital.”

    Accordingly, there is an urgent need to make distribution profitable, position animation as the next wave of export-oriented growth, support a serious scale-up of exhibition screens and sports stadiums and allow content innovation in radio. A hugely attractive pitch for domestic and international investors is required, giving them clarity on the policy environment for the next 10 years and confidence of generating sizeable returns on the investments.

    All stakeholders, businesses, policymakers and regulators need to stop being happy with the status quo and incrementalism. In the new era backed by technology, every sector from automobiles to financial institutions and even grocery shopping have witnessed dramatic growth and serious disruptions on the back of serious flow of capital.

    “M&E too needs to see brave new entrepreneurs, disruptive ideas and unconventional business models but this will only happen if we unblock the capital,” stressed Gupta.