Tag: Netflix

  • FCC action could stifle TV innovation

    FCC action could stifle TV innovation

    On Wednesday, FCC chairman Tom Wheeler proposed a new technology mandate that would require satellite and cable TV providers to disaggregate or separate their services so that a few companies could repackage them as their own without negotiating for content rights like everybody else in the market does today. While the chairman touts consumer benefits to his proposal, the opposite is the case. 

     

    The proposal, like prior federal government technology mandates, would impose costs on consumers, adversely impact the creation of high-quality content, and chill innovation. It also flies in the face of the rapid changes that are occurring in the marketplace and benefitting consumers.

     

    As a member of the technical advisory committee that the FCC formed, I, along with others on the committee, put in an extraordinary amount of time examining these issues. The Report we produced comprehensively discussed the widely-adopted apps-based model. The chairman ignores the less regulatory apps-based approach that is already expanding the array of choices that consumers have to access content on retail devices.  

     

    In the 21st century, television has been on a tear of innovation. In the 1980s, wanting your MTV became an anthem. The 1990s saw an explosion of channels and diversity of voices on television, and the beginnings of HDTV. Change has been accelerating ever since. 

     

    Netflix now has more customers in the US than any traditional TV provider; tablets, smartphones, smart TVs, connected devices for accessing video are ubiquitous; and new online video services are announced all the time. There are services from online powerhouses like Amazon; from new entrants like Sony’s Play Station Vue and Dish’s Sling TV that sell packages including linear channels; and from programmers like HBO, Showtime, and CBS. Just this week, we’ve seen the influence of these new services in locking up content at Sundance.

     

    These changes are bringing enormous consumer benefits — the quantity and variety of high-quality programming is better than ever, and consumers expect access to content anytime, anywhere, and on devices of their choice.

     

    Comcast is responding with our innovative X1 platform, and enabling access on a growing array of devices. Like other traditional TV distributors, online video distributors, networks, and sports leagues, Comcast is using apps to deliver its Xfinity service to popular customer-owned retail devices.

     

    These apps are wildly popular with consumers. Comcast customers alone have downloaded our apps more than 20 million times. This apps revolution is rapidly proliferating, and we are working with others in the industry and standards-setting bodies to expand apps to reach even more devices.

     

    Given these exciting, pro-consumer marketplace developments, it is perplexing that the FCC is now considering a proposal that would impose new government technology mandates on satellite and cable TV providers with the purported goal of promoting device options for consumers. 

     

    A little background here. Congress enacted “navigation device” legislation twenty years ago that directed the FCC to foster retail alternatives to cable set-top boxes. The FCC responded with a CableCARD mandate. Despite the cable industry’s longstanding and ongoing support for CableCARDs, consumers showed little interest in the technology; it saddled cable operators and their customers with over $1 billion in unnecessary costs; and, it was overtaken by the explosive growth in connected devices and apps. 

     

    It is strange now that the FCC is ignoring the important lesson of history that intrusive federal governmental regulatory interference in the market just doesn’t work by proposing new mandates at a time when Congress’s goals are being realized in the marketplace and consumers have unprecedented device choices that go well beyond what anyone could possibly have imagined even a decade ago. 

     

    The proposal would require traditional TV distributors like satellite and cable providers – but not other video distributors – to re-architect their networks and develop an undefined new piece of customer equipment just so device companies can take apart the video service and selectively reassemble it. 

     

    Consumer costs would rise, content security would weaken, and consumer protections such as privacy would erode. It would undermine intellectual property rights and content licensing agreements. The Chairman has said that his proposal addresses these concerns, but the simple fact is that the proposal strips away the tools that video distributors use to present service in a way that satisfies security, regulatory, and licensing requirements.

     

    As noted, the FCC’s track record on these types of technology mandates has been less than stellar. CableCARD is just one example. Another is the 1394 output mandate. The FCC required cable operators to include 1394 outputs on their set-top boxes, the mandate went on for years even after it was clear that other outputs had won out in the marketplace.

     

    Already, a broad range of parties is weighing in to support the innovation that is occurring in the marketplace and raising concerns including Disney, 21st Century Fox, NBCUniversal, and Viacom as well as small, independent, and diverse programmers like TV One, Fuse Media, Crossings TV , Revolt, and Baby First Americas; device manufacturers like Roku, Cisco, and ARRIS; diversity organizations such as the Hispanic Technology and Telecommunications Partnership (HTTP), a coalition of Hispanic organizations; and legislators, including 30 members of the Congressional Black Caucus and the National Black Caucus of State Legislators.

     

    As the Commission considers taking this initial step to launch a rulemaking proceeding to determine whether to impose new mandates and if so, what those should ultimately be, we look forward to studying the proposal and providing constructive input. We hope the FCC will decide to avoid this major step backward for consumers and video innovation. 

     

     

    (Disclaimer: The article has been sourced from Comcast’s website. The views expressed here are purely personal views of the author, who is Comcast Cable SVP – business and industry affairs and chief technology officer Mark Hess and Indiantelevision.com does not necessarily subscribe to them.)

  • FCC action could stifle TV innovation

    FCC action could stifle TV innovation

    On Wednesday, FCC chairman Tom Wheeler proposed a new technology mandate that would require satellite and cable TV providers to disaggregate or separate their services so that a few companies could repackage them as their own without negotiating for content rights like everybody else in the market does today. While the chairman touts consumer benefits to his proposal, the opposite is the case. 

     

    The proposal, like prior federal government technology mandates, would impose costs on consumers, adversely impact the creation of high-quality content, and chill innovation. It also flies in the face of the rapid changes that are occurring in the marketplace and benefitting consumers.

     

    As a member of the technical advisory committee that the FCC formed, I, along with others on the committee, put in an extraordinary amount of time examining these issues. The Report we produced comprehensively discussed the widely-adopted apps-based model. The chairman ignores the less regulatory apps-based approach that is already expanding the array of choices that consumers have to access content on retail devices.  

     

    In the 21st century, television has been on a tear of innovation. In the 1980s, wanting your MTV became an anthem. The 1990s saw an explosion of channels and diversity of voices on television, and the beginnings of HDTV. Change has been accelerating ever since. 

     

    Netflix now has more customers in the US than any traditional TV provider; tablets, smartphones, smart TVs, connected devices for accessing video are ubiquitous; and new online video services are announced all the time. There are services from online powerhouses like Amazon; from new entrants like Sony’s Play Station Vue and Dish’s Sling TV that sell packages including linear channels; and from programmers like HBO, Showtime, and CBS. Just this week, we’ve seen the influence of these new services in locking up content at Sundance.

     

    These changes are bringing enormous consumer benefits — the quantity and variety of high-quality programming is better than ever, and consumers expect access to content anytime, anywhere, and on devices of their choice.

     

    Comcast is responding with our innovative X1 platform, and enabling access on a growing array of devices. Like other traditional TV distributors, online video distributors, networks, and sports leagues, Comcast is using apps to deliver its Xfinity service to popular customer-owned retail devices.

     

    These apps are wildly popular with consumers. Comcast customers alone have downloaded our apps more than 20 million times. This apps revolution is rapidly proliferating, and we are working with others in the industry and standards-setting bodies to expand apps to reach even more devices.

     

    Given these exciting, pro-consumer marketplace developments, it is perplexing that the FCC is now considering a proposal that would impose new government technology mandates on satellite and cable TV providers with the purported goal of promoting device options for consumers. 

     

    A little background here. Congress enacted “navigation device” legislation twenty years ago that directed the FCC to foster retail alternatives to cable set-top boxes. The FCC responded with a CableCARD mandate. Despite the cable industry’s longstanding and ongoing support for CableCARDs, consumers showed little interest in the technology; it saddled cable operators and their customers with over $1 billion in unnecessary costs; and, it was overtaken by the explosive growth in connected devices and apps. 

     

    It is strange now that the FCC is ignoring the important lesson of history that intrusive federal governmental regulatory interference in the market just doesn’t work by proposing new mandates at a time when Congress’s goals are being realized in the marketplace and consumers have unprecedented device choices that go well beyond what anyone could possibly have imagined even a decade ago. 

     

    The proposal would require traditional TV distributors like satellite and cable providers – but not other video distributors – to re-architect their networks and develop an undefined new piece of customer equipment just so device companies can take apart the video service and selectively reassemble it. 

     

    Consumer costs would rise, content security would weaken, and consumer protections such as privacy would erode. It would undermine intellectual property rights and content licensing agreements. The Chairman has said that his proposal addresses these concerns, but the simple fact is that the proposal strips away the tools that video distributors use to present service in a way that satisfies security, regulatory, and licensing requirements.

     

    As noted, the FCC’s track record on these types of technology mandates has been less than stellar. CableCARD is just one example. Another is the 1394 output mandate. The FCC required cable operators to include 1394 outputs on their set-top boxes, the mandate went on for years even after it was clear that other outputs had won out in the marketplace.

     

    Already, a broad range of parties is weighing in to support the innovation that is occurring in the marketplace and raising concerns including Disney, 21st Century Fox, NBCUniversal, and Viacom as well as small, independent, and diverse programmers like TV One, Fuse Media, Crossings TV , Revolt, and Baby First Americas; device manufacturers like Roku, Cisco, and ARRIS; diversity organizations such as the Hispanic Technology and Telecommunications Partnership (HTTP), a coalition of Hispanic organizations; and legislators, including 30 members of the Congressional Black Caucus and the National Black Caucus of State Legislators.

     

    As the Commission considers taking this initial step to launch a rulemaking proceeding to determine whether to impose new mandates and if so, what those should ultimately be, we look forward to studying the proposal and providing constructive input. We hope the FCC will decide to avoid this major step backward for consumers and video innovation. 

     

     

    (Disclaimer: The article has been sourced from Comcast’s website. The views expressed here are purely personal views of the author, who is Comcast Cable SVP – business and industry affairs and chief technology officer Mark Hess and Indiantelevision.com does not necessarily subscribe to them.)

  • Netflix snaps up global rights to India’s ‘Brahman Naman’

    Netflix snaps up global rights to India’s ‘Brahman Naman’

    MUMBAI: Netflix has acquired the exclusive global rights of the hilarious coming-of-age comedy Brahman Naman,from Indian indie director Q. 

     

    The film will be available exclusively for Netflix members around the world later this year. 

     

    Set in Bangalore in the 1980s, Brahman Naman follows the exploits of Naman, a quick witted, high school quiz champ who leads his hopelessly nerdy friends on a trip to Calcutta to win a major college prize. Young, smart and full of heart, the trio are determined to win the quiz – and to lose their virginity along the way.

     

    Revered internationally as one of India’s most vital and provocative indie filmmakers, Q’s latest cinematic cocktail takes the classic American teen comedy, sharpens it with bawdy British word play, and hurls it in the face of the establishment with a fresh Indian cast. The film premiered last week at the prestigious World Drama Competition at the 2016 Sundance Film Festival.

     

    Brahman Naman is Indian cinema at its boldest; fast, furious and raucously funny. It’s a movie that will delight adolescents of all ages, and we’re excited to bring this hilarious tale to our members around the world,” said Netflix chief content officer Ted Sarandos.

     

    Written by Naman Ramachandran and produced by Steve Barron and Celine Loop, Brahman Naman is Q’s latest film, following Gandu, Tasher Desh and LudoBrahman Naman stars Shashank Arora as Naman, Tanmany Dhanania and Chaitanya Varad as his sidekicks, and features Vaiswath Shankar, Sindhu Sreenivasa Murthy and Sid Mallya.

  • Netflix snaps up global rights to India’s ‘Brahman Naman’

    Netflix snaps up global rights to India’s ‘Brahman Naman’

    MUMBAI: Netflix has acquired the exclusive global rights of the hilarious coming-of-age comedy Brahman Naman,from Indian indie director Q. 

     

    The film will be available exclusively for Netflix members around the world later this year. 

     

    Set in Bangalore in the 1980s, Brahman Naman follows the exploits of Naman, a quick witted, high school quiz champ who leads his hopelessly nerdy friends on a trip to Calcutta to win a major college prize. Young, smart and full of heart, the trio are determined to win the quiz – and to lose their virginity along the way.

     

    Revered internationally as one of India’s most vital and provocative indie filmmakers, Q’s latest cinematic cocktail takes the classic American teen comedy, sharpens it with bawdy British word play, and hurls it in the face of the establishment with a fresh Indian cast. The film premiered last week at the prestigious World Drama Competition at the 2016 Sundance Film Festival.

     

    Brahman Naman is Indian cinema at its boldest; fast, furious and raucously funny. It’s a movie that will delight adolescents of all ages, and we’re excited to bring this hilarious tale to our members around the world,” said Netflix chief content officer Ted Sarandos.

     

    Written by Naman Ramachandran and produced by Steve Barron and Celine Loop, Brahman Naman is Q’s latest film, following Gandu, Tasher Desh and LudoBrahman Naman stars Shashank Arora as Naman, Tanmany Dhanania and Chaitanya Varad as his sidekicks, and features Vaiswath Shankar, Sindhu Sreenivasa Murthy and Sid Mallya.

  • Netflix to bring back ‘Gilmore Girls’ with original cast

    Netflix to bring back ‘Gilmore Girls’ with original cast

    MUMBAI: Gilmore Girls is coming to Netflix!

     

    The global streaming service and Warner Bros. have confirmed that Gilmore Girls is being revived on Netflix. However, the title of the show has not yet been finalised.

     

    It will star the show’s original cast namely Lauren Graham, Alexis Bledel, Scott Patterson and Kelly Bishop. Also returning from the original series will be Sean Gunn and Keiko Agena.

     

    The show will be produced by Dorothy Parker Drank Here Productions in association with Warner Bros. Television.

     

    Amy Sherman-Palladino is the creator and EP. Daniel Palladino is also an EP. The duo is in the process of writing and directing all episodes in the final season.

  • Netflix to bring back ‘Gilmore Girls’ with original cast

    Netflix to bring back ‘Gilmore Girls’ with original cast

    MUMBAI: Gilmore Girls is coming to Netflix!

     

    The global streaming service and Warner Bros. have confirmed that Gilmore Girls is being revived on Netflix. However, the title of the show has not yet been finalised.

     

    It will star the show’s original cast namely Lauren Graham, Alexis Bledel, Scott Patterson and Kelly Bishop. Also returning from the original series will be Sean Gunn and Keiko Agena.

     

    The show will be produced by Dorothy Parker Drank Here Productions in association with Warner Bros. Television.

     

    Amy Sherman-Palladino is the creator and EP. Daniel Palladino is also an EP. The duo is in the process of writing and directing all episodes in the final season.

  • Netflix acquires ‘Audrie & Daisy’ at Sundance

    Netflix acquires ‘Audrie & Daisy’ at Sundance

    MUMBAI: Netflix has acquired Audrie & Daisy, a documentary film in competition at the Sundance Film Festival. The Netflix Original Documentary will premiere globally on Netflix in 2016.

     

    Directed by award-winning filmmakers Bonni Cohen and Jon Shenk, Audrie & Daisy charts the parallel stories of two teenage girls from opposite sides of the country, both sexually assaulted by boys they considered to be their friends. Harassed online and taunted at school in the wake of their assaults, each girl is driven to attempt suicide.

     

    The critically-acclaimed film examines the teen assault epidemic, the role of social media, and the impact of bullying directly from the perspective of the assailants whose interviews were secured as part of a landmark settlement agreement in their court case. Audrie & Daisy tells the rare story of a handful of girls and their families willing to speak out and fight back.

     

    By highlighting the stories of these girls and their families and friends, Audrie & Daisy brings viewers closer to questions about truth, power, memory and trauma. Addressing a legal system that struggles to prosecute these type of cases and a society that struggles with victims rights, the film explores the pursuit of justice against the backdrop of powerful social media and communities that don’t want to believe this can happen in their own towns.

     

    “From the early days of production on Audrie & Daisy, we dreamed of distribution for the film that could reach millions of teenagers and their families. With Netflix, our dream has come true. We are excited to work with a company that has helped the best documentaries reach the widest possible audience,” said Cohen and Shenk.

     

    “We are inspired by the incredible filmmaking process and storytelling, as well as the great care and integrity Bonni and Jon brought to Audrie’s and Daisy’s stories. This is an important film for boys, girls and their families as a tool to address the complex terrain that teenagers around the world must navigate as they come of age. We are honored to be able to provide a global platform for kids and adults alike to engage with this courageous film and to support a vital conversation,” said Netflix vice president of original documentary programming Lisa Nishimura.

     

    Audrie & Daisy is an AfterImage Public Media production, in association with Impact Partners and Actual Films.

  • Netflix acquires ‘Audrie & Daisy’ at Sundance

    Netflix acquires ‘Audrie & Daisy’ at Sundance

    MUMBAI: Netflix has acquired Audrie & Daisy, a documentary film in competition at the Sundance Film Festival. The Netflix Original Documentary will premiere globally on Netflix in 2016.

     

    Directed by award-winning filmmakers Bonni Cohen and Jon Shenk, Audrie & Daisy charts the parallel stories of two teenage girls from opposite sides of the country, both sexually assaulted by boys they considered to be their friends. Harassed online and taunted at school in the wake of their assaults, each girl is driven to attempt suicide.

     

    The critically-acclaimed film examines the teen assault epidemic, the role of social media, and the impact of bullying directly from the perspective of the assailants whose interviews were secured as part of a landmark settlement agreement in their court case. Audrie & Daisy tells the rare story of a handful of girls and their families willing to speak out and fight back.

     

    By highlighting the stories of these girls and their families and friends, Audrie & Daisy brings viewers closer to questions about truth, power, memory and trauma. Addressing a legal system that struggles to prosecute these type of cases and a society that struggles with victims rights, the film explores the pursuit of justice against the backdrop of powerful social media and communities that don’t want to believe this can happen in their own towns.

     

    “From the early days of production on Audrie & Daisy, we dreamed of distribution for the film that could reach millions of teenagers and their families. With Netflix, our dream has come true. We are excited to work with a company that has helped the best documentaries reach the widest possible audience,” said Cohen and Shenk.

     

    “We are inspired by the incredible filmmaking process and storytelling, as well as the great care and integrity Bonni and Jon brought to Audrie’s and Daisy’s stories. This is an important film for boys, girls and their families as a tool to address the complex terrain that teenagers around the world must navigate as they come of age. We are honored to be able to provide a global platform for kids and adults alike to engage with this courageous film and to support a vital conversation,” said Netflix vice president of original documentary programming Lisa Nishimura.

     

    Audrie & Daisy is an AfterImage Public Media production, in association with Impact Partners and Actual Films.

  • Vuclip hires Vishal Maheshwari as country manager – India

    Vuclip hires Vishal Maheshwari as country manager – India

    MUMBAI: As it gears up to launch its Over-The-Top (OTT) video streaming service in the country, Vuclip has roped in former Yahoo! India director Vishal Maheshwari as country manager in India.

     

    Maheshwari’s core responsibilities will include driving consumer adoption, engagement and monetisation for the video on demand (VOD) service in India through strategic partnerships, service innovation and consumer insights. 

     

    The appointment also reflects the company’s strategic intent to expand market share in a hyper competitive VOD market like India post the entry of international players like Netflix and HOOQ.

     

    What’s more, Vuclip is also looking at transitioning from a B2B to a consumer facing company.

     

    Maheshwari joins Vuclip with over 15 years of experience in the telecom and mobile internet space with organisations such as Yahoo! India and BPL Mobile, and 10 years of product and brand management experience at Parle, Warner Lambert and SBI Cards.

     

    Vuclip COO Arun Prakash said, “We are excited for Indian consumers in 2016 to experience a whole new way of entertainment on the go and pleased to have Vishal come on-board to lead our OTT service in India. With India in digital overdrive, creative thinking, fleet-footedness and focused execution are required to win over consumers’ hearts, minds and devices. Vishal’s leadership, consumer centric thought process, passion for product and brand, and value creation for partners will lead Vuclip and this entire industry in India.”

     

    “The ever evolving video space in India offers the thrill of a challenge. It is my endeavor to make 2016 a year of delight for the Indian audience in the entertainment and OTT space. I believe Vuclip is best positioned to make that happen,” added Maheshwari.

     

    Vuclip has a free user base of 20 million and a paying subscriber base in excess of five million people in India. The company’s OTT service in India will see tough competition from existing players like Netflix, Hotstar, HOOQ, Sony Liv, Ditto TV and ErosNow amongst others.

  • Vuclip hires Vishal Maheshwari as country manager – India

    Vuclip hires Vishal Maheshwari as country manager – India

    MUMBAI: As it gears up to launch its Over-The-Top (OTT) video streaming service in the country, Vuclip has roped in former Yahoo! India director Vishal Maheshwari as country manager in India.

     

    Maheshwari’s core responsibilities will include driving consumer adoption, engagement and monetisation for the video on demand (VOD) service in India through strategic partnerships, service innovation and consumer insights. 

     

    The appointment also reflects the company’s strategic intent to expand market share in a hyper competitive VOD market like India post the entry of international players like Netflix and HOOQ.

     

    What’s more, Vuclip is also looking at transitioning from a B2B to a consumer facing company.

     

    Maheshwari joins Vuclip with over 15 years of experience in the telecom and mobile internet space with organisations such as Yahoo! India and BPL Mobile, and 10 years of product and brand management experience at Parle, Warner Lambert and SBI Cards.

     

    Vuclip COO Arun Prakash said, “We are excited for Indian consumers in 2016 to experience a whole new way of entertainment on the go and pleased to have Vishal come on-board to lead our OTT service in India. With India in digital overdrive, creative thinking, fleet-footedness and focused execution are required to win over consumers’ hearts, minds and devices. Vishal’s leadership, consumer centric thought process, passion for product and brand, and value creation for partners will lead Vuclip and this entire industry in India.”

     

    “The ever evolving video space in India offers the thrill of a challenge. It is my endeavor to make 2016 a year of delight for the Indian audience in the entertainment and OTT space. I believe Vuclip is best positioned to make that happen,” added Maheshwari.

     

    Vuclip has a free user base of 20 million and a paying subscriber base in excess of five million people in India. The company’s OTT service in India will see tough competition from existing players like Netflix, Hotstar, HOOQ, Sony Liv, Ditto TV and ErosNow amongst others.