Tag: Netflix

  • OTT players spend exceeds traditional broadcasters; Netflix weighing  Indian content to drive growth

    OTT players spend exceeds traditional broadcasters; Netflix weighing Indian content to drive growth

    MUMBAI: Online platforms such as Amazon and the streaming giant Netflix have ramped up their investment in programming, investing US$ 7.5 billion last year which is more than HBO, Turner and CBS in most countries including Australia and South Korea.

    Netflix invested over twice as much on original programming as the entire Australian TV market, a new report stated. In India, it could look at licensing deals and produce more local language content as it seeks to strengthen its presence here.

    The US-based company, which expanded into over 130 markets, entered India a few months ago and rivals streaming sites or platforms such as Star India’s Hotstar, SonyLiv, YuppTV, Spuul, Ditto TV, Eros Now, and Hungama. All these are betting on growing smartphone and Internet use to drive growth. Netflix could soon be introducing ‘download-and-go’ offline streaming.

    Between 2013 and 2015, Amazon and Netflix doubled their annual investments on programming. In 2013, Amazon spent US$ 1.22 billion, that jumped to US$ 2.67 billion in 2015. In the corresponding period, Netflix investments rose from US$ 2.38 billion to US$ 4.91 billion, a IHS Markit report stated while examining how TV programme producers are adapting to the era of internet TV.

    “Netflix and Amazon investments are only topped by Disney ($11.84 billion) and NBC ($10.27 billion),” said IHS Technology senior principal analyst Tim Westcott,.

    Netflix added over 50 per cent more subscribers than expected in the third quarter as original shows such as “Stranger Things” drew new international viewers and kept US customers despite a price hike, according to FactSet StreetAccount.

    Other online platforms such as China’s Youku Toudu, iQifyi, Tencent and Hulu in the US have also increased their investment in original programming and acquisitions.

    “More and more consumers are watching content online, shaking the foundations of the traditional TV industry,” Westcott said. “However, it’s premature to declare that the era of linear TV is over,” he added.

    Westcott estimated that, in 2015, the US represented 33 per cent of worldwide expenditure on TV programming, with US$ 43 billion invested across free-to-air, pay TV and online.” “Netflix and Amazon, though they are US companies, are now commissioning for multiple territories, so we have treated them as global platforms.”

    The biggest markets in Western Europe were the UK with $10.7 billion, Germany ($7.3 billion), France ($6.6 billion) and Italy ($4.6 billion). “Notably, China is now the second largest market in Asia Pacific, with $8.4 billion invested last year,” Westcott said. Japan is the largest in the region with $9.8 billion, followed by South Korea ($2.6 billion), Australia and India—both on $2.4 billion.

    Netflix considers pouring money into building its stable of licensed and original movies and TV shows. Content spending will rise to $6 billion next year, a $1 billion increase from 2016, its CEO Reed Hastings has said.

    It faces competition from the likes of Amazon and Hulu. Figures released in the World TV Production Report 2016 claim Netflix spent US$ 4.91bn on new programming the last year, compared to Australia’s total market spend of US$2.4bn. Amazon, which may reportedly launch in Australia in a few months, increased its programming investment in 2016 to US$ 2.67bn from US$ 1.22bn in 2015, although far below Disney’s spend of US$ 11.84bn in 2016.

    In India however Netflix has branded itself in the premium bracket and therefore has some disadvantage as far as pricing is concerned. A majorly English language content makes business difficult for Netflix in India. More local language content and licensing deals could help in this context. Netflix, which has not disclosed its subscribers base in India, may need to adopt a localisation strategy for growth in the country.

  • OTT players spend exceeds traditional broadcasters; Netflix weighing  Indian content to drive growth

    OTT players spend exceeds traditional broadcasters; Netflix weighing Indian content to drive growth

    MUMBAI: Online platforms such as Amazon and the streaming giant Netflix have ramped up their investment in programming, investing US$ 7.5 billion last year which is more than HBO, Turner and CBS in most countries including Australia and South Korea.

    Netflix invested over twice as much on original programming as the entire Australian TV market, a new report stated. In India, it could look at licensing deals and produce more local language content as it seeks to strengthen its presence here.

    The US-based company, which expanded into over 130 markets, entered India a few months ago and rivals streaming sites or platforms such as Star India’s Hotstar, SonyLiv, YuppTV, Spuul, Ditto TV, Eros Now, and Hungama. All these are betting on growing smartphone and Internet use to drive growth. Netflix could soon be introducing ‘download-and-go’ offline streaming.

    Between 2013 and 2015, Amazon and Netflix doubled their annual investments on programming. In 2013, Amazon spent US$ 1.22 billion, that jumped to US$ 2.67 billion in 2015. In the corresponding period, Netflix investments rose from US$ 2.38 billion to US$ 4.91 billion, a IHS Markit report stated while examining how TV programme producers are adapting to the era of internet TV.

    “Netflix and Amazon investments are only topped by Disney ($11.84 billion) and NBC ($10.27 billion),” said IHS Technology senior principal analyst Tim Westcott,.

    Netflix added over 50 per cent more subscribers than expected in the third quarter as original shows such as “Stranger Things” drew new international viewers and kept US customers despite a price hike, according to FactSet StreetAccount.

    Other online platforms such as China’s Youku Toudu, iQifyi, Tencent and Hulu in the US have also increased their investment in original programming and acquisitions.

    “More and more consumers are watching content online, shaking the foundations of the traditional TV industry,” Westcott said. “However, it’s premature to declare that the era of linear TV is over,” he added.

    Westcott estimated that, in 2015, the US represented 33 per cent of worldwide expenditure on TV programming, with US$ 43 billion invested across free-to-air, pay TV and online.” “Netflix and Amazon, though they are US companies, are now commissioning for multiple territories, so we have treated them as global platforms.”

    The biggest markets in Western Europe were the UK with $10.7 billion, Germany ($7.3 billion), France ($6.6 billion) and Italy ($4.6 billion). “Notably, China is now the second largest market in Asia Pacific, with $8.4 billion invested last year,” Westcott said. Japan is the largest in the region with $9.8 billion, followed by South Korea ($2.6 billion), Australia and India—both on $2.4 billion.

    Netflix considers pouring money into building its stable of licensed and original movies and TV shows. Content spending will rise to $6 billion next year, a $1 billion increase from 2016, its CEO Reed Hastings has said.

    It faces competition from the likes of Amazon and Hulu. Figures released in the World TV Production Report 2016 claim Netflix spent US$ 4.91bn on new programming the last year, compared to Australia’s total market spend of US$2.4bn. Amazon, which may reportedly launch in Australia in a few months, increased its programming investment in 2016 to US$ 2.67bn from US$ 1.22bn in 2015, although far below Disney’s spend of US$ 11.84bn in 2016.

    In India however Netflix has branded itself in the premium bracket and therefore has some disadvantage as far as pricing is concerned. A majorly English language content makes business difficult for Netflix in India. More local language content and licensing deals could help in this context. Netflix, which has not disclosed its subscribers base in India, may need to adopt a localisation strategy for growth in the country.

  • Netflix ranks Spectranet as top ISP in Sept ’16

    Netflix ranks Spectranet as top ISP in Sept ’16

    MUMBAI: Spectranet, India’s only Internet Service Provider (ISP) with end-to-end 100% optical fiber network for home and business, has been ranked as the Number 1 ISP for its primetime performance by Netflix, the world’s leading internet television network with over 83 million members in over 190 countries, for the month of September 2016. It was also found to have the fastest performance during primetime across India. 

    Netflix ranks performances of prominent ISPs across the globe for their ‘Prime Time Netflix performance’ and the ratings for ISPs in India were introduced first in the month of May 16.  Netflix introduced ‘fast.com’ to provide quick and simple way for any internet user to test their current internet speed.

    A press release from Spectranet’s PR agency claimed has always maintained its ranking amongst top three since the inception of Netflix fast.com speed stats in India

    Spectranet was ranked numero uno for its superior service provided through its cutting-edge fiber network that delivers speeds of 100 Mbps and beyond and offers truly unlimited downloads & uploads without any speed capping.

    Spectranet CEO Udit Mehrotra said, “This feat has been made possible by our sustained efforts to deliver innovative and disruptive services to our customers at amazingly affordable price.”

    Spectranet is an innovative and disruptive technology company with end to end pure optical fiber network enabled Internet service provider, capable of delivering speeds of 1 Gbps.

  • Netflix ranks Spectranet as top ISP in Sept ’16

    Netflix ranks Spectranet as top ISP in Sept ’16

    MUMBAI: Spectranet, India’s only Internet Service Provider (ISP) with end-to-end 100% optical fiber network for home and business, has been ranked as the Number 1 ISP for its primetime performance by Netflix, the world’s leading internet television network with over 83 million members in over 190 countries, for the month of September 2016. It was also found to have the fastest performance during primetime across India. 

    Netflix ranks performances of prominent ISPs across the globe for their ‘Prime Time Netflix performance’ and the ratings for ISPs in India were introduced first in the month of May 16.  Netflix introduced ‘fast.com’ to provide quick and simple way for any internet user to test their current internet speed.

    A press release from Spectranet’s PR agency claimed has always maintained its ranking amongst top three since the inception of Netflix fast.com speed stats in India

    Spectranet was ranked numero uno for its superior service provided through its cutting-edge fiber network that delivers speeds of 100 Mbps and beyond and offers truly unlimited downloads & uploads without any speed capping.

    Spectranet CEO Udit Mehrotra said, “This feat has been made possible by our sustained efforts to deliver innovative and disruptive services to our customers at amazingly affordable price.”

    Spectranet is an innovative and disruptive technology company with end to end pure optical fiber network enabled Internet service provider, capable of delivering speeds of 1 Gbps.

  • MIPCOM: Cyber Group Studios signs deals with broadcasters, digital platforms

    MIPCOM: Cyber Group Studios signs deals with broadcasters, digital platforms

    CANNES: On the heels of MIPCOM Junior, Paris-based producer and distributor Cyber Group Studios continues to establish a strong presence worldwide by signing new agreements with buyers including major broadcasters and digital platforms for more than ten series of its catalogue. Deals cover players such as Netflix (Worldwide), HULU (USA), Amazon (India), SVT and RTVE.

    Cyber Group Studios announced a major deal with Amazon India of more than 300 half hours for the launch this autumn of the digital platform. This deal includes Zorro The Chronicles (26×22’ HD-CGI), Mini-Ninjas (52×11 2D HD-CGI), Ozie Boo (78×7’ + 52×2’ HD CGI), Tales of Tatonka (52×13’ HD-CGI) and the three seasons of ZOU (156×11’ HD-CGI).

    Cyber Group Studios strengthened is presence on digital platforms worldwide with sales to Netflix (The long Long Holiday 5×50′ or 10×26′ HD 2D – CGI), Hulu and Hulu Latino (ZOU156x11’ HD -CGI). In France Cyber Group Studios announces sales of its hit programs ZOU (156×11’ HD -CGI) and Zorro The Chronicles (26×22’ HD-CGI) to key players such asTF1’s TFou Max, Canal Play.

    Cyber Group Studios announced major presales on its new series in production: The Pirates Next Door(52×11′ HD – CGI), a comedy series based on the best-seller by Jonny Duddle. The program has just been launched and presales have already been closed with FranceTélévisions(France), SVT (Sweden), NRK (Norway), ABSvensk(Scandinavia).

    Mirette Investigates (52 x 11‘ 2D-HD), the first traveling detective comedy for kidsproduced for TF1 and Canal + (France), WDR (Germany) and TV3 Catalunya (Spain), has been presold to TeleTOON + (Poland), Minimax (Eastern Europe) and RTS (Switzerland) to join the first pre-buyers VRT (Belgium) and Studios 100 (Germany). Cyber Group Studios is launching the third season of its hit property ZOU (now 156×11’ HD -CGI) produced for Disney EMEA. The new season of the series is now presold toTélé-Quebec (Canada), Daewon(south Korea), RTVE-CLAN (Spain), Amazon (India) in addition to Wekids (Great China).

    At last, Cyber Group Studios announced new sales for its flagship series Zorro The Chronicles: Zorro The Chronicles (26×22’ HD-CGI), produced by Cyber Group Studios in collaboration with Zorro Production International (John Gertz) which has been picked up by a range of new broadcasters such as RTVE (Spain), Kika(Germany) , SVT (Sweden), DR (Denmark), AB Svensk(Scandinavia), Latvian TV(Lithuania), AL Jazeera (Middle East), Thai PBS (Thailand), Daewon (South Korea) and Vietcontent (Vietnam).

    Cyber Group Studios is a French independent multi awarded company which produces and distributes its own and third party audiovisual productions and brand. The company handles programs with strong international appeal targeted to kids and families in particular, 3D CGI and 2D HD, animation products (TV series and movies) targeted at 2-12 years old kids and teens, HD animation series, for “Triple Play” broadcast (web, mobile phones, TV).

  • MIPCOM: Cyber Group Studios signs deals with broadcasters, digital platforms

    MIPCOM: Cyber Group Studios signs deals with broadcasters, digital platforms

    CANNES: On the heels of MIPCOM Junior, Paris-based producer and distributor Cyber Group Studios continues to establish a strong presence worldwide by signing new agreements with buyers including major broadcasters and digital platforms for more than ten series of its catalogue. Deals cover players such as Netflix (Worldwide), HULU (USA), Amazon (India), SVT and RTVE.

    Cyber Group Studios announced a major deal with Amazon India of more than 300 half hours for the launch this autumn of the digital platform. This deal includes Zorro The Chronicles (26×22’ HD-CGI), Mini-Ninjas (52×11 2D HD-CGI), Ozie Boo (78×7’ + 52×2’ HD CGI), Tales of Tatonka (52×13’ HD-CGI) and the three seasons of ZOU (156×11’ HD-CGI).

    Cyber Group Studios strengthened is presence on digital platforms worldwide with sales to Netflix (The long Long Holiday 5×50′ or 10×26′ HD 2D – CGI), Hulu and Hulu Latino (ZOU156x11’ HD -CGI). In France Cyber Group Studios announces sales of its hit programs ZOU (156×11’ HD -CGI) and Zorro The Chronicles (26×22’ HD-CGI) to key players such asTF1’s TFou Max, Canal Play.

    Cyber Group Studios announced major presales on its new series in production: The Pirates Next Door(52×11′ HD – CGI), a comedy series based on the best-seller by Jonny Duddle. The program has just been launched and presales have already been closed with FranceTélévisions(France), SVT (Sweden), NRK (Norway), ABSvensk(Scandinavia).

    Mirette Investigates (52 x 11‘ 2D-HD), the first traveling detective comedy for kidsproduced for TF1 and Canal + (France), WDR (Germany) and TV3 Catalunya (Spain), has been presold to TeleTOON + (Poland), Minimax (Eastern Europe) and RTS (Switzerland) to join the first pre-buyers VRT (Belgium) and Studios 100 (Germany). Cyber Group Studios is launching the third season of its hit property ZOU (now 156×11’ HD -CGI) produced for Disney EMEA. The new season of the series is now presold toTélé-Quebec (Canada), Daewon(south Korea), RTVE-CLAN (Spain), Amazon (India) in addition to Wekids (Great China).

    At last, Cyber Group Studios announced new sales for its flagship series Zorro The Chronicles: Zorro The Chronicles (26×22’ HD-CGI), produced by Cyber Group Studios in collaboration with Zorro Production International (John Gertz) which has been picked up by a range of new broadcasters such as RTVE (Spain), Kika(Germany) , SVT (Sweden), DR (Denmark), AB Svensk(Scandinavia), Latvian TV(Lithuania), AL Jazeera (Middle East), Thai PBS (Thailand), Daewon (South Korea) and Vietcontent (Vietnam).

    Cyber Group Studios is a French independent multi awarded company which produces and distributes its own and third party audiovisual productions and brand. The company handles programs with strong international appeal targeted to kids and families in particular, 3D CGI and 2D HD, animation products (TV series and movies) targeted at 2-12 years old kids and teens, HD animation series, for “Triple Play” broadcast (web, mobile phones, TV).

  • Netflix hires Indian origin TV exec Bela Bajaria as content VP

    Netflix hires Indian origin TV exec Bela Bajaria as content VP

    MUMBAI: Even as Netflix has been strengthening its Asia team by hiring locals with Asian and international experience, it has also been bolstering the talent at its HQ.  Last week, the leading global video streaming site, announced that it had roped in former Universal Television (NBCUniversal’s TV unit) president Bela Bajaria as vice-president of content. She is slated to join Netflix from 1 November, replacing Sean Carey, who is leaving the company.

    The London-born-but-raised-in-east-Africa-and-settled-in-Los-Angeles Bajaria is of Indian origin, At Universal Television, Bajaria supervised creative programming for the studio and producing such hit series as Master of None and Unbreakable Kimmy Schmidt for Netflix; Brooklyn Nine-Nine for FOX; The Mindy Project for FOX and Hulu; Superstore for NBC and Bates Motel for A&E, among several others. She developed Gypsy, starring Naomi Watts, for Netflix which will premiere in 2017 as well as Pure Genius for CBS and The Good Place for NBC, which are on the network’s 2016 fall schedules.

    Bajaria has in the past been ranked amongst the top  TV executives in the US when she headed Universal Television.  She left the production outfit  when she had a run-in with executives at NBC Studios for not buying enough content from her company, even though Fox and CBS were.

    At Netflix, Bajaria has been mandated with leading the team focused on TV and film licensing from major U. studios, as well co-production relationships with major US networks. She will also oversee a new team developing original unscripted programs for Netflix.

    Netflix CEO Reed Hastings and chief content officer Ted Sarandos have said time and time again that the company wants to keep showcase the best in class engaging content for its subscribers and a budget of $5 billion has been kept aside for this year to acquire and create content.

    “Bela is a great creative television executive with broad experience and deep industry relationships,” said Sarandos. “Having worked closely with her on Master of None and Unbreakable Kimmy Schmidt, we know we have found the perfect executive to lead this new effort.”

    “I am looking forward to joining Netflix, an innovative company that supports creative vision and fosters risk-taking. Having worked closely with Ted, Cindy and the team, I know they are great creative partners and care deeply about the experience of talent, their partners and their members,” said Bela Bajaria. “They are a dynamic group and I’m looking forward to continue building new partnerships at Netflix with amazing talent and studio and network colleagues.”

  • Netflix hires Indian origin TV exec Bela Bajaria as content VP

    Netflix hires Indian origin TV exec Bela Bajaria as content VP

    MUMBAI: Even as Netflix has been strengthening its Asia team by hiring locals with Asian and international experience, it has also been bolstering the talent at its HQ.  Last week, the leading global video streaming site, announced that it had roped in former Universal Television (NBCUniversal’s TV unit) president Bela Bajaria as vice-president of content. She is slated to join Netflix from 1 November, replacing Sean Carey, who is leaving the company.

    The London-born-but-raised-in-east-Africa-and-settled-in-Los-Angeles Bajaria is of Indian origin, At Universal Television, Bajaria supervised creative programming for the studio and producing such hit series as Master of None and Unbreakable Kimmy Schmidt for Netflix; Brooklyn Nine-Nine for FOX; The Mindy Project for FOX and Hulu; Superstore for NBC and Bates Motel for A&E, among several others. She developed Gypsy, starring Naomi Watts, for Netflix which will premiere in 2017 as well as Pure Genius for CBS and The Good Place for NBC, which are on the network’s 2016 fall schedules.

    Bajaria has in the past been ranked amongst the top  TV executives in the US when she headed Universal Television.  She left the production outfit  when she had a run-in with executives at NBC Studios for not buying enough content from her company, even though Fox and CBS were.

    At Netflix, Bajaria has been mandated with leading the team focused on TV and film licensing from major U. studios, as well co-production relationships with major US networks. She will also oversee a new team developing original unscripted programs for Netflix.

    Netflix CEO Reed Hastings and chief content officer Ted Sarandos have said time and time again that the company wants to keep showcase the best in class engaging content for its subscribers and a budget of $5 billion has been kept aside for this year to acquire and create content.

    “Bela is a great creative television executive with broad experience and deep industry relationships,” said Sarandos. “Having worked closely with her on Master of None and Unbreakable Kimmy Schmidt, we know we have found the perfect executive to lead this new effort.”

    “I am looking forward to joining Netflix, an innovative company that supports creative vision and fosters risk-taking. Having worked closely with Ted, Cindy and the team, I know they are great creative partners and care deeply about the experience of talent, their partners and their members,” said Bela Bajaria. “They are a dynamic group and I’m looking forward to continue building new partnerships at Netflix with amazing talent and studio and network colleagues.”

  • Netflix-iPic Entertainment tie up; to release original films

    Netflix-iPic Entertainment tie up; to release original films

    MUMBAI: The subscription led video-on-demand (SVOD) streaming service Netflix has partnered with iPic Entertainment theater chain to release selective original films. These movies will shown simultaneously on the streaming service and at iPic theaters across the US.

    With this deal, several reports have surfaced mentioning the red light on rival theater owners.

    The partnership is set to launch from Friday with Netflix’s war thriller The Siege of Jadotville, opening at iPic theaters in Los Angeles the same day it’s released on the streaming service.

    “Consumer choice is a pillar of our philosophy and the unparalleled level of comfort and hospitality offered at iPic made this a natural partnership,” said Netflix chief content officer Ted Sarandos in a statement.

    The movie chain operates 15 theaters with 113 screens nationwide, including in New York, Miami Beach, Houston and Scottsdale, Ariz.

    iPic Entertainment president and CEO Hamid Hashemi added, “ This is a significant game changer for consumers and fans, paving way for a new frontier in shared experience viewing of Netflix entertainment.”

    Netflix has previously released its original films in theaters, like 2015’s Beast of No Nations, bypassing the exclusive theatrical window viewed as vital to many movie chains.

    “Movie theaters are worried. Netflix is already their biggest competitor right now,” voiced Exhibitor Relations analyst Jeff Bock to USA Today. “This represents a direct hit to their business that shakes them to the core.”

    The president and CEO of the National Association of Theater Owners John Fithian has also opined his unhappiness with this practice. “Simultaneous release, in practice, has reduced both theatrical and home revenues when it has been tried. The theatrical window is a longstanding industry practice that has benefited studios, theaters and moviegoers. We all should tread lightly and be mindful that over the years, the film industry’s success is a direct result of a highly successful collaboration between filmmakers, distributors and exhibitors,” said Fithian in a statement.

  • Netflix-iPic Entertainment tie up; to release original films

    Netflix-iPic Entertainment tie up; to release original films

    MUMBAI: The subscription led video-on-demand (SVOD) streaming service Netflix has partnered with iPic Entertainment theater chain to release selective original films. These movies will shown simultaneously on the streaming service and at iPic theaters across the US.

    With this deal, several reports have surfaced mentioning the red light on rival theater owners.

    The partnership is set to launch from Friday with Netflix’s war thriller The Siege of Jadotville, opening at iPic theaters in Los Angeles the same day it’s released on the streaming service.

    “Consumer choice is a pillar of our philosophy and the unparalleled level of comfort and hospitality offered at iPic made this a natural partnership,” said Netflix chief content officer Ted Sarandos in a statement.

    The movie chain operates 15 theaters with 113 screens nationwide, including in New York, Miami Beach, Houston and Scottsdale, Ariz.

    iPic Entertainment president and CEO Hamid Hashemi added, “ This is a significant game changer for consumers and fans, paving way for a new frontier in shared experience viewing of Netflix entertainment.”

    Netflix has previously released its original films in theaters, like 2015’s Beast of No Nations, bypassing the exclusive theatrical window viewed as vital to many movie chains.

    “Movie theaters are worried. Netflix is already their biggest competitor right now,” voiced Exhibitor Relations analyst Jeff Bock to USA Today. “This represents a direct hit to their business that shakes them to the core.”

    The president and CEO of the National Association of Theater Owners John Fithian has also opined his unhappiness with this practice. “Simultaneous release, in practice, has reduced both theatrical and home revenues when it has been tried. The theatrical window is a longstanding industry practice that has benefited studios, theaters and moviegoers. We all should tread lightly and be mindful that over the years, the film industry’s success is a direct result of a highly successful collaboration between filmmakers, distributors and exhibitors,” said Fithian in a statement.