Tag: Netflix

  • Aditi Guha joins Prime Video as head of programming & content insights

    Aditi Guha joins Prime Video as head of programming & content insights

    MUMBAI: Amazon Prime Video has roped in media veteran Aditi Guha as head of programming & content insights for Prime Video and Amazon MGM Studios India. She joined the content giant in May 2025 and made the announcement today on Linkedin. 

    With over two decades of experience across media planning, consumer insight, content strategy and product monetisation, Guha is set to shape the streamer’s data-led storytelling and business decisions.

    Prior to this, Guha served as senior product researcher at Netflix APAC, where she led consumer insight across South Korea, Japan, India, Australia, and Southeast Asia, focusing on partnerships, churn, retention and commerce growth. Before that, she held multiple leadership roles at The Walt Disney Co in Singapore, launching Disney+ in Southeast Asia and building audience strategies across studios, media networks and licensing verticals.

    Her career began in media planning at Universal McCann and WPP, before she made her mark at Viacom18’s MTV Insight Studio and ABP News. Guha is an alumna of Symbiosis Institute of Media and Communication and has earned certifications from NUS Business School, IdeoU, and General Assembly in analytics and design thinking.

    With content wars heating up in the Indian OTT space, her appointment signals Amazon’s continued push to double down on data-fuelled programming decisions, local insights and international storytelling chops.

  • Ducktape Studios wins big at Cannes, Spikes and more in debut year

    Ducktape Studios wins big at Cannes, Spikes and more in debut year

    MUMBAI: From duct tape to Ducktape, India’s latest creative export is fixing eyeballs on global awards. Ducktape Studios may be barely a year old, but it’s already sticking out in the global ad world for all the right reasons. The Mumbai-based production house, helmed by award-winning director Raylin Valles, has stormed Cannes Lions, Adfest, Spikes Asia and the Kyoorius Awards in 2025, proving that a sharp idea with a dash of madness can punch well above its age.

    At this year’s Cannes Lions, Ducktape landed a Bronze Lion for its quirky Amazon campaign with Ogilvy India and earned a Film Craft shortlist for Dirty Money, its riotous spot for Steadfast Shredders created with Mullenlowe. The momentum continued at Adfest, where the team bagged a Silver for Film Direction and two Bronzes for Arms Deal and Hungal Driving School in collaboration with DDB.

    Meanwhile, at Spikes Asia, Arms Deal racked up a Bronze and two shortlist mentions, while the Kyoorius haul included a dazzling 4 Blue Elephants and 11 Baby Blues.

    This awards streak is no fluke. Ducktape’s cinematic chops are backed by Valles’s deep agency roots and an enviable global reel. His resume reads like a Cannes wish list Coca-Cola, Apple, Netflix, Unilever, Snickers, Ikea, Spotify, Disney+ Hotstar and his directing style ranges from stylised comedy and animated flair to high-octane action.

    “We launched Ducktape to build a space where ideas and craft could run wild,” said Valles. “A year in, we’ve worked with iconic brands, fearless agencies and some real heavyweight talent. We’ve made things that sparked memes, conversations and now, awards.”

    The studio’s sharp storytelling and slick visual language are drawing praise for being rooted in Indian culture while playing to a global stage. And while Ducktape’s tape measure of success is already long, it’s clear they’ve only just begun rolling.

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  • Wall Street on track as AI bull takes Mumbai local in bold fintech ad

    Wall Street on track as AI bull takes Mumbai local in bold fintech ad

    MUMBAI: What happens when Wall Street meets a Mumbai local? You get a bullish ride straight into the heart of India’s investing aspirations powered entirely by artificial intelligence. Appreciate, India’s digital-first platform for investing in US-listed stocks and ETFs, has launched “Wall Street Express,” a first-of-its-kind GenAI campaign that reimagines fintech storytelling with cinematic flair and cultural familiarity.

    At the centre of this visually striking 50-second film is a bespectacled stock market bull, yes, a literal one who boards a packed Mumbai local, navigating the everyday hustle of Indian investors before stepping off onto Wall Street, smartphone in hoof, ready to trade via the Appreciate app. The campaign cleverly symbolises the psychological journey from doubt to confidence, from gully to global, turning the mundane commute into a metaphor for financial empowerment.

    “We realised the biggest barrier to global investing for Indians isn’t access, it’s mindset,” said Appreciate VP marketing, Ayush Kumar. “Our platform lets people invest with as little as Rs 1 and the lowest brokerage. But it’s about belonging. ‘Wall Street Express’ says your pincode shouldn’t limit your portfolio.”

    Rather than peddling features, Appreciate focuses on feeling. Set against the backdrop of India’s most iconic train system, the campaign taps into the cultural memory of millions while nudging them toward international investing not with jargon, but with aspiration.

    “This AI-generated bull is our everyday hero,” added Netflix head of content Anand Nair. “He dreams, he reads the paper, and he invests. GenAI helped us sidestep uncanny visuals and deliver Pixar-level relatability, minus the fluff.”

    The campaign marks a watershed in fintech advertising replacing pitch decks with poetic metaphors, dashboards with destination boards. It’s not just about making Wall Street accessible, it’s about making it feel native.

    Already generating online buzz, the film reflects a broader shift in how fintech brands are connecting with India’s digital-native, urban millennials blending emotion with innovation, and relatability with disruption.

    Because sometimes, the most powerful financial journeys begin not with a leap of faith, but a train ride from Churchgate to the charging bull.

    (If you are an Anime fan and love Anime like Demon Slayer, Spy X Family, Hunter X Hunter, Tokyo Revengers, Dan Da Dan and Slime, Buy your favourite Anime merchandise on AnimeOriginals.com.)
     

  • Digital i report: Netflix’s ad-tier viewing soars by nearly a third across Europe

    Digital i report: Netflix’s ad-tier viewing soars by nearly a third across Europe

    MUMBAI: Here’s some data that validates what Indian streamers have known all along and have been following for quite some time. If you want masses to consume you, then give away content at a lower price or for free – especially entertainment shows – but populate it with ads. Viewers don’t seem to mind it all.

    Global streaming media measurement firm Digital i conducted a study between November 2024 and April 2025 which revealed that viewing time on Netflix’s ‘Standard with Ads’ plan jumped 32 per cent across five key west European markets, signalling robust growth for the streaming giant’s advertising business. The Standards with Ads plan is priced at Euro 6.99 per month as against the standard plan which has a sticker price of Euro 13.99 and the premium one which costs Euro 19.99 This Standard with Ads package offers ad-supported streaming on two devices simultaneously in Full HD (1080p) and allows for downloads

    Digital i’s study  revealed  a collective rise of 152.7 million hours in the UK, France, Italy, Germany, and Spain. Total viewing hours on the ad-supported tier surged from 470.2 million in November 2024 to 622.9 million by April 2025.

    Germany led the charge with a 44 per cent increase, as hours viewed on the ‘Standard with Ads’ plan climbed from 81.3 million to 116.9 million. Spain and the UK each saw a 34 per cent uplift, with viewing rising from 59.9 million to 80.2 million and 150.7 million to 202.6 million hours respectively. France experienced a 26 per cent rise (from 129.1 million to 163.2 million), while Italy registered a 22 per cent gain (from 49.1 million to 60 million).

    Digital i chief analytics officer Matt Ross hailed the figures. “Netflix’s ad-supported tier has experienced strong growth in the past six months, and the increased take up has led to increased viewership across all regions,” he remarked. “This is good news for Netflix’s ad business which now boasts strong levels of reach combined with high levels of viewership.”

  • Netflix inks landmark deal to host TF1 channels in France

    Netflix inks landmark deal to host TF1 channels in France

    MUMBAI: In a groundbreaking move poised to reshape France’s television landscape, Netflix has announced a landmark partnership with major French broadcaster TF1. From the summer of 2026, Netflix subscribers across France will gain direct access to TF1 Group’s live channels and extensive on-demand content, all seamlessly integrated into their existing Netflix subscription. This “first-of-its-kind partnership,” unveiled at the Cannes Lions advertising conference, signals a significant strategic shift for both media giants.

    The deal will see Netflix members in France able to stream TF1’s five free-to-air linear television channels — TF1, TMC, TFX, TF1 Séries Films, and LCI — directly through the Netflix platform. This unprecedented integration also includes access to over 30,000 hours of on-demand content from TF1+, the broadcaster’s own streaming service. Viewers will no longer need to switch between apps to catch popular French dramas like Broceliande and Demain nous appartient,  entertainment staples such as The Voice, or even major live sporting events featuring France’s national football and basketball teams.

    For Netflix, this collaboration is a clear step towards becoming a comprehensive “one-stop-shop” for television audiences globally. Netflix co-chief executive Greg Peters highlighted the synergy, stating the deal “plays to our strengths of giving audiences the best entertainment alongside the best discovery experience.”

    By teaming up with France’s leading broadcaster, Netflix aims to provide “even more reasons to come to Netflix every day and to stay with us for all their entertainment.” The move is particularly astute given France’s stringent regulatory requirements that mandate international streaming platforms invest in and contribute to local content production.

    Conversely, for TF1, whose chief executive Rodolphe Belmer expressed his delight, the alliance represents a crucial opportunity to expand its digital footprint and unlock new avenues for advertisers in an increasingly fragmented viewing market. TF1 currently reaches 58 million monthly viewers via its broadcast channels and serves 35 million users on its TF1+ streaming service. 

    Belmer emphasised that the partnership would allow TF1’s “premium content to reach unparalleled audiences and unlock new reach for advertisers within an ecosystem that perfectly complements our TF1+ platform.” While TF1+ remains central to its strategy, the Netflix integration is seen as “truly complementary,” with internal analyses predicting a “significantly net positive” business effect.

    Peters and Belmer flew into the picturesque French Riviera town of Cannes to make the announcement. 

    The financial terms remain undisclosed, but industry observers suggest it could serve as a global blueprint for similar arrangements as Netflix seeks to deepen its power over traditional broadcasters. This development comes at a pivotal time for Netflix, which in April 2025 saw co-chief executive Ted Sarandos announce an ambitious target of reaching a $1 trillion market capitalisation. 

    However, the company has also faced recent headwinds, including subscriber backlash following price increases in several countries and a slowdown in growth in the Asia-Pacific region. Integrating content from popular free-to-air broadcasters like TF1 could provide a fresh impetus for subscriber acquisition and retention.

    The partnership is not entirely new territory for TF1 and Netflix, who have previously collaborated on successful co-productions such as Les Combattantes, L’Agence, and Tout le bleu du ciel. This deepening of ties underscores a growing trend of convergence between traditional media and streaming giants, as both adapt to evolving consumer habits that increasingly favour on-demand consumption. The ability to watch a diverse range of content, from scripted dramas to live sports, all within a single interface, marks a significant evolution in the streaming warS.

  • About Antoine season 2 now streaming on Netflix in Americas and France

    About Antoine season 2 now streaming on Netflix in Americas and France

     MUMBAI: Streaming just got a little more heart. After making waves at global festivals and breaking ground with its nuanced portrayal of disability, About Antoine is back with a second season now streaming on Netflix across the Americas and France. The award-winning dramedy, co-produced by Just For Laughs and distributed globally by Just For Entertainment Distribution, follows the story of Antoine, a poly-handicapped young man and the fierce, funny, and tender family who navigate life with him. What sets the show apart isn’t just the rare subject matter, but the way it balances authenticity with wit, and hardship with hope.

    Now available in French and English, with Spanish and Portuguese subtitles, Season 2 continues to explore Antoine’s world with the same emotional candour that made it a festival darling. Think Banff Rockie 2025 nominee, MIPCOM Diversify TV Award winner, and Rose d’Or nominee, to name just a few of its accolades.

    “This is more than just a show, it’s a message in motion,” said Just For Laughs chief marketing officer Alex Avon. “With Netflix on board, we’re thrilled to bring About Antoine to even more people, reminding audiences everywhere what it means to triumph in everyday life.”

    Season 2 deepens the show’s emotional resonance, portraying the complexities of care, love, and family with warmth and unexpected humour. It’s storytelling that doesn’t shy away from struggle but always finds the spark in the story.

    For anyone looking to stream something meaningful, moving, and still manage a few belly laughs About Antoine just might be the feel-good binge of the season.

  • Ted Sarandos spills the Netflix masala to Indian billionaire Nikhil Kamath

    Ted Sarandos spills the Netflix masala to Indian billionaire Nikhil Kamath

    MUMBAI: What happenswhen a video store clerk-turned-media mogul sits down with a new-gen Indian billionaire?

    Streaming gold. 

    In a riveting episode of People by WTF, Netflix co-ceo Ted Sarandos spilt the tea, dropped truth bombs, and dished out storytelling wisdom in an electric tête-à-tête with Zerodha co-founder Nikhil Kamath. 

    From his Phoenix roots to Hollywood power tables—and yes, dinners with Shah Rukh Khan—Ted held nothing back.

    Sarandos shared his origin story: a would-be journalist whose real education came behind the counter at a video rental store. That humble setting gave him a ringside view of consumer desire—something he scaled up spectacularly at Netflix. “People hated late fees, but they loved discovering something new,” he quipped, summing up the genesis of Netflix’s ‘everything, anytime’ model.

    Sarandos’ India story was peppered with glam. He reminisced about his first meal with SRK—“very different in Mumbai than in LA”—and lauded Aryan Khan’s directorial chops in The Ba**ds of Bollywood*. His creative crush? Sanjay Leela Bhansali. “Heeramandi felt like a dare… he pitched it in LA like, ‘I dare you to make this’,” said Ted, still in awe.

    “For 10 years, I heard India was two years away,” Sarandos laughed. “Now, it feels truer than ever.” With local stories making global noise—think RRR or Kapil Sharma—Netflix doubled down. Sarandos noted that Indian audiences aren’t just watching Bollywood. They are binging Korean anime, true crime, Tamil action, and Turkish dramas with equal zest. “This market’s appetite is unmatched,” he said.
     

    Nikhil Kamath Ted Sarandos

    On leadership, Sarandos kept it brutally real. “Work-life balance? That’s a fantasy,” he shrugged. His playbook: take big swings, fail fast, and hire smart. He credited Netflix’s risk-positive culture to Reed Hastings, who saw streaming coming when dial-up ruled the world. “In 1999, Reed said, ‘Everything will come through the internet.’ It sounded crazy. Turns out, he was right.”

    Sarandos bet big on local stories going global. “Squid Game was never supposed to be a global hit. But great stories travel.” He stays bullish on AI—so long as humans lead the charge. “The art of the prompt will be a human skill,” he remarked, calling AI a cost cutter, not a creator killer. “It’ll help make better films, but won’t replace human imagination or emotion.”

    From gaming titles like Grand Theft Auto to video-forward podcasts, Netflix’s empire keeps expanding. Sarandos sees serious returns in content creation. “The best ROI? Still content. Delivery and monetisation are evolving faster than ever,” he noted.

    His advice to young creators? Make the coffee. “Be a PA, join a writers’ room, see if this is what you really want. Passion often follows excellence,” he urged, advising rookies not to reverse-engineer Netflix’s tastes, but pitch what needs to be told.

    The full episode of People by WTF featuring Ted Sarandos streamed on YouTube—popcorn highly recommended.

  • Content queen Ekta Kapoor inks storytelling deal with global streamer Netflix

    Content queen Ekta Kapoor inks storytelling deal with global streamer Netflix

    MUMBAI: One’s a streaming juggernaut. The other, a serial storyteller. Together, they’re set to write India’s next big entertainment chapter, one frame at a time.

    In a move that could reshape the contours of desi drama for global screens, Netflix and Ekta Kapoor’s Balaji Telefilms Ltd. have inked a long-term creative partnership to co-create a diverse range of stories across formats and genres. The collaboration marks a major milestone for both powerhouses uniting Netflix’s premium production muscle with Kapoor’s cultural storytelling instinct.

    With hits like Kathal, Pagglait, Jaane Jaan, and Dolly Kitty Aur Woh Chamakte Sitare already under their belt, the duo’s past collaborations have blended mass appeal with narrative nuance. But this new deal isn’t just a sequel, it’s a universe-expanding reboot.

    Netflix India vice-president of content Monika Shergill summed up Ekta’s impact best. She elaborated: “Ekta has been a force in shaping Indian entertainment with unforgettable stories and characters that made it to pop culture, even before hashtags existed. Her creative instinct and deep understanding of the audience’s pulse have consistently set her apart in shaping what India chose to watch and love for more than two decades. At Netflix, our focus is to serve audiences with very diverse tastes and this  collaboration will bring unique stories in rooted ways, marking an exciting new chapter in our creative journey.” 

    Now, with this partnership, Kapoor’s flair for emotionally resonant, rooted tales is set to stream straight into the hearts (and queues) of Netflix’s 300 million-plus subscribers across 190 countries.

    For Kapoor, this tie-up isn’t just business, it’s a mission. Says she: “At Balaji Telefilms, storytelling has always been at the heart of everything we do — whether through cinema, television, or digital platforms. Partnering with Netflix, the world’s leading storytelling platform known for its premium content and constant innovation, is a big moment for us. It allows us to bring powerful, culturally rooted, and emotionally resonant stories to a global audience. The beginning of this new collaboration marks an exciting new chapter where we continue to push creative boundaries and deliver content that entertains, inspires, and connects people everywhere.”

    The first untitled series from the slate is already in advanced development, and if history is any cue, Kapoor’s next wave of characters will likely live rent-free in the minds of audiences for years to come.

    With Netflix betting big on local stories with global resonance and Balaji armed with two decades of insight into what India loves to watch the new partnership promises not just eyeballs, but emotional buy-in. After all, when Balaji’s drama meets Netflix’s dynamism, expect nothing less than a streaming superhit.

  • Nippon TV’s Golden SixTones lands on Netflix from 6 June

    Nippon TV’s Golden SixTones lands on Netflix from 6 June

    TOKYO: In a pitch-perfect move for pop fans, Netflix is rolling out Nippon TV’s Sunday night sensation Golden SixTones for global streaming starting 6 June. The zany variety show, fronted by Japan’s chart-topping boy band SixTones  (pronounced “stones”), becomes the first regular entertainment series from Nippon TV to be snapped up by the streamer for international audiences.

    Launched in April 2025 and clocking in at 60 minutes per episode, Golden SixTones has quickly hit the high notes in Japan — bagging ratings gold and topping social media charts every week. With Netflix now turning up the volume, the show will be subtitled in multiple languages and streamed worldwide, alongside its existing availability on Hulu and TVer in Japan.

    Packed with laughs, gourmet grub, quizzes and madcap competitions, Golden SixTones is a riotous studio variety show aimed at all age groups. The band’s infectious energy, mixed with celebrity guests and unpredictable segments, has already struck a chord with fans.

    Nippon TV producer Yoshihiro Miyazaki called the global release “an immense honour”, adding, “We can’t wait for fans around the world to experience the electric vibe that SixTones brings each week.”

    Netflix  director of content Rie Sawaoka echoed the enthusiasm: “We’re thrilled to partner with Nippon TV featuring the popular boy band SixTones, to audiences around the world. Netflix is committed to bringing the best of uniquely Japanese entertainment to our members globally, and we are honored to bring the energetic charm of SixTones and this wonderful program, produced by Nippon TV, to their existing fanbase and new viewers alike. We eagerly anticipate Golden SixTones  captivating audiences worldwide on Netflix, allowing them to experience the power of Japanese entertainment.”

    With Golden SixTones  now marching onto the global stage, it’s clear that this boy band isn’t just striking a chord at home — they’re set to rock screens worldwide.

  • Digital i report: Streamers ditch originality for the comfort of repeats

    Digital i report: Streamers ditch originality for the comfort of repeats

    MUMBAI: The golden age of eak TV is officially over, and streamers are reaching for the remote to change channels back to safety. According to Digital i’s latest report, Are You Still Watching?, the number of original series launched across Netflix, Disney+, Max and Prime Video has plummeted from 395 in 2022 to just 279 in 2024—a brutal 29 per cent drop that signals the end of the industry’s spend-happy commissioning spree. Producers have been talking about this in whispers in streamers office corridors, but now data has backed what was being speculated about  as a fact. 

    Franchise power

    The shift is as dramatic as it is telling. For the first time since streaming became king, licensed content has overtaken original programming in viewing share, with audiences voting with their eyeballs for the familiar over the fresh. The data shows this crossover happened in Q3 2023, marking a watershed moment for an industry built on the promise of endless new content.

    What’s driving this nostalgia kick?

    Viewers are apparently more interested in rewatching Grey’s Anatomy for the umpteenth time than diving into yet another dystopian thriller. The medical drama alone racked up more than two billion global viewing hours in 2024, whilst House M.D. continues to diagnose audience boredom with reliable regularity.

    This retreat to the familiar isn’t just about comfort viewing—it’s cold, hard economics. Original content costs a fortune and carries enormous risk, whilst proven library titles offer predictable returns. Streamers, facing mounting pressure from investors and increasingly choosy subscribers, are discovering that sometimes the best new content is actually very old content.
     

    Original IPs slowing down

    Netflix, however, remains the rebel in this conformist crowd. Of its top 25 most-viewed titles in 2024, 14 were based on original concepts—more than any other service. Whilst competitors are playing it safe, Netflix is still betting big on fresh ideas, suggesting the streaming giant believes originality remains its secret weapon for global domination.

    The industry’s new obsession with data is reshaping what gets made and what gets axed. Completion rates have emerged as the ultimate judge and jury, with Amazon’s video game adaptation Fallout boasting a stellar 67 per cent completion rate that helped secure its success. Netflix’s The Gentlemen earned renewal with a respectable 61 per cent, whilst the mythology-themed Kaos was cancelled after managing only 47 per cent—a harsh reminder that in streaming, finishing is everything.

    The data reveals another trend: shorter is sweeter. Season ones with three to six  episodes achieved average completion rates of 48 per cent, whilst bloated 11-15 episode seasons managed a measly 26 per cent. In an attention economy, brevity isn’t just the soul of wit—it’s the key to renewal.

    This recalibration reflects a maturing industry learning to balance creative ambition with commercial reality. The battle for viewer attention has evolved into a war for consistent, measurable engagement. Streamers are discovering that keeping audiences watching is harder than getting them to start, and that sometimes the most innovative strategy is knowing when not to innovate at all.

    As the dust settles on peak TV’s decline, one thing is clear: in the streaming wars, nostalgia isn’t just a marketing tool—it’s becoming the ultimate weapon.