Tag: Netflix

  • BAFTA ventures into India with Breakthrough initiative

    BAFTA ventures into India with Breakthrough initiative

    NEW DELHI: The British Academy of Film and Television Arts (BAFTA) is taking its first steps in India with the global expansion of the Breakthrough initiative, supported by Netflix. This flagship new talent initiative is part of BAFTA’s year-round work to support new talent, operating alongside their awards ceremonies worldwide. BAFTA Breakthrough India will help facilitate the development of relationships between British talent and India’s homegrown creatives.

    BAFTA Breakthrough India is a new international iteration of the highly successful Breakthrough initiative, which has been running in the UK since 2013, China since 2019 and has launched in the USA this year, supporting over 130 emerging talents to date.

    Encouraging creative and cultural exchange between some of the major centres of film, games, and television in these countries, the programme has supported individuals such as Tom Holland, Letitia Wright, Florence Pugh, Jessie Buckley, Josh O’Connor, and Callum Turner. Industry supporters of the initiative in recent years also include actors Oliva Colman, Naomi Harris, Tom Hiddleston and Tilda Swinton, actor-producer Brad Pitt, directors Tom Harper and Barry Jenkins, game designers Brenda Romero and Tim Schafer, and actor-writers Sharon Horgan and Amy Schumer.

    In 2020, BAFTA will identify, celebrate, and support up to five exceptional talents working in film, games, or television in India, through this first-of-its-kind program in the country. By showcasing talent globally, BAFTA Breakthrough aims to turbocharge their career success by offering a bespoke programme of support – helping them to learn more about the industry, overcome barriers to progression, and network globally with people who can influence their careers.

    Netflix is the official supporting partner for BAFTA Breakthrough, in the UK, USA and India, providing integral support in the global expansion. BAFTA and Netflix share a joint vision to celebrate and provide opportunities for emerging talent across the world, bringing together international communities across global networks, in order to develop and support stories and voices from different cultures.

    “BAFTA is uniquely placed to facilitate creative partnerships across the moving arts, being one of the only art charities to work across film, games, and television and on a global scale,” BAFTA director of learning & new talent Tim Hunter said. “India is one of the most prolific and accomplished industries and a fascinating centre for the screen arts with lots of creative diversity, which extends far beyond the world-famous ‘Bollywood’. Some of the best practitioners in the world work in Indian film, games, and television – and practitioners from around the world have much to learn from them.”

    Netflix India VP content Monika Shergill said, "Netflix shares BAFTA's vision and responsibility in providing ‘breakthrough’ opportunities to emerging talent. We’re thrilled to extend our support to the programme in India and help amplify our country's new voices. This initiative will meaningfully bring together creative communities across borders, support their stories, unearth raw talent and provide them with recognition on the world stage.” 

    BAFTA will work closely with local cultural bodies and industry in India to reach each sub-region's unique landscape and identify excellent individuals who have shown creative promise in film, games, and television. Participants will be selected by a jury comprising leaders from across India’s moving arts industries. The chosen participants will be offered a year-long support programme from BAFTA and be showcased across India and the UK. They will also receive one-to-one mentoring, guidance sessions, global networking opportunities, free access to BAFTA events and screenings for 12 months, and full voting BAFTA membership as part of Breakthrough. It will enable the chosen talent to connect with and learn from some of the best in the British and Indian creative industries, share their expertise with peers around the world, gaining access to opportunities beyond geographical borders.

    The Breakthrough programme will also be supported by a series of craft masterclasses, which will feature British and Indian talent sharing their expertise and insights with audiences across India and the UK. More details of the Breakthrough Masterclasses programme will be announced.

    Applications for the programme will be announced as open soon.

  • Netflix to offer free weekend access on 5-6 December

    Netflix to offer free weekend access on 5-6 December

    KOLKATA: Netflix has finally unveiled the dates for its free weekend access to Indian audiences. The viewers can binge Netflix content without subscription on 5 and 6 December during ‘StreamFest’.

    To get access to the vast content catalogue of the streaming service, users have to simply enter their name, email address, and create a password on the dedicated SteamFest page. They will be able to stream the platform across devices including smart TV, gaming console, iOS, and Android apps and on PC. However, the streaming will be restricted to standard definition (SD).

     

     

    The streaming giant is promoting StreamFest aggressively through its social media platforms and has roped in Anil Kapoor, Yami Gautam, and Nawazuddin Siddiqui to spread the word. “That’s right, it’s time to cancel your plans and settle in to watch Netflix. We don’t need any payment details – just your love and undivided attention,” Netflix said on its website.

     

     

    Netflix has been constantly innovating its marketing and promotion strategy in India to get more users to sign up. “We think that giving everyone in a country to access Netflix for free for a weekend could be a great idea to expose a bunch of new people to the amazing stories we have and hopefully get a bunch of them to sign up. We will try that in India and we will see how that goes,” Netflix COO and chief products officer Greg Peters said.

  • OTT players up their focus on Tamil market

    OTT players up their focus on Tamil market

    KOLKATA: In India, content is king and over-the-top (OTT) players are increasingly dishing out programming to audiences in their local flavour, moving beyond the Hindi and English speaking segment. As developments in these frontier markets gain momentum, Tamil has emerged as an obvious choice. Some domestic players have already planted a flag in this domain over the last couple of years, and now, the deep-pocket streaming colossuses are also moving in.

    Disney+Hotstar, which started focusing on regional content since 2019, recently revealed its first Tamil original content slate, including feature films. A few days before that, Amazon Prime Video announced nine direct-to-digital premieres, and two of these big ticket releases are in Tamil language. Moreover, the service also started streaming its first ever Tamil anthology film Putham Pudhu Kaalai, a collaborative effort by five well-known Tamil directors. And while Netflix hasn’t made inroads in the regional market yet, the global streaming giant announced two Tamil anthologies in October.

    “Indian audiences have really diverse tastes and enjoy films and series in several languages. At Netflix, we’re steadily growing our original and licensed film catalogue across multiple Indian languages, including Hindi, Tamil, Telugu and Malayalam. We are honoured to showcase the brilliance of Tamil storytelling to our members in India and around the world through two new Tamil originals, Paava Kadhaigal and Navarasa. We will continue to engage with established and emerging creators from different parts of the country and hope to share their stories with the world,” Netflix India international original film director Srishti Behl Arya commented.

    Then there are streaming platforms like MX Player, Zee5 that have gone the regional route since the beginning. For instance, MX Player’s Tamil original Queen was a runaway success that won several accolades. The platform’s chief content officer Gautam Talwar said the series was probably the largest bet any OTT platform took for a regional piece of content, but what it proved was that a good story in any language transcends all barriers. According to him, its performance in Telugu and Hindi has been equally phenomenal, along with witnessing a 6X increase in Tamil consumption on the platform post the launch of the show. He noted that the platform has a robust slate for Tamil audiences planned for 2021.

    Moreover, the huge Tamil diaspora offers an opportunity to platforms beyond two-three states. “When we started conceptualising content including originals for the Tamil market, we knew that it is a huge opportunity, possibly as big as a Hindi venture. Tamil is also a language which allows you to go international very easily. So, you can end up targeting countries like Sri Lanka or Singapore. The language does not relate only to the Tamil Nadu market,” pointed out Zee5 programming head Aparna Acharekar.

    The Tamil market is an interesting segment in terms of content creation too. The audience is a developed film, TV market and has great expectations due to the variety of content they are already exposed to, Acharekar said. MX Player’s Talwar also stated that the Tamil market has historically had a palette for differentiated and bold content, which gives platforms more leeway to experiment with unique narratives and storytelling styles.

    “The big players always had the intent to invest in the regional market. Within the regional market, the largest markets are Tamil, Telugu. These are 65-70 per cent of the overall regional market. So, whenever one starts to move to regional, they will definitely choose Tamil, Telugu because it is a large audience base,” Elara Capital VP research analyst (media) Karan Taurani said.

    Asked to share his observations on the recent activity by leading OTT players in the regional space, Taurani shared that most of the leading players have already exploited the Hindi and English speaking market. At present, there is a low-competition intensity as no streaming giants have made a mark in the market, other than Zee5, MX Player. In fact, none of the OTT players has aggressively invested yet, he added. This, despite the fact that the Tamil viewers have a huge appetite for content, given their higher than national average time spent on TV, cinema occupancy.

    This recent trend of every player trying to expand their footprints – especially Amazon Prime Video, Netflix – may increase the competition significantly, especially for homegrown players. Zee5’s Acharekar seemed less worried as she is of the view that competition helps a market evolve, giving consumers more varieties in the narrative. Along with that, Zee5 possesses last two years’ learning in the episodic format, whereas others have been mainly experimenting with movies till now.

    Elara Capital’s Taurani noted that as more players stream into the Tamil market, the production cost will go up as global deep-pocket players invest at a different scale. Hence, domestic players may feel the pinch of higher content production costs. However, he mentioned that all of these platforms have a different target audience.

    “There is a huge audience base consuming online content right now, especially since the lockdown. Viewers have not only fast adopted OTT platforms as a medium of choice but are also investing time in watching and experimenting with different kinds of content. I think the more the content produced and served by platforms in regional languages, the more the overall category will grow and that is beneficial to all the platforms. So it’s not about the competition as much as it is about the category growth. Everyone is trying to tell stories in their own unique way and there is a large audience base to cater to for all these stories,” Talwar said.

  • US, India to account for around 50% of Disney+ subscriber base in 2025

    US, India to account for around 50% of Disney+ subscriber base in 2025

    KOLKATA: With an overwhelming surge of users on over-the-top (OTT) platforms, the global SVoD users are growing significantly. Analyst firm Digital TV Research expects five global platforms to have 678 million paying SVoD subscribers by 2025 based on September results.

    While Disney+ has already added over 73 million subscribers, it will add another 112 million subscribers between 2020 and 2025 to reach 194 million. The report adds that Netflix will increase its subscriber base by 73 million.

    “Much of Disney+’s initial growth came from the US, mainly due to the attractive bundle of Disney+ with ESPN+ and Hulu. More recently, India’s Disney+ Hotstar subs count has rocketed due to its coverage of IPL cricket. The US and India will account for nearly half of Disney+’ subscriber base by 2025,” Digital TV Research principal analyst Simon Murray says.

    According to the report, the streaming giant Netflix will take its revenue up to $37 billion and its rival Disney+ will generate $13 billion in revenue by 2025. The report adds this is a lot lower than Netflix due to lower ARPUs charged in developing markets.

  • Netflix ventures into linear offering in France

    Netflix ventures into linear offering in France

    KOLKATA: While Netflix has been the catalyst that changed the way the world consumed linear TV, it is reportedly testing its first programming channel – Netflix Direct. The channel will be exclusively available to subscribers of the regular Netflix streaming service and will get a trial run in France, for the time-being.

    The channel will offer a pre-programmed feed of French, international and US feature films and TV series and will only be accessible through the web browser, not on any apps or streaming devices. And in a move that is totally unlike Netflix, viewers can watch the content in real-time only, without an option to rewind.

    The reasoning behind the launch is that in France, one of the most important markets for the streaming giant, traditional TV consumption is very high. Many people prefer the convenience of not having to spend time on content discovery.

    “If you’re lacking inspiration or using Netflix for the first time, you can let yourself be carried away without having to choose a particular title, and be surprised by the diversity of the Netflix catalogue,” the company commented as per media reports.

    The test channel had a soft launch on 5 November and will be more widely available in France by early December, Netflix added.

    Direct will have curated shows based only on popular choice rather than personal preferences. It could be a great marketing initiative to lure customers to the service who are not certain about streaming yet.

    Earlier in this year, there were talks about Amazon Prime Video adding linear TV channels to bolster its video service.

  • Netflix’s Happy New Year: To end 2020 with 4.6 mn India subs

    Netflix’s Happy New Year: To end 2020 with 4.6 mn India subs

    KOLKATA: Despite facing headwinds in other parts of the world, Netflix is sailing full speed ahead in India, suggests a recent report by Media Partner Asia. The global streaming giant has reportedly witnessed 2x growth in operating revenue in FY20, and is likely to end the calendar year with 4.6 million paid subscribers in the country.

    The report attributes this spanking performance to Netflix’s partnership with telecom giant Jio. It also adds that the video-streaming service may touch average revenue per user or ARPU of $5. Moreover, the Indian market may well have contributed to 9 per cent of the company’s global revenue in Q3.

    In late September, Jio announced postpaid plans offering mobile-only Netflix subscription to users of Rs 399 plan and above.  Jio’s Rs 1499 fibre broadband package also gives access to Netflix’s basic plan.

    “We’re also working with local partners like Reliance Jio, India’s largest mobile operator, wherein Q3 we launched a bundle with their mobile and fibre broadband plans. As part of this broad partnership, we’ll integrate Netflix with two of Jio’s set-top boxes. We’ve also partnered with financial institutions in India to make payment processing easier and more seamless for our members, which we expect will have retention benefits. All of these initiatives are important and work in concert with our big investment in local originals to improve the Netflix experience for our members,” the company stated in its Q3 earnings.

    Starting from mobile-only plans to adding Hindi interface, and plans of giving free weekend access to users in India on top, the company is doing its best to land a large slice of the Indian streaming pie.

  • Netflix hikes subscription prices in the US

    Netflix hikes subscription prices in the US

    KOLKATA: Netflix has hiked the prices of its subscription plans in its home market, the US. This marks the video-streaming service’s first price changes in the US since an increase rolled out early last year.

    In the latest round of price hike, which has been anticipated for a while, the company has raised the standard plan by $1 to $13.99 per month. The premium plan that allows more people to watch the service on different screens simultaneously will now cost $2 more at $17.99 per month. The basic US plan remains the same at $9 per month.

    "We understand people have more entertainment choices than ever and we’re committed to delivering an even better experience for our members,” Netflix said in a statement. “We’re updating our prices so that we can continue to offer more variety of TV shows and films.”

    The price bump will be immediately effective for new subscribers, but will be rolled out for existing customers in phases over the next few months. The move comes amid global surge in streaming during Covid2019-fueled lockdowns in several countries.

    Netflix has added 2.2 million net subscribers in the third quarter of 2020. For Q4, it has forecast 6.0 million paid net adds.

  • Skyworth and 3SS partner to create Netflix-ready platform

    Skyworth and 3SS partner to create Netflix-ready platform

    KOLKATA: 3 Screen Solutions (3SS), a leading provider of software solutions for set top boxes (STB) and multiscreen entertainment, and Skyworth Digital, leading manufacturer of connected home products and solutions, announced that they have integrated their technologies to create a new STB platform optimized to enable faster android TV service launches with world-class viewing experiences.

    The Skyworth HP40A STB (with embedded Amlogic chipset) and middleware are now pre-integrated with 3SS’ 3READY Custom Launcher to create a powerful end-to-end android TV solution.

    The partners’ fundamental aims for this pre-integration are to help operators more rapidly and easily secure Netflix certification and to smooth the journey to becoming a super-aggregator.

    Skyworth is a leading partner in the Netflix Scaling Program, which Netflix created to help OEMs (original equipment manufacturer) including STB providers to obtain technical pre-certification. By choosing Netflix-ready hardware, an operator’s Netflix certification can be fast-tracked, and the process of reaching commercial agreement with Netflix can potentially be eased. With these Netflix compliance elements in place early, operators have the opportunity to accelerate the introduction of their new android TV services to the marketplace.

    In parallel, as part of multiple android TV deployments, 3SS’ 3READY Custom Launcher – at the heart of the 3READY product framework, now driving the UX in more than 10 million homes – has successfully received Netflix UI certification.

    “With Skyworth’s and 3SS’ hardware+middleware+launcher pre-certified platform combination, Netflix, the aspiring operator, and ultimately subscribers, can all be confident of a high-quality experience including Netflix viewing,” commented Srithar Bala, head of Video Solutions & Services, Skyworth Digital.

    Furthermore, with 3READY Control Center, the Netflix launch points – namely, the locations within the UX where Netflix is to appear – can be configured to align with the specific terms of the operator’s Netflix agreement. This can further shorten time to market.

    Access to Netflix is one of the pre-eminent drivers behind the growing popularity of the android TV solution among service providers, as is the shift to super-aggregation. As the scale of a super-aggregator’s reach grows, however, particular attention and management is needed to ensure that all subscribers get a seamless experience on an ever-increasing population of devices – an assurance and high standard that Netflix strongly insists on.

    With the Skyworth+3READY-pre-integrated reference hybrid STB hardware platform, operators can get to certification more quickly, and 3SS’ android TV-centric custom launcher is ready for the operator to tailor and brand for their DVB-S, -T, -C, IPTV and/or OTT services. “With certification by Google, Netflix and other content partners all taken care of even before unboxing, operators can get a significant head-start as they plan and launch their Android TV products,” Bala added.

    Skyworth and 3SS are collaborating to deliver a hybrid Android TV project for an as-yet-undisclosed European operator which will launch soon.

    “Through pre-integration, by choosing the Skyworth+3SS platform, service providers can benefit from a proven solution and earlier service launches with minimized technical integration cost and risk,” said 3SS managing director Kai-Christian Borchers. “The service launch process is further accelerated by Netflix and other pre-certifications. The result is that operators can differentiate earlier, and start earning revenues faster, with their next-gen Android TV offerings,” he added.

  • Netflix’s Aashish Singh joins Lyca Productions

    Netflix’s Aashish Singh joins Lyca Productions

    KOLKATA: Netflix India original film director Aashish Singh has called it quits. Singh has moved on to join Lyca Productions as CEO.

    Lyca Productions, one of the big names in the South Indian film industry, is looking to move into the Hindi movie space. Singh with his vast experience across brands like Netflix, Balaji Telefilms, YRF will help the company make inroads into Bollywood.

    Singh joined Netflix in 2019 when the streaming service started expanding its Indian team. Prior to that, the media veteran was CEO of Balaji Motion Pictures. He spent over 15 years with Yash Raj Films where he worked as production head-on films like Tiger Zinda Hai, Sultan, Dhoom 2 & 3, Ek Tha Tiger, and Chak De India, among others. He also occupied the position of vice president, production.

  • The Crown producer Suzanne Mackie launches own production company

    The Crown producer Suzanne Mackie launches own production company

    MUMBAI: Suzanne Mackie, one of the executive producers behind the hit Netflix show The Crown, is all set to launch her own production company. Mackie is leaving UK-based Left Bank Pictures to set up Orchid Pictures.

    Mackie, a prominent force in British drama, will continue to remain as an EP on the Left Bank-produced The Crown for the period drama’s upcoming final two seasons, shooting for which begins next year.

    Orchid Pictures will be based in London and it will work on projects across both TV and film. Sky development co-ordinator Hannah Campbell will also be joining Orchid as part of its initial team, with the company engaged by Netflix to produce a slate of projects from emerging and established talent.

    During her tenure in Left Bank Mackie developed and executive produced projects such as Sky1’s Mad Dogs and BBC1’s The Replacement. She is also attached to executive produce on the upcoming Netflix series Behind Her Eyes.

    “Having spent 12 very happy and creatively fulfilling years working with Andy Harries and the team at Left Bank Pictures, starting my own company felt like an exciting next chapter in my career. The opportunity of further deepening my collaboration with Netflix presented an immensely exciting opportunity,” said Mackie.

    Left Bank Pictures CEO Andy Harries said, “I have enjoyed an amazing journey with Suzanne, from Mad Dogs to Misbehaviour with lots of The Crown on top. She is smart, wise and has great taste. I have no doubt she will create some classy new shows for Netflix as well as riding side-saddle with us on The Crown.