Tag: Netflix

  • Gritty stories depicting the realities of the entertainment industry

    Gritty stories depicting the realities of the entertainment industry

    Mumbai: Many films and shows have depicted the reality of showbiz. Some have romanticised the allure of cinema and the glamour world while others have depicted the heartbreak and disillusion that the industry inflicts upon strugglers. Here are a few such narratives that don’t gloss over the gritty realities strugglers have to face in the city of dreams.

    Heroine: Kareena Kapoor stars in a role that brings back memories of many top actors who shimmered brightly for a while but could not sustain success or find lasting personal happiness. Directed, written, and co-produced by Madhur Bhandarkar, the film also dwells upon gender politics, the role of yellow journalism, publicity gimmicks, and ageism in the industry. It also depicts how veteran actors are mistreated on sets and the way the market value of stars changes on the basis of their last release. It also stars Arjun Rampal, Randeep Hooda, Shahana Goswami, Raqesh Bapat, Divya Dutta, Helen,  Mugdha Godse, and Lillete Dubey in supporting roles. Watch it on Apple TV.

    Bombay Babes (Season 1 and 2): This iTap winner directed by Ashish Bhatia, revolves around a few young women who hope to make it big in Mumbai but then their dream auditions turn into nightmares. And their plans to carve a niche in the frenzied metro are derailed by predatorial men. How these women then join forces to avenge themselves and protect each other makes for a riveting watch. This Hindi web series stars Ruby Bharaj, Navneet Kaur, Surabhi Tiwari, Kanika Gupta and Shipra Dwivedi as the lead characters of Angel, Jenny, Dolly,  Farzeen, and Sandi respectively.  The show is an engrossing story of empowerment and self-discovery and is available on iTap.

    Fashion: Meghna, a small-town girl loses herself in the race to become the face of a top fashion brand on the city’s tallest hoarding. She becomes the most sought-after model,  trades love for success and soon loses her footing when she realises that fame is ephemeral and everyone is dispensable in the world of glamour. How she finds her own authentic self after losing everything is both a cautionary tale and a story of hope. This  Madhur Bhandarkar directorial starred Priyanka Chopra, Kangana Ranaut and Mugdha Godse in lead roles, with Arjan Bajwa, Samir Soni and Arbaaz Khan.  You can stream it on Netflix.

    Jubilee: This period drama created and directed by Vikramaditya Motwane reimagines the birth of the star system in pre and post-independence India through the events in Roy Talkies, a place where ambitious fame seekers flock to realise their dreams of stardom.  The show stars Prosenjit Chatterjee, Aparshakti Khurana, Sidhant Gupta, Aditi Rao Hydari, Wamiqa Gabbi and Ram Kapoor and begins with the search for a new actor who will be named  ‘Madan Kumar’.  In the race to be anointed as the new discovery of Roy Talkies, Binod, a projector boy does the unthinkable and becomes an unlikely star. Watch it on Amazon Prime.  

    Luck by Chance: ‘Luck by Chance’,  Zoya Akhtar’s directorial debut stars Farhan Akhtar as Vikram Jaisingh, a ruthlessly ambitious actor who lives with her disapproving aunt in Mumbai and hopes to make it big one day. A chance meeting with Neena (Dimple Kapadia), a once-famous actress leads to an audition for a solo lead in a big production and he manipulates a rival to bag the role. He then betrays his girlfriend and aspiring actor Sona (Konkona Sen Sharma) and begins a relationship with his co-star. However,  when success arrives, he realises that it alone cannot bring happiness. Glittering with guest stars like Shah Rukh Khan, Aamir Khan, Abhishek Bachchan and Akshaye Khanna, the film also starred Rishi Kapoor, Isha Sharvani, and Juhi Chawla. You can watch it on Netflix.

  • This Hindi Day, stream these superhero series and films in Hindi

    This Hindi Day, stream these superhero series and films in Hindi

    Mumbai: Superheroes are adored by everyone across the world not only because they offer you a glimpse of an alternate reality but also because they leave you hopeful of a better tomorrow. This Hindi day, get inspired by the courage of your beloved superheroes as we have rounded up some of the finest superhero series available on different services in Hindi. So, grab your popcorn, and perhaps a cape, and let’s explore the thrilling superhero universe in Hindi!

    Marvel’s Wastelanders: Star-Lord (Hindi Edition)

    Platform: Audible

    A localized production of the global phenomenon, Marvel’s Wastelanders: Star-Lord is the first season of the series which has been narrated by A-list actors such as Star-Lord like Saif Ali Khan (Peter Quill), Vrajesh Hirjee (Rocket), Sushant Divgikr (Cora), and Anagsha Biswas (Collector). Set in a dystopian future where supervillains have won over the heroes, Saif Ali Khan voices Star-Lord who is the charismatic leader of a ragtag crew accompanied by Rocket Raccoon when they discover the Earth isn’t what it used to be after they crash land 30 years later. Discover secrets, experience thrilling action sequences laced with humor, and delve into complex character dynamics as the story unravels across the immersive soundscape of an audio series.

    The Sandman, Act I (Hindi Edition)

    Platform: Audible

    Neil Gaiman, the renowned English comic-book writer has penned the famous Sandman Series published by DC. The Sandman Act 1 in Hindi features a stellar cast of narrators including Tabu (narrator), Vijay Varma (Morpheus), Manoj Bajpayee (Doctor Destiny), Adarsh Gourav (John Constantine), Neeraj Kabi (Lucifer) and Kubbra Sait (Death). In this Audible original, an occultist attempting to capture Death to bargain for eternal life traps her younger brother Dream instead. After his 70-year imprisonment and eventual escape, Dream, also known as Morpheus, quests for his lost objects of power. On his arduous journey, Morpheus (dream) encounters Lucifer, John Constantine, and an all-powerful madman. Tune in to The Sandman Act 1 on Audible to discover how Dream escapes and reclaims his lost territory.

    Minnal Murali

    Platform: Netflix

    Are you ready to witness the power of lightning and superhuman strength unleashed to defeat evil and save the world? Set in the 90’s, this film depicts the tale of a young tailor who becomes a superhuman after being struck by lightning. However, he soon realizes that he is not the only one with these superpowers in his village. The film promises to touch on various human emotions and grip the audience with action-packed performances, making it a must-watch for superhero enthusiasts.

    Avengers Endgame

    Platform: Disney + Hotstar

    Based on the Marvel superhero universe, ‘The Avengers Endgame’ features an ensemble cast including the likes of Hollywood celebrities such as Chris Hemsworth, Robert Downey Junior, Mark Ruffalo, Scarlett Johansson, and Gwyneth Paltrow. Drifting into space with no food or water, Tony Stark sends a message to Pepper Potts as his oxygen supply starts to dwindle to call upon the Avenger to regroup. Meanwhile, the remaining Avengers – Thor, Black Widow, Captain America, and Bruce Banner must figure out a way to bring back their vanquished allies for an epic showdown with Thanos. Power-packed with an all-star ensemble,  watch the gripping  Avengers Endgame to discover how the Avengers display immense courage and unity to defeat Thanos and restore balance in the world.

    Balveer (Season 3)

    Platform: SonyLIV

    Baalveer is a young superhero who fights evil forces and protects children using his magical powers. However, he is unaware of his superior’s scheming plan to betray him. When he is stripped of his powers and identity, he leads a mundane life until an unexpected event reignites his abilities. Seeking help from his female friend – Kaashvi,  he embarks on a journey to defeat his enemies. The season unfolds the unpredictable event that changes his reality. Will Baalveer become the ultimate hero he once was? Watch the latest season to know more.

    A Flying Jatt

    Platform: Zee 5

    A Flying Jatt is a one-of-a-kind Hindi superhero film starring Tiger Shroff and Jacqueline Fernandez. Aman, played by Tiger Shroff, discovers his powers when he engages in a fight with Raka, a mercenary. Adding to Aman’s trouble, a problem arises when Malhotra, a greedy industrialist wants to acquire a piece of land that belongs to Aman’s family. He convinces Raka, to help him cut a holy tree on the land, but Aman manages to stop them from doing so. Aman is a passionate environmentalist and uses his special powers to protect his village from toxic waste and pollution. Watch ‘A Flying Jatt’ to discover how Aman – the Jatt superhero battles his fear of heights to rescue his village from the diabolical Raka and Malhotra.

  • TakeTen is back for its second edition, but with a twist!

    TakeTen is back for its second edition, but with a twist!

    Mumbai: The first successful edition of the Take Ten initiative, a workshop and competition by Netflix and Film Companion to discover and support emerging Indian creators from varied backgrounds, provided a stage for 10 new filmmakers to shine.

    This year, we are again partnering up with the aim of finding and nurturing the talent of five new series creators.

    The new batch of storytellers will be given an exciting opportunity to:

    • Attend exclusively curated workshops by some of the best creative talent in the industry like Prashant Nair, Raj Nidimoru, Gazal Dhaliwal, Varun Grover, Utsab Nath, Tanuj Chopra, Sanyukta Kaza, Pranav Thakkar and Sidharth Meer.
    • Make a fully funded pilot for a series with a grant of Rs.12 Lakhs each.
    • Get a chance to be featured on Netflix India’s Youtube channel

    The competition is open for submissions at the official Take Ten website: https://www.taketen.in/  

  • Indonesia remains a market to watch as local players focus on growth, localisation and expansion beyond its shores

    Indonesia remains a market to watch as local players focus on growth, localisation and expansion beyond its shores

    Mumbai: The Asia Video Industry Association (AVIA) hosted over 200 delegates at its recent Indonesia in View conference that took place in Jakarta on 31 August.  

    The conference opened with industry leaders from across the TV and streaming space sharing their views on the state of TV and video in Indonesia, where total video industry revenues are expected to rise from US$2.5 billion in 2023 to reach US$3.7 billion by 2028, according to the latest research by Media Partners Asia (MPA).

    Netflix senior manager of business development, (Indonesia, Thailand, Malaysia) Tizar Patria was optimistic about the market as it continued to grow for Netflix, with a focus on content that works for  the market coupled with a quality experience for consumers. Vision+ managing director Clarissa Tanoesoedibjo added that an ecosystem was needed that reinforced all other parts, from pay TV to free to air and streaming, and that finding strategic partners in the market to maximise opportunities  was key. WeTV and iflix Indonesia country head Lesley Simpson, also concurred that growth in OTT  is here and can be achieved through strategic partnerships.

    With Indonesia representing Southeast Asia’s largest video content market, the battle for content  remains fierce. MNC Pictures president director Titan Hermawan saw the need to create original IP  and original stories as a big opportunity for new scriptwriters. For Visinema Group founder Angga Dwimas Sasongko, what was most important was to focus on a pipeline of talent to be able to  scale content production. However, the panellists agreed with Stew founder & CEO Abid Hussain that business models needed to change for the betterment of the producers. Netflix director- public policy Southeast Asia Ruben Hattari said that the industry needed to work on broadening its  skills base. Indonesia was also the only country without a production incentive scheme so more  needed to be done there to support the growth of the industry.

    However, piracy was still a major issue in Indonesia, with AVIA’s Coalition Against Piracy’s most recent  annual consumer surveys showing that 54 per cent of consumers in Indonesia access pirate services, the  fourth highest incidence of piracy in the region. In a major collaborative effort towards the fight against  piracy, CAP and the Video Streaming Association of Indonesia (AVISI) signed a Memorandum of  Understanding (MOU) in Jakarta on 30 August at CAP’s State of Piracy Summit which ran alongside  Indonesia in View. The MOU represented a significant step forward for AVIA and AVISI in combining  their resources to combat online piracy in Indonesia and protect Indonesia’s creative and media  industries.

    Indonesia in View shifted focus to the monetisation of premium video in the afternoon. Publica commercial director APAC Chris Mottershead said that with advertisers not planning as far ahead  these days, programmatic was likely to play a bigger role in monetization. Sharing insights from other  markets, Mottershead also added that FAST was a good way of bringing back consumers who dropped out of the pay ecosystem, as they could churn from OTT, go to FAST and then come back to OTT when  they could afford the subscription. PubMatic director of customer success SEAK Khin Mu Yar Soe also said that the programmatic space will continue to grow and evolve, with a more integrated  approach on both the buy side and sell side, as well as at a technology level.

    The conference closed off with a keynote conversation with MNC Group executive chairman Hary Tanoesoedibjo who outlined the next phase of his ambitious plans to shift focus to becoming primarily a content and entertainment company. He shared his plan to combine RCTI+ and Vision+ into a super  app where a two-tiered service will be offered under one brand combining FTA content which will  continue to be monetised through advertising as well as a premium subscription service. The plan was  also to create a bigger ecosystem and grow the service to target all of Asia by investing in more quality  content.

    When asked about rumours of the sale of MNC Play, Tanoesoedibjo shared that they will come to an arrangement to sell the data infrastructure part of the business while keeping the IPTV business and  continuing to bundle the services for both existing and future subscribers.

    Indonesia in View is proudly sponsored by Gold Sponsors Vidio and Vision+ and Silver Sponsors A+E  Networks Asia, Akamai, INVIDI, MEASAT, NAGRA VISION, Publica and PubMatic  

  • Disney+, Hulu combined would own most hit titles in the US: Ampere Analysis

    Disney+, Hulu combined would own most hit titles in the US: Ampere Analysis

    Mumbai: A combined offering of Disney+ and Hulu would account for the largest share of the 100 most popular titles of any US subscription video on demand (SVoD) service. At approximately 30 per cent, the player would enjoy a comprehensive lead on Netflix’s 23 per cent, according to a recent study by Ampere Analysis.

    Shows from Disney’s Marvel Studios, Lucasfilm, and Hulu Originals, such as Only Murders in the Building and The Handmaid‘s Tale, are among them.

    Will Disney push to close the deal early? The US streaming platform Hulu is currently owned by Disney (67 per cent) and Comcast (33 per cent), who are due to reach a sale agreement in January 2024. However, recent reports suggest that Disney intends to close a deal sooner to take a 100 per cent stake and integrate the streamer into Disney+ as a combined offering.

    The merger seems logical to Ampere’s analysts, as Disney’s share of Hulu content has grown significantly, suggesting that the company has continued to invest considerably in the platform. Since September 2016, the proportion of Hulu’s catalogue for which Disney owns the distribution rights has tripled, from six per cent of all movies and TV shows to 19 per cent by September 2022.

    Meanwhile, the major studios without streaming platforms have reduced their contribution to Hulu’s content slate (down from 81 per cent in 2016 to 71 per cent in 2022), and those with their own streaming services have generally maintained or reduced their input. Specifically, the combined content from NBCUniversal, Paramount Global, and Warner Bros. Discovery now makes up less than 10 per cent of all TV shows and movies on Hulu.

    Title reclamation is posing a threat to Hulu. The removal of content from Hulu to support newer services like Peacock, Paramount+, and HBO Max poses a threat to Hulu’s competitiveness. The streamer has already lost highly popular titles like America’s Got Talent (to Peacock), movies and TV shows set within the Star Trek universe (to Paramount+), and Family Matters (to HBO Max). If major studios reclaim their proprietary content, Hulu could lose 10 per cent of its overall catalogue. This figure rises to 37 per cent of Hulu’s 100 most popular titles, using Ampere’s popularity score metric, which tracks overall online engagement with a title.

    Ampere Analysis analyst Christen Tamisin said, “The threat of further popular or critically acclaimed titles leaving Hulu for rival platforms is a concern as engaging content is critical for subscriber retention, especially as the US SVoD market nears saturation. This risk makes the argument for Disney to merge Hulu and Disney+ into a single platform stronger.

    “On the other hand, Disney+ and Hulu’s complementary catalogues mean a combined platform would have a more diverse content offering—akin to that of other major market players—than the two standalone platforms have currently. While the Disney brand has long been associated with family-friendly content, Hulu has a broader, general-audience appeal, offering a wide range of genres and more adult-targeted titles,” he added.

  • Our product is DIY, plug-n-play, and is a must-have tool for all content creators, reveals Instoried’s Sharmin Ali

    Our product is DIY, plug-n-play, and is a must-have tool for all content creators, reveals Instoried’s Sharmin Ali

    Mumbai: Instoried helps enterprises and individuals create emotionally engaging content thereby improving ROI. Instoried is a deep-tech platform that analyses and optimizes the emotional quotient, tonality and relevance of written content across formats like blogs, articles, social media posts.

    Instoried uses a data-driven approach using their proprietary AI driven technology to make real time analysis and suggestions to enhance content to increase engagement and interest for the reader. This leads to more clicks and as a result higher ROI for brands, creating a direct impact on sales and revenues for companies. Instoried uses the principles of neuromarketing to offer smart recommendations to increase or decrease a particular emotion in the content.

    The platform helps content writers in e-commerce, news, FMCG, and other verticals to optimise emotions in their marketing content.

    The company says that clients can capture the emotions of readers on point, enhance their content and save hours of extra work with the easy-to-adapt platform! Instoried has built deep learning-based natural language processing systems to help optimise content. The aim is to build a highly inclusive workplace for people of all backgrounds and genders who can help it grow.

    Indiantelevision.com caught up with Instoried founder & CEO Sharmin Ali to find out more on the company. In her role, she is responsible for driving strategy, leadership and sales. Prior to deep-diving into a technology start-up with Instoried, Ali had founded a media start-up to build India’s own Netflix. Prior to that she was with Mu Sigma, working in sales with Fortune 500 companies in the US.

    Ali has been profiled in the Fortune 40 Under 40 list (2022) and also won the best product and best innovation under the startup category by The Economic Times Innotribe Awards in Mumbai in September 2018. She has received an honour from the HRD Ministry of India and COWE Womennovator under Innovation and Entrepreneurship category.

    Ali holds a Bachelor’s degree in electronics and communications. Instoried is at the cusp of her love for storytelling and a background in technology.

    She is an author of two books, the first one ‘Y.O.U’ that was announced a best-seller by The New Indian Express and the Oxford bookstores. Her second book was titled ‘How I was forced to become a staunch racist’. She has also spoken at various TEDx events and international platforms.

    She loves exploring new places, writing, is an avid reader and a foodie at heart.

    Excerpts:

    On the market gap seen in 2019 when Instoried launched

    My experience with various Fortune 500 companies in India and the US made me observe closely and conclude that even large companies and brands are ineffective in communication. These companies make marketing decisions based on how they feel about the content instead of using data to get better results. Here is where I stepped in with Instoried. We started with just an idea to improve written content that would impact the ROI of a brand positively. We started with a web- app that helps optimise the tonality and emotion of the content for writers. Over the last few years, the tool has been imbibed with many new features that have helped improve the quality of life of writers and enabled them to create content that’s original, impactful, and empathetic. 

    On the game plan that has resulted in over 5 million users and 500+ businesses using Instoried

    The game plan was simple: how to improve the content game for our customers? We were looking for a full-stack offering and not just a good-to-have feature. This made our customers engage with us like water. Water is a must-have, whereas juice is a good-to-have. We sell water and so our customers love us. We have interviewed a 1000+ content marketers in the US to understand their challenges and each one talked about productivity and about creating content at scale and at speed. So we built a tool with an end-to-end solution.

    On how COVID impacted the business

    We were able to identify a huge opportunity in this adversity. When stores were shutting down due to very few footfalls, the only option left for them was to sell online. In order to sell online, one needs to create engaging content, and that’s exactly what we do.

    On the company’s USP

    We are the world’s fastest-growing content-tech and media-tech startup. Our greatest USP is that our product is DIY, plug-n-play, and is a must-have tool for all content creators. On top of that, we have a tailored, curated content offering called Content360 which is like WPP on steroids! We add the human element on top of a tech product to help our clients create a broad spectrum of content across sectors.

    On the business model

    We are both B2B and B2C with a monthly and annual subscription model.

    On the strategy of selling products to the consumer’s brain

    Humans are emotional. Our emotional brain decides and logic never prevails, exactly the reason why we love iPhones over anything else. Similarly, our content needs to exude the right set of emotions that we humans can connect with easily. Our product has both generation and analysis to help writers gauge the effectiveness of their content.

    On how deep tech can help brands create emotionally engaging content

    Instoried is a deep-tech platform that analyses and optimizes the emotional quotient, tonality, and relevance of written content across multiple formats of blogs, articles, and social media posts. Instoried uses a data-driven approach using their proprietary AI-driven technology to make real-time analysis and suggestions to enhance written content to increase engagement and interest for the reader. Our platform helps content writers, in the SME category, e-commerce, FMCG, MNCs, and others to optimize emotions in their marketing content. 

    As one creates content, the tool dynamically analyses it using AI and displays the tone and emotion of the text used. When you click on a particular tone or emotion, the tool highlights all the words in your content exuding that particular tone or emotion. Upon hovering the cursor over a particular word, it gives you multiple recommendations that are both semantically and contextually relevant, thereby enhancing the empathy of your content.

    We use natural language processing (NLP) to analyse the semantics of content and identify the tone, emotion and impact of the written content. With the help of Instoried, our clients have increased engagement of their blogs and marketing communication by optimising their content’s emotion, tonality and use of impactful text. We help content creators be consistently engaging with the audience.

    On recent work done by the company that stands out

    We are on our way to profitability in the next six months. I think that’s the most outstanding work we are doing.

    On how Content360 will help content writers create better content

    Content360 is a full-fledged services/ consulting arm offering end-to-end content services to companies. It will help create content at scale using empathy and focusing on the desired long-term outcome and not just the short-term output. Content360 addresses the limitation of traditional content agencies, digital-first brands, and freelancers who churn out multiple content forms per month, focusing on just the output. Users include startups, SMEs, MNCs, e-commerce sites, D2C websites, content creators, mid-size digital marketing agencies, content agencies, freelance marketers, bloggers, and more.

    The process starts with understanding the business goals and objectives of the company, current content strategy, current output, and outcome, and then improving on the goals. As a use-case, the business goal of an e-commerce firm is to generate more revenue from their website channel, after understanding various parameters like – current click through/ conversion rates, best-converting landing pages, tone, emotion, and impact of content. Instoried will advise on the best way to create website content with the best emotion, tone, and words that would result in higher conversions.

    On the importance of empathy in content creation

    My experience gave me the insight that corporations of all sizes were poor at communicating effectively! They have a tough time building human connections and communicating with empathy to their target audience. They make marketing decisions based on how they feel they should communicate instead of using data to their advantage. Here is where I thought Instoried would be a good product-market fit in the writing arena. Instoried helps large companies make their marketing and communications content more human with a data-driven, scalable, and repeatable approach using AI. 

    Our tool is an all-inclusive one where we now have a spell check, Grammar check, headline generation, plagiarism checker, panel testing, and tonal & emotional analysis checker. You can check it out at app.instoried.com. We aim to make the concept of ‘adding empathy into content’ a part of daily communication by focusing on mobile devices, both android, and iOS. Since content is a global and day-to-day phenomenon, it’s only commonplace to ensure that we communicate with empathy on every social media platform. The importance of adding empathy cannot be underestimated or overlooked.

    On the investments being made by Instoried and fundraising

    We have closed a few rounds in the last three years, right now the focus is to get to profitability by March next year and then raise a larger round of funding.

    On what brands need to keep in mind when marketing to consumers at a time of layoffs and a possible hard-landing recession next year

    Profitability is key. Do whatever it takes to be profitable as companies that are profitable are here to stay.

    On using text versus video in brand storytelling

    Every video has a text caption to go along with it. Text tags along with every content format. Text is like water which is a must-have with everything one consumes.

    On the potential of Linkedin in B2B marketing

    I love Linkedin sales navigator for its targeted approach to reaching out to plausible prospects.

    On what you expect to see from Twitter under a new owner when it comes to advertising on that platform

    I love the idea of charging eight dollars per month for a blue tick. The man is a sheer genius. However, it’s too early to comment on how advertising will be affected under his leadership. I hope to see a startup slab for advertising so that it gets affordable as opposed to standard pricing across all brands.

  • Chris Rock will make history as the first artist to perform live on Netflix

    Chris Rock will make history as the first artist to perform live on Netflix

    Mumbai: OTT platform Netflix has announced that comedian, writer, director and actor Chris Rock will be the first artist to perform live on Netflix for the company’s first-ever live, global streaming event. The comedy special is set to stream in early 2023. Additional details will be announced at a later date.

    “Rock is one of the most iconic and important comedic voices of our generation. We’re thrilled the entire world will be able to experience a live Chris Rock comedy event and be a part of Netflix history. This will be an unforgettable moment and we’re so honored that Rock is carrying this torch” said Netflix vice president stand-up and comedy formats Robbie Praw.

    This is Rock’s second Netflix stand-up special. His first, Chris Rock: Tamborine, debuted in February 2018.

    The live event builds on Netflix’s live comedy slate. It said that Netflix is a Joke: The Festival was the biggest live, in-person event in Netflix history, taking place in Spring 2022. The unprecedented event sold more than 260,000 tickets, featuring more than 330 comedians performing 295 shows across more than 35 venues in Los Angeles. The festival also featured the first ever stand-up show at Dodger Stadium.

    Netflix says that it is the definitive home for all things comedy. Live events are one facet of Netflix’s unmatched ecosystem for comedic talent, as the entertainment company continues to invest in scripted comedy for TV and film, stand-up, sketch, comedy formats, and animation.

  • Sports provide a lift to broadcast TV in September, streaming remains top in the US: Nielsen report

    Sports provide a lift to broadcast TV in September, streaming remains top in the US: Nielsen report

    Mumbai: The kickoff of the fall TV season in the US and the return of football provided audiences with an abundance of new content in September, fueling a 2.4 per cent rise in total TV viewing. The arrival of new broadcast programming provided the traditional lift that we’ve seen historically, but the 12.4 per cent increase in volume from August wasn’t enough to alter the trajectory of streaming usage, as streaming services captured 36.9 per cent of total TV usage, according to Nielsen.

    Alongside the whopping, but perhaps not totally unexpected, 222 per cent increase in sports viewing on broadcast channels, audiences continued to overindulge on streaming content, resulting in yet another monthly high-water mark. Audiences also continue to expand their choice of streaming service, with YouTube hitting a new platform-best streaming record, claiming eight per cent of TV viewing and equaling Netflix’s July record high, Hulu securing its own record of 3.7 per cent, and Pluto TV capturing one per cent of total TV, enabling it to be showcased outside of the “other streaming” category. HBO Max also gained 9.9 per cent in volume thanks to House of the Dragon and Game of Thrones, pushing its share of TV to 1.3 per cent.

    In several cases, increases in volume did not affect total TV share. For example, Amazon Prime Video usage increased 3.9 per cent in September on the strength of The Lord of the Rings: Rings of Power and specific Thursday Night Football games, but the platform’s share of total TV remained flat at 2.9 per cent. Similarly, Disney+ saw a 2.4 per cent increase in volume, yet its share of total TV stayed at 1.9 per cent.

    Broadcast recorded the largest month-over-month gain, driven by the sports genre, which accounted for 25.1 per cent of broadcast viewing. That said, broadcast’s 24.2 per cent share in September was 7.1 per cent lower than it was a year ago. Cable also benefited from a 40 per cent bump in sports viewing, but the 0.4 per cent rise in usage wasn’t enough to move cable’s share of total TV. In fact, with the other categories gaining share in the month, cable dropped 0.7 share points to finish with 33.8 per cent of total TV, its lowest share ever reported by The Gauge. Cable viewing was 9.3 per cent lower in September compared with a year ago.

    The return of football was the true spark in September, as it provided new content across broadcast, cable, and streaming. But even without sports, streaming—in all of its forms—continues to gain adoption, and it benefits from the emphasis that pure-play streamers and media companies alike are placing on it.

  • Zoo Media joins Dawn; announces the launch of global office in New York

    Zoo Media joins Dawn; announces the launch of global office in New York

    Mumbai: Independent agency network Zoo Media Network has announced the launch of its first global office in New York, in partnership with independent agency collective Dawn.

    The Zoo Media network is a multi-specialty, integrated media network. It consists of 11 agency brands, including the flagship full-funnel creative and performance digital agency, FoxyMoron, and web3 rights and services company, Metaform, amongst other prominent agencies.

    Founded by Pratik Gupta and Suveer Bajaj, the network comprises homegrown, acquired, and  joint venture agencies across content, media, data, and technology. Zoo Media houses a team of over 600+ specialists servicing both domestic and international clients, including Netflix, YouTube, Tinder, Kellogg’s, P&G, and Unilever.

    Dawn is the portfolio of 15+ independent, specialist marketing services agencies with a focus on centralised data science, advanced analytics, and econometric measurement. The collective includes renowned agencies like Barkley, Crossmedia, Definition 6, Co: Collective, and Rethink, amongst other illustrious agencies.

    Speaking on the partnership and the foray into global expansion, Zoo Media co-founder Suveer Bajaj said, “After having consolidated a stronghold position for ourselves in India and the Middle East as a leading integrated marketing technology network, expanding our offices into North America was the natural next step. Our prowess in the North American market lies in the range of integrated services that include our best-in-class web3.0, metaverse, and blockchain offerings. In light of this vision, we are happy to have partnered with Dawn and find ourselves among the leading independent agencies in and outside the US to bring our best-in-class marketing technology services to the shores of the US.”

    Zoo Media co-founder Pratik Gupta said, “We’re well on our way to globalising our ambition of taking Indian creativity and technology to the world. We’re excited to work with the agencies within Dawn and bring them the scale of offshore Indian talent.”

    Dawn CEO Bob Kantor said, “Zoo Media has industry-leading technology and development expertise critical to today’s marketers and the modern marketing model. Our agency partners and clients recognise that modern marketing includes the complementary combination of brilliant strategy and creativity with marketing technology.”

    Crossmedia CEO Kamran Asghar said, “We have been collaborating with the Zoo Media team to integrate proprietary technology to accelerate our global expansion. We’re excited to have Zoo Media join Dawn and continue to integrate advanced technology to deliver superior business results for our clients.”

  • Filmmaker Neeraj Pandey to debut with cop drama ‘Khakee: The Bihar Chapter’ on Netflix

    Filmmaker Neeraj Pandey to debut with cop drama ‘Khakee: The Bihar Chapter’ on Netflix

    Mumbai: Inspired by the true story of how Bihar’s most dangerous criminal was caught, Khakee: The Bihar Chapter marks the first foray onto Netflix for iconic creator Neeraj Pandey. The crime series follows the epic tussle between two men on both sides of the law—one a feared gang lord and the other a fiercely upright Indian Police Service officer Amit Lodha.

    Neeraj Pandey, who helmed box office hits such as MS Dhoni: The Untold Story, Baby, Special 26, Naam Shabana, A Wednesday, and Aiyaary, is bringing his inimitable style to this story of anarchy and conflict that changed Bihar forever, said Netflix.

    The project is produced by Friday Storytellers and directed by Bhav Dhulia, starring Karan Tacker, Avinash Tiwary, Ashutosh Rana, Ravi Kishan, Anup Soni, Jatin Sarna, Nikita Dutta, Abhimanyu Singh, Aishwarya Sushmita, and Shraddha Das.

    Speaking about his collaboration with Netflix and his upcoming series, Pandey said: “As an admirer of the platform, which stands for such diversity in content and formats, I am elated to announce Friday storytellers’ partnership with Netflix for our upcoming series Khakee-The Bihar Chapter. This cop-and-crime thriller, set during the early 2000s in the heartland of Bihar, is a big story which we have been wanting to create and share for some time. And through the directorial lens of Bhav Dhulia and the production expertise of my partner Shital Bhatia, we have endeavoured to bring the flavour alive with the tonality and treatment. Shot in extremely trying circumstances in Jharkhand and Bihar across multiple covid waves, it boasts of a talented ensemble depicting strong characters, which we hope will resonate with the local and global Netflix audiences.”

    Netflix India’s VP of content Monika Shergill said, “We are excited to bring one of India’s best storytellers, Neeraj Pandey, to Netflix with his powerful crime drama series Khakee: The BiharChapter. Neeraj, a thrilling true story about the rise of a feared criminal and a determined cop, will transport audiences in India and around the world on an intense and unprecedented journey through Bihar.”