Tag: Neeraj Vyas

  • Sony SAB brings back iconic television series ‘Office Office’

    Sony SAB brings back iconic television series ‘Office Office’

    MUMBAI: Sony SAB is bringing one of India's favorite comedy shows Office Office back, to give viewers a much-needed dose of happiness in these challenging times. The show garnered immense love from the fans following its initial release and featured a stellar cast of the finest actors in the industry including Pankaj Kapur, Deven Bhojani, Sanjay Mishra, Manoj Pahwa amongst others. Viewers will be able to enjoy this office caper once again starting 13 April 2020, Monday to Friday at 6 pm and 10.30 pm only on Sony SAB.

    A comedy for all generations, Office Office revolves around the character Mussadilal and his struggle to get his work done from an office filled with employees all having annoying yet entertaining and unique characteristics. Originally aired in 2001, the show presented a fresh take on comedy with immaculately crafted episodic stories and an array of characters that continue to be highly relatable even today. The show amassed a huge following due to its rib-tickling humour, family friendly content and endearing characters being portrayed by seasoned actors. 

    For Sony SAB, Office Office is a quality addition to an already existing stellar line-up of shows that aim to deliver light-hearted values-driven content that is enjoyed by households across the country. Fans of Sony SAB can continue enjoying an exciting line-up of shows such as Taarak Mehta Ka Ooltah Chashmah, Baalveer Returns, Bhakharwadi, Maddam Sir, Aladdin: Naam Toh Suna Hoga amongst others.  

    Sony SAB business head Neeraj Vyas says: "We are bringing Office Office back on Indian Television in an attempt to put smile on the faces of our viewers. We proudly call ourselves as 'Happiness Enablers' and during these tough times, our intention is to continue to deliver quality content that families across India can enjoy together. Office Office is one of the most beloved shows on Indian television and we are extremely happy to bring it back for our discerning viewers. The show's highly relatable content and humor will attract both sets of audiences – the ones who cherished and loved the show when it first aired as well as the younger viewers who might be discovering the show for the first time ever." 

  • Sony SAB to launch ‘Maddam Sir – Kuch Baat Hai Kyunki Jazbaat Hai’ on 24 Feb

    Sony SAB to launch ‘Maddam Sir – Kuch Baat Hai Kyunki Jazbaat Hai’ on 24 Feb

    MUMBAI: Sony SAB broadens its content slate with a one of its kind light-hearted value driven show ‘Maddam Sir’ set to premiere on 24 February 2020, at 10 PM. With an apt tagline, ‘Kuch Baat Hai Kyunki Jazbaat Hai’, the show is set to change people’s perspective about typical policing. The story showcases the power of women instincts while beating the stereotype of the conventional way of policing and introduces a fresh belief of policing with a heart. Maddam Sir addresses social issues through the eyes of four dynamic women police officers who will set the audience’s hearts on fire with their unique set of qualities that distinguish them from each other.

    Set against the backdrop of the shaahi Lucknow, Maddam Sir features four dynamic police officers Haseena Mallik (Gulki Joshi), Karishma Singh (Yukti Kapoor), Santosh Sharma (Bhavika Sharma) and Pushpa Singh (Sonali Naik) as they try solving cases that come in Aminabad Mahila Police Thana, in their unique yet powerful ways.

    Haseena Mallik, the S.H.O (Station House Officer), is a young and a head-strong woman, who believes in bringing sensitivity in the manner of her policing. Whereas, Inspector Karishma Singh does not believe in emotional policing and is always ready to take the fierce way towards solving a case. While the two try to accommodate each other’s clashing personalities and beliefs, the new recruit, Santosh Sharma tries to find a role model in them, often left confused.

    Pushpa Singh is the Head Constable, the most experienced officer of the team and also Karishma’s mother-in-law. While at work, the duo keeps it professional, at home the dynamics change as Pushpa becomes more authoritative. Her only wish now is to crack a big case before her retirement. Another interesting character is that of a news reporter, Sunny, played by Gaurav Wadhwa. A street-smart guy, he knows how to get his work done and get information from Maddam Sir’s team.

     Sony SAB business head Neeraj Vyas says,

    “Maddam Sir is very different from any other cop-based series. It is not a regular police crime show but a show that brings to light how women use their instinct and add magic in everything they do. The show, while being fun, in a lighter way helps us to look at a lot of social issues that plague our society today and how in their own unique way these women police officers find solutions. Maddam Sir will present delightful and heartwarming stories keeping the channel philosophy of ‘Khushiyon Wali Feeling’ alive.”

    With a line-up of a stellar cast, that includes Gulki Joshi, Yukti Kapoor, Sonali Naik, Bhavika Sharma, Gaurav Wadhwa and Yashkant Sharma, Maddam Sir is all set to leave a smile on the faces of the viewers and also get them thinking as the extremely competent women police officers leave them with a strong message and an exceptional performance.

  • Sony SAB brings ‘Khushiyon Wala New Year’ contest for viewers

    Sony SAB brings ‘Khushiyon Wala New Year’ contest for viewers

    MUMBAI: Sony SAB has been spreading happiness all across the country. Based on its deep understanding of the pulse of real India, Sony SAB, one of the leading Hindi General Entertainment Channels in India, has steadily created a niche for itself through captivating shows and characters, all geared towards bringing a smile to people’s faces. To add to the Khushiyon Wali Feeling this New Year, Sony SAB is giving 100 fans an opportunity to get closer to their families through their exciting ‘Khushiyon Wala New Year’ Contest starting 25 December 2019. 

    New Year is the time for new beginnings. And to be able to spend this extremely important time of the year with your loved ones, can truly make it an extremely happy one. To participate in the contest, fans need to share their stories on why they want to be with their families this year either by text, audio or video message on Whatsapp number +91 7039883366, out of which 100 most compelling stories will be eligible for return air tickets to their hometown. Sony SAB’s initiative is also the channel’s way of thanking its fans who have loved and supported all their shows year after year.

    Earlier this year Sony SAB launched its new brand proposition ‘Khushiyon Waali Feeling’ which truly reflects the nature of the shows on the channel. To drive this initiative further and take this philosophy to the fans – Sony SAB will run the on-air contest from 11th December to 25th December 2019. Fans seeking to participate can find more details and T&C of the contest here https://sabtv.com/en_in/ .

    Sony SAB business head Neeraj Vyas said, “At Sony SAB we proudly call ourselves ‘happiness enablers’ as our philosophy from the simple insight that when people are happy, it makes the world a better place. We are extremely overwhelmed with the response from fans for our shows and we believe they have been one of the key factors behind our success this year. This initiative will help us connect with our audiences on a much deeper level and spread more Khushiyon Wali Feeling this New Year.” 

    Today, Sony SAB showcases a strong line up of shows such as Taarak Mehta Ka Ooltah Chashmah, Aladdin- Naam Toh Suna Hoga, Tenali Rama and Jijaji Chhat Per Hain. Strengthening its programming even further, the channel launched two new path-breaking shows this year: Baalveer Returns and Tera Kya Hoga Alia. Sony SAB has some notable milestones coming up as its super entertainer show Jijaji Chhat Per Hain completed 500 episodes in December this year.

    The year 2019 has been tremendous for Sony SAB with fans showering love for all the shows and the characters on screen, making Sony SAB one of the most watched Hindi General Entertainment Channels in India.

  • Sony SAB’s Baalveer ranks 7th on Google’s most searched TV shows in 2019

    Sony SAB’s Baalveer ranks 7th on Google’s most searched TV shows in 2019

    MUMBAI: Sony SAB’s fantasy drama ‘Baalveer’ which has captured the imagination of audiences across the country with its fascinating storyline, has also earned the distinction of being named as the most searched Indian television show across the world according to Google’s annual trends report ‘Year in Search’ for 2019.

    The report ‘Year in Search’ which was revealed recently by Google comprises of data of the most searched topics globally in 2019. Specifically, Google looked at the biggest trends or search terms that saw the largest spikes in traffic over a sustained period in 2019. Baalveer was the only Indian television show from a Hindi general entertainment channel to be featured in the top searches for television shows across the world.

    Set against the backdrop of the two mystical worlds of Veer Lok and Kaal Lok, Baalveer Returns is India’s most loved fantasy drama show on Indian television. Sony SAB, one of the leading Hindi General Entertainment Channels in India, launched the new season for the show titled ‘Baalveer Returns’ featuring Dev Joshi, Pavitra Punia and Sharmilee Raaj amongst others in September which led to this phenomenal spike in search activity on Google. Baalveer Returns features state-of-art sets, delightful cutting edge VFX and a brand-new script with exciting new characters. Interestingly, Baalveer Returns also emerged as the ‘Breakout’ search term on Google ‘Year in search’ for 2019.

    For viewers of Sony SAB, Baalveer is not just a show; it’s a legend – a landmark show on Indian television where the first season of the show had concluded in 2016 after a thrilling journey that continued for over 1000 episodes. Such was the craze for Baalveer that even after four years since the end of the first season, the show was still one of the most viewed shows on SonyLIV, Sony Pictures Network’s online streaming platform. Owing to the demand and the interest from the fans for a new season Sony SAB decided to bring back the magic of Baalveer to the TV screens in a grand new avatar this year.

    Sony SAB, PAL and Sony MAX movie cluster business head Neeraj Vyas said, “Being the only Indian GEC show in the top 10 most searched TV shows on Google globally is a tremendous achievement and we would like to thank all our fans for their love and support which has seen Baalveer and all our shows scaling new heights in popularity every year along with all the cast and crew who work relentlessly to make Baalveer Returns such a grand success. We have always aimed to be the happiness enablers in people’s life and hence all our offerings have always been light-heart values driven content that is loved by all the members of family and one of the key points that differentiates us from our competition is our ability to create characters that click with the audience – the success of Baalveer Returns is a true testament to that.”

  • The secret sauce behind long-running Hindi GEC shows

    The secret sauce behind long-running Hindi GEC shows

    MUMBAI: India has a history of long-running soap operas right from Kyunki Saas Bhi Kabhi Bahu Thi to latest ones like Yeh Rishta Kya Kehlata Hai and Taarak Mehta Ka Ooltah Chashma. In the urban market, both the shows continue to remain in the top five programming list of BARC India in primetime slots.

    How is it that these shows are continuing to thrive in the era of seasonal content and high impact limited episode show on OTT platforms?

    The prime reason for their high attraction is the ability to reinvent and stay relevant. A decade ago, when these shows launched, there were no signs of OTT platforms. As the shows progressed, the creators kept changing the plotlines to suit the evolving tastes of the audiences.

    One key reinvention strategy that has kept Yeh Rishta Kya Kehlata Hai on top of the ratings charts is its youth appeal. 
    “We wanted to show Kartik and Niara as real couples and be connected to the reality of life. This was the most calculated risk that I took as a maker. We did not want to sugarcoat reality and keep them perfect. They make mistakes and learn from them and that’s what the audiences like. Imperfection is the new mantra that resonates well with them,” explains Director's Kut Production founder Rajan Shahi.

    Zee TV business head Aparna Bhosle explains that long-running shows are the hallmark of a creative team that truly understands their channel’s audience and tells them stories that hold their attention over a sustained period of time. 

    “Having properties on air that people want to keep coming back to is crucial to any broadcaster as it is this viewer behaviour that defines brand loyalty," she says.

    Sony SAB business head Neeraj Vyas points out that character affinity is one of the key reasons for the popularity of Taarak Mehta. "People watch television not because of the shows, but because of the characters. The characters’ action, relatability and empathy are what drive viewership.”

    Long-running shows also increase the  confidence of advertisers in the show. "Advertisers are interested in reaching out to the largest demographics through our platforms and long-running shows with a dedicated viewership serve this purpose most effectively and hence command a premium," says Bhosle.

    Apart from Yeh Rishta Kya Kehlata Hai and Taarak Mehta Kaa Ooltah Chashma, Zee TV's longest-running show Kumkum Bhagya has crossed 1500 episodes. "Kumkum Bhagya is one of our longest-running shows in the current context. Ever since the show launched in 2014, it has consistently found its place amongst the top five fiction shows across GECs week-on-week," says Bhosle.

    Vyas adds that the new TV channel pricing regime on account of the New Tariff Order (NTO)  has made it essential for channels to have marquee shows with a loyal audience base. Unfortunately, it’s difficult to do that today. The earlier shows are still surviving because they were launched when appointment viewing was the norm and OTT did not exist.

    Shahi concurs  with Vyas on OTT posing challenges. But Star India’s OTT platform Hotstar is aiding the growth of Yeh Rishta. “On Hotstar as well as TV, the show is highly rated. Keen audiences can watch the show early in the morning at 7 am on Hotstar while primetime viewers catch up at night with the family on TV,” he explains.

    Another key aspect has been to keep the production team consistent. Shahi says, "Yeh RishtaKya Kehlata Hai is a success for the entire television industry. In this chaotic and unstable market, keeping the team together and getting the show to stay on course for years is an achievement. Our teamhas 90 per cent of the same unit today since the show was launched. My biggest achievement is to have people who would team up for such a long-running show. Over the 11 years, they have been through phases of setbacks and achievements so to keep up the spirit and morale of the team is a challenge."

    With multiple choices available, producers have a hard task to keep shows running. To compete with shows on OTT, TV shows need to understand changing trends and adapt quickly.
    About the future, Bhosle says it’s not about a show being finite or infinite shows that will determine success. “It is a story that touches a chord, a character that grows on you or that palpable chemistry between two endearing characters that make people return to watch more,” she says.
     

  • ‘Baalveer Returns’ to bridge quality gap between TV and OTT: Sony Sab’s Neeraj Vyas

    ‘Baalveer Returns’ to bridge quality gap between TV and OTT: Sony Sab’s Neeraj Vyas

    MUMBAI: Sony Sab is aiming to reduce the quality gap between channels and OTT platform with the launch of its new show Baalveer Returns. Baalveer Returns is the first show from Sony Pictures Network India which is digital-first. The show will be streamed on Sony LIV at 9 am for paid subscribers and it will be telecast on Sony Sab at 8 pm from 10 September.  

    Sony SAB, PAL and Sony MAX movie cluster business head Neeraj Vyas said, “Television today is competing with OTT which essentially is about binge-watch, less number of episodes and the quality that they deliver will also be a challenge for TV to match. But this one show will be bridging the quality gap. The show will go a long way in enhancing the perception of the channel and the brand even more than what it is.”

    For the past few weeks, Sony Sab has been consistently seen at number 2 or 3 in the top 10 Hindi GEC channels list of BARC India ratings. With the launch of the new show, the channel expects that its efforts and time taken in creating ‘Baalveer Returns’ gets transformed into ratings.

    However, Vyas is of the view that more than ratings, the attempt is to get people to take note of the quality.

    The channel is also elated that even in a post-NTO world, subscribers have decided to pay Rs 15 for Sony Sab. "Ratings is one reality but it is not the only reality which means we have to work on the quality of the product that we deliver day in and day out," he said.

    Giving more details into the show, Vyas said, “Baalveer is not just a show, it’s a legend! Years ago, when we showcased Baalveer on Sony SAB, it quickly gained a huge fan following. We are expecting this fan following to become bigger than ever with the launch of Baalveer Returns. This show is a true example of fantasy done right. With cutting edge VFX which will delight, stunt work that will boggle the mind and performances that will move, Baalveer Returns is going to be an epic adventure that audiences are sure to fall in love with. With a universal theme of Good vs. Evil, the show will appeal to everyone – young and old alike and is a true representation of the kind of content Sony SAB is appreciated for – values driven and with a heart. The show fits beautifully with our commitment to provide happiness and we believe it has got all the ingredients to become a massive hit.”

    Sony Pictures Networks CEO NP Singh said, “Sab is in its fifteenth year now. In April 2004 we re-launched SAB after the acquisition of the channel as Sony SAB. I am very proud and satisfied as it is one of the most stable channels in the genre. For the last couple of months, SAB has been in the top three channels.”

    He further said, “A new fresh energised SAB is something that we are showcasing now, from being a comedy channel it has now become a channel for family. After the NTO implementation SAB’s audiences have remained loyal to the channel and our subscriber numbers are also increasing month on month. With the launch of Baalveer Returns, it is expected to grow further. Time spent on the channel has grown dramatically. People not only subscribe to it but also watch it on a regular basis which is reflecting when the ratings come."

    SonyLIV Digital Business business Head Uday Sodhi commented, “We are excited to bring this iconic show to our digital viewers in India on our OTT platform. For the first time ever, Baalveer Returns will be available on SonyLIV a few hours prior to its televised broadcast to all premium subscribers. This is an innovation to get the mobile-first audience to watch the show and add to the excitement that the show offers. SonyLIV has always been a frontrunner in streaming relatable content to its viewers and this is our endeavour in that direction.”

    Optimystix Entertainment founding chairman & MD Vipul D Shah said, “Baalveer Returns has been produced such that it revolutionises the way people watch fantasy dramas on television. Besides the new cast, a lot of effort has gone into designing the costumes and the sets, so that we provide a thrilling, edge-of-the-seat, visual treat to the viewers. The fans are in for a real extravaganza! Besides the look and feel of the show, a lot of fine work has gone into the scripting which will get the fans hooked on to the show and we hope to receive the same love & approval they have shown before.”

  • Sony MAX kicks off celebrations for landmark 20 years of entertaining movie lovers

    Sony MAX kicks off celebrations for landmark 20 years of entertaining movie lovers

    MUMBAI: Sony MAX, India’s leading premiere Hindi movie channel from Sony Pictures Networks India (SPN), has created a benchmark by becoming the only channel across genres, to sustain a long-standing leadership stint for 148 weeks in a row. To mark this milestone and kick-start the celebration of 20 glorious years of entertaining movie lovers in India, Sony MAX has rolled out its latest TV campaign highlighting its brand essence ‘Deewana Bana De’. 

    The campaign – Yeh Hai Desh Ki Deewangi celebrates the spirit of millions of cinema fans whose passion and enthusiasm for movies make them special and larger than life. The TVC, which first aired at 20:20 on 20 July 2019, marks the launch of an elaborate marketing blitzkrieg across multiple touchpoints as a run-up to the special day in October 2019.

    The latest TVC, the first of many initiatives in a three-month integrated campaign, “Yeh Desh ki Deewangi” relives classic golden moments from some of the most memorable movies of the past two decades. India has grown up on a staple feed of filmy masala, culture curry and cinematic servings dished up by Sony MAX. Gullu Gulati, the central character of the campaign, is the personification of the deewanapan of Sony MAX. The film follows Gullu Gulati, charting a 20-year journey of ‘Deewangi’ as he lives his life unabashedly imitating iconic scenes from movies and his favorite stars like Raj Aryan from Mohabattein, Raj from Dilwale Dulhania Le Jayenge, Bahhubali and Sultan. 

    The TVCs are conceptualised by DDB Mudra Group and shot by Footloose Films. To promote the campaign, the channel is engaging in a massive television plan across news, kids and regional channels for three weeks. The marketing plan also consists of a huge digital leg.

    Sony SAB, PAL and Sony MAX movie cluster business head Neeraj Vyas said, “I am thrilled that Sony MAX which has been the undisputed leader, week on week for nearly three years, setting unparalleled standards in the industry, is celebrating its 20th anniversary this year. For two decades, our robust library of films, path-breaking concepts, trend-setting programming has made the channel a strong favorite. We take pride in our deep audience insights and our ability to keep abreast of the dynamic and evolving movie viewing patterns that have helped us stay ahead of the curve. On this truly momentous occasion, we reiterate our commitment to offering only best-in-class entertainment.”

    Sony SAB, PAL and Sony MAX movie cluster head, marketing and communications Vaishali Sharma commented, “As Sony MAX completes 20 years, we are extremely excited to present our viewers with the brand-new campaign that bring together our two memorable decades in ‘Yeh Hai Desh Ki Deewangi.’ Like Gullu Gulati, each one of us have grown up with the passion and madness for movies. He represents the heart of every Indian. With this milestone, we only promise to get better and bigger from here on while entertaining our audiences to their heart’s content.”

    DDB Mudra Group national creative director Rahul Mathew said, “Indians and Hindi cinema are inseparable and when it comes to movies, it’s Sony MAX. The clear brief given to us was to conceptualise a campaign for the channel which has been the epitome of Bollywood movies for past 2 decades now. To capture the essence of this stature we had to recreate the ‘Deewangi’ that represents the emotions of the entire nation. Hence, Gullu was born whose ‘Deewangi’ for movies and Sony MAX resonates with every movie lover in India.”

  • Sony Sab’s Neeraj Vyas on brand repositioning, TRAI tariff order effect and content pull from consumers

    Sony Sab’s Neeraj Vyas on brand repositioning, TRAI tariff order effect and content pull from consumers

    MUMBAI: Amid the ongoing flux in the broadcasting industry post the implementation of the new tariff order (NTO), Sony Sab which is perceived as a “living room channel” aims to strengthen its position as a brand which has content to offer everyone in the family. Unveiling its new brand campaign with the ‘Khushiyon Wali Feeling’ tagline, Sony SAB, PAL and Sony MAX movie cluster business head Neeraj Vyas said that the aim is to get consumers to look at the channel as 'a brand with heart'. Vyas also emphasised on the importance of being distinct and relevant on the back of differentiated content in the post NTO era.

    “The buzzword is meaningful content. The consumer will only choose you if you make a meaningful emotional connect and I think for us, the mantra going forward is to be a meaningful and emotional brand for the consumer in the television landscape,” Vyas noted.

    Sony Pictures Networks India-owned Hindi GEC Sony Sab is now ready to redefine itself through a new philosophy which is driven on the insight that "jitni insaan ki khushi badhti hai, utni hee duniya mein insaniyat bhi badhti hai”. The channel will also launch exciting new shows in the upcoming months as the campaign launches on 10 July 2019 on-air.

    Vyas opined that the television industry has to wake up in the context of new price regime. He mentioned that due to having a distributor-led model for 25 long years, broadcasters mostly chased eyeballs and ratings. According to Vyas, television business now has to be looked at from two lenses. While clearly rating till stays one way to look at it, the second and the more important one should be from the perspective of paying consumers.

    “Consumers today have the choice to buy your channel or not every month. We as an industry have not seen this in the last 25 years. We took it for granted that we would be in people’s homes. That reality has completely changed. Television has to be mindful of the fact that it’s now a big shift and you have to be relevant in that context,” Vyas added.

    In the last five-six weeks, Vyas claims that the channel has seen a resurgence like never before. Terming time spent as the new important metre, he said that the time spent for Sony Sab is at a historical high of more than 160-170 minutes a week. He also explained that consumers with fewer channels of their choice are spending more time on preferred content. However, he also added that reach would be down because connectivity is not going to be the same as it was.

    “For us, the path is to make the consumer feel that he is a catalyst in this zone of paying forward. We believe, as the campaign says, if you are happy, you tend to do good things to others. The shows we will be launching will be entertaining, not preachy and not like other commonplace shows on TV,” he concluded.

  • Sony Sab strengthens primetime slot with ‘Baavle Utaavle’

    Sony Sab strengthens primetime slot with ‘Baavle Utaavle’

    MUMBAI: Sony Sab is all set to launch its new show, Baavle Utaavle, #Gufu Ki Visfotak Love Isstory, produced by Director’s Kut production house Rajan Shahi. The show will go on air on 18 February, every Monday to Friday at 10 pm.

    The show is set against the rustic backdrop of a Madhya Pradesh landscape that captures the quirks of society in a small town in India where there is a subtle acknowledgment that marriage fulfills the desire for physical intimacy and love follows later.

    Sony Sab Pal business head Neeraj Vyas said, “At Sony Sab we are committed to fun and happiness and this is evident in our programming strategy. As part of our promise to bring fresh and unique content, we are set to launch Baavle Utaavle – a show that revolves around the coming of age of youngsters. It is the reflection of the lifestyle and mindset of young adults living in small towns; narrated through the journey of our lead couple.”

    The intent of the show is to offer a unique concept with a strong storyline and in a bid to garner eyeballs; it is poised to catapult the prime-time television viewing experience for the viewers.

    Shahi said, “It highlights some important aspects in their lives like curiosity towards marriage, desperation to meet their soulmate and the need for companionship.”

     

  • Niche channels bank on differentiated content in new TRAI tariff regime

    Niche channels bank on differentiated content in new TRAI tariff regime

    MUMBAI: One worry that broadcasters seem to have from the impending TRAI tariff scheme that will commence from 1 February 2019 is the reception of their niche and differentiated channels. While GECs, sports and news channels don’t have much to worry, the others will have to fight for TV space.

    Here, differentiated content will play a role in ensuring genres like kids, infotainment and lifestyle are picked by viewers. 9x Media chief business officer and group business head Punit Pandey explained that out of 100 FTA channels, 26 are Doordarshan (DD) channels that are mandatory and the remaining are left with cable operators to choose. This choice depends on consumer pull and commercial deals with broadcasters. “I have commercial deals with almost all the big operators, where there is no reason for them not to give my channel. Music as a category is something that people like to have. So my commercial deal, consumer pull and music as a genre are the three reasons that will help us get in the 74 slots. But, according to me, a commercial deal is enough to get listed in the slot of 74 because I’ve paid to get in there,” he said.

    About the music genre’s content strategy, Pandey said that the cluster, except for 9xo that plays English songs, plays popular Bollywood songs which cut across divisions. He said, “As a Bollywood channel, our reach is far more than a non-film music channel, which is typically niche. For 9xm, we continue playing popular hit music. What adds to our advantage is our footprint in the regional market. Regional is going to grow and we are already there.”

    Viacom18, which has youth and a music channels MTV and MTV Beats, claims to not fall under the niche category.Viacom18 youth music and English entertainment head Ferzad Palia claims that it caters to a wide audience of 309 million viewers. He said that broadcasters who have not invested in differentiated content or have not found a clear way to differentiate themselves are the ones who may face the pressure of being selected or rather not being selected.

    MTV claims to follow a content-focused strategy while having differentiated product. Palia feels that if you have become an integral part of someone’s viewing habit, they will select you anyway. The channel also recently informed that the time spent on its channel had doubled. “Therefore, if our time spent has doubled that means we are doing something right because more people are watching us and we are becoming closer to the audience. I think we are in this advantageous position because of the unique offering that we have for the youth’s life,” he said.

    Zee TV business head Aparna Bhosle expects this order to usher in good days for the industry. Being a leader in the GEC category, it doesn’t have to worry much but she expects significant changes in viewing patterns to take place. According to her, people consume at max 130 channels when surfing. So, some channels may not make it to a viewer's list.

    Sony Sab, Pal business head Neeraj Vyas firmly believes that segmentation of audiences will be a reality. Till now, people were copying mass-pulling shows from competitors, but now each will have to focus and create for their own audience.

    Meanwhile, Disney India revamped its Disney XD channel to Marvel HQ. It is pertinent for one to assume that it might be its strategy due to the new tariff regime. The Walt Disney Company (India) executive director and head of product media networks Devika Prabhu said that the channel was creating a base so that it is ready by summer and kids would be habituated to it.

    Apart from content, bundling of the channels also plays a major role which is done by the broadcasters, cable and DTH operators. Apparently, Sony pulled the plug from a few of its channels—Sony Le Plex HD, Sony ROX HD and Sony Ten Golf HD since it didn’t rake in sufficient viewership. Simultaneously, others are converting to FTA channels. Recently, Business Television India (BTVI), an English business news channel, converted to FTA following the new regime. This could be a sigh of relief for the advertisers where their reach would be higher. FTA channels have the advantage of having advertising revenue because of higher reach.

    As far as ad rates are concerned, Pandey is confident it won’t be impacted while Vyas prefers to wait and watch for the MRP to unfold and the consumers' response. It will take four to five months for the regime to settle and advertisers, according to Pandey, are likely to wait and watch before changing pricing. He said, “Ad rates are not increased or decreased by one month’s performance. The advertisers or the agencies look at consistency; they do not change rates in a month’s time till the time it settles. Moreover, there are big events such as IPL, and the elections which will have serious pull.”

    Broadcasters have taken it upon themselves to educate consumers about the new tariff regime and also hinting at picking their own packs and channels. Pandey is bullish about the reach of his network and does not feel the need for full-page ads or outdoor hoardings.

    Palia replied that Viacom18 has been informing the consumers because it’s the network’s duty to educate consumers on how they can access their channels and their favourite shows under the new tariff order. “We are not trying to hard sell our channels to anyone,” he clarified.

    We are inching closer to the D-date and hoping that TRAI does not give in to another extension demand, as it has been prone to do previously. By early or mid-February, we are likely to get a sense of direction that the industry will be taking.