Tag: NCCS

  • Nick back as number one kids channel : BARC Week 19

    Nick back as number one kids channel : BARC Week 19

    MUMBAI: After a brief slip from the top position last week, Viacom 18’s Nick jumped back to leading the kids genre in week 19 as per  Broadcast Audience Research Council (BARC) India’s all India (U+R) data in NCCS All 4-14 Individuals category. It jumped on the top spot with 89053 (000’s sums) viewership ratings leading the genre, which is a slight raise from last week’s 88475 Impressions (000’s).

    Nick was followed by Turner International’s Pogo TV in the second spot with 86107(000s sums) ratings, which has fallen from its top position last week with 95257 Impressions (000’s).

    Hungama moved up the list to take the third spot with 71677 impressions (000’s), followed by  Disney Channel in fourth spot after it bagged 66158 impressions (000’ sums). Cartoon Network took the fifth spot with 63751 impressions (000’s).

    When it came to the top five programs in the category, Nick’s Motu Patlu 36 Ghantey Race Against Time  dominated the airtimes with 959(000s sums), followed by Doraemon Movie: Galaxy Super Express on Hungama with 584 (000s sums) ratings.

    Disney Channel’s Doraemon: Movie Gadget Museum Ka Rahasya too did well for the network, and bagged 575(000s sums).making it the third most watched program in the kids genre.

    Nick’s Motu Patlu Kungfu King Returns was the fourth most watched show with 574(000s sums), and  Disney Channel Doraemon The Movie : Toofani Adventure  was the fifth most watched show with 566(000s sums).

  • Nick back as number one kids channel : BARC Week 19

    Nick back as number one kids channel : BARC Week 19

    MUMBAI: After a brief slip from the top position last week, Viacom 18’s Nick jumped back to leading the kids genre in week 19 as per  Broadcast Audience Research Council (BARC) India’s all India (U+R) data in NCCS All 4-14 Individuals category. It jumped on the top spot with 89053 (000’s sums) viewership ratings leading the genre, which is a slight raise from last week’s 88475 Impressions (000’s).

    Nick was followed by Turner International’s Pogo TV in the second spot with 86107(000s sums) ratings, which has fallen from its top position last week with 95257 Impressions (000’s).

    Hungama moved up the list to take the third spot with 71677 impressions (000’s), followed by  Disney Channel in fourth spot after it bagged 66158 impressions (000’ sums). Cartoon Network took the fifth spot with 63751 impressions (000’s).

    When it came to the top five programs in the category, Nick’s Motu Patlu 36 Ghantey Race Against Time  dominated the airtimes with 959(000s sums), followed by Doraemon Movie: Galaxy Super Express on Hungama with 584 (000s sums) ratings.

    Disney Channel’s Doraemon: Movie Gadget Museum Ka Rahasya too did well for the network, and bagged 575(000s sums).making it the third most watched program in the kids genre.

    Nick’s Motu Patlu Kungfu King Returns was the fourth most watched show with 574(000s sums), and  Disney Channel Doraemon The Movie : Toofani Adventure  was the fifth most watched show with 566(000s sums).

  • 36% youth watch shows on TV,18% watch shows online: MTV study

    36% youth watch shows on TV,18% watch shows online: MTV study

    MUMBAI: Today’s generation is considered to be full of zest, zing and vim. The youth have their own unique odds which would be irritating to older people but which generation has not manifested such behaviors in the past? The young on-the-go audience is constantly connected to each other and has easy access to the world with information at its finger-tips. This generation’s interests are not one, but many wherein it seamlessly transcends online and offline versions of self. This generation doesn’t believe in discriminating through race, religion, or gender. It firmly believes that with these values, it will be able to build a better India in the future. The youth is dynamic, but not impulsive; is complex, but not chaotic, reveals MTV Youth Marketing Forum.

    MTV is back with the 10th edition of its research titled ‘The Many Me Project’ stressing on what content is consumed and what is published. The survey covered 11,000 young people in the age group of 13 to 25 across 50 plus cities and has reached out to NCCS A, B and C across the age bracket of 13-25 years to increase the robustness of the research. For the 6 month long interactive survey, the qualitative part of the study was conducted in association with Third Eye Research whereas the quantitative segments were handled by Juxt Smart Mandate.

    The investigation was done by undertaking key initiatives the like selfie project, digital shadowing and by studying peerscope and ethnographies of the youth.  The data discloses youth to be multi-dimensional, open minded, brave, witty, inspired, mindful, fun, a sum of many me’s.

    “We have not tortured data”, says Viacom18 head of youth and English entertainment Ferzad Palia in jest. “This data is an eye-opener for all of us. This young generation is not the era of ‘jugaadus’, but they are smart-thinkers and are not looking for shortcuts. The youth wants to strategically work smart and hard. Through this data many important insights will be presenting at the forum which are sure to change the way marketers view the youth of India today”, he further adds.

    A question always arises that where does the youth consume new content from? The youth are discerning about content but not about where they watch it. The study reveals that TV still remains a go to for Indian youth and they’ll not go anywhere other than TV to consume good content. Each device has its benefits and disadvantages and the sources for discovery and consumption may differ. 36 per cent of the youth watch shows only on TV, while 18 per cent watch shows only online. The study shows that young audiences first discover a new show on TV and then watch it online.

    The study shows how the role of technology has changed for multi-taskers with 32 per cent people having the opinion that they have more choices now as compared to 16 per cent in 2014.

    Speaking about the MTV Youth Marketing Forum 2016, Viacom 18 group CEO Sudhanshu Vats says, “As a content powerhouse, it is mandatory for us to understand the pulse of our audience. Hence, MTV’s constant endeavor to understand its primary target audience – the youth, what they are up to and how they feel about various aspects of life – is extremely crucial. For the last 10 years, MTV has been working incessantly to understand every nuance of each interaction young people have amongst themselves and their media consumption habits.  It is these patterns of consumption and interaction which then form the basis of everything we do at MTV. The headline study for this year – ‘MTV Many Me Project’ – has thrown up some fascinating insights into the lives and minds of this absolutely dynamic demographic. I am positive that every single person who has been a part of the MTV Youth Marketing Forum 2016 will now be able to decode the ever-changing youth of India much better!”

    Youth also considers entertainment as enrichment and resonatee that good content always has that hangover effect wherein it urges them to think, share, create and comment. Entertainment and content are not about just filling gaps of time between doing other things, reveals the data. On the one hand, 50 per cent of the young people in the age group of 13 to 17 years and 63 per cent between 18 to 25 years think that they learn a lot about coping with tricky situations through the characters and storylines of their favourite shows.

    The report also reveals how 81 per cent of the youth aspire for eventually becoming self-employed, while 17 per cent of them think of working for a stable organization.  The new high is becoming self-employed rather than just doing a job.

    “The MTV Youth Marketing Forum is our flagship insights series and the idea was to make it as experiential for the attendees as possible. So we thought why not we actually create a teenager’s room? And what better way for you (the audience) to do it than being a part of it? So you are the prop and he (the teenager) is the protagonist. Every element in the room reflects his passion – stuff that he listens to, stuff he plays with, brands he flaunts, etc. It’s not 3D but a 4D stage because you can actually see a live protagonist, a specific boy, who was recruited (we actually did screenings and auditions) only for this activity”, adds Viacom 18 youth cluster head marketing, media and insights Sumeli Chatterjee

    “No other brand does this kind of a research like us. We want to stay ahead of the curve. These insights will be shared across and will help advertisers. 2016 was a more pronounced year than 2014 and had many complexities than we ever thought”, she further adds.

    Palia voices that the study will help the channel and its business partners in building a strong connect with the young audience.

    Click here to view the complete report:

  • 36% youth watch shows on TV,18% watch shows online: MTV study

    36% youth watch shows on TV,18% watch shows online: MTV study

    MUMBAI: Today’s generation is considered to be full of zest, zing and vim. The youth have their own unique odds which would be irritating to older people but which generation has not manifested such behaviors in the past? The young on-the-go audience is constantly connected to each other and has easy access to the world with information at its finger-tips. This generation’s interests are not one, but many wherein it seamlessly transcends online and offline versions of self. This generation doesn’t believe in discriminating through race, religion, or gender. It firmly believes that with these values, it will be able to build a better India in the future. The youth is dynamic, but not impulsive; is complex, but not chaotic, reveals MTV Youth Marketing Forum.

    MTV is back with the 10th edition of its research titled ‘The Many Me Project’ stressing on what content is consumed and what is published. The survey covered 11,000 young people in the age group of 13 to 25 across 50 plus cities and has reached out to NCCS A, B and C across the age bracket of 13-25 years to increase the robustness of the research. For the 6 month long interactive survey, the qualitative part of the study was conducted in association with Third Eye Research whereas the quantitative segments were handled by Juxt Smart Mandate.

    The investigation was done by undertaking key initiatives the like selfie project, digital shadowing and by studying peerscope and ethnographies of the youth.  The data discloses youth to be multi-dimensional, open minded, brave, witty, inspired, mindful, fun, a sum of many me’s.

    “We have not tortured data”, says Viacom18 head of youth and English entertainment Ferzad Palia in jest. “This data is an eye-opener for all of us. This young generation is not the era of ‘jugaadus’, but they are smart-thinkers and are not looking for shortcuts. The youth wants to strategically work smart and hard. Through this data many important insights will be presenting at the forum which are sure to change the way marketers view the youth of India today”, he further adds.

    A question always arises that where does the youth consume new content from? The youth are discerning about content but not about where they watch it. The study reveals that TV still remains a go to for Indian youth and they’ll not go anywhere other than TV to consume good content. Each device has its benefits and disadvantages and the sources for discovery and consumption may differ. 36 per cent of the youth watch shows only on TV, while 18 per cent watch shows only online. The study shows that young audiences first discover a new show on TV and then watch it online.

    The study shows how the role of technology has changed for multi-taskers with 32 per cent people having the opinion that they have more choices now as compared to 16 per cent in 2014.

    Speaking about the MTV Youth Marketing Forum 2016, Viacom 18 group CEO Sudhanshu Vats says, “As a content powerhouse, it is mandatory for us to understand the pulse of our audience. Hence, MTV’s constant endeavor to understand its primary target audience – the youth, what they are up to and how they feel about various aspects of life – is extremely crucial. For the last 10 years, MTV has been working incessantly to understand every nuance of each interaction young people have amongst themselves and their media consumption habits.  It is these patterns of consumption and interaction which then form the basis of everything we do at MTV. The headline study for this year – ‘MTV Many Me Project’ – has thrown up some fascinating insights into the lives and minds of this absolutely dynamic demographic. I am positive that every single person who has been a part of the MTV Youth Marketing Forum 2016 will now be able to decode the ever-changing youth of India much better!”

    Youth also considers entertainment as enrichment and resonatee that good content always has that hangover effect wherein it urges them to think, share, create and comment. Entertainment and content are not about just filling gaps of time between doing other things, reveals the data. On the one hand, 50 per cent of the young people in the age group of 13 to 17 years and 63 per cent between 18 to 25 years think that they learn a lot about coping with tricky situations through the characters and storylines of their favourite shows.

    The report also reveals how 81 per cent of the youth aspire for eventually becoming self-employed, while 17 per cent of them think of working for a stable organization.  The new high is becoming self-employed rather than just doing a job.

    “The MTV Youth Marketing Forum is our flagship insights series and the idea was to make it as experiential for the attendees as possible. So we thought why not we actually create a teenager’s room? And what better way for you (the audience) to do it than being a part of it? So you are the prop and he (the teenager) is the protagonist. Every element in the room reflects his passion – stuff that he listens to, stuff he plays with, brands he flaunts, etc. It’s not 3D but a 4D stage because you can actually see a live protagonist, a specific boy, who was recruited (we actually did screenings and auditions) only for this activity”, adds Viacom 18 youth cluster head marketing, media and insights Sumeli Chatterjee

    “No other brand does this kind of a research like us. We want to stay ahead of the curve. These insights will be shared across and will help advertisers. 2016 was a more pronounced year than 2014 and had many complexities than we ever thought”, she further adds.

    Palia voices that the study will help the channel and its business partners in building a strong connect with the young audience.

    Click here to view the complete report:

  • Nick stays strong at top; ‘Shiva’ leads again: BARC week 3

    Nick stays strong at top; ‘Shiva’ leads again: BARC week 3

    MUMBAI: Viacom 18’s Nick continues to stay strong in its top position in week three of Broadcast Audience Research Council (BARC) India’s all India (U+R) data in NCCS All 4-14 Individuals category with a viewership rating of 86669 (000s sums).

    Cartoon Network follows close at heel with 56852 (000s sums), which is a considerable dip from its last week’s rating of 69169 (000s sums); while Pogo TV stands at the third spot with ratings of 56828 (000s sums).

    Hungama takes the fourth spot with a viewership rating of 50329 (000s sums). Though Disney Channel retained its fifth position in the genre, it is the only channel in the list whose ratings went up from last week’s 41479 (000s sums) to 46137 (000s sums) in week 3.

    When it comes to the five most watched shows in the genre, Nick’s Shiva once again takes the lead with a viewership rating of 623 (000s sums), followed by last week’s chart topper Motu Patlu Deep Sea Adventure with 576 (000s sums) and Motu Patlu Mission Moon with 557 (000s sums) ratings.

    Pogo TV’s Bade Dilwale, Bheem Aur Indiawale took the fourth spot with ratings of 492 (000s sums), while the same channel’s Prem Dilwala Aur Bheem Dholakpurwala followed closely behind a with 490 (000s sums) ratings.

  • Nick stays strong at top; ‘Shiva’ leads again: BARC week 3

    Nick stays strong at top; ‘Shiva’ leads again: BARC week 3

    MUMBAI: Viacom 18’s Nick continues to stay strong in its top position in week three of Broadcast Audience Research Council (BARC) India’s all India (U+R) data in NCCS All 4-14 Individuals category with a viewership rating of 86669 (000s sums).

    Cartoon Network follows close at heel with 56852 (000s sums), which is a considerable dip from its last week’s rating of 69169 (000s sums); while Pogo TV stands at the third spot with ratings of 56828 (000s sums).

    Hungama takes the fourth spot with a viewership rating of 50329 (000s sums). Though Disney Channel retained its fifth position in the genre, it is the only channel in the list whose ratings went up from last week’s 41479 (000s sums) to 46137 (000s sums) in week 3.

    When it comes to the five most watched shows in the genre, Nick’s Shiva once again takes the lead with a viewership rating of 623 (000s sums), followed by last week’s chart topper Motu Patlu Deep Sea Adventure with 576 (000s sums) and Motu Patlu Mission Moon with 557 (000s sums) ratings.

    Pogo TV’s Bade Dilwale, Bheem Aur Indiawale took the fourth spot with ratings of 492 (000s sums), while the same channel’s Prem Dilwala Aur Bheem Dholakpurwala followed closely behind a with 490 (000s sums) ratings.

  • DD National sees major ratings surge with BARC rural data

    DD National sees major ratings surge with BARC rural data

    NEW DELHI: Doordarshan, which was not long back irked at being ignored by the Broadcast Audience Research Council (BARC) India, has emerged as the most watched channel in terms of time spent per viewer and has left behind top touted Hindi general entertainment channels (GECs) with the release of the rural ratings data.

     

    DD National registered an Average Time Spent (ATS) of 53 minutes and 39 seconds, which is the highest among Hindi GECs in week 41 according to BARC ratings.

     

    According to DD, this indicated that after tuning to the channel, viewers preferred to continuously watch the channel for a longer duration of time rather than frequently switching the channels, as compared to other GECs.

     

    The channel also witnessed a significant rise in ratings and moved upto the seventh position according to BARC data in Hindi Speaking Markets (HSM), NCCS All, which comprises All India (U+R) in the week 41.

     

    According to the data, the channel’s gross viewership in lakhs (GVL) rose from 479.9 lakhs in week 40 to a “massive” 4040.5 lakhs in week 41. “This monumental development comes in as BARC released the much awaited All India data, which includes rural India for the very first time,” DD said.

     

    Of the total 153.5 million TV households tracked by BARC, representing All India and all modes of signal, 77.5 million are urban TV households and 76 million are rural TV households.

     

    According to DD, this spurt in the channel’s viewership can also be attributed to its current strategy of providing viewers with fresh content, supplemented by a robust publicity campaign; thus creating an active awareness of the changing face of Doordarshan.

  • BARC week 41: Dangal TV pips Big Magic Ganga to become No 1 Bhojpuri channel

    BARC week 41: Dangal TV pips Big Magic Ganga to become No 1 Bhojpuri channel

    MUMBAI: The much awaited All India television ratings data have been released by BARC India and the pecking order in the Bhojpuri channels space has changed. The leader in the space until now – Big Magic Ganga has been dethroned by Dangal TV.

     

    As per week 41 data by BARC India, Dangal TV with 12650 (000Sums) led the pack by a large margin in the Bihar & Jharkhand NCCS All: Individuals: All India (U+R) data. On second spot was Big Magic Ganga with 8138 (000Sums), followed by ETV Bihar Jharkhand with 5961 (000Sums) in the third slot.

     

    The fourth and fifth positions were occupied by DD Bihar and Anjan TV respectively. While DD Bihar scored 3130 (000Sums), Anjan TV totted 2667 (000Sums) in week 41.

     

    Last week sans the rural data, the pecking order in the Bhojpuri channels space was as follows: Big Magic Ganga led with 3862 (000Sums) followed by Dangal TV in the second slot with 1539 (000Sums), whereas Anjan TV was on the third spot with 1346 (000Sums).