Tag: NBA

  • Viacom18 & Cricket South Africa announce long-term partnership

    Viacom18 & Cricket South Africa announce long-term partnership

    Mumbai: Viacom18 Sports, India’s newest sports network, today announced a seven-year partnership with Cricket South Africa (CSA) for exclusive digital and TV rights for all international cricket from 2024–2031. As part of the association, Viacom18 will present all senior men’s international and senior women’s international competitions played in South Africa. CSA’s previous broadcast partner was Disney Star.

    Viacom18’s portfolio includes the FIFA World Cup Qatar 2022, starting 20 November ending 18 December. All matches will be exclusively aired live on JioCinema and pay-TV channels Sports18 (1 SD and HD).

    The Cricket South Africa partnership deepens Viacom18’s commitment to present world-class cricket action from South Africa after they recently announced a 10-year partnership with SA20, South Africa’s newly-launched premier cricket league. Cricket South Africa and Viacom18 will work closely to enhance the showcase of international cricket from South Africa to the passionate fanbase in India.

    India and South Africa, the parties states, have a history of producing incredible contests, which have been complemented by mutual admiration, whether it was for India being the first nation to play against Proteas after apartheid or for touring the Rainbow Nation at the height of Omicron in December 2021.

    The partnership will cover all international cricket from South Africa, including the Mahatma Gandhi-Nelson Mandela Series between India and South Africa. The deal includes other series like the Basil D’Oliveira against England and tours from Sri Lanka, Pakistan, the West Indies, Australia, and Bangladesh.

    “South Africa is one of the most competitive and formidable teams across formats in world cricket, and this partnership will offer some great contests to the cricket-loving fans in India. The association with Cricket South Africa is a testament to our pursuit to offer fans an unrivalled, high-quality broadcast experience of some of the best cricket action in primetime,” said Viacom18 Sports CEO Anil Jayaraj.

    CSA CEO Pholetsi Moseki said, “CSA is pleased to partner with a broadcaster of Viacom18’s stature. This is an affirmation of our intention to beam to our waiting fans the flavour of cricket that South Africa has in store, which is always exhilarating and entertaining. This partnership is the beginning of a journey that will offer the thrill of watching cricket, brought to you by a broadcaster that values the viewer experience as supreme.”

    The addition of the Cricket South Africa rights strengthens Viacom18’s portfolio of sporting events, including the Indian Premier League, SA20, FIFA World Cup Qatar 2022, NBA, Diamond League, LaLiga, Serie A, Ligue 1, and top ATP and BWF events.

  • Viacom18 and SA20 announce strategic 10-year partnership

    Viacom18 and SA20 announce strategic 10-year partnership

    Mumbai: Viacom18 Sports, India’s newest sports network, on Wednesday announced a 10-year partnership to exclusively present SA20, South Africa’s recently launched premier T20 league, in India.

    The addition of SA20 strengthens Viacom18’s portfolio of world-class sporting events, including the Indian Premier League, FIFA World Cup Qatar 2022, NBA, Diamond League, LaLiga, Serie A, Ligue 1, and top ATP and BWF events.

    Viacom18 is reshaping sports fans’ experiences and building one of the most-loved media platforms in India. The SA20 and Viacom18 will work closely to grow and engage cricket fans in India. South Africa’s strong cricket roots, domestic set-up, and popularity of its players with Indian fans will enable SA20 to stand out among other international T20 leagues. South Africa and India have a long and storied cricket relationship that this partnership will further strengthen while bringing high-quality T20 action to Indian fans.

    Cricket South Africa (CSA) is leaving no stone unturned to deliver a massively entertaining and competitive show by encouraging all their marquee players to be available for the SA20 tournament.

    The inaugural SA20 auction in September saw over 100 players signed by the six teams. Teams could sign up a maximum of ten South Africans and seven overseas cricketers in their squad. For every match, each team will be allowed to have up to four overseas players in the XI. All teams have also opted to sign one uncapped, young player.

    The SA20 will see international superstars like Quinton de Kock, Faf Du Plessis, Kagiso Rabada, David Miller, Anrich Nortje, Rashid Khan, Jos Buttler, Eoin Morgan, Adil Rashid, Jason Roy, Liam Livingstone, Maheesh Theekshana, and Jason Holder in action.

    The league features six teams playing each other twice in a round-robin stage before the semis and final. In all, 33 matches will be played over four weeks starting 10 January 2023. The six teams—Joburg Super Kings, Pretoria Capitals, Durban SuperGiants, Sunrisers Eastern Cape, Paarl Royals, and MI Cape Town—are owned by groups that have teams across various global leagues, including the Indian Premier League.

    “We continue to offer fans an immersive and engaging experience by strengthening our sports portfolio with some of the best cricket action through SA20,” said Viacom18 Sports CEO Anil Jayaraj.  “T20 is the most popular cricket format with Indian fans. The history and legacy of South African cricket and the popularity of South African cricketers in India make it a thrilling proposition for cricket fans in India. We expect significant viewership and fan engagement as the event will be played in primetime.”

    “Today is a ground-breaking day for South African cricket. This long-term partnership between the SA20 and Viacom18 as our official Indian broadcaster is a catalyst that supports our ambitions to build the world’s second-biggest league,” said SA20 League commissioner and former South Africa captain Graeme Smith. “With six IPL owners expanding their brands in South Africa, Viacom18 is the perfect partner to take the SA20 into the homes of the passionate and cricket loving Indian market.”

    “The benefits of domestic cricket will be far-reaching, with more South African players exposed to a global cricket audience and a stimulus to build a strong and sustainable cricket ecosystem. As SA20, we look forward to working with the dynamic team at Viacom 18 to build a world-class league,” Smith added.

    Viacom18 recently announced that JioCinema will live-stream all the matches and offer curated content around the FIFA World Cup Qatar 2022. The world’s greatest show, the football World Cup, which happens once every four years, will be exclusively presented on JioCinema and Sports18 platforms from 20 November through 18 December.

  • Creating content for ‘FullyFaltoo’ is creatively liberating: Anshul Ailawadi

    Creating content for ‘FullyFaltoo’ is creatively liberating: Anshul Ailawadi

    Mumbai: Viacom18’s youth, music and English entertainment (YME) cluster which operates the channels MTV, MTV Beats, Comedy Central, Colors Infinity and Vh1, has added two more brands to its roster including short video destination and NFT marketplace ‘FullyFaltoo’ and its music division ‘KaanPhod.’

    The cluster garnered 9.8 billion impressions across its TV and social media platforms and its sports content clocked a watch time of 80 million viewing minutes in 2021. The 2021-22 season of La Liga garnered a cumulative reach of 14 million which is more than the reach of UEFA Champions League. NBA, broadcast on MTV and Vh1, saw almost 50 per cent of its audiences coming from rural markets. Viacom18 is planning to launch a full-fledged sports channel that brings to question whether sports content will remain on MTV.

    The YME network is bringing a fresh season of “MTV Roadies” this time held in South Africa and the second season of its music reality show “MTV Hustle.” Comedy Central has added seven new English shows that have never been viewed in India to its programming. The cluster also announced the launch of a new IP called “The Inventor’s Challenge” on the English entertainment channel Colors Infinity. The production of the show is underway.

    Spearheading the expansion of the cluster brands on digital and its fresh content slate is Viacom18 head – YME cluster Anshul Ailawadi. He spoke to IndianTelevision.com on his outlook on sports, English entertainment, NFT, and entering the music IP business.

    On relaunching the FullyFaltoo brand

    FullyFaltoo is one of our very own brands that we’re reviving. The thing about MTV is that people are used to seeing a certain kind of content and perspective on MTV. We may or may not always do that with FullyFaltoo. It is creatively liberating to have a different platform. You have some recall but not too much baggage. The team can push the envelope in a way that they might not have necessarily been able to do for MTV. That’s because you’re creating on a clean slate.

    For young people, narratives can vary and you can tell a story in 30 seconds, three minutes, or eight minutes. Fully Faltoo is our attempt at that. It is basically digital-only fun content. The content will be available across all video platforms whether it is YouTube, Facebook, or our own OTT Voot and Jio. We have over a dozen shows in the pipeline and in the coming months, you’ll see us drop at least three to four episodes per week on FullyFaltoo.

    The team behind FullyFaltoo is a mix of people who’ve been working for the cluster for some time now and some new folks who’ve joined. We have a programming team for channels, a creative team that works on promos and short-form etc, and a content team. These teams are working together to create the output.

    On the learnings from FullyFaltooNFT drop

    Our first drop with 3000+ pieces was sold out in 36 hours. The onboarding process was fairly simple. Our partner GuardianLink built the entire tech stack and managed the payments. We only allowed settlement in fiat currencies and didn’t accept crypto otherwise the pricing would have been very different.

    No one has seen how the NFT space will grow so I wouldn’t dismiss its revenue potential. I think that can change very quickly. If I told you ten years ago that someone would make a living out of creating videos, you’d be sceptical. 

    From a brand engagement perspective, we can do something special only for those fans who own our NFTs. An experience that money can’t buy. That would add value to our own properties whether it is “Roadies” or “Splitsvilla.”

    We’re planning our next drop-in for three to four months only because there’s so much for us to learn as well. The learnings from the first drop were interesting. It will help us innovate further. The timeline for the next drop can change by the way.

    On launching music division KaanPhod

    The brief to the team is any music that you think should be heard. There are no limitations in terms of genre. The first season of “Open Mic” will feature ten artists, ten music videos and 25 songs. It’s an interesting mix of Bollywood-style music, folk music, hip-hop etc.

    We’re tying up with certain partners to monetise the IP who will aid our conversations with streaming platforms. The IPs will also be monetised on social platforms such as YouTube and Facebook as well as our TV channels. We keep getting brands on MTV Beats but with our original IP we’ll try getting a brand to sponsor the music video opening up another avenue for monetisation. 

    On the insight driving youth, music and English entertainment cluster

    We conducted a lot of research post-pandemic which showed that people are looking forward to escaping into a new reality. This insight might mean different things to different people; however, our interpretation was that people wanted to experience a better version of the world that they currently reside in. Going forward, the revamp of our shows such as “Roadies,” “MTV Hustle” and the positioning of our brand will be aligned with this insight so that the viewers’ escapist tendencies are satisfied. 

    On reinvigorating the English entertainment genre

    The NTO impacted the distribution landscape for the English entertainment genre. In India, there is an opportunity for people who want to consume English content on TV. It is a medium that has very different friction because you have the opportunity to curate content. That’s a huge need gap and I think brands like Colors Infinity and Comedy Central are helping drive the curation story. I do think there should be more original English content on TV. The combination of Indian English content on OTT platforms and on English channels is a very robust conversation.

    On creating original shows for English entertainment

    In the past, we’ve done shows like “The Stage” and “Bffs” with Vogue, but “The Inventor Challenge” is a unique initiative in the English entertainment space.  We have just launched the call for entries and the production of the show is underway so I can’t share more about that right now. It has been a really steep learning curve for us and a lot depends on the kind of inventors we are able to get on board. The team is working day and night to ensure the show is a success.

    “The Inventor’s Challenge” is based on an international IP called “Everyday Edisons” that we’re adapting for Indian audiences. It is a little bit different. The show is about the journey of a young inventor who conceptualises an idea and takes it to prototype.

    On whether sports content will find a permanent home at MTV

    In some form, sports and sports-related content will be available on MTV. Though, we have to be careful about one thing. For us, properties that we picked up on MTV were strategically scheduled for the morning or late evening because our free commercial time (FCT) is very critical for us. MTV is not becoming a sports-only channel since our network will also launch a dedicated sports offering.

    It is interesting that 50 per cent of audiences for the NBA came from rural markets giving it a chance to be sampled by so many more homes. Emerging sports may be interesting to audiences in tiers 2, 3 provided that you do two things. One is making them less intimidating and the second is localising the language format. That means creating clarity on what the sport is, its rules, and sparking general interest. The second thing that we did was telecast NBA on MTV in Hindi which is something that nobody else has done.

    This period will be an inflection point for non-cricket sports across the length and breadth of India. It’s already happening and you’ll see that kids’ interest in sports like football is growing at a much faster clip than maybe even cricket. When you look at conventional ratings, you’ll see that in terms of absolute ratings there is a difference between cricket and emerging sports but in terms of growth, the latter is growing much faster.

  • #Retrace2021: The year of regulatory challenges and no TRPs for news channels

    #Retrace2021: The year of regulatory challenges and no TRPs for news channels

    Mumbai: The year 2021 began with a rather chaotic legacy handed over by 2020. In the aftermath of the TRP Scam, TV ratings for the news genre remained suspended throughout the year. The legal tussle between Telecom Regulatory Authority of India (Trai) and broadcasters over the rollout of the New Tariff Order (NTO) 2.0 continued to dominate the headlines.

    Adding to this, was the Information Technology (Intermediary Guidelines and Digital Media Ethics Code) Rules, 2021 (IT Rules, 2021), announced in February which set the ball rolling for regulation of digital and social media. This was followed by the Cable Television Networks (Amendment) Rules, 2021 (CTNA 2021) and the proposed amendments to the Cinematograph Act, 1952, all of which sought to regulate content across media including digital, and align it with ‘public interest’.

    Also Read: SC refuses to grant interim protection to Tandav makers

    The year began with the controversy over the Amazon Prime web series ‘Tandav’ which became the tipping point for the government which was already deliberating the regulation of digital media including social. The show and its star cast was accused of hurting the religious sentiments of a particular community prompting the show’s director Ali Abbas Zafar to issue an unconditional apology on social media. The spate of FIRs and threats continued unabated despite the omission of two ‘objectionable’ sequences, and apologies from the platform and its then country head Aparna Purohit.

    Also Read: Tandav : And the future of storytelling

    While the hitherto pampered OTT-verse was bracing itself for government oversight, the pay-TV universe continued to be cannibalised by it and DD Free Dish at the top and bottom tiers. Even as distribution players worked on diversifying their offerings to embrace the imminent digital takeover and on building new ones to challenge Free Dish, they kept pushing for regulatory interventions to tackle the issue at its core. Though well within its rights to strive for survival, in the process of manoeuvring these challenges, the industry ended up creating another flashpoint between the regulators/government and itself.

    2021 closed with a trailer to the next big fight with Trai questioning the availability of linear channels on OTT and telco apps which, it said, is in violation of Clause 5.6 of Policy Guidelines for Downlinking of Television Channels dated 5 December 2011. Broadcasters, on the other hand, invoked section 37 of the Copyright Act 1957 known as Broadcast Reproduction Right (BRR) to justify their channels’ presence on their own OTT platforms and third-party aggregator apps. Also because they are not licensees under Trai Act, they do not fall under the scope of Trai Act or Interconnection Regulations or Clause 5.6 of Downlinking guidelines.

    Here, we take a look back at the regulatory events and challenges that re-defined the Indian TV industry in 2021.

    Legal tussle over NTO 2.0

    One of the biggest developments of the year was the pronouncement of the Bombay High Court order on the NTO 2.0 case on 30 June. After a legal tussle that lasted over a year, Trai had managed to get a green signal from the court on the implementation of the amended rules. While the HC upheld the constitutional validity of NTO 2.0, it termed one of the twin conditions “arbitrary”, according to which the maximum retail price of an a-la-carte channel could not be more than one-third the maximum rate of a channel in the bouquet.

    Also Read: NTO 2.0 Verdict : Who Wins What?

    Following the notification of NTO 2.0 in January 2020, several broadcasters under the umbrella of the Indian Broadcasting and Digital Foundation (IBDF) and a couple of other private channels challenged the amendment terming it “arbitrary and in violation of their fundamental right”. The NTO 2.0 prescribed linkage between a-la-carte price and bouquet via the imposition of twin conditions on bouquet pricing, and reduction in price cap from Rs 19 to Rs 12 for pay channels, thereby incentivising a-la-carte alone.

    Having recognised the adverse impact of NTO (2019) on all stakeholders including consumers, broadcasters and distributors refused to accept the judgement and challenged it further in the Supreme Court in July. After a series of adjournments, the apex court, on 30 November, posted the matter for hearing on 15 February 2022.

    Meanwhile, in November, Trai moved the deadline for implementation of NTO 2.0 from 1 December 2021 to 1 April 2022. Distribution platforms like DTH and cable will now have to seek subscriber choice till 31 March 2022, it said. The deadline for broadcasters to come up with their new reference interconnection offers (RIOs) and simultaneously publish the required information about channel and bouquet offerings, as well as their MRPs on their websites was also extended to 31 December.

    Also Read: Trai extends NTO 2.0 implementation to 1 April 2022

    Several large networks including ETV, Discovery Communications, Sun TV, Times Networks, ZeelL, SPNI, and others had come out with their new RIOs in October-November. In what looked like a refusal to back down, the broadcasters preferred to pull their popular channels out of the bouquets instead of reducing the price to Rs 12. Their move flies in the face of the regulators’ assertion and intention of preserving the interest of customers.

    Despite the short-lived benefits of incentivising à la carte and changes in NCF for broadcasters and distributors, the attempt to regulate channel pricing was soon recognised by all stakeholders as being counterproductive. Aside from having an overall negative effect on reach and viewership for broadcasters, it led to the shutting down of many niche channels which became inviable as a result of NTO implementation. The impact for distributors was felt when customers gravitated towards either OTTs or Free Dish to counter the increase in their monthly subscription bills.

    Also Read: DTH operators write to Trai over broadcasters offering pay channels on DD Free Dish

    The implementation of NTO 2.0 will further hasten this migration. Foreseeing the detrimental scenario, Direct-to-home (DTH) service providers including Tata Sky and Airtel Digital TV wrote to Trai in September asking the regulator to address the issue of broadcasters making their pay channels available on DD Free Dish. Alleging that this goes against the current tariff regime which mandates the designation of channels as either pay or FTA and prohibits their bundling together, they once again raised the demand for such designation to remain constant across distribution platforms.

    Also Read : There needs to be a level-playing field : Tata Sky CEO Harit Nagpal

    Further, in a letter dated 28 December written to Prime Minister Narendra Modi, the Delhi-based All Local Cable Operators Association alleged that the Trai and broadcasters are “forcibly pressurising” MSOs to implement the new tariff order, which will lead to cable TV operators, national MSOs and independent MSOs incurring huge losses. The NTO 2.0, if implemented, will lead to the unemployment of lakhs of families connected with the cable TV industry, it said. Several other representative organisations have also raised the issue with the government and regulators frequently.

    Also Read : Trai vs Broadcasters : Impact could be larger than expected

    IT Rules, 2021 & Cable Television Networks (Amendment) Rules, 2021:

    The introduction of the Information Technology (Intermediary Guidelines and Digital Media Ethics Code) Rules, 2021 by the ministry of electronics and information technology (MeitY) in February sought to regulate social media, digital platforms, and streaming services in the country through a three-level grievance redressal mechanism.

    The “soft-touch regulatory architecture” comprised Level I – self-regulation by broadcasters, Level II – Self-regulation by registered self-regulating bodies of the broadcasters, and Level III – oversight mechanism by the central government. Later in June, the government extended this framework to Cable TV with the Cable Television Networks (Amendment) Rules, 2021.

    Also Read: MIB amends Cable TV rules for redressal of broadcast related complaints

    Also Read: Trai issues new consultation paper to regulate monopoly in Cable TV services

    The new regulations, along with proposed amendments to the Cinematograph Act, 1952, brought together all forms of media in the country barring newspapers under the three-layer regulatory mechanism. Consequently, they also ran into troubled waters with broadcasting associations like NBA and IBDF and some independent players filing several petitions in various high courts.

    News Broadcasters Association (NBA) president Rajat Sharma wrote to the then I&B minister Prakash Javadekar requesting the exclusion of digital news platforms owned and run by traditional news media from the purview of the provisions of the new IT Rules, 2021. In July the organisation approached the Kerala HC with a writ petition contending that the oversight mechanism gives the executive “unfettered, unbridled and excessive powers to regulate the content of TV channels of news broadcasters.”

    Also Read : No exemption for mainstream media from IT rules

    The IBDF, Sun TV Network, and SJ Clement filed separate petitions challenging the constitutional validity of Part III of IT Rules 2021 and CTN Amendment Rules 2021 in the Madras high court.

    In May, IBF had renamed itself as IBDF bringing all digital/OTT platforms under its purview. It also announced plans to form a new subsidiary – an industry-led Self-Regulatory Body (SRB) called Digital Media Content Regulatory Council (DMCRC) to serve as a second-tier mechanism at the appellate level specifically for digital. The DMCRC is similar to Broadcast Content Complaint Council (BCCC) which IBF had successfully implemented for the linear broadcasting sector in 2011. 

    Also Read: Former SC judge Justice Vikranjit Singh Sen appointed chairman of IBF’s new self-regulatory body

    Overhaul of TRP ratings

    The committee on TRP ratings formed by the government in the aftermath of the 2020 TRP Scam came up with its recommendations pushing for the formation of multiple rating agencies in competition to Barc India and creating a specialised regulator to oversee all of them. The 39-page report submitted by the committee early this year was shared with Broadcast Audience Research Council (Barc) India and other broadcasters in November to take the discussions forward.

    Led by Prasar Bharati CEO Shashi Shekhar Vempati, the four-member team also included – IIT Kanpur, professor of statistics, department of mathematics and statistics, Dr Shalabh; C-DOT executive director Dr Rajkumar Upadhyay; Decision Sciences Centre for Public Policy professor Pulak Ghosh.  After consultation with stakeholders such as Barc India, MDPL, Zappr Media, Nielsen India, and Tata Sky AMS, the committee had issued several specific and sweeping recommendations on the technical aspects of TV rating measurement in India.

    Observing a broad consensus among industry stakeholders in favour of leveraging return data capabilities, it recommended that RPD should be made mandatory for set-top-boxes (STBs) deployed by distributed platform operators (DPOs). The collection of viewership data by DPOs is to be governed by privacy norms prescribed by the government/regulator. 

    Also Read : Govt committee seeks to set up specialised regulator for media ratings

    The report noted that crowdsourcing approaches could be economical alternatives to RPD and should be open to rating agencies to enrich panel-based measurement. The committee also batted for an open data ecosystem allowing academics and independent researchers access to algorithms and raw datasets to analyse, validate and enrich them.

    The television rating system in India had come under scanner in October 2020 when Mumbai Police claimed in a press briefing that they have probed a case of manipulation of TRPs and found some incriminating evidence. The police said the accused were allegedly bribing the households to keep a particular channel running, leading to several arrests. Three news channels, Republic TV, Fakt Marathi, and Box Cinema were named in an alleged TRP tampering scam. BARC had also temporarily suspended the publishing of weekly data for news channels, which remains in limbo to date.

    Also Read: MIB to implement TRP ratings recommendations soon: Anurag Thakur

    Making satellite-broadband services cheaper

    The cost of satellite-broadband services continues to remain on the higher side in the country, posing a major challenge to its wide adoption by the end-users. The issue was also taken by India’s telecom regulator which is looking for ways to drive down the rates of satellite broadband. Early this year, Trai also floated a discussion paper and sought views to make satellite communications more affordable in the country. 

    Among other issues, Trai also sought views on whether satellite service licensees should be allowed to obtain bandwidth from foreign satellites for providing IoT connectivity. Also, whether any specific or all bands should be permitted for provisioning satellite-based IoT connectivity. It also invited suggestions on whether a new licensing framework should be proposed for the provision of satellite-based connectivity for low-bit-rate applications or the existing licensing framework may be suitably amended to include the provisioning of such connectivity.

    Also Read: Trai seeks suggestions to make satellite broadband services affordable

    5G roll-out and spectrum clash:

    Earlier in the year broadcasters expressed concern over the rollout of 5G at a near-clashing frequency. Their apprehension was that the spectrum range of 3.0-3.6GHz identified for 5G does not allow for a buffer or ‘guard band’ before satellite television operates at 3.7 to 4.2 GHz. This could lead to disruption in television and radio services in the country. Even though welcoming of 5G has held great opportunity for the M&E industry in the era of convergence, broadcasters said that in the event they had to move to a higher frequency, the government should intervene with subsidies to offset the cost incurred.

  • IT panel recommends MIB to restructure PCI to cover all types of media

    IT panel recommends MIB to restructure PCI to cover all types of media

    Mumbai: Parliament’s standing committee on communications and information technology, headed by Congress leader Shashi Tharoor has recommended the ministry of information and broadcasting (MIB) to set up a media council on the lines of the Press Council of India (PCI), with statutory powers over print, television and digital media platforms.

    The recommendation was part of the ‘Ethical Standards in Media Coverage’ report which expresses concerns regarding the limited efficacy of existing regulatory bodies like the PCI and the News Broadcasting and Digital Standards Authority (NBDSA) in enforcing their decisions. This has led to the fourth estate “gradually losing its credibility and integrity.”

    The report noted that while the PCI – a statutory body governing the print media – may entertain complaints and is empowered to warn, admonish or censure newspapers, news agencies, the editor or the journalist concerned, it does not have the power to enforce compliance. Its advisories are not enforceable in a court of law.

    Similarly, while the NBDSA (a self-regulatory body for news broadcasting), has the power to fine, its jurisdiction extends to only those organisations that choose to be members of the News Broadcasters and Digital Association. Compliance with its orders is also voluntary.

    Suggesting restructuring the PCI to cover all types of media, the panel said, “In view of the above, the Committee has opined that the MIB should explore the possibility of establishing a wider Media Council encompassing not just the print media but the electronic and digital media as well, and equip it with statutory powers to enforce its orders where required.”

    The committee also recommended that pending a decision on the council, the ministry should look into the possibility of expanding the regulatory framework to monitor e-newspapers.

  • NBA, Viacom18 announce multi-year broadcast and streaming partnership in India

    NBA, Viacom18 announce multi-year broadcast and streaming partnership in India

    Mumbai: The National Basketball Association (NBA) and Viacom18 have announced a multi-year partnership to deliver live NBA games and programming to fans in India across television and over-the-top streaming.

    Beginning with the NBA’s 75th anniversary season in 2021-22, Viacom18 as part of the partnership enabled and supported by Rise Worldwide will provide comprehensive coverage of the NBA’s regular season and marquee events in English and Hindi through its television channels Vh1 and MTV, and through its digital platforms Voot and Jio TV.  

    “While sports are the biggest whitespace that we are entering, to build a truly inclusive and differentiated proposition, we need to look at diverse sporting events from across the globe,” Viacom18 chief executive officer – sports Anil Jayaraj. “Basketball is a sport that is increasingly gaining attention and affinity in India.  Through this partnership with the NBA, not only do we want to make basketball mainstream, but also build its lifestyle appeal among sports fans.”

    Coverage will include weekly live games, NBA All-Star, the NBA Play-In Tournament, the NBA Playoffs, and the Finals. Viacom18 will show daily highlights and create original NBA-themed programming that will run on a number of channels across its network, said the media conglomerate in a media statement.

    “Globally, basketball is more than a sport – it is a lifestyle,” said Viacom18 head of youth, music and English entertainment Anshul Ailawadi. “As we look to build basketball into a cultural phenomenon in India, we welcome this deep partnership with the NBA.  Over the course of this association, we will be initiating a heavily localized marketing outreach and consumer connect programme aimed at building fandom for the sport.”

    “We are thrilled to partner with Viacom18 to broadcast and stream live NBA games to a nationwide audience,” said NBA India head of global content and media distribution Sunny Malik. “Basketball’s popularity in India continues to grow, and by offering a range of NBA programming on Viacom18 in both English and Hindi, we look forward to reaching and inspiring millions of new and existing NBA fans across the country.”

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  • I&B Minister Anurag Thakur meets the NBA Board

    I&B Minister Anurag Thakur meets the NBA Board

    New Delhi : The newly appointed union minister for Information and Broadcasting  Anurag Thakur met the board members of the News Broadcasters Association (NBA) on Saturday to discuss various pertinent issues concerning news channels and the broadcast industry.

    Led by NBA president and chairman and editor-in-chief of India TV, Rajat Sharma, the delegation included ABP Network CEO  Avinash Pandey, Zee News, editor-in-chief and CEO, Sudhir Chaudhary, News24 chairperson and managing director Anuradha Prasad Shukla, India Today Group vice chairperson Kalli Purie, and NDTV editorial director Sonia Singh.

    The discussions delved into various issues including that of attaining a stable regulatory climate in the industry and other positive changes that can be introduced in the television ecosystem.

    Speaking about the meeting, spokesperson of NBA said, “Effective communication is extremely important for us to uplift the broadcast industry and implement positive changes. The discussion helped us provide direction to various issues within the industry. We are looking forward to working closely with the union minister of Information and Broadcasting Anurag Thakur to take the broadcast industry to greater heights.”

    Further, NBA members discussed the industry landscape in the post-COVID scenario and apprised the minister about their concerns. The meeting also threw light on creating a strong policy roadmap for growth in the post-Covid era for the broadcast industry. 

  • News Broadcasters Association challenges new IT rules in High Court

    News Broadcasters Association challenges new IT rules in High Court

    New Delhi: Over a month after the new IT rules came into effect, the News Broadcasters Association (NBA) has filed a plea in the Kerala high court challenging the new rules stating that they give government authorities “excessive powers” to “unreasonably and impermissibly restrict” the freedom of speech and expression of the media.

    In a detailed statement, the NBA said the Information Technology (Intermediary Guidelines & Digital Media Ethics Code) Rules, 2021, are ultra vires to the Information Technology (IT) Act, 2000 apart from being violative of Article 14 (equality before law) and 19(1)(g) (right to freedom to practise any profession, or to carry on any occupation, trade or business) of the Constitution. It also stated the challenge is to Part III (Code of Ethics and Procedure and Safeguards in relation to Digital Media) of the IT rules as they create an “oversight mechanism giving the executive unfettered, unbridled and excessive powers to regulate the content of digital news media”.

    “The grievance redressal mechanism created and the powers delegated have a ”chilling effect” on the content of the media. The writ petition also states that the executive by creating such a structure, has made inroads into judicial power and vested itself with powers reserved exclusively for the judiciary and such exercise of power is without jurisdiction,” the statement read.

    The News Broadcasters Association (NBA) represents the private television news & current affairs broadcasters, and currently has 25 leading news and current affairs broadcasters (comprising 78 news and current affairs channels) as its members. According to NBA, the IT Act also does not contain any provision for dealing with the “content” of any programme and therefore, the rules are ultra vires the parent Act.

    The rules violate Article 14 as there is neither any parity nor any valid exercise of classification in the rules as ‘intermediaries’ have been equated with ”digital news media”, it said. The Programme Code contains vague, imprecise, and ambiguous terms concerning “content” such as “good taste”, “snobbish attitude” and therefore, does not align with the judgment of the Supreme Court.

    Meanwhile, the Centre has recently approached the Supreme Court seeking to transfer all pleas regarding the new IT rules to itself. Several digital news media platforms have already challenged the 2021 IT rules in various lower court courts. 

    The new rules notified on 25 February, came into effect on 26 May recommend a three-tier mechanism for the regulation of all online media portals and publishers, over-the-top (OTT) platforms, and social media intermediaries. Under the new rules, the digital publishers are required to take urgent steps for appointing a grievance officer, if not done, and place all relevant details in the public domain. “They also need to constitute self-regulatory bodies through mutual consultation so that the grievances are addressed at the level of publishers or the self-regulating bodies themselves,” according to the ministry.

    In June, Digital News Publishers Association (DNPA), composed of digital arms of 13 leading media companies of the country had also moved the high court against the rules, which it said: “violate the fundamental right of equality (Article 14) and freedom of speech and expression (Article 19(1)(a)”. According to DNPA, the online news portals of traditional media houses, which run newspapers and TV channels, do not come within the purview of IT Rules

    The Foundation of Independent Journalism (the non-profit company that publishes The Wire) and legal website, LiveLaw has also filed petitions against the new rules.

  • Star Sports to air 2021 NBA playoffs, finals for fans in India

    Star Sports to air 2021 NBA playoffs, finals for fans in India

    New Delhi: The National Basketball Association (NBA) announced that Star Sports will broadcast the 2021 NBA Playoffs and the finals for fans in India. The playoffs will witness 16 teams including the defending champion Los Angeles Lakers compete to win the Larry O’Brien Trophy.

    Star Sports will air the entire Conference Finals and the finals in July as well as a weekly selection of games throughout the first two rounds of the NBA Playoffs, live on Star Sports Select. The coverage, which tipped off 23 May, will also feature daily highlights from the 2020-21 NBA season and classic NBA content, said the channel on Monday.

    “We are delighted to collaborate with Star Sports to provide the excitement of the NBA Playoffs to millions of fans across India,” said NBA India head of global content and media distribution, Sunny Malik. “As we embark on another highly anticipated postseason, fans in India can watch the best players in the world compete for the championship on the country’s leading sports broadcaster.”

    The NBA is a global sports and media business built around four professional sports leagues: the National Basketball Association, the Women’s National Basketball Association, the NBA G League and the NBA 2K League.