Tag: NATPE

  • Natpe announces its plan to file for bankruptcy under chapter 11

    Natpe announces its plan to file for bankruptcy under chapter 11

    Mumbai: The National Association of Television Program Executives (Natpe) has announced its plan to restructure its business affairs with the Bankruptcy Court under Chapter 11 of the bankruptcy code. It said, “Like many other professional organisations, Natpe has been adversely impacted by the Covid pandemic, which prevented us from holding events, which typically generate significant revenue. Natpe was forced to operate on its financial reserves, which now required it to reorganise its business structure.”

    “Natpe is looking at all possible options to restructure, including raising funds through strategic alliances and continuing to operate Natpe as a more streamlined and reorganised operation. For almost 60 years, Natpe has been the leading global professional association for content producers, distributors, developers, streamers, and buyers across all distribution platforms. Natpe is optimistic that it will emerge from the reorganisation process in the same position,” it said.

    The emergence of new Covid-19 strains at a time when infections were at their maximum led to Natpe being compelled to postpone its main conference and market activities in 2021 and 2022.

    In response to one of the largest rises in Covid infections, Natpe decided to cancel the in-person conference scheduled for January 2022 in Miami, Florida. Next year it will host an event in the Bahamas from 18-20 January instead of in Miami. It aims to return to Budapest in the summer.

  • Brazilian TV Producers rebrands as Brazilian Content as per AV trend

    MUMBAI: Brazilian TV Producers, BRAVI’s export programme, in partnership with Brazilian Trade and Investment Promotion Agency (Apex-Brasil), will change its name to Brazilian Content from 6 March 2017, and will showcase the new brand at Rio Content Market.

    The reason for the change is the new audiovisual market dynamics and the members’ profiles which is production of content in wide-ranging formats for several screens. “This is a worldwide trend. In times of digital content and the growth of the VOD market, mobile and games, the word TV does not cover the full scope of the operation of the companies in the project. Audiovisual production is multiplatform”, says Brazilian Content’s executive manager Rachel do Valle.

    The export program has arranged the participation of delegations of Brazilian producers to international events such as MIPCOM (Cannes), NATPE and Kidscreen (both in the USA) for 12 years. Also, it follows the main discussions of the sector at the global market. It has also joined negotiations for the attainment of cooperation agreements of Brazil and governments such as United Kingdom, Israel among others.

    BRAVI, the association in charge of carrying out Brazilian Content’s program, has also recently undergone a change in name to include other screens. Before ABPITV, it was renamed Brasil Audiovisual Independente (Brazil Independent Audiovisual), to reinforce its independent nature and not only TV screen.

    BRAVI brings together independent audiovisual content producers for television and new media, and has over 600 members in 18 units of the federation, in all of Brazil’s five regions. Brazilian Content is the Brazil Independent Audiovisual (BRAVI) international program.

  • Discovery acquires ‘Untold Stories’ & ‘Cleveland Hustles’ from GRB

    Discovery acquires ‘Untold Stories’ & ‘Cleveland Hustles’ from GRB

    MUMBAI: GRB Entertainment has announced sale to Discovery of their Latin America and US Hispanic channels. Both picked up several seasons of long-running GRB-produced medical show Untold Stories of the E.R. and Discovery Latin America acquired the new LeBron James series, Cleveland Hustles.

    Untold Stories of the E.R. breaks open the secret world of hospital Emergency Rooms.  These are real doctors and the real cases that changed their lives! Witness the most amazing, bizarre, and emotionally explosive stories ever told about the clash of life and death in the Emergency Room.

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    Cleveland Hustles follows NBA superstar LeBron James and longtime friend and business partner Maverick Carter as they give four aspiring local entrepreneurs the chance to realize their business dreams while also helping to revitalize neighborhoods in their hometown of Cleveland.

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    “GRB appreciates the strength of the Latin American and Hispanic markets and we are pleased to place two of our top shows in these territories with Discovery.  Untold Stories of the E.R. has been one of our top selling programs around the world for many years and the brand new Cleveland Hustles is already proving to be a very hot property.  We look forward to announcing further deals for Latin America and beyond from this year’s NATPE,” said GRB SVP international distribution Michael Lolato.

  • Discovery acquires ‘Untold Stories’ & ‘Cleveland Hustles’ from GRB

    Discovery acquires ‘Untold Stories’ & ‘Cleveland Hustles’ from GRB

    MUMBAI: GRB Entertainment has announced sale to Discovery of their Latin America and US Hispanic channels. Both picked up several seasons of long-running GRB-produced medical show Untold Stories of the E.R. and Discovery Latin America acquired the new LeBron James series, Cleveland Hustles.

    Untold Stories of the E.R. breaks open the secret world of hospital Emergency Rooms.  These are real doctors and the real cases that changed their lives! Witness the most amazing, bizarre, and emotionally explosive stories ever told about the clash of life and death in the Emergency Room.

    public://unnamed_3.jpg

    Cleveland Hustles follows NBA superstar LeBron James and longtime friend and business partner Maverick Carter as they give four aspiring local entrepreneurs the chance to realize their business dreams while also helping to revitalize neighborhoods in their hometown of Cleveland.

    public://54545.jpg

    “GRB appreciates the strength of the Latin American and Hispanic markets and we are pleased to place two of our top shows in these territories with Discovery.  Untold Stories of the E.R. has been one of our top selling programs around the world for many years and the brand new Cleveland Hustles is already proving to be a very hot property.  We look forward to announcing further deals for Latin America and beyond from this year’s NATPE,” said GRB SVP international distribution Michael Lolato.

  • Keshet International acquires rights to ‘You Will Love Me’

    Keshet International acquires rights to ‘You Will Love Me’

    MUMBAI: Keshet International has acquired worldwide distribution rights to the Korean romantic comedy that has had the nation’s youth obsessed, You Will Love Me. It will launch the format and the finished show (16 x 1 hour) from the leading media and entertainment producer of hit drama series, JIDAM, to the international market at NATPE 2016.

     

    During its run from October to December 2015 on Hyundai Media’s Drama H and Trendy TV channels, ratings for You Will Love Me peaked with a 140% increase on its launch rating. It also generated a loyal following on Kakao TV (Korea’s 180m user strong instant messaging service which has a dedicated TV chat area) as Korea’s tech savvy viewers speculated online about the series’ next big reveal. The show and its renowned lead actress, Tea-Ihm Lee, were the number one most searched terms on Korea’s most popular search engine, Naver, on the day that casting was announced.

     

    JIDAM’s manager of international business Mi-Jong Jang said, “You Will Love Me is our first cable drama series, it is a heart-warming love story with a digital twist that proved irresistible to viewers in Korea. We are excited that You Will Love Me will to reach new audiences through our trusted distribution partner Keshet International. We simply believe you will love this series also!”

     

     You Will Love Me follows the story of a pretty young girl with a big exciting secret. In real life, Ji-Ho is inexperienced in love having only had one relationship and even that ended badly. But in the digital world, Ji-Ho is the hugely popular romance guru Dr Nova. Dr Nova’s blog posts are followed by millions of people who have been unlucky in love and are looking for advice. Under her guise as the wise male master of love, Ji-Ho advises hopefuls on how they can make themselves more attractive to the objects of their desire. When Dr Nova unknowingly begins a huge makeover on her geeky and annoying neighbour – which threatens to uncover her digital alter-ego – things start to get complicated…

     

    The head of business development and acquisitions Sebastian Burkhardt added, “We’re delighted to announce the acquisition of You Will Love Me, a Korean property which has created a huge buzz locally and has great potential in the world’s telenovela hubs of Latin America and Eastern Europe, not to mention the rest of Asia as a finished tape. This is the first of many projects under a long-term venture led Gary Pudney, our recently appointed Head of Asia, to package and sell high quality Korean properties worldwide.”

     

     The acquisition builds on KI’s strong links to the Korean TV market following the local remakes of its flagship drama properties Prisoners of War and MICE known as ‘Spy’ locally.

  • ‘We will bend over backwards to be user friendly to new clients from India’ : Natpe president, CEO Rick Feldman

    ‘We will bend over backwards to be user friendly to new clients from India’ : Natpe president, CEO Rick Feldman

    Natpe, the US-based media marketplace organiser, is now turning its sights toward the critically important markets in South Asia. It is working with a Mumbai-based team of Murtuza Kagalwala overseeing business development to raise its profile with Indian buyers and sellers of content and to attract more Indian and Asian attendees to both Natpe Miami and Natpe Budapest.

     

    Indiantelevision com‘s Ashwin Pinto caught up with Natpe president, CEO Rick Feldman to find out about Natpe and what it offers Indian companies.

     

    Excerpts:

    Could you talk about the services that Natpe offers the media and entertainment industry?
    Natpe is the global content marketplace for a digital world. It is strongly committed to being the destination for TV programme buyers and sellers. Evolving to meet the demands of a changing media landscape, Natpe delivers a first look at fresh content before Mip and the LA Screenings, giving industry leaders a jump-start on monetising their projects.

     

    Now, in Miami, a major international destination, Natpe is a catalyst in the content revolution – providing thousands of chances to make a deal. Celebrating over 45 years of service to the ever-changing international televisionindustry, Natpe continues to redefine itself and the services it provides to meet the needs of its members. Today‘s industry encompasses more than ever before and Natpe has remained flexible in its effort to encourage and support the progress of the industry and all of the platforms it now serves.

     

    What has remained constant is Natpe‘s commitment to keeping the industry appraised of the changes occurring daily in the global media environment.

     

    Natpe implements its mission by providing the multiplatform video industry with education, networking, professional enhancement, vibrant business environment through Markets and technological guidance through year-round activities and events. The organisation also offers a full complement of online services including access to a database of industry executives to anyone interested in learning more about the digital video industry.

    How has Natpe expanded on its marketplace Content First?
    After operating independently for 15 years, Discop East was acquired by Natpe in 2011 as part of a continued strategy for expansion within the international arena. The market has now become Natpe||Budapest and will take place from 26-28 June, 2012.

    What prompted the move from Las Vegas to Miami and how has this helped?
    After 10 years in Las Vegas we felt it was time for a change. Miami Beach and the Fontainebleau is an international destination that is much better for our international attendees and a welcome change to our US attendees.

     

    What is the theme of Content First next year and how is it different from previous years?
    Natpe||Content First is always our theme – to feature and support the creation, distribution and funding of original global content and it will remain the same in the coming years as well.

    What has remained constant is Natpe’s commitment to keeping the industry appraised of the changes occurring daily in the global media environment

    What sort of participation is expected for next year‘s event in Miami?
    At Natpe 2012, we expect over 5000 attendees to Natpe Miami. About 70 per cent from the US and Canada, and a cumulative presence from 70 countries. We are a market that is smaller than Mipcom but larger than Budapest.

     

    Many of the sellers that are at Mipcom are also at Natpe||Miami, but we have more content being bought / sold in the US / Canada / Mexico and Latin America. We can‘t say what content is most in demand, as each platform has unique needs. But, at Natpe both packaged content and format content is bought and sold.

     

    As we are an international, multiplatform market, we have many people from the ad and digital world at Natpe. So in addition to buyers and sellers, we have producers/agents and all matter of creative/funding/and distribution types at our market.

    Who are some of the big players who will be present?
    There will be companies from various sectors participating at Natpe 2012, some of the key industry players which make their presence are as follows:

     

    Traditional Entertainment: ABC, CBS, Comcast, Discovery, FremantleMedia, Fox, Globo, Hearst, Lionsgate, MGM, NBCUniversal, Shine Group, Televisa, Univision, Venevision, Warner Bros.

    New Platforms: AOL, Google, YouTube, Yahoo! 

    Investment: American Express, Nomura Securities, Credit Suisse

    Agents: APA, CAA, ICM, WME, UTA

    Ad Agencies: Carat, Digitas, Group M, Mediaedge:cia, MediaCom, Ogilvy 

    New Media: Facebook, Demand Media, Hulu, iTunes, Netflix , SeamBI, Stickam, Tremor, YuMe 

    Technology: AT&T, Adobe, HP, Intel, Microsoft

    Electronics: LG, Motorola, Panasonic, Sony

    Research: ComScore, MediaLink, Nielsen, PricewaterhouseCoopers, SNL Kagan, Rentrak 

    Global Brands: American Express, Audi, IKEA, P&G, Pepsi Co., Saban Brands,

    Subway, Wal-Mart

     

    The list above is just a representation of the attendees, where Natpe is expecting over 5000 attendees from all over the world in 2012. Attendees from North America, Latin America and South America, Europe, Asia and other parts of the world will be seen for various engagement purposes like joining, attending, exhibiting, advertising, networking, experiencing and sponsoring at Natpe.

     

    There are buyers here in the States that will not be at Mip and for the Indian market we think that Natpe||Miami is a better fit than the two events in France.

    Could you give an idea of the effort and time it takes to organise each edition? How far ahead do you have to plan? 
    Planning for Natpe||Miami and Natpe||Budapest is a year-round activity. We look to build each year upon the growth and opportunities we see at each market.

     

    Whether it‘s booking speakers, working with programme distributors to book their space or developing new partnerships with media around the globe or keeping our web sites fresh and up-to-date, there is always something to do.

    To what extent have you and your clients been affected by the on-going economic downturn? The US is one of the worst hit countries along with Greece and Spain.
    Yes, the world is grappling with many economic issues…but positively the ad spend in the US continues to be strong.

     

    I think that so far the economic downturn does not seem to be hurting the transactional video market place. I am not sure why, as one would think it might. Our numbers are consistent with last year, so for now, so far so good!

     

    How is digital impacting the business and what steps has Natpe taken to address this? 
    All over the world, the distribution of content is a major topic of conversation. Band width and technology is only going to make the opportunities greater, certainly in India too. Each country will get to various places at different times, but there is no doubt that more video content that people want to watch and pay for will be created in the near future than ever before.

    What is the USP of Content First vis-a-vis other markets like Mipcom, Nab and ATF?
    Natpe delivers a first look at fresh content before MIP and the LA Screenings, giving industry leaders a jump-start on monetising their projects. Now, in Miami, a major international attraction, Natpe is a catalyst in the content revolution – providing thousands of chances to make a deal.

     

    Natpe||Miami is the only global marketplace for the buying and selling of content that takes place in the US each year. Nab is not a marketplace for those involved in producing content. It is instead a place to go to see recent advances in the technology of broadcasting and for channels to purchase equipment.

     

    ATF is primarily a market in Asia for Asia – as we have stated Natpe is the only global marketplace based in the US that brings buyers and sellers from around the world.

    How detailed is the seminar at Content First?
    We offer more than 50 sessions with over 150 speakers across the three day conference which runs along with the market.

     

    The focus is on the creation/distribution/funding of original content. Most of the speakers are from the US. However we also have speakers from Latin America and Europe on the panels.

    Could you talk about the importance of India for Natpe?
    I would rather talk about how India will benefit from Natpe 2012 and going forward at all Natpe platforms.

     

    From an Indian broadcasters‘ point of view, they will meet all the world‘s content owners and will learn how broadcasters all around the world are operating in this creative and economic climate. There is also an advertising and digital track that will provide ideas about how best to monetise content.

     

    The idea of the market is to see what is happening around the world, especially in the US/Canada/Latin America for the rest of the world. The South Asian market is a small but growing part of our business. But India especially has so much potential here and around the world because of your production infrastructure and common language.

     

    The idea of the market is to see what is happening around the world, especially in the US/Canada/Latin America for the rest of the world.

    What is the strategy going to be to create awareness in India for Natpe?
    We have hired Murtuza to help us navigate the Indian market and provide specific outreach and information that will help those considering attending from India see the value of this market and conference.

     

    Contentino Entertainment is a content management and acquisition company owned by Murtuza Kagalwala. Murtuza had approached us a few months ago via email, and impressed us well. India is a big place and far away, and Contentino will help us extending our relationships with content sellers, buyers, content aggregators and other interested audiences in the country.

     

    With having someone like Murtuza with his vast experience in this digital field, talking us up is a positive for us as he is there and well respected.

    Some Indian broadcasters go for the LA Screenings. How will a presence at Natpe as well benefit them? 
    NATPE||Miami is the only global marketplace for the buying and selling of content that takes place in the US each year. LA Screenings is primarily an opportunity for the major US studios to showcase new programmes about to launch on U.S. stations. It is not a comprehensive market as only some of the US and very few of the international program distributors are at the screenings.

     

    For Indian/English content, I would think that it would be wrong to ignore the largest TV marketplace based in the US. We have the only market place in the largest market in the world and deals get done. You never know what you miss when you don‘t come. It is THAT meeting that you have with someone you didn‘t even know existed that is the magic at Natpe.

    In the past what sort of participation has Natpe seen from India and what kind of business growth are you looking for from here?
    In the previous years, Natpe saw participation from leading players like Star India, Shemaroo, Miditech, Accel Animation Studios, Cellcast Asia Holdings amongst the other few, whereas this year we are looking at more attendance from across industries like, film, broadcast, digital etc for both our summits combined Miami (Jan 2012) and Budapest (June 2012).

     

    And with respect to business growth, India as a country, for sure, we believe, has immense potential for its ever growing innovatively conceptualised content globally, where the fraternity attending, exhibiting have the best of opportunities to meet representatives from varied platforms from across the world, utilising our arrangements available to facilitate the best deals during these three days.

    You also have Natpe Budapest. Will you be looking at doing an event in Asia for the Asian market?
    We currently do not have plans to set up an expo in the Asian subcontinent.

  • Natpe focuses on online presence of TV stations

    Natpe focuses on online presence of TV stations

    MUMBAI: At a time when television revenue in the US is either flat or down, a panel discussion a few days ago at the television trade event Natpe proved that TV station Web sites can make money online.

    The session, produced and moderated by WorldNow CEO Gary Gannaway, was called Who Wants to Be an Online Millionaire?. It featured convergence advertising models from three television executives whose web sites have raked in $1 million or more in annual revenue.

    Panellists included Christine DiStadio of The New York Times Broadcast Media Group, Paul King of Raycom Media, and Bob Singer of KOIN-TV in Portland, Oregon.

    Gannaway says, “The main message of this session is that online revenue is real and that it can work for advertisers. Our panellists illustrated this through recent advertising and sponsorship campaigns for such desired categories as auto, real estate, health and home improvement.”

    DiStadio cited the example of WREG-TV in Memphis, which saw its national TV revenue drop from $10 million in 2000 to $8 million today. While the station’s web revenue was zero in 2000, convergence revenue has taken the station revenue to more than $1 million today.

    She says, “There is a real market emerging under our feet right now. Use the power of the product you know best — broadcast television, your core business — to drive top line revenue through new business development with emerging media. It’s the only way we are going to grow. The strongest weapon — TV — in your toolbox is the bridge to your future.”

    She described the vital importance of incorporating video, multi-screen presence, and consumer engagement into a station’s online strategy. “Broadband video is changing the way people discover and interact. According to a survey by comScore, the average consumer watches about 100 minutes of video on the web every month.

    “Freshness and speed will trump high production values. Web video is different.” Paul King, who oversees 40 station
    websites for Raycom Media, described the secret ingredients that helped generate $1.25 million in online revenue in 2006 — 9.6 per cent of the total ad sales for the station for WIS-TV in Columbia, South Carolina. Those ingredients include such daypart strategies as surround sessions and video streaming.

    “Local TV broadcasters should now be selling dayparts in a new way: through online advertising. Those prime demos that advertisers want are all reachable during the day — they’re just accessing the stations through their computers at work, rather than through their televisions at home.”

    Meanwhile, Singer discussed the revenue growth enjoyed in a short amount of time by Koin-TV, which is virtually brand-new to the online game. In one year, Koin expects to reach its goal of more than $1 million in online revenue — proving that it does not take years to develop a successful Internet strategy and monetise locally if you put the right resources behind your advertising sales team.

    “I’m just an average general manager in an average TV market. I figured I could accept our fate based on our somewhat average ratings position in the marketplace or I could look for creative new ways to boost our revenue. I’m glad I decided to do the latter.”

    All three panellists addressed the issue of internal versus external online resources: Should stations try to control the
    development of their Web sites by utilising internal staff resources or hiring new staff for the job — or should they rely on the expertise of an outside company that specialises in the online arena?

    King says, “I’ve done it both ways. And I’m here to tell you that the internal staff needs to stay focussed on the core business, which is still broadcast television of course. Find a seasoned partner with strong technology and proven ad-sales experience to handle this burgeoning business for you.”

  • Rive Gauche Television to slate array of reality, docu shows at Natpe

    Rive Gauche Television to slate array of reality, docu shows at Natpe

    MUMBAI: Rive Gauche Television SVP sales Dorothy Crompton, has announced that its slating out a catalogue of reality and documentary programming to international broadcasters at Natpe.
    Crompton said, “We look forward to bringing our ever-growing line-up to global broadcasters at Natpe because it reflects Rive Gauche’s commitment to refreshing the content level and quality of our properties. Rive Gauche has experienced tremendous growth over the last year and we anticipate continued success for our entire catalogue in 2007.”

    Entertainment and Reality Series:

    The Dog Whisperer, season three (20 x 60’) is hosted by canine psychologist Cesar Millan. Millan teaches dog owners to become the pack leader to resolve their pet’s behavioral issues. The series follows Cesar as he visits homes, and works with dogs and their distraught owners to solve the behavior problems.

    Produced by MPH Entertainment, The Dog Whisperer is already sold in 15 territories, including BskyB (UK); NHK B.F. (Japan); TV4 (Sweden); SBS (Netherlands); TV2 (Denmark) and TVNZ (New Zealand) and UBC (Thailand), asserts an official release.

    Is That A Nail In Your Head? (6 x 60’) showcases the shocking, true stories of medical science – all caught on tape. The series features patients who cope with real-life medical battles, facing staggering odds of recovery. Featuring video coverage of medical procedures, Is That a Nail In Your Head? allows viewers to explore the extremes of medicine and health conditions. The series is produced by LMNO.

    Beyond The Badge (10 x 60’) showcases footages of catastrophic crashes, shootouts and attacks on officers captured from police cruiser dashboard-mounted cameras, helicopters and television news crew. The series is a co-production of Matchlight Entertainment and Rive Gauche Television.

    Outrageous Home Videos (3 x 60’) captures the hilarious, candid action of kids in Crazy Kids Clips, Party Fouls and bizarre holiday moments in Holiday Bloopers from unique home video footage. The series is produced by Discovery.

    Documentary Specials:

    Dino Lab (1 x 60’) combines the latest scientific technology with a cast of living, breathing digital dinosaurs created by the same electronic animators who first brought the creatures to life in the Discovery Channel’s Dinosaur Planet. A wide variety of prehistoric creatures are dropped into a modern, controlled laboratory setting where lab technicians attempt to assess the creatures’ abilities with a variety of experiments.

    Outside the lab, technicians put the digital dinosaurs through “real-life” trials, demonstrating their colossal size and strength. The testing space – part Olympic training facility, part obstacle course— is designed to illustrate paleontologists’ latest insights about these creatures in a dramatic and highly entertaining way. Dino Lab is produced by Quiet Motion and is distributed by Rive Gauche Entertainment.

    Cuba: A Lifetime of Passion (1 x 60’) looks at the current reality of the Cuban revolution and its uncertain future. This documentary highlights present-day Cuba, its revolutionary past and its impending changes. After four decades in power, Fidel Castro remains the central divisive figure in a decades-long struggle over what Cuba is, the meaning of the Cuban experience and the country’s future.

    With perspectives from the nation’s citizens, those within the exiled Cuban community in Miami, and American officials in Washington, this documentary reveals how Cuban-Americans and native Cubans are at odds about the country’s future.

  • NATPE Mobile++ announces Peter Cowley, Cyriac Roeding and Gary Carter to Keynote 15 January event

    NATPE Mobile++ announces Peter Cowley, Cyriac Roeding and Gary Carter to Keynote 15 January event

    MUMBAI: NATPE Mobile++ organisers have secured three digital and interactive media executives as keynote speakers for the third annual NATPE Mobile++ event, which will kick off NATPE’s conference and exhibition on 15 January 2007.

    Endemol UK director interactive media Peter Cowley; CBC Corporation vice president wireless Cyriac Roeding and FMX FremantleMedia chief creative officer Gary Carter will participate.

    In an interview format hosted by Paidcontent.org publisher and editor Rafat Ali, Peter Cowley’s opening keynote will discuss Endemol’s mobile, gaming and interactive broadcast activities for a number of its properties, including Deal or No Deal, Get Close to the Sugar Babies and Big Brother. Cowley will also speak about the UK £15 million digital investment fund they have set up to develop new opportunities in digital media, asserts an official release.

    Billed as the most valuable thirty minutes you could spend all year, Cyriac Roeding’s keynote session will address the next generation of media and the newly expanded media model: the convergence of Hollywood and Silicon Valley; the next generation of content; how traditional media platforms become interactive assets and how advertising needs to quickly follow this trend.

    Digital veteran and visionary Gary Carter’s closing keynote will reveal the biggest business opportunities and pitfalls in the digital industry. Carter will share his perspective on the most lucrative opportunities in the media space.

    NATPE Mobile++’s line-up of guest speakers also includes: BET EVP and COO BET Interactive Scott Mills; Microsoft VP corporate media content and partner strategy group Blair Westlake; CBS EVP chief of research David Poltrack; Amp’d Mobile founder and CEO Peter Adderton; Americas VP integrated fremantle licensing worldwide marketing and interactive Keith Hindle; QuickPlay Media CCO and co-founder Raja Khanna; Fox Sports Interactive senior VP business development Jon Smelzer; Sprint senior manager consumer communications partner development Howard Coonley and Mobile content consultant Graeme Ferguson.

  • Fremantle to go to Natpe with dramas

    Fremantle to go to Natpe with dramas

    MUMBAI: At the television trade event Natpe next year in Las Vegas television format creator and distributor FremantleMedia Enterprises (FME) will offer big brand shows and drama programming.

    Kicking things off will be The Janice Dickinson Modeling Agency with Janice Dickinson making an appearance at the Mandalay Bay to showcase this series.

    On the show she endures the trials and tribulations of setting up her own modelling agency. After five seasons as the ‘Simon-Cowell-of-modelling’ judge on America’s Next Top Model, Janice is now taking the reigns as both star and producer of this hit new show which has already made waves around the world.

    Live From Abbey Road makes its Natpe debut, with the likes of Snow Patrol, Massive Attack, LeAnn Rimes and the Red Hot Chili Peppers celebrating the 75th anniversary of London’s legendary Abbey Road recording studios. Both new and established artists offer a unique insight into the world of the musician as they rehearse, discuss their work, and build towards the final exclusive performance at the home of music.

    Series three of Project Runway is available, hosted by supermodel Heidi Klum. This wildly popular series from The Weinstein Company was nominated for three 2006 Emmy awards and screens in 21 territories worldwide. Series three sees fifteen new fashion designers battling it out for the chance to show their designs in front of the global fashion community in New York and be displayed in the pages of Elle magazine. A hot property, the series three finale of Project Runway recently achieved a record-breaking 5.4 million viewers – the highest rated programme ever on Bravo.

    The Martha Stewart Show makes a return to NATPE, featuring celebrity-studded and informative segments, with the spotlight on Martha Stewart’s sense of humour and love of fun. Having recently been renewed for a further series on NBC, each episode features movers and shakers, headline makers, A-list celebrities plus everyday people who’ve accomplished extraordinary things.

    With guests such as Russell Crowe, Jamie Oliver, Olivia Newton-John, Jessica Alba, Harrison Ford, Sharon Stone, Jason Biggs, Paul Walker and the cast of Desperate Housewives, season one of The Martha Stewart Show received five Emmy nominations and scooped one award.