Tag: National School of Drama

  • Theatre’s role in cinema, where stage meets screen

    Theatre’s role in cinema, where stage meets screen

    MUMBAI: Curtains up, lights on, and action, but the roots of cinema lie on the stage. At a lively session on “The Power of Theatre in Cinema’s DNA,” celebrated actors and creators revealed how the world of theatre continues to shape the Indian screen.

    Moderated by National School of Drama director Chittaranjan Tripathy, the panel featured Swanand Kirkire, Raghubir Yadav, Rajpal Yadav, and Mita Vashisht. The discussion explored how theatrical training provides actors with depth, discipline, and authenticity that resonate on screen.

    Swanand Kirkire, a multi-talented lyricist, actor, and singer, called cinema an extension of theatre. “Drama happens in one space and one time on stage. Cinema takes the same drama and expands it across spaces and moments,” he said. He highlighted that every great film begins with understanding drama, the conflict between forces, and the forward motion of storytelling.

    Raghubir Yadav stressed theatre’s irreplaceable role in building a performer. “You can do a play without cinema, but you cannot do a film without a play. Theatre gives you everything: emotion, nuance, life. Cinema may teach dialogue memorisation, but theatre teaches you living on stage,” he explained.

    Rajpal Yadav reflected on theatre as a teacher of life itself. “The collaborative essence of stagecraft and how understanding every role, from actors to carpenters, enriches cinema. Theatre teaches zero, cinema teaches hero. When theatre and cinema come together, every element of performance becomes alive,” he said.

    Mita Vashisht discussed the technical interplay between theatre and film. While theatre delivers a live connection with audiences, cinema requires technology to capture and convey the same energy. She also pointed out that concepts like framing, positioning of actors, and set design in cinema are borrowed directly from theatre, referencing techniques like Mise en Scène.

    The session celebrated theatre as the backbone of cinema, emphasising that even with all the technology in modern filmmaking, the foundational lessons of stagecraft: discipline, collaboration, and emotional truth, remain essential. As Kirkire summarised, “Theatre gives cinema its DNA. Without it, the soul of performance is incomplete.”

    From the intricacies of acting to the careful orchestration of a set, the discussion made it clear, the spotlight may have shifted from stage to screen, but the heart of storytelling continues to beat in the theatre.

  • Five regional centres of India’s premier drama school to open in other parts of country

    Five regional centres of India’s premier drama school to open in other parts of country

    NEW DELHI: The Delhi-based National School of Drama, which has formed the training ground for some of the best television and film personalities, is to get five regional centres in different parts of the country, Parliament has been told.

    This follows the recommendations made by the Broad Based Committee for opening up of five regional centres across the country.

    The NSD Society proposes to establish one regional centre each at Kolkata, Mumbai/Goa, Jammu and Kashmir, and the North-East besides upgrading the existing Regional Resource Centre (RRC) at Bengaluru to become a full-fledged regional centre.

    Culture Minister Mahesh Sharma said these regional centres are to be established in consultation with the concerned State Governments who were required to provide accommodation for the purpose.

    So far, only Karnataka has allotted land for the purpose at Bengaluru. NSD has started one year teaching training programme in the Bengaluru Chapter commencing from academic session 2014-15.

    In addition, under consolidation of Out-reach Programme in the North-East Region, NSD has opened its Centres in Sikkim and Tripura. 

    Several actors like Om Puri, Naseeruddin Shah, Shabana Azmi, Nadira Babbar, Kulbhushan Kharbanda and others and filmmakers like M S Sathyu have made major contributions to the NSD, many of them beginning their careers here.

  • Five regional centres of India’s premier drama school to open in other parts of country

    Five regional centres of India’s premier drama school to open in other parts of country

    NEW DELHI: The Delhi-based National School of Drama, which has formed the training ground for some of the best television and film personalities, is to get five regional centres in different parts of the country, Parliament has been told.

    This follows the recommendations made by the Broad Based Committee for opening up of five regional centres across the country.

    The NSD Society proposes to establish one regional centre each at Kolkata, Mumbai/Goa, Jammu and Kashmir, and the North-East besides upgrading the existing Regional Resource Centre (RRC) at Bengaluru to become a full-fledged regional centre.

    Culture Minister Mahesh Sharma said these regional centres are to be established in consultation with the concerned State Governments who were required to provide accommodation for the purpose.

    So far, only Karnataka has allotted land for the purpose at Bengaluru. NSD has started one year teaching training programme in the Bengaluru Chapter commencing from academic session 2014-15.

    In addition, under consolidation of Out-reach Programme in the North-East Region, NSD has opened its Centres in Sikkim and Tripura. 

    Several actors like Om Puri, Naseeruddin Shah, Shabana Azmi, Nadira Babbar, Kulbhushan Kharbanda and others and filmmakers like M S Sathyu have made major contributions to the NSD, many of them beginning their careers here.

  • Ratan Thiyam bags Lifetime Award, Mein Huun Yusuf aur Yeh Hai Mera Bhai bags four awards at annual Theatre Awards

    Ratan Thiyam bags Lifetime Award, Mein Huun Yusuf aur Yeh Hai Mera Bhai bags four awards at annual Theatre Awards

    NEW DELHI: National School of Drama Chairman Ratan Thiyam was conferred the lifetime achievement award at the 11th Mahindra Excellence in Theatre Awards (META) last night.

    The annual awards, which recognize excellence in theatre nationally, celebrate the intrinsic diversity and rich cultural traditions of India.

    META is India’s most comprehensive award and a premier honour for the theatre fraternity, awarding on-stage and off-stage talent across 14 award categories including the Lifetime Achievement Award. 

    The glittering award night saw the presence of Kalki Koechlin, Shabana Azmi, Lillete Dubey, Ira Dubey and performance by Niazi Nizami Brothers, Shabnam Virmani and Goura Prema. The META Awards Night was hosted by Kabir Bedi and Shivani Wazir

    Mein Huun Yusuf aur Yeh Hai Mera Bhai stole the limelight, bagging four awards (Best Direction, Best Production, Best Light Design, Best Sound/Music Design) and a Jury Special Mention for Best Actor in a Lead role (Male).

    Noted theatre guru and Padma Shri recipient Ratan Thiyam receive his award from Shabana Azmi. The Lifetime Achievement Award carries with a prize money of Rs. 5 lakh.

    Thiyam said, “I feel deeply honoured by this prestigious award. It’s a kind of gesture of encouragement for us who are working in the field of theatre. I am happy.”

    The 2016 META Jury comprised author Kunal Basu, actor Kusum Haider, director and theatre and film actor M.K. Raina, dancer- choreographer Tanushree Shankar, and actor-director Sushma Seth.

    Plays in diverse Indian Languages shone at the META Awards Nights this year with Shantanu Ghosh and Dyuti Ghosh of the Bengali play Haoai – The Eleventh Planet bagging the META for Best Actor in Supporting Role – Male & Female respectively for their portrayals of the shy Polu and the excitable Mrinmoyee.

    The Best Original Script was won by Kannada play Akshayambhara with its unique amalgamation of modern theatrical tools and the traditional Yakshagana dance theatre creating a contemporary narrative raising questions on female representation and male ownership. Prasad Cherkady, who plays a male actor in streevesha as Draupadi inAkshayambhara, won the Best Actor in Lead Role (Male).

    Sayalee Phatak won the Best Actor in Lead role (Female) for her depiction of the aggressive but troubled Mitra in search for her sexual identity in the play A Friend’s Story, an English adaptation of Vijay Tendulkar’s brilliant Marathi drama, Mitrachi Goshta.

    Malayalam play The Balcony was awarded the Best Costume Design for the authenticity of the costumes which transported the audience into the world of the production and Tamil play Kuhaimaravasigal bagged the Best Choreography Award for the rustic quality of the movements which were well in tune with the symbolism depicted all through the play.

    A unique stage adaptation of the 1920’s German silent horror film, The Cabinet of Dr. Caligari – set inside a rundown warehouse space featuring distinctive on-stage elements – won Best Stage Design.

    The Best Ensemble was presented to 07/07/07 based on the legal battle to save Reyhaneh Jabbari from the gallows.

    A spate of performances celebrated theatre’s big night and enthralled the audence including Qawalli by the Niazi Nizami Brothers, Shabnam Virmani’s spiritual musical journey through an exploration of Kabir’s poetry, a contemporary meets classical dance performance by Goura Prema and the Natya Nectar Dance Company and award-winning actress Kalki Koechlin’s chilling rendition of her poem The Printing Machine.

    Jay Shah, Head of Cultural Outreach, Mahindra and Mahindra Ltd., said, “Every passing year of META strengthens our commitment to theatre. Seeing the astonishing levels of talent in our country and playing a role in bringing this to the nation’s notice fills the Mahindra Group with immense pride and satisfaction. This year was no different – it deepened our admiration for both theatre folks and audience.”

    Over the past few days, theatre enthusiasts in the capital were treated with a feast of 10 nominated productions from across the country, which were showcased on the META stage this year. The bevy of topics included contemporary interpretations of mythological texts, prostitution, molestation, false executions, human-like obsession, jealousy, betrayal and search for redemption.

    Commenting on META 2016 Teamwork Arts MD and Producer META Sanjoy Roysaid, “With every passing year META has witnessed trend-setting plays which have reflected the diversity of India and shone a light on the many issues that continue to challenge the world in these times.” 

  • Ratan Thiyam bags Lifetime Award, Mein Huun Yusuf aur Yeh Hai Mera Bhai bags four awards at annual Theatre Awards

    Ratan Thiyam bags Lifetime Award, Mein Huun Yusuf aur Yeh Hai Mera Bhai bags four awards at annual Theatre Awards

    NEW DELHI: National School of Drama Chairman Ratan Thiyam was conferred the lifetime achievement award at the 11th Mahindra Excellence in Theatre Awards (META) last night.

    The annual awards, which recognize excellence in theatre nationally, celebrate the intrinsic diversity and rich cultural traditions of India.

    META is India’s most comprehensive award and a premier honour for the theatre fraternity, awarding on-stage and off-stage talent across 14 award categories including the Lifetime Achievement Award. 

    The glittering award night saw the presence of Kalki Koechlin, Shabana Azmi, Lillete Dubey, Ira Dubey and performance by Niazi Nizami Brothers, Shabnam Virmani and Goura Prema. The META Awards Night was hosted by Kabir Bedi and Shivani Wazir

    Mein Huun Yusuf aur Yeh Hai Mera Bhai stole the limelight, bagging four awards (Best Direction, Best Production, Best Light Design, Best Sound/Music Design) and a Jury Special Mention for Best Actor in a Lead role (Male).

    Noted theatre guru and Padma Shri recipient Ratan Thiyam receive his award from Shabana Azmi. The Lifetime Achievement Award carries with a prize money of Rs. 5 lakh.

    Thiyam said, “I feel deeply honoured by this prestigious award. It’s a kind of gesture of encouragement for us who are working in the field of theatre. I am happy.”

    The 2016 META Jury comprised author Kunal Basu, actor Kusum Haider, director and theatre and film actor M.K. Raina, dancer- choreographer Tanushree Shankar, and actor-director Sushma Seth.

    Plays in diverse Indian Languages shone at the META Awards Nights this year with Shantanu Ghosh and Dyuti Ghosh of the Bengali play Haoai – The Eleventh Planet bagging the META for Best Actor in Supporting Role – Male & Female respectively for their portrayals of the shy Polu and the excitable Mrinmoyee.

    The Best Original Script was won by Kannada play Akshayambhara with its unique amalgamation of modern theatrical tools and the traditional Yakshagana dance theatre creating a contemporary narrative raising questions on female representation and male ownership. Prasad Cherkady, who plays a male actor in streevesha as Draupadi inAkshayambhara, won the Best Actor in Lead Role (Male).

    Sayalee Phatak won the Best Actor in Lead role (Female) for her depiction of the aggressive but troubled Mitra in search for her sexual identity in the play A Friend’s Story, an English adaptation of Vijay Tendulkar’s brilliant Marathi drama, Mitrachi Goshta.

    Malayalam play The Balcony was awarded the Best Costume Design for the authenticity of the costumes which transported the audience into the world of the production and Tamil play Kuhaimaravasigal bagged the Best Choreography Award for the rustic quality of the movements which were well in tune with the symbolism depicted all through the play.

    A unique stage adaptation of the 1920’s German silent horror film, The Cabinet of Dr. Caligari – set inside a rundown warehouse space featuring distinctive on-stage elements – won Best Stage Design.

    The Best Ensemble was presented to 07/07/07 based on the legal battle to save Reyhaneh Jabbari from the gallows.

    A spate of performances celebrated theatre’s big night and enthralled the audence including Qawalli by the Niazi Nizami Brothers, Shabnam Virmani’s spiritual musical journey through an exploration of Kabir’s poetry, a contemporary meets classical dance performance by Goura Prema and the Natya Nectar Dance Company and award-winning actress Kalki Koechlin’s chilling rendition of her poem The Printing Machine.

    Jay Shah, Head of Cultural Outreach, Mahindra and Mahindra Ltd., said, “Every passing year of META strengthens our commitment to theatre. Seeing the astonishing levels of talent in our country and playing a role in bringing this to the nation’s notice fills the Mahindra Group with immense pride and satisfaction. This year was no different – it deepened our admiration for both theatre folks and audience.”

    Over the past few days, theatre enthusiasts in the capital were treated with a feast of 10 nominated productions from across the country, which were showcased on the META stage this year. The bevy of topics included contemporary interpretations of mythological texts, prostitution, molestation, false executions, human-like obsession, jealousy, betrayal and search for redemption.

    Commenting on META 2016 Teamwork Arts MD and Producer META Sanjoy Roysaid, “With every passing year META has witnessed trend-setting plays which have reflected the diversity of India and shone a light on the many issues that continue to challenge the world in these times.”